Search
Search results
Kristy H (1252 KP) rated This Is Where It Ends in Books
Feb 13, 2018
On a chilly day, the principal of Opportunity High School is giving a speech to her students, kicking off the new semester. The majority of the school is gathered in the auditorium, listening to her speak. As she finishes, they prepare to head to their next class, but the doors are stuck. Then, suddenly, someone begins to shoot.
The book is told from the viewpoint of a handful of kids (four) from Opportunity High and basically unfolds in less than a hour -- the time it takes for a horrific tragedy to fall upon their school and community. We hear from Sylvia and her twin brother Tomas. We also get the perspective of Autumn, Sylvia's best friend, who is struggling with the death of her mother and her abusive father, all the while watching her brother, Tyler, an Opportunity High dropout, drift away from her. Finally, we see things from Claire's perspective; a member of the track team - Claire is outside practicing when the tragedy begins, but worried about her brother Matt, who is inside.
I read this book in a few hours - its short time span makes it terrifying and you want to speed through to find out what happens to these kids. It's an all too horrifying and realistic account of what can happen with school shootings (and beware, some of the descriptions can be very graphic). The interwoven stories of the kids do a good job of telling the story and portraying the strong bond of family and friendship that can exist -- especially at the hyper-sensitive stage of high school, where everything truly does seem like life or death sometimes.
There's an added LGBT angle to this story, which is a nice twist, as it's very natural to the book. The kids' tales, overall, seem true to their voices, but some of the writing is stilted and tough to read (not from the subject matter, but the way it's written). The author overuses the play on words with "opportunity" far too much - it would have been better to just let the story play itself out. We get the parallels - no need to spell them out (over and over and over) for us.
Still, this is a powerful book - it's heartbreakingly lovely, really, and will leave you hoping and praying that no more children *ever* have to go through this experience. It's a worthy read, even if it leaves you hurting, but I would make sure you talk about it in detail with your teens. It's a tough subject matter that needs to be discussed.
(I received an ARC of this book from Netgalley in return for an unbiased review.)
The book is told from the viewpoint of a handful of kids (four) from Opportunity High and basically unfolds in less than a hour -- the time it takes for a horrific tragedy to fall upon their school and community. We hear from Sylvia and her twin brother Tomas. We also get the perspective of Autumn, Sylvia's best friend, who is struggling with the death of her mother and her abusive father, all the while watching her brother, Tyler, an Opportunity High dropout, drift away from her. Finally, we see things from Claire's perspective; a member of the track team - Claire is outside practicing when the tragedy begins, but worried about her brother Matt, who is inside.
I read this book in a few hours - its short time span makes it terrifying and you want to speed through to find out what happens to these kids. It's an all too horrifying and realistic account of what can happen with school shootings (and beware, some of the descriptions can be very graphic). The interwoven stories of the kids do a good job of telling the story and portraying the strong bond of family and friendship that can exist -- especially at the hyper-sensitive stage of high school, where everything truly does seem like life or death sometimes.
There's an added LGBT angle to this story, which is a nice twist, as it's very natural to the book. The kids' tales, overall, seem true to their voices, but some of the writing is stilted and tough to read (not from the subject matter, but the way it's written). The author overuses the play on words with "opportunity" far too much - it would have been better to just let the story play itself out. We get the parallels - no need to spell them out (over and over and over) for us.
Still, this is a powerful book - it's heartbreakingly lovely, really, and will leave you hoping and praying that no more children *ever* have to go through this experience. It's a worthy read, even if it leaves you hurting, but I would make sure you talk about it in detail with your teens. It's a tough subject matter that needs to be discussed.
(I received an ARC of this book from Netgalley in return for an unbiased review.)
Alice (12 KP) rated Arcanum Unbounded: The Cosmere Collection in Books
Jul 3, 2018
<i>My thanks to the publisher for providing me with a review copy in exchange for an honest review</i>
Arcanum Unbounded is an anthology of classic and epic proportions from a true Fantasy genius which was full to the brim of Brandon Sanderson’s Cosmere universe. The book followed characters we all know and love and plenty of new characters to fall for – Dusk, I’m looking at you.
The book is divided up into “systems” with a neat little explanation as to the layout of each system; which is then related to a specific setting from the Cosmere – Elantris, Mistborn, Threnody, First of the Sun and a previously unnamed and unpublished Stormlight Archive novella.
Oodles of Cosmere.
I don’t want to go into too much detail about the individual shorts for those of you who have not read any the related systems books – (you have to!) – but each story gave a wonderful insight into the characters points of view and their unique history.
My favorites of this anthology would have to be The Emperor’s Soul, Sixth of the Dusk and Edgedancer. They each brought a little something special to this book – Emperor’s Soul took me right back to Elantris, the first ever Sanderson book I read and still my favorite to this day; Sixth of the Dusk had this overwhelming silence to it even when the characters involved were speaking (though this was few and far between in fairness) and this silence across the characters when Brandon’s characters usually talk so much was brilliantly done.
Edgedancer was a book in The Stormlight Archive system, though I’m slightly ashamed to admit I haven’t read all of The Stormlight Archive books yet, but I have them and this gave spoilers into The Words of Radiance (book 2 of the series so far) these spoilers are not really spoilers to me, maybe once I’ve read Radiance it will make a difference but my first read through made no spoilery difference to me.
Each individual short in the system was preceded by a little spoiler warning if there would be one, or a note stating where in the story arc it falls and was then followed by a sweet little Postscript from Brandon – each one tailor made for its preceding event; the best postscript was for The Hope of Elantris but I won’t give anything away, you had to read it.
Overall, Arcanum Unbounded is a perfect book to dive into Brandon Sanderson’s work as few of the stories in it actually need to be read before the main story – Mistborn: A Secret History, The Hope of Elantris, Edgedancer for definite. If you’re looking for a new fantasy author to sink your teeth into Brandon Sanderson is your man.
Arcanum Unbounded is an anthology of classic and epic proportions from a true Fantasy genius which was full to the brim of Brandon Sanderson’s Cosmere universe. The book followed characters we all know and love and plenty of new characters to fall for – Dusk, I’m looking at you.
The book is divided up into “systems” with a neat little explanation as to the layout of each system; which is then related to a specific setting from the Cosmere – Elantris, Mistborn, Threnody, First of the Sun and a previously unnamed and unpublished Stormlight Archive novella.
Oodles of Cosmere.
I don’t want to go into too much detail about the individual shorts for those of you who have not read any the related systems books – (you have to!) – but each story gave a wonderful insight into the characters points of view and their unique history.
My favorites of this anthology would have to be The Emperor’s Soul, Sixth of the Dusk and Edgedancer. They each brought a little something special to this book – Emperor’s Soul took me right back to Elantris, the first ever Sanderson book I read and still my favorite to this day; Sixth of the Dusk had this overwhelming silence to it even when the characters involved were speaking (though this was few and far between in fairness) and this silence across the characters when Brandon’s characters usually talk so much was brilliantly done.
Edgedancer was a book in The Stormlight Archive system, though I’m slightly ashamed to admit I haven’t read all of The Stormlight Archive books yet, but I have them and this gave spoilers into The Words of Radiance (book 2 of the series so far) these spoilers are not really spoilers to me, maybe once I’ve read Radiance it will make a difference but my first read through made no spoilery difference to me.
Each individual short in the system was preceded by a little spoiler warning if there would be one, or a note stating where in the story arc it falls and was then followed by a sweet little Postscript from Brandon – each one tailor made for its preceding event; the best postscript was for The Hope of Elantris but I won’t give anything away, you had to read it.
Overall, Arcanum Unbounded is a perfect book to dive into Brandon Sanderson’s work as few of the stories in it actually need to be read before the main story – Mistborn: A Secret History, The Hope of Elantris, Edgedancer for definite. If you’re looking for a new fantasy author to sink your teeth into Brandon Sanderson is your man.
Hazel (1853 KP) rated Videodrome: Days of O'Blivion in Books
Dec 17, 2018
<i>I received this book from the author in exchange for an honest review</i>
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Hazel (1853 KP) rated Storm Watcher in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Is it possible for a book to be both too fast and too slow? This is what the story feels like in Maria V. Snyder’s contemporary children’s book <i>Storm Watcher</i>. It is the summer holidays and twelve year old Luke is working at the <i>Storm Watcher Kennel</i>, helping to take care of and train the many dogs living there. For his thirteenth birthday his father has promised him a bloodhound puppy, but what Luke really wants is a fluffy white Papillon – a dog that his father and brothers believe is useless and girly.
An important aspect of the story is Luke’s debilitating fear of storms. Although he has always been frightened of thunder and lightening, his mother’s recent death during a storm has greatly heightened his fears. Despite this phobia, Luke has enough knowledge and interest to act as an amateur meteorologist.
It takes a long time to get into the storyline. To begin with there is so much going on – dog breeding and training, starting to work with Willajean and her daughter Megan, feelings of guilt about mother’s death, fear of storms – making it difficult to determine which parts are essential to the plot, and more importantly, figure out the plot in the first place. Three months rapidly fly by, which in a short novel does not leave much room for an exciting climax, yet nothing major occurs.
Perhaps only the adult reader will detect the dullness <i>Storm Watcher</i> exudes, whereas when seen through a child’s eyes the story may be more exciting. Snyder has included a few interesting concepts such as over coming fear, dealing with grief and standing up for yourself. All these ideas are important for young people to understand and utilize in their own lives. The topic of meteorology, on the other hand, is not something children<i> need</i> to know, however it may interest them and provide the opportunity to learn something new. The author used to be a meteorologist before she turned to the world of literature, therefore has been able to provide a vast amount of knowledge about storms and weather, including a lengthy list of facts at the back of the book.
Maria V. Snyder’s young adult novels are well known throughout online communities, therefore <i>Storm Watcher</i>, although written for a younger target audience, had a standard to live up to. Unfortunately the result was disappointing, slow and a struggle to read. The book contains interesting ideas; however these could be expanded on to create a more engaging, full-length novel.
Is it possible for a book to be both too fast and too slow? This is what the story feels like in Maria V. Snyder’s contemporary children’s book <i>Storm Watcher</i>. It is the summer holidays and twelve year old Luke is working at the <i>Storm Watcher Kennel</i>, helping to take care of and train the many dogs living there. For his thirteenth birthday his father has promised him a bloodhound puppy, but what Luke really wants is a fluffy white Papillon – a dog that his father and brothers believe is useless and girly.
An important aspect of the story is Luke’s debilitating fear of storms. Although he has always been frightened of thunder and lightening, his mother’s recent death during a storm has greatly heightened his fears. Despite this phobia, Luke has enough knowledge and interest to act as an amateur meteorologist.
It takes a long time to get into the storyline. To begin with there is so much going on – dog breeding and training, starting to work with Willajean and her daughter Megan, feelings of guilt about mother’s death, fear of storms – making it difficult to determine which parts are essential to the plot, and more importantly, figure out the plot in the first place. Three months rapidly fly by, which in a short novel does not leave much room for an exciting climax, yet nothing major occurs.
Perhaps only the adult reader will detect the dullness <i>Storm Watcher</i> exudes, whereas when seen through a child’s eyes the story may be more exciting. Snyder has included a few interesting concepts such as over coming fear, dealing with grief and standing up for yourself. All these ideas are important for young people to understand and utilize in their own lives. The topic of meteorology, on the other hand, is not something children<i> need</i> to know, however it may interest them and provide the opportunity to learn something new. The author used to be a meteorologist before she turned to the world of literature, therefore has been able to provide a vast amount of knowledge about storms and weather, including a lengthy list of facts at the back of the book.
Maria V. Snyder’s young adult novels are well known throughout online communities, therefore <i>Storm Watcher</i>, although written for a younger target audience, had a standard to live up to. Unfortunately the result was disappointing, slow and a struggle to read. The book contains interesting ideas; however these could be expanded on to create a more engaging, full-length novel.
Phillip McSween (751 KP) rated See You Yesterday (2019) in Movies
Oct 23, 2019
Highly Entertaining and Thought-Provoking
After successfully creating a time machine, high school scientist CJ Walker (Eden Duncan-Smith) decides to go back in time and save her brother from being gunned down by police. She soon learns that it’s harder to change the past than she once thought.
Acting: 10
Beginning: 10
With an eighty-seven-minute runtime, the movie doesn’t linger getting you into the action immediately. We see CJ and her partner Sebastian Thomas (Dante Chrichlow) working through trials of time machine testing which prove for hilarious results. It quickly brought me into the world of the characters and laid the foundation for the story.
Characters: 10
Cinematography/Visuals: 8
See You Yesterday captures the full essence of New York. The teens walk through busy streets past bodegas and fruit stands. They hit corner stores and picnics, the subway their primary means of transportation. Although the time travel aspect is slightly cheesy to watch (ok, extremely cheesy), it doesn’t diminish the impactful moments director Stefon Bristol is able to capture.
Conflict: 10
Entertainment Value: 10
The movie makes full use of its short runtime, not slowing down for a second. It does a masterful job of sprinkling in comedic moments into a movie that could otherwise lull you into a sense of helplessness. I was riveted throughout by all the potential outcomes that could await.
Memorability: 10
So much to say about how powerful this movie is. It explores time travel like never before with decisions that revolve around what’s happening right now in the public eye. You walk away not sure of what’s right or what’s wrong or if you would’ve approached the situation in the same way. This movie will definitely sit with you long after you watch it.
Pace: 10
Plot: 10
Great story through and through. The movie never cheats itself and carries things through no matter how tough it can be at times. The story works largely in part due to the two main characters having such opposing views to approaching the conflict. It creates friction and an uncomfortable tension necessary for the checks and balances of the movie.
Resolution: 7
While I wasn’t in love with the ending, I understand that it was necessary and I also understand the point that was being driven home. If nothing else, it was definitely an ending that left you wanting more.
Overall: 95
See You Yesterday represents everything I love about movies. As of late October 2019, this definitely falls into my Top Ten list for the year. See it, asap. Not only will you love it, but it won’t take up a lot of time in your day.
Acting: 10
Beginning: 10
With an eighty-seven-minute runtime, the movie doesn’t linger getting you into the action immediately. We see CJ and her partner Sebastian Thomas (Dante Chrichlow) working through trials of time machine testing which prove for hilarious results. It quickly brought me into the world of the characters and laid the foundation for the story.
Characters: 10
Cinematography/Visuals: 8
See You Yesterday captures the full essence of New York. The teens walk through busy streets past bodegas and fruit stands. They hit corner stores and picnics, the subway their primary means of transportation. Although the time travel aspect is slightly cheesy to watch (ok, extremely cheesy), it doesn’t diminish the impactful moments director Stefon Bristol is able to capture.
Conflict: 10
Entertainment Value: 10
The movie makes full use of its short runtime, not slowing down for a second. It does a masterful job of sprinkling in comedic moments into a movie that could otherwise lull you into a sense of helplessness. I was riveted throughout by all the potential outcomes that could await.
Memorability: 10
So much to say about how powerful this movie is. It explores time travel like never before with decisions that revolve around what’s happening right now in the public eye. You walk away not sure of what’s right or what’s wrong or if you would’ve approached the situation in the same way. This movie will definitely sit with you long after you watch it.
Pace: 10
Plot: 10
Great story through and through. The movie never cheats itself and carries things through no matter how tough it can be at times. The story works largely in part due to the two main characters having such opposing views to approaching the conflict. It creates friction and an uncomfortable tension necessary for the checks and balances of the movie.
Resolution: 7
While I wasn’t in love with the ending, I understand that it was necessary and I also understand the point that was being driven home. If nothing else, it was definitely an ending that left you wanting more.
Overall: 95
See You Yesterday represents everything I love about movies. As of late October 2019, this definitely falls into my Top Ten list for the year. See it, asap. Not only will you love it, but it won’t take up a lot of time in your day.
War Horse
Michael Morpurgo and Francois Place
9.1
Rate It
Book
Before the Steven Spielberg film, before the National Theatre production, there was the classic...
BookInspector (124 KP) rated The Girl Before in Books
Sep 24, 2020
I would like to begin by saying one simple word, WOW. This book left me absolutely speechless to be honest. This book is a masterpiece and I’m absolutely in love with this author. This book begins quite calm, by looking for some properties in London and introducing the characters: then - Simon and Emma and now - Jane. It tells two stories at the same time, the action which happened three years ago and the action which is happening currently. I really enjoyed that there is not story from one person’s perspective but two characters are telling their story at the same time. All the main characters are really disturbed in this book and have their own problems which influenced their personalities. There is this taste of “fifty shades of Gray” in this book; just it doesn’t flatter the book unfortunately. I really liked the way characters where untangled while you flip the pages, the way their personalities unfolded. They were not boring, one thing what I would’ve liked, is more insight into Simon's and Edward's personalities and how do they think, I would’ve liked their perspective in the book. Even though the men in this book seemed like strong and demanding ones, in the end of the day I think the women were the strong ones and the most determined ones in this book.
I found the plot original and I loved all the twists and turns which were going on in the book. Every chapter had something happening and it didn’t leave me bored. The more you go into the book, the more plot thickens, the more twists happen and it really kept me hooked. I think it was really great, that the book talked about really important topics, and the psychological aspects of eating disorders, how parents feel after still birth, parents thought about disabled children or how minimalist sees world. I’m new to minimalism and just briefly checked on it, but after reading this book I’m confused if I really want to know more… I loved that the name “the girl before” had deeper meaning than only finding out Emma’s story, it felt way deeper than it looked. The book itself is easy to read and the writing style was not difficult. The chapters are quite short so it doesn’t drag along. I really loved the ending of the book, which concluded the book really nicely but at the same time left me questioning. So to conclude, even though a lot of reviewers bashed this book, I loved this twisted, fast paced and full of suspense and psychological labyrinths creation and I recommend to try it and decide for yourself.
I found the plot original and I loved all the twists and turns which were going on in the book. Every chapter had something happening and it didn’t leave me bored. The more you go into the book, the more plot thickens, the more twists happen and it really kept me hooked. I think it was really great, that the book talked about really important topics, and the psychological aspects of eating disorders, how parents feel after still birth, parents thought about disabled children or how minimalist sees world. I’m new to minimalism and just briefly checked on it, but after reading this book I’m confused if I really want to know more… I loved that the name “the girl before” had deeper meaning than only finding out Emma’s story, it felt way deeper than it looked. The book itself is easy to read and the writing style was not difficult. The chapters are quite short so it doesn’t drag along. I really loved the ending of the book, which concluded the book really nicely but at the same time left me questioning. So to conclude, even though a lot of reviewers bashed this book, I loved this twisted, fast paced and full of suspense and psychological labyrinths creation and I recommend to try it and decide for yourself.
How To Get Filthy Rich in Rising Asia
Book
How to Get Filthy Rich in Rising Asia is Mohsin Hamid's spectacular, thought-provoking novel of...
Movie Metropolis (309 KP) rated Coco (2017) in Movies
Jun 10, 2019
Has pixar got it's mojo back?
Pixar has been on something of a downward trend of late, and that’s something I never thought I’d say. As much as it hurts, films like Cars 3, Finding Dory and The Good Dinosaur just don’t cut the mustard when compared to some of the studio’s greats.
Movies like Up, Inside Out and Wall.E as well as The Incredibles, which we’re finally getting a sequel to this year, are up there with the best animations ever produced, never mind just from Pixar. Hoping to get back on the right track this year, Pixar has released Coco. But are we back up to scratch?
Before we begin. Did you know you can now vote in the third annual Movie Metropolis Alternative Oscars? Vote for your favourite films from last year!
Despite his family’s generations-old ban on music, young Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead. After meeting a charming trickster named Héctor (Gael García Bernal), the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
The first thing of note is just how stunning Coco is to look at. Director Lee Unkrich (Toy Story 3) creates what could be Pixar’s finest looking film to date, it really is that staggering to watch. The colourful world of the Land of the Dead is astounding and it’s pleasing that he chooses to spend the majority of the film’s runtime here. Populated by vibrant animals and the living dead, it grabs attention from scene to scene and isn’t afraid to hold on.
The animation itself is spot on, but come on, this is Pixar we’re talking about, we expect nothing less. They really are getting very good at this photo-realistic scenery business and aside from the naturally carnival-esque Land of the Dead, it reeks of realism. The characters too are rendered in ridiculously detailed CGI with the work done on Coco herself being absolutely exquisite. Every well-deserved wrinkle and the remaining twinkle in her eyes – it’s all there.
Aside from all the spectacle though, at its heart, Coco is a film about family, and the importance of family no matter how annoying or frustrating they can be. This may sound a little straightforward in comparison to some of Pixar’s more mature themes, but it’s worth noting that the plot has more twists and turns in it than some of the best thrillers – it’s a brilliant story full of laughs and emotion.
The voice work done by the entire cast is absolutely sublime, but Anthony Gonzalez’s portrayal of Miguel is beautiful. His performance is perfectly integrated into the film as Miguel slowly unravels who he truly is – it’s a testament to the actors and actresses who lent their voices that it speaks to absolutely everyone in the audience.
Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story
Naturally, Pixar’s trademark wit and heart are here in spades. There are some genuinely funny moments that are beautifully juxtaposed with some more sombre scenes that make you realise just how important family is. Correctly awarded a PG certification by the BBFC means that smaller children may find some of the more adult themes a little hard to watch. In fact, there were a few children in floods of tears as I left the cinema.
Pacing wise, Coco is just about right for a family friendly film. At a shade under 110 minutes, it zips along smoothly, very rarely letting up pace. But Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story. In this respect, it’s up there with the very best the studio has to offer us.
It is unfortunate however that there is no Pixar Short attached to Coco. Films like Inside Out and Toy Story 3 had brilliant pre-movie films to get the kids interested in what they were about to see on screen. It’s not clear why Pixar chose to snub Coco like this, but that’s one of the only negative points in a film filled to the brim with memorable moments.
Overall, Pixar is well and truly back on track with Coco. They’ve managed to create a film that not only creates some new classic characters for the studio to bring back in a sequel, but they discuss life and death in a way that adults and children alike will enjoy. Couple this with a beautiful soundtrack with some gorgeous original songs, stunning animation and a heartfelt story and they’ve definitely recovered the animation crown. What a way to start 2018.
https://moviemetropolis.net/2018/01/13/coco-review-has-pixar-got-its-mojo-back/
Movies like Up, Inside Out and Wall.E as well as The Incredibles, which we’re finally getting a sequel to this year, are up there with the best animations ever produced, never mind just from Pixar. Hoping to get back on the right track this year, Pixar has released Coco. But are we back up to scratch?
Before we begin. Did you know you can now vote in the third annual Movie Metropolis Alternative Oscars? Vote for your favourite films from last year!
Despite his family’s generations-old ban on music, young Miguel (Anthony Gonzalez) dreams of becoming an accomplished musician like his idol Ernesto de la Cruz (Benjamin Bratt). Desperate to prove his talent, Miguel finds himself in the stunning and colourful Land of the Dead. After meeting a charming trickster named Héctor (Gael García Bernal), the two new friends embark on an extraordinary journey to unlock the real story behind Miguel’s family history.
The first thing of note is just how stunning Coco is to look at. Director Lee Unkrich (Toy Story 3) creates what could be Pixar’s finest looking film to date, it really is that staggering to watch. The colourful world of the Land of the Dead is astounding and it’s pleasing that he chooses to spend the majority of the film’s runtime here. Populated by vibrant animals and the living dead, it grabs attention from scene to scene and isn’t afraid to hold on.
The animation itself is spot on, but come on, this is Pixar we’re talking about, we expect nothing less. They really are getting very good at this photo-realistic scenery business and aside from the naturally carnival-esque Land of the Dead, it reeks of realism. The characters too are rendered in ridiculously detailed CGI with the work done on Coco herself being absolutely exquisite. Every well-deserved wrinkle and the remaining twinkle in her eyes – it’s all there.
Aside from all the spectacle though, at its heart, Coco is a film about family, and the importance of family no matter how annoying or frustrating they can be. This may sound a little straightforward in comparison to some of Pixar’s more mature themes, but it’s worth noting that the plot has more twists and turns in it than some of the best thrillers – it’s a brilliant story full of laughs and emotion.
The voice work done by the entire cast is absolutely sublime, but Anthony Gonzalez’s portrayal of Miguel is beautiful. His performance is perfectly integrated into the film as Miguel slowly unravels who he truly is – it’s a testament to the actors and actresses who lent their voices that it speaks to absolutely everyone in the audience.
Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story
Naturally, Pixar’s trademark wit and heart are here in spades. There are some genuinely funny moments that are beautifully juxtaposed with some more sombre scenes that make you realise just how important family is. Correctly awarded a PG certification by the BBFC means that smaller children may find some of the more adult themes a little hard to watch. In fact, there were a few children in floods of tears as I left the cinema.
Pacing wise, Coco is just about right for a family friendly film. At a shade under 110 minutes, it zips along smoothly, very rarely letting up pace. But Pixar films have never really been about moving from one set piece to another and what keeps Coco interesting is the constant shifts in tone, colour and story. In this respect, it’s up there with the very best the studio has to offer us.
It is unfortunate however that there is no Pixar Short attached to Coco. Films like Inside Out and Toy Story 3 had brilliant pre-movie films to get the kids interested in what they were about to see on screen. It’s not clear why Pixar chose to snub Coco like this, but that’s one of the only negative points in a film filled to the brim with memorable moments.
Overall, Pixar is well and truly back on track with Coco. They’ve managed to create a film that not only creates some new classic characters for the studio to bring back in a sequel, but they discuss life and death in a way that adults and children alike will enjoy. Couple this with a beautiful soundtrack with some gorgeous original songs, stunning animation and a heartfelt story and they’ve definitely recovered the animation crown. What a way to start 2018.
https://moviemetropolis.net/2018/01/13/coco-review-has-pixar-got-its-mojo-back/
Ross (3284 KP) rated Insidious: Chapter 2 (2013) in Movies
Nov 28, 2017
This follow on film stays with the family after the events of the first film left the family reunited but with something decidedly not right about Josh, the father (played by The Conjuring's Patrick Wilson, who I really can't take to).
Everything seems to get back to normal for a short time with the family reunited and moving on from the trauma they've been through. But this doesn't last long and soon strange things start happening again, this time focused around the baby.
For me, this film fell down a little as many horror sequels do, trying to build on tiny parts of the original story rather than carrying on from it. I found the parts where the reality and past of the presence that haunted Josh in his childhood really engaging and exciting and creepy, but felt this should have been explored so much more.
Rose Byrne is good again, somehow keeping the family together through all the unpleasantness.
One thing that did spoil this for me was when, after a particularly creepy scene in which a ghost child's foot steps were heard running through the house, my 3 year old son decided to get up and run through to my bedroom so I suddenly heard footsteps eerily similar to those on the film directly above my head.
A decent follow on with some interesting exploration of small aspects of the first film, but largely more of the same.
Everything seems to get back to normal for a short time with the family reunited and moving on from the trauma they've been through. But this doesn't last long and soon strange things start happening again, this time focused around the baby.
For me, this film fell down a little as many horror sequels do, trying to build on tiny parts of the original story rather than carrying on from it. I found the parts where the reality and past of the presence that haunted Josh in his childhood really engaging and exciting and creepy, but felt this should have been explored so much more.
Rose Byrne is good again, somehow keeping the family together through all the unpleasantness.
One thing that did spoil this for me was when, after a particularly creepy scene in which a ghost child's foot steps were heard running through the house, my 3 year old son decided to get up and run through to my bedroom so I suddenly heard footsteps eerily similar to those on the film directly above my head.
A decent follow on with some interesting exploration of small aspects of the first film, but largely more of the same.