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Writing (3 more)
No character development
Too many inconsistencies
Too many chapters
Errin Stowell's new novel series starts with Covet Not which is about a middle-aged lawyer named Sam Sparks - - - who is referred to as Sparks nearly the entire story - - - whose fiancee goes missing and he then becomes the prime suspect. Before everything happens though, readers see that Sparks spends his time trying to defend the elderly from home foreclosures as a small-time lawyer.
If this sounds like a synopsis for a John Grisham novel, you wouldn't be far off because Stowell has the potential to be the next one. This is only the first novel I've read by Stowell, but the one thing I noticed mostly in this story was the amount of inconsistencies and amateur writing mistakes; with better editing and consistency, his books could very well hit mainstream.
Also, Covet Not had so many chapters, so much so that scenes were chopped in half and made into entirely new chapters. The book ended up having 48 chapters within 158 pages. This amount could have easily been shortened and helped with the flow of the story if Stowell had just continued onwards with scenes rather then cutting them short or just skipping parts completely.
The novel starts with a man called Skinny who is enjoying his growing infamy on the dark web (he records himself murdering women then uploads it for his audience to enjoy). Here is how Stowell describes Skinny's thought process:
" Skinny took a black ski mask from the duffel bag and put it on before carrying the bag into the camera's frame and placing it near the woman. He began unpacking other items from the bag. It was slow work, deliberately slow for the camera. Skinny intended to have a before and after view for each tool. It was important to show the proper use of tools. The viewers always appreciated that. "
When we switch over to Sparks, we find him after a long day of work, speaking with a journalist named Gina, his fiancee, who is telling him one of her co-workers stole her story, but no one has heard from her in two days. Yet, they both agree that she's probably holed up with one of the producers, and instead, get into a small argument about Sparks never supporting Gina - - - a constant habit of arguing is almost every interaction between the two throughout the entire novel.
Soon after, Sparks introduces us to his uncle Jimmy, who is being housed at a retirement home: " The old man was seated in a wheelchair; his left leg had been amputated just below the knee a few years before, the result of allowing an ingrown toenail to fester to gangrene. Jimmy's barrel chest and solid upper body contrasted with his wasting legs. "
As Sparks continues to visit his uncle in the retirement home, he keeps running into a cute nurse named Darlene, who quickly sets her sights on him. She goes so far out of her way to get Sparks and Gina to separate that she sends him nude photos of herself from a burner phone. Fortunately, Sparks has bigger fish to fry when he hears over his car radio that Gina's co-worker was now being treated as a missing person case, causing Sparks to quickly jump to the conclusion that Gina possibly was responsible for it.
However, Stowell throws in an expected curveball by making our villain, Skinny, work at the retirement home. When he comes in to take care of a patient while Sparks is present, it's too easy to guess that this patient was going to end up dead soon. Sparks, expectedly, has a bad feeling about this male nurse, but dismisses it and believes that the patient died by natural causes. Life goes on.
Stowell's novel, with a great plot, was just too focused on ending the story, that after page 50, it seemed as if Stowell didn't care what happened to these characters, just as long as he finished the book. At one point, readers are told that Sparks doesn't drink alcohol, but it's never explained why he doesn't which would have given a bite of character development; another scene, Sparks finds a phone, but doesn't want to give it to police, instead he states that he has a 'friend' in the police department who can go through it as a favor, but this 'friend' is completely forgotten, as if Sparks never mentioned him, and the former is left dumbfounded as to how to get into the phone.
There's a story here and characters that could be more well-rounded, but I honestly found myself not caring the least bit about any of the characters' well-being, especially Sparks - - - someone who comes off as inept, someone who has to be told what to do in order for anything to get done - - - he's like a lost child running blindly throughout the book. The story needs to be longer with more emphasis given to mundane scenes that will allow readers to chew on a piece of Sparks' daily life because, by the end of the book, we needed a full picture of every major character, not a Jackson Pollock.
If this sounds like a synopsis for a John Grisham novel, you wouldn't be far off because Stowell has the potential to be the next one. This is only the first novel I've read by Stowell, but the one thing I noticed mostly in this story was the amount of inconsistencies and amateur writing mistakes; with better editing and consistency, his books could very well hit mainstream.
Also, Covet Not had so many chapters, so much so that scenes were chopped in half and made into entirely new chapters. The book ended up having 48 chapters within 158 pages. This amount could have easily been shortened and helped with the flow of the story if Stowell had just continued onwards with scenes rather then cutting them short or just skipping parts completely.
The novel starts with a man called Skinny who is enjoying his growing infamy on the dark web (he records himself murdering women then uploads it for his audience to enjoy). Here is how Stowell describes Skinny's thought process:
" Skinny took a black ski mask from the duffel bag and put it on before carrying the bag into the camera's frame and placing it near the woman. He began unpacking other items from the bag. It was slow work, deliberately slow for the camera. Skinny intended to have a before and after view for each tool. It was important to show the proper use of tools. The viewers always appreciated that. "
When we switch over to Sparks, we find him after a long day of work, speaking with a journalist named Gina, his fiancee, who is telling him one of her co-workers stole her story, but no one has heard from her in two days. Yet, they both agree that she's probably holed up with one of the producers, and instead, get into a small argument about Sparks never supporting Gina - - - a constant habit of arguing is almost every interaction between the two throughout the entire novel.
Soon after, Sparks introduces us to his uncle Jimmy, who is being housed at a retirement home: " The old man was seated in a wheelchair; his left leg had been amputated just below the knee a few years before, the result of allowing an ingrown toenail to fester to gangrene. Jimmy's barrel chest and solid upper body contrasted with his wasting legs. "
As Sparks continues to visit his uncle in the retirement home, he keeps running into a cute nurse named Darlene, who quickly sets her sights on him. She goes so far out of her way to get Sparks and Gina to separate that she sends him nude photos of herself from a burner phone. Fortunately, Sparks has bigger fish to fry when he hears over his car radio that Gina's co-worker was now being treated as a missing person case, causing Sparks to quickly jump to the conclusion that Gina possibly was responsible for it.
However, Stowell throws in an expected curveball by making our villain, Skinny, work at the retirement home. When he comes in to take care of a patient while Sparks is present, it's too easy to guess that this patient was going to end up dead soon. Sparks, expectedly, has a bad feeling about this male nurse, but dismisses it and believes that the patient died by natural causes. Life goes on.
Stowell's novel, with a great plot, was just too focused on ending the story, that after page 50, it seemed as if Stowell didn't care what happened to these characters, just as long as he finished the book. At one point, readers are told that Sparks doesn't drink alcohol, but it's never explained why he doesn't which would have given a bite of character development; another scene, Sparks finds a phone, but doesn't want to give it to police, instead he states that he has a 'friend' in the police department who can go through it as a favor, but this 'friend' is completely forgotten, as if Sparks never mentioned him, and the former is left dumbfounded as to how to get into the phone.
There's a story here and characters that could be more well-rounded, but I honestly found myself not caring the least bit about any of the characters' well-being, especially Sparks - - - someone who comes off as inept, someone who has to be told what to do in order for anything to get done - - - he's like a lost child running blindly throughout the book. The story needs to be longer with more emphasis given to mundane scenes that will allow readers to chew on a piece of Sparks' daily life because, by the end of the book, we needed a full picture of every major character, not a Jackson Pollock.
Hadley (567 KP) rated The Ghost of Villa Winter in Books
Mar 12, 2021
A cult (1 more)
Description of environment
All of the characters (1 more)
Amateur writing mistakes
Little does the reader know when they pick up a copy of The Ghost of Villa Winter by Isobel Blackthorn that a cult is lurking about inside the pages.
We begin our journey with Clarissa ,our main character, boarding a tour bus where she lets her personality shine through, which turns out to be extremely judgmental of anyone who isn't like her, or doesn't fit into the categories she places them in. For example, the driver of the tour bus is automatically labeled by Clarissa as a bad man because he has an uneven face and a French accent, and much of the same is said about the other seven passengers, as well. When she finally manages to stop judging the passengers, readers find out that Clarissa is somewhat of a psychic: "Ghosts spoke a language of their own and if a member of the spirit world inhabited the abandoned abode, she was sure to pick up on it. She was never wrong in these matters. Only three of the thirty or more premises she'd investigated on so-called ghost tours had contained a legitimate ghost. She prided herself on her mediumistic prowess. She was apt to pick up on preternatural inhabitants of places said not to be haunted. Sometimes she thought she could singlehandedly re-write history based on information she had gleaned, but that was being arrogant. She followed her dreams and her visions and her intuition, that was all. A natural psychic and a cynic to boot. "
It turns out that Clarissa is on the tour to see if she can encounter any spirits that may be at the infamous Villa Winter; a place that is believed to have been a secret Nazi base, as well as a place for human experiments - - - the tower was also believed to have been used as a lighthouse for German U-boats - - - which, in reality, Villa Winter is an actual place that exists on the Canary Islands in Spain.
The Ghost of Villa Winter is the fourth book in Blackthorn's Canary Islands Mysteries series, but it can be easily read as an introduction to it because you don't need any background information to understand what is going on. The novel takes on the usual tropes of a murder-mystery plot (a body is found, people are stranded and trying to figure out who among them is the murderer). Agatha Christie is one of the best authors of the murder-mystery genre who loved using her knowledge of poisons in her stories - - - Blackthorn treats the tropes with the right amount of respect which makes The Ghost of Villa Winter a pretty good story.
My major complaint for the Ghost of Villa Winter are the characters, which I found every single one quite unlikable, and even by the end, I couldn't bring myself to care at all for Clarissa. The way that she judged everyone so harshly, and her viewpoint that if no one acted the way she wanted them to, she would believe something was wrong with them that needed to be addressed in a rude manner: "He was the most anxious man she had come across in a long time. Anxious, unsure of himself and preoccupied. Far too self-conscious. The way he'd aligned his plate at lunch. That was obsessive-compulsive. And he certainly couldn't handle Fred Spice. She was sure he could be charming with pretty young ladies, patronizing even, but around her he was awkward. It was clear, too, that he was broken. It wouldn't be easy being an author knowing as you aged that all of your success was behind you and your future held nothing but diminishment. Writing was one of those activities you could pursue until you dropped and many successful authors did just that. As irritating as he could be, she felt sorry for him. "
The other characters are all seen from Clarissa's viewpoint, so they come off quite annoying, but at one point it seemed like Blackthorn was trying to redeem Clarissa's negative qualities by making her an advocate for a possibly wrongly convicted man. This story line didn't come off as redemption for me, but rather to fuel Clarissa's need to be important and in the right. Blackthorn failed to make any of the characters grow above pettiness. If a reader doesn't have a character to root for, the story becomes unenjoyable - - - which is the main reason I gave the book such a low rating; the murder-mystery was interesting, but the characters were not.
The murder, a woman who may have been part of a cult, is found inside a nailed-up crate with a tattoo of a number on her body being one of the only clues that puts Clarissa into sleuth-mode. After believing that one of the tourists is the killer, she decides to keep the discovery of the murder between her and Richard - - - a crime author who came to Villa Winter in hopes of a book inspiration. The two slowly begin to investigate their fellow tourists to figure out who had the mind and motive to kill the young woman, but this doesn't seem to be as easy as it is in Richard's books. I did have a problem though with the ending which ends up being very reminiscent of a majority of short stories: the ending came abruptly and the pieces fell into a place that was unbelievable.
I had never read any of Blackthorn's books before, so I didn't have much of an expectation reading the Ghost of Villa Winter. Unfortunately, I came away from this one pretty dissatisfied because all of the interesting points in the story (such as the cult) are rarely shown/explored further. Also, the fact that 'ghost' is in the title, I was pretty let down with only a couple of scenes where a ghost actually shows up, one such short-lived scene: "She [Clarissa] was about to carry on when a figure appeared in one of the uppermost tower windows. Appeared, and then was gone. At least, what she thought to be a figure. Could have been a ghost. " The scenes are so short that I believe 'ghost' shouldn't be in the title because it's misleading.
With quite a few amateur writing mistakes, and unlikable characters, I don't think I will read anymore of the books in this series. I loved the idea of a cult murder and a haunting in a possible Nazi base, but too much of the focus in the story was on Clarissa's judgmental outlook on everything that it ended up not being the story it could have been. I can only recommend this book to people who want a quick murder-mystery (what most call the genre 'cozy mystery'), but for paranormal lovers, the ghosts practically disappeared within a few pages.
We begin our journey with Clarissa ,our main character, boarding a tour bus where she lets her personality shine through, which turns out to be extremely judgmental of anyone who isn't like her, or doesn't fit into the categories she places them in. For example, the driver of the tour bus is automatically labeled by Clarissa as a bad man because he has an uneven face and a French accent, and much of the same is said about the other seven passengers, as well. When she finally manages to stop judging the passengers, readers find out that Clarissa is somewhat of a psychic: "Ghosts spoke a language of their own and if a member of the spirit world inhabited the abandoned abode, she was sure to pick up on it. She was never wrong in these matters. Only three of the thirty or more premises she'd investigated on so-called ghost tours had contained a legitimate ghost. She prided herself on her mediumistic prowess. She was apt to pick up on preternatural inhabitants of places said not to be haunted. Sometimes she thought she could singlehandedly re-write history based on information she had gleaned, but that was being arrogant. She followed her dreams and her visions and her intuition, that was all. A natural psychic and a cynic to boot. "
It turns out that Clarissa is on the tour to see if she can encounter any spirits that may be at the infamous Villa Winter; a place that is believed to have been a secret Nazi base, as well as a place for human experiments - - - the tower was also believed to have been used as a lighthouse for German U-boats - - - which, in reality, Villa Winter is an actual place that exists on the Canary Islands in Spain.
The Ghost of Villa Winter is the fourth book in Blackthorn's Canary Islands Mysteries series, but it can be easily read as an introduction to it because you don't need any background information to understand what is going on. The novel takes on the usual tropes of a murder-mystery plot (a body is found, people are stranded and trying to figure out who among them is the murderer). Agatha Christie is one of the best authors of the murder-mystery genre who loved using her knowledge of poisons in her stories - - - Blackthorn treats the tropes with the right amount of respect which makes The Ghost of Villa Winter a pretty good story.
My major complaint for the Ghost of Villa Winter are the characters, which I found every single one quite unlikable, and even by the end, I couldn't bring myself to care at all for Clarissa. The way that she judged everyone so harshly, and her viewpoint that if no one acted the way she wanted them to, she would believe something was wrong with them that needed to be addressed in a rude manner: "He was the most anxious man she had come across in a long time. Anxious, unsure of himself and preoccupied. Far too self-conscious. The way he'd aligned his plate at lunch. That was obsessive-compulsive. And he certainly couldn't handle Fred Spice. She was sure he could be charming with pretty young ladies, patronizing even, but around her he was awkward. It was clear, too, that he was broken. It wouldn't be easy being an author knowing as you aged that all of your success was behind you and your future held nothing but diminishment. Writing was one of those activities you could pursue until you dropped and many successful authors did just that. As irritating as he could be, she felt sorry for him. "
The other characters are all seen from Clarissa's viewpoint, so they come off quite annoying, but at one point it seemed like Blackthorn was trying to redeem Clarissa's negative qualities by making her an advocate for a possibly wrongly convicted man. This story line didn't come off as redemption for me, but rather to fuel Clarissa's need to be important and in the right. Blackthorn failed to make any of the characters grow above pettiness. If a reader doesn't have a character to root for, the story becomes unenjoyable - - - which is the main reason I gave the book such a low rating; the murder-mystery was interesting, but the characters were not.
The murder, a woman who may have been part of a cult, is found inside a nailed-up crate with a tattoo of a number on her body being one of the only clues that puts Clarissa into sleuth-mode. After believing that one of the tourists is the killer, she decides to keep the discovery of the murder between her and Richard - - - a crime author who came to Villa Winter in hopes of a book inspiration. The two slowly begin to investigate their fellow tourists to figure out who had the mind and motive to kill the young woman, but this doesn't seem to be as easy as it is in Richard's books. I did have a problem though with the ending which ends up being very reminiscent of a majority of short stories: the ending came abruptly and the pieces fell into a place that was unbelievable.
I had never read any of Blackthorn's books before, so I didn't have much of an expectation reading the Ghost of Villa Winter. Unfortunately, I came away from this one pretty dissatisfied because all of the interesting points in the story (such as the cult) are rarely shown/explored further. Also, the fact that 'ghost' is in the title, I was pretty let down with only a couple of scenes where a ghost actually shows up, one such short-lived scene: "She [Clarissa] was about to carry on when a figure appeared in one of the uppermost tower windows. Appeared, and then was gone. At least, what she thought to be a figure. Could have been a ghost. " The scenes are so short that I believe 'ghost' shouldn't be in the title because it's misleading.
With quite a few amateur writing mistakes, and unlikable characters, I don't think I will read anymore of the books in this series. I loved the idea of a cult murder and a haunting in a possible Nazi base, but too much of the focus in the story was on Clarissa's judgmental outlook on everything that it ended up not being the story it could have been. I can only recommend this book to people who want a quick murder-mystery (what most call the genre 'cozy mystery'), but for paranormal lovers, the ghosts practically disappeared within a few pages.
graveyardgremlin (7194 KP) rated Magic in the Wind (Drake Sisters, #1) in Books
Feb 15, 2019
The first few chapters of MItW started off well enough, the author captured the coastal town atmosphere perfectly, however, after that it got a little, okay at times a lot, cheesy and eye-roll-inducing. Romances don't have to be that sticky-sweet. What was different and interesting is that the narration was mainly told through the male lead instead of the female; there's not too much of that in romances. The only downfall to the story being told this way was Damon waxing poetic about Sarah the Mysterious, Sarah the Magical, Sarah the Magnificent, Sarah, She Who Walks on Water - seriously, what a Mary-Sue. I'm surprised people didn't address her as Saint Sarah. Everyone in town follows her "advice" (basically she tells them what to do in a roundabout way and they listen), seeks her out to magically fix all their problems, act like she's a goddess, combined, this all made it ten times worse. They just follow her like brainless zombies and never get upset at her poking her nose in their business (not that they all don't do the same in everybody else's). Even though all of that was nauseating, she wasn't the worst Mary-Sue I've run across (Why o' why are there so many of them? Is there a writer's manual on how to write a paragon so that everything they touch, everywhere they go, everyone they meet, they're held up as a supreme being? I wish I was perfect too. :P) and she had magic, so that makes it all the more unfair. Although, who is Sarah besides the saint of this small coastal town? I have no clue, she was never made real, I actually envisioned a golden aura around her like she's some sort of angelic being or something, which is at total odds with her tough defender super hero side. Some girls have all the luck. She has magic, she's as kind as can be, she's perfect in every way (except she's not conventionally beautiful or something, the description was kind of unclear), so of course everyone loves her, she's peaceful and she gets to kick a** like she's Buffy? No freaking way. Where can I sign up?
Another annoyance was "painfully shy" Hannah, one of Sarah's six sisters. Hannah is apparently a model who travels the world, is on magazines, goes on talk shows, etc., even though she is painfully shy. Hey, I can believe someone famous has trouble like that, my problem comes from her "condition" being described as "painfully shy" all the time. It is mentioned in that exact same way, it's never really shy, very shy, extremely shy, or even just plain old shy, no it has to be "painfully shy." In truth, it was only said three times (that I noticed), but in a story that is only around ninety pages, it really sticks out, especially since it was awkwardly brought into the plot. I have a hard time believing this is only shyness, try social phobia or at the very least, some anxiety disorder. Why hasn't she had psychological care? The only remedies mentioned are magical spells and whatnot. While I'm on the subject of Hannah, of whom I know more about personality-wise than Sarah, I might as well mention the jeering and taunting between Jona, the town sheriff, and herself. These interactions are so over-the-top and obvious; we all know where this is going to lead in a future book. And not one of the sisters or Damon notices what is right in front of them. How can they be so imperceptive? What are they, seven? Although I have to admit I'd hate to be called "Baby" or "Barbie" doll too, but then again, I don't look like a Victoria's Secret model, Hannah does.
As for the plot, it was barely there, more time was spent on introducing the sisters, their legacy, characters that went nowhere, and having Sarah sit on a pedestal. Damon would have been more interesting if this had been made into a full-length book - I like the idea of a scientist being confronted with magic - but there just wasn't enough there for a cohesive story. I usually don't write much about short stories but had a lot to say about this one. Obviously. I'm interested in the sisters' stories, I try not to judge authors solely based on a short story, so I will check them out, especially Hannah's. As someone who's been "painfully shy" (couldn't resist) her whole life, my interest has been piqued to see how the author develops Hannah and her shyness in that installment of the series.
I was thinking of giving this an average rating but after writing my review and thinking back on the story, it's just not that good.
2/5 stars
Another annoyance was "painfully shy" Hannah, one of Sarah's six sisters. Hannah is apparently a model who travels the world, is on magazines, goes on talk shows, etc., even though she is painfully shy. Hey, I can believe someone famous has trouble like that, my problem comes from her "condition" being described as "painfully shy" all the time. It is mentioned in that exact same way, it's never really shy, very shy, extremely shy, or even just plain old shy, no it has to be "painfully shy." In truth, it was only said three times (that I noticed), but in a story that is only around ninety pages, it really sticks out, especially since it was awkwardly brought into the plot. I have a hard time believing this is only shyness, try social phobia or at the very least, some anxiety disorder. Why hasn't she had psychological care? The only remedies mentioned are magical spells and whatnot. While I'm on the subject of Hannah, of whom I know more about personality-wise than Sarah, I might as well mention the jeering and taunting between Jona, the town sheriff, and herself. These interactions are so over-the-top and obvious; we all know where this is going to lead in a future book. And not one of the sisters or Damon notices what is right in front of them. How can they be so imperceptive? What are they, seven? Although I have to admit I'd hate to be called "Baby" or "Barbie" doll too, but then again, I don't look like a Victoria's Secret model, Hannah does.
As for the plot, it was barely there, more time was spent on introducing the sisters, their legacy, characters that went nowhere, and having Sarah sit on a pedestal. Damon would have been more interesting if this had been made into a full-length book - I like the idea of a scientist being confronted with magic - but there just wasn't enough there for a cohesive story. I usually don't write much about short stories but had a lot to say about this one. Obviously. I'm interested in the sisters' stories, I try not to judge authors solely based on a short story, so I will check them out, especially Hannah's. As someone who's been "painfully shy" (couldn't resist) her whole life, my interest has been piqued to see how the author develops Hannah and her shyness in that installment of the series.
I was thinking of giving this an average rating but after writing my review and thinking back on the story, it's just not that good.
2/5 stars
Rachel King (13 KP) rated Letters to Ethan: A Grandfather's Legacy of Life & Love in Books
Feb 11, 2019
Right from the beginning, I found the seriousness to which the author, Tom McQueen, approaches his role as a grandfather to his grandson, Ethan, as both endearing and worthy of my respect. What he is attempting to do with the letters found in this book is a commendable goal that not many grandparents may go through the trouble to achieve. Each "chapter" of the book is actually a four-to-six page letter and headed by a quotation that applies to the topic of the letter. Each of the letters address a specific topic, such as Heroism, Risk, Integrity, Love, and Imagination, to name a few. Some of the letters also include excerpts from other sources that McQueen finds wisdom in, such as poetry or short stories like the famous story "Footprints in the Sand." Many of the letters make references to sports and sports imagery, such as citing Wayne Gretsky's accomplishments, which is certainly appropriate for most boys. The letters are also peppered with poignant memories of McQueen's and bits of history, such as the story of George Washington Carver.
It becomes apparent in the first letter that this book has a decidedly Roman Catholic slant, and many of the letters include Catholic doctrine teachings. If the reader does not prescribe to Roman Catholicism, this can be a major obstacle to enjoying this book. The other thing that bugs me throughout the text is that I can not figure out at what age the author intended his grandson to read these letters. Some of the topics are rather mature, and they would not be appropriate for a boy that is too young to receive the advice given in the letter, no matter how well-meaning it is. I also could not decipher if McQueen's grandson, Ethan, was supposed to read these letters while his grandfather was still alive or if they were meant for after he passed - again, this would make sense if the appropriate age were given for each letter.
If I ignore the obvious bias in the letters, I found much of the advice given to be relevant and useful wisdom for a young man - or woman - attaining to adulthood.
It becomes apparent in the first letter that this book has a decidedly Roman Catholic slant, and many of the letters include Catholic doctrine teachings. If the reader does not prescribe to Roman Catholicism, this can be a major obstacle to enjoying this book. The other thing that bugs me throughout the text is that I can not figure out at what age the author intended his grandson to read these letters. Some of the topics are rather mature, and they would not be appropriate for a boy that is too young to receive the advice given in the letter, no matter how well-meaning it is. I also could not decipher if McQueen's grandson, Ethan, was supposed to read these letters while his grandfather was still alive or if they were meant for after he passed - again, this would make sense if the appropriate age were given for each letter.
If I ignore the obvious bias in the letters, I found much of the advice given to be relevant and useful wisdom for a young man - or woman - attaining to adulthood.
Merissa (11950 KP) rated The Bright Side Brigade in Books
Mar 29, 2019
The Bright Side Brigade by Elaine White
The Bright Side Brigade is a set of interconnecting stories, all related to each other, but with different people in the starring roles for each one. What this means is you keep up to date on all of the people here, but not in the way you were expecting.
What was I expecting when I agreed to review this? I'll be honest, not this!!! I read a hard-hitting, emotional, full of impact story that shows you that sometimes, you actually need something you didn't think you did. This school had a Zero Tolerance manifesto in place, and didn't think they needed anything else, but as these stories progress, you see just how much they do!
There is no one couple I loved more than the others, and that is simply amazing. Usually in a box set or anthology, I will ALWAYS have one favourite story/couple. Not here. All of these boys and girls touched my heart. I cheered for their victories, and I wept for their sorrows. Seriously!!! I was astounded by what I read, and I thoroughly enjoyed every word!
Now, onto the technical side. There were no editing or grammatical errors that I noticed. I may have missed one when I was wiping away the tears, but I doubt it. A bunch of short stories, making up an emotional whole. The pacing was perfect for each and every one. I guess if I wanted to nitpick, I would say I'm not entirely sure where it is set. It mentions Glasgow, but then medical bills - which is possible in the UK, but not usual. However, I couldn't care if this was set on Space Planet number 9! I loved this book, and I really, REALLY, hope to see more of The Bright Side Brigade... please?!
In case you haven't realised it yet - I absolutely recommend this book!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
What was I expecting when I agreed to review this? I'll be honest, not this!!! I read a hard-hitting, emotional, full of impact story that shows you that sometimes, you actually need something you didn't think you did. This school had a Zero Tolerance manifesto in place, and didn't think they needed anything else, but as these stories progress, you see just how much they do!
There is no one couple I loved more than the others, and that is simply amazing. Usually in a box set or anthology, I will ALWAYS have one favourite story/couple. Not here. All of these boys and girls touched my heart. I cheered for their victories, and I wept for their sorrows. Seriously!!! I was astounded by what I read, and I thoroughly enjoyed every word!
Now, onto the technical side. There were no editing or grammatical errors that I noticed. I may have missed one when I was wiping away the tears, but I doubt it. A bunch of short stories, making up an emotional whole. The pacing was perfect for each and every one. I guess if I wanted to nitpick, I would say I'm not entirely sure where it is set. It mentions Glasgow, but then medical bills - which is possible in the UK, but not usual. However, I couldn't care if this was set on Space Planet number 9! I loved this book, and I really, REALLY, hope to see more of The Bright Side Brigade... please?!
In case you haven't realised it yet - I absolutely recommend this book!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Kyera (8 KP) rated There's Someone In Your House in Books
Feb 1, 2018
This young adult thriller brings the feeling of Scream to a captivating if a bit on the nose book. I liked the characterization in the book, as each person felt unique but they weren't developed in any meaningful way. As a result, it was an enjoyable and quick read but you're likely to not connect strongly with any of the characters.
One of the toughest things in a book versus a visual story when building suspense is that everything needs to be laid out for the reader. You can't just expect the reader to notice an out of place egg timer as they might when watching a tv show, you need to expressly tell your reader that it keeps moving to strange locations. I feel like this could have been executed more smoothly in the book, but as I am not an experienced thriller writer (nor reader), I don't feel I have enough knowledge to know for sure. It just seemed like the author tended to tell, rather than show throughout the narrative. The clues and scares were shoved in your face, rather than letting the creep factor build on its own.
A lot of readers have mentioned knowing "whodunnit" the moment that character appeared on the page, but I did not have that same experience. I felt that there was enough misdirection thrown your way and too-obvious clues pointing to certain characters that it was able to remain a mystery for a while. The only problem I had with the reveal is that it seemed to occur much too early in the book. It seemed to be about halfway into the story and we already knew who the killer was. As this was an incredibly short, easy read that makes the reveal feel premature.
I would be a little hesitant to recommend this book to younger readers or anyone who is squeamish about gory scenes because there were a number of them in the book. In general, she wasn't vividly descriptive but her clinical detachment while describing the scenes might be off-putting to some. Some of the murders are incredibly violent and others are just very stabby.
One of the toughest things in a book versus a visual story when building suspense is that everything needs to be laid out for the reader. You can't just expect the reader to notice an out of place egg timer as they might when watching a tv show, you need to expressly tell your reader that it keeps moving to strange locations. I feel like this could have been executed more smoothly in the book, but as I am not an experienced thriller writer (nor reader), I don't feel I have enough knowledge to know for sure. It just seemed like the author tended to tell, rather than show throughout the narrative. The clues and scares were shoved in your face, rather than letting the creep factor build on its own.
A lot of readers have mentioned knowing "whodunnit" the moment that character appeared on the page, but I did not have that same experience. I felt that there was enough misdirection thrown your way and too-obvious clues pointing to certain characters that it was able to remain a mystery for a while. The only problem I had with the reveal is that it seemed to occur much too early in the book. It seemed to be about halfway into the story and we already knew who the killer was. As this was an incredibly short, easy read that makes the reveal feel premature.
I would be a little hesitant to recommend this book to younger readers or anyone who is squeamish about gory scenes because there were a number of them in the book. In general, she wasn't vividly descriptive but her clinical detachment while describing the scenes might be off-putting to some. Some of the murders are incredibly violent and others are just very stabby.
Dana (24 KP) rated Sabriel (Abhorsen, #1) in Books
Mar 23, 2018
This was an interesting read for me. I would not say it was my favorite high fantasy novel in the world. That't mainly because this is one of my favorite genres to read, so I have read quite a few as of late.
This book took me a while to get into. There was a lot going on in the beginning, and it being a relatively short beginning of a story, it was hard to follow along. I am not saying I didn't like it, not by a long shot. Overall, it was a generally interesting and fun read. It just took a little longer than I had hoped to get into.
This book has been on my to be read list for over two years now, ever since a classmate of mine told me about it after our French class one day. I thought I would finally give it a read.
I do like Sabriel. She is pretty cool. I think I started liking her more in the second half of the book because she was growing into her role of the Abhorsen. She didn't shy away from her duties or try and get rid of them as she had more in the first half of the book. I like that she started taking charge of the situation.
Touchstone is interesting because I don't know how I feel about him. Honestly, I have no opinion of him at all, which is weird. We spend almost three hundred pages with him, and I can't find a connection with him. I do love the cat though. He's a demon, in cat form. So, a cat. (Don't get me wrong, cats are one of my favorite animals.) I am just not sure about Touchstone.
I still don't quite know what happened at the end of the book. It felt like it was wrapped up really fast and I didn't have time to process it.
I hope that if I get the next book, I will have a better understanding of how I feel about the characters and the story than I do right now.
This book took me a while to get into. There was a lot going on in the beginning, and it being a relatively short beginning of a story, it was hard to follow along. I am not saying I didn't like it, not by a long shot. Overall, it was a generally interesting and fun read. It just took a little longer than I had hoped to get into.
This book has been on my to be read list for over two years now, ever since a classmate of mine told me about it after our French class one day. I thought I would finally give it a read.
I do like Sabriel. She is pretty cool. I think I started liking her more in the second half of the book because she was growing into her role of the Abhorsen. She didn't shy away from her duties or try and get rid of them as she had more in the first half of the book. I like that she started taking charge of the situation.
Touchstone is interesting because I don't know how I feel about him. Honestly, I have no opinion of him at all, which is weird. We spend almost three hundred pages with him, and I can't find a connection with him. I do love the cat though. He's a demon, in cat form. So, a cat. (Don't get me wrong, cats are one of my favorite animals.) I am just not sure about Touchstone.
I still don't quite know what happened at the end of the book. It felt like it was wrapped up really fast and I didn't have time to process it.
I hope that if I get the next book, I will have a better understanding of how I feel about the characters and the story than I do right now.
Cyn Armistead (14 KP) rated By Blood We Live in Books
Mar 1, 2018
This thing is an <b>enormous</b> tome! I don't know if it has been released in hardback or not, but if it has, that version has to be anchor-worthy. I requested it from the library because Elizabeth Bear and Sarah Monette had stories in it, and I'll read pretty much anything either of those worthies publish. I didn't expect to care for most of the rest, and didn't plan to do much more than flip through them.
As it happens, I read most of the other stories, and there were many surprises. I did skip some of the reprints, such as the Anne Rice story (I wouldn't have read it the first time it was published, and I wasn't about to read it simply because she was in good company now). I had read Carrie Vaughn's "Life Is the Teacher" before, but for some reason my eyes just fell into reading it again, and I felt well rewarded for doing so. On the other hand, while I had enjoyed "Twilight" by Kelley Armstrong the first time I read it a few years back, I wasn't moved to repeat the experience.
I believe my favorite story may have been "Finders, Keepers" by L.A. Banks, as I still remember it clearly and with pleasure. I've only read one of Banks' Vampire Huntress novels and didn't find it interesting at all, so I haven't read any more of her work, but I may seek out more of her short fiction in the future.
"Mama Gone" by Jane Yolen felt fresh, as Yolen's work so often does. Garth Nix's contribution, "Infestation," was a little bit predictable, but that may be due to overexposure to the genre.
I found myself returning to the cover art by David Palumbo again and again, intrigued by the fascinating faces he gave the figures there. They aren't classically alluring, and most aren't hideous—most would look perfectly at home on any street. But they also have that, that something, an element you can't quite put your finger on, an element of the other. Take a look and I believe you'll see what I mean.
Have fun!
As it happens, I read most of the other stories, and there were many surprises. I did skip some of the reprints, such as the Anne Rice story (I wouldn't have read it the first time it was published, and I wasn't about to read it simply because she was in good company now). I had read Carrie Vaughn's "Life Is the Teacher" before, but for some reason my eyes just fell into reading it again, and I felt well rewarded for doing so. On the other hand, while I had enjoyed "Twilight" by Kelley Armstrong the first time I read it a few years back, I wasn't moved to repeat the experience.
I believe my favorite story may have been "Finders, Keepers" by L.A. Banks, as I still remember it clearly and with pleasure. I've only read one of Banks' Vampire Huntress novels and didn't find it interesting at all, so I haven't read any more of her work, but I may seek out more of her short fiction in the future.
"Mama Gone" by Jane Yolen felt fresh, as Yolen's work so often does. Garth Nix's contribution, "Infestation," was a little bit predictable, but that may be due to overexposure to the genre.
I found myself returning to the cover art by David Palumbo again and again, intrigued by the fascinating faces he gave the figures there. They aren't classically alluring, and most aren't hideous—most would look perfectly at home on any street. But they also have that, that something, an element you can't quite put your finger on, an element of the other. Take a look and I believe you'll see what I mean.
Have fun!
I adore this book. It's not only a good science fiction story, but also fantastically character-driven, which is rare in genre fiction. That's great for me. When I read a book, I care more about psychological development than what a shiny setting and fun toys it has.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
It's not a happy, frolic-through-the-daisies type of story. We're talking not only about war, but child abuse, human trafficking and rape. It can be quite disturbing, if that type of thing isn't your cup of tea. But if that doesn't particularly bug you, it's a fantastic book.
One thing that really bugs me, though, is how so many people insist there's slash. As a person who's not into that kind of thing, that originally turned me off of reading it, because I had a bad feeling the main character, Jos, was going to find healing comfort from his trauma in the loving arms of another guy, and it would go downhill from there.
Luckily, I decided to read it anyway. And I don't see very much slash there. Sure, one character definitely has a thing for Jos, and the villain's a real creep, and then there's a character who's gay by Word Of God, but that's it for this book. The rest of it's pretty much characters insinuating, which is designed to anger other characters. That's it.
Jos, himself, is on the asexual side. He treats attraction as a completely alien concept. Niko is a surrogate father to him. I see him as feeling responsible for protecting Evan. Evan, who frustrates him a great deal. And one time, Jos seriously needed a hug, and fell asleep while being hugged. Woke up, and went right back to the asexual, PTSD, Hates-Being-Touched Jos we know and love.
None of that makes him gay. And three characters who are bi or gay does in no way a majority make. Sure, the shipping potential is there for fans if they want to use it, but certain type of fans are always finding stuff where there's canonically nothing.
In short, one of the best books I've read, and I absolutely loved the main character. He is not gay, and neither are the majority of characters.
Nadia (1 KP) rated A Court of Thorns and Roses in Books
Aug 16, 2018
Beautiful characters (1 more)
Interesting fantasy world
Falling back in love with fairies.
When I first picked up this book, I was expecting it to be just another book about a teenage girl falling in love with some irresistible fairie. Although I didn't expect much as I haven't really enjoyed many YA novels about fairies in a few years, I fell in love myself with the protagonist, Feyre, and many of the other characters.
Feyre's character reminds me of Katniss Everdeen from the Hunger Games. She is strong and independent with clear motivations and her progression towards a softer, more gentle character throughout the book never takes away that strength. My favourite thing about her character is that she finds love but she never stops relying on herself.
Leading on from that, the main romance in this book is very believable and real, developing over time, with Maas presenting Feyre and Tamlin as equals, helping each other to grow. This is a refreshing change from many YA romances, where a man swoops in to save a damaged woman from all of her problems. Plus, there are many non-romantic relationships that really lighten up the novel. An example of this is Feyre's friendship with Lucien which, although purely platonic, is just as inspiring and lovely as any romance.
My only criticism of this novel is that it could have been longer. I really enjoyed the final part of the story, where Feyre goes through a lot for her relationship, because it really showcases her strength. However, it felt slightly rushed at some points, considering it is meant to take place over around 3 months. The final confrontation near then end seemed to be very quick and I can see how this makes sense with the story but I still would have liked to have a bit more to read.
I would definitely recommend this book to anyone who likes YA fantasy with romance, politics and magic. I can't wait to read the rest of the series!
Feyre's character reminds me of Katniss Everdeen from the Hunger Games. She is strong and independent with clear motivations and her progression towards a softer, more gentle character throughout the book never takes away that strength. My favourite thing about her character is that she finds love but she never stops relying on herself.
Leading on from that, the main romance in this book is very believable and real, developing over time, with Maas presenting Feyre and Tamlin as equals, helping each other to grow. This is a refreshing change from many YA romances, where a man swoops in to save a damaged woman from all of her problems. Plus, there are many non-romantic relationships that really lighten up the novel. An example of this is Feyre's friendship with Lucien which, although purely platonic, is just as inspiring and lovely as any romance.
My only criticism of this novel is that it could have been longer. I really enjoyed the final part of the story, where Feyre goes through a lot for her relationship, because it really showcases her strength. However, it felt slightly rushed at some points, considering it is meant to take place over around 3 months. The final confrontation near then end seemed to be very quick and I can see how this makes sense with the story but I still would have liked to have a bit more to read.
I would definitely recommend this book to anyone who likes YA fantasy with romance, politics and magic. I can't wait to read the rest of the series!