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Amy Christmas (170 KP) rated The Subtle Knife in Books
Jan 18, 2019 (Updated Jan 19, 2019)
Well paced (2 more)
Information is introduced quickly and effectively
Lyra having no idea how to function in our world
Lee scoresby (if you've read it you know why) (1 more)
A lack of Iorek Byrnison
Short so sweet and informative
Contains spoilers, click to show
For a conventional middle filler book this is beautiful, just as good as the first and possibly better?
It was extremely well paced for being only 15 chapters the shortest of all three books while still managing to introduce a myriad of new concepts and information without it being overwhelming for the reader.
At the start of the book we are introduced to will (AKA Roger 2.0 in my opinion) I loved will, his character and his back story. Will is a boy coming into his own being thrust into duties he doesn't want but duties he accepts and carries the burden of. We learn that will's father went missing on an exploration when he was a baby and it becomes clear that he didn't just die and no body was recovered, but something else.
Pullman beautifully builds on the religious background of Lyras world into the wider context of the universe with the introduction of angels and The Authority as he is primarily called.
Lyra's character doesn't unfortunately do much growing in this book as Will takes the focus, which I think was a good decision as it allows for each character to have their moment per sé.
But Lee scoresby, I loved Lee, our favourite drunken aeronaut, and we had to say farewell.
Going onto the third and final installment however, promises some more Iorek after his absence for all but one part of this book, more witches, angels and Mrs Coulter and her dreaded monkey.
I can't wait to see Will grow further as well as Lyra, nor can I wait for that crescendo that is a final battle.
It was extremely well paced for being only 15 chapters the shortest of all three books while still managing to introduce a myriad of new concepts and information without it being overwhelming for the reader.
At the start of the book we are introduced to will (AKA Roger 2.0 in my opinion) I loved will, his character and his back story. Will is a boy coming into his own being thrust into duties he doesn't want but duties he accepts and carries the burden of. We learn that will's father went missing on an exploration when he was a baby and it becomes clear that he didn't just die and no body was recovered, but something else.
Pullman beautifully builds on the religious background of Lyras world into the wider context of the universe with the introduction of angels and The Authority as he is primarily called.
Lyra's character doesn't unfortunately do much growing in this book as Will takes the focus, which I think was a good decision as it allows for each character to have their moment per sé.
But Lee scoresby, I loved Lee, our favourite drunken aeronaut, and we had to say farewell.
Going onto the third and final installment however, promises some more Iorek after his absence for all but one part of this book, more witches, angels and Mrs Coulter and her dreaded monkey.
I can't wait to see Will grow further as well as Lyra, nor can I wait for that crescendo that is a final battle.
Deborah (162 KP) rated The Yard: Book 1 in Books
Dec 21, 2018
The Yard is a detective novel set in Victorian London in the early days of the Metropolitan Police force. It is a bit gruesome to be honest; the first victim is discovered packed in a steamer trunk with eyes and lips sewn shut and there are a number of murders of bearded men, which may or may not be connected.
Our main protagonist is Inspector Day, who is new to London, previously having been a constable in Devon, but now living in the Big Smoke with his wife, Claire. He is ably assisted by other members of the force, including constable Hammersmith. There is a also Kingsley, who has made himself unofficial police surgeon. The forensic bits with Kingsley are a bit macabre in some ways, but I also found them very interesting. I did wonder if some of the detail in the book was based on fact. Obviously it wasn't a real case and I'm not sure the characters are based on actual people (I daresay there could be some borrowing of characteristics, but nothing is mentioned).
It's over 500 pages long, but I seemed to get through it in no time at all! Many of the chapters are actually quite short. There are three interludes along the way, so we get a bit of back story on the three main characters (as mentioned above). There's also a fair bit seen from the point of view of the murderer, so we actually know 'whodunit' from quite early on. Somehow, this doesn't stop this from being a ripping read though!
The book reads as if it's due to be the first in a series and I think I'd be interested in reading Grecian's next offering.
Our main protagonist is Inspector Day, who is new to London, previously having been a constable in Devon, but now living in the Big Smoke with his wife, Claire. He is ably assisted by other members of the force, including constable Hammersmith. There is a also Kingsley, who has made himself unofficial police surgeon. The forensic bits with Kingsley are a bit macabre in some ways, but I also found them very interesting. I did wonder if some of the detail in the book was based on fact. Obviously it wasn't a real case and I'm not sure the characters are based on actual people (I daresay there could be some borrowing of characteristics, but nothing is mentioned).
It's over 500 pages long, but I seemed to get through it in no time at all! Many of the chapters are actually quite short. There are three interludes along the way, so we get a bit of back story on the three main characters (as mentioned above). There's also a fair bit seen from the point of view of the murderer, so we actually know 'whodunit' from quite early on. Somehow, this doesn't stop this from being a ripping read though!
The book reads as if it's due to be the first in a series and I think I'd be interested in reading Grecian's next offering.
Lenard (726 KP) rated The Lion King (2019) in Movies
Jul 28, 2019
The short review: This film is a crowd pleasing movie for fans of the original animated film. This hits all the highlights you love about the first version.
The longer version: It does bring up an interesting point. Mufasa teaches Simba about the Circle of Life where the death of the lions replenishes the savanna with nutrients. The movie shows a circle of life by beginning with the birth of a lion prince cub and ends with the birth of the cub prince of the original cub. In the middle of the movie, the pride of African prey, meerkat, warthog, galago (one of my favorite animals), aardvark, etc., talk about how they only see food and predator. This illustrates that the animals in the middle of a food web can only see the linear relations that affect their life. Only the apex predator have any perspective of the complete circle, the prey/secondary predators have a more limited view of life.
Secondly, the soundtrack is so iconic that when "Can You Feel The Love Tonight" started, I had completely forgotten that oh yeah this is the song that actually won the Academy Award. However, I never once believed this part of the film. It seemed that the filmmakers had to put it here, but they had not earned the major plot point. I did not believe that Simba and Nala were starting to fall into love with each other. Maybe I had started to drift off into a timeline of the songs that had won Best Original Song, but still this is a major moment in the film and it needs to cohere. Unfortunately, though the film is beautiful and has great cinematography from Caleb Deschanel, it needed a much better story to work in "live action."
The longer version: It does bring up an interesting point. Mufasa teaches Simba about the Circle of Life where the death of the lions replenishes the savanna with nutrients. The movie shows a circle of life by beginning with the birth of a lion prince cub and ends with the birth of the cub prince of the original cub. In the middle of the movie, the pride of African prey, meerkat, warthog, galago (one of my favorite animals), aardvark, etc., talk about how they only see food and predator. This illustrates that the animals in the middle of a food web can only see the linear relations that affect their life. Only the apex predator have any perspective of the complete circle, the prey/secondary predators have a more limited view of life.
Secondly, the soundtrack is so iconic that when "Can You Feel The Love Tonight" started, I had completely forgotten that oh yeah this is the song that actually won the Academy Award. However, I never once believed this part of the film. It seemed that the filmmakers had to put it here, but they had not earned the major plot point. I did not believe that Simba and Nala were starting to fall into love with each other. Maybe I had started to drift off into a timeline of the songs that had won Best Original Song, but still this is a major moment in the film and it needs to cohere. Unfortunately, though the film is beautiful and has great cinematography from Caleb Deschanel, it needed a much better story to work in "live action."
Emma @ The Movies (1786 KP) rated The Lighthouse (2019) in Movies
Nov 7, 2019
Just when you thought it wasn't possible for Willem Dafoe's expressions to haunt you in your dreams they go and cast him as a crazed lighthouse keeper in a moody black and white film.
This won't be like any of my other reviews because honestly I'm mainly done with this film.
There's no denying that the look of the film was amazing and it captured an "authentic" oldie feel. The film was shot in 1.19:1 ratio which left you with an almost square frame. I have no problem with that as an idea but it's not like the rest of the screen disappears, if it was shown on that sized screen then fine but it's not, it's shown on modern wise screen and it's distracting.
Dafoe gave nothing less than you'd expect, though I don't know if I was sad or relieved to learn that they added his farts in post. Pattinson, despite that accent, gave a good performance and I honestly never thought I'd say that out loud.
Despite these great performnces I couldn't have cared less about the story and anything that happened. I'd say it felt pretentious but I really feel like this was a short that somehow got away with itself.
Two final things:
A24 have not managed to change my love/hate relationship with their movies.
Pattingson as Winslow does something that I think everyone in Bristol has thought about doing at least once with a seagull.
What you should do
I imagine you're all going to watch it regardless of what I say.
Movie thing you wish you could take home
You can take anything you want about this film, I don't want it.
This won't be like any of my other reviews because honestly I'm mainly done with this film.
There's no denying that the look of the film was amazing and it captured an "authentic" oldie feel. The film was shot in 1.19:1 ratio which left you with an almost square frame. I have no problem with that as an idea but it's not like the rest of the screen disappears, if it was shown on that sized screen then fine but it's not, it's shown on modern wise screen and it's distracting.
Dafoe gave nothing less than you'd expect, though I don't know if I was sad or relieved to learn that they added his farts in post. Pattinson, despite that accent, gave a good performance and I honestly never thought I'd say that out loud.
Despite these great performnces I couldn't have cared less about the story and anything that happened. I'd say it felt pretentious but I really feel like this was a short that somehow got away with itself.
Two final things:
A24 have not managed to change my love/hate relationship with their movies.
Pattingson as Winslow does something that I think everyone in Bristol has thought about doing at least once with a seagull.
What you should do
I imagine you're all going to watch it regardless of what I say.
Movie thing you wish you could take home
You can take anything you want about this film, I don't want it.
Awix (3310 KP) rated War of the Worlds: Global Dispatches in Books
Feb 3, 2020
Diverse collection of short stories all revisiting the Martian invasion of 1898 (as originally detailed by H.G. Wells). Most (but not all) of the stories are narrated by notables from the period, most (but not all) of these are famous writers: Henry James, Samuel Clemens, Rudyard Kipling, and so on. The collection kind of overlooks the implication that the Martians only actually invade southern England in Wells' novel, but then most adaptations do the same thing, and the stories here aren't even consistent with each other (the fate of Paris varies significantly in the Jules Verne and Pablo Picasso entries).
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.
JT (287 KP) rated Sucker Punch (2011) in Movies
Mar 10, 2020
Sucker Punch will pack just that, a massive visual punch, so hard you’ll be doubled over by the stunning action sequences the film has to offer. Using a number of different scenarios from an alternative reality concocted in the mind of Baby Doll (Emily Browning), she plots a daring escape with the help of her fellow sexy inmates, and I do mean sexy.
This group include Blondie (Vanessa Hudgens), Amber (Jamie Chung ) and sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone). They teach Baby to retreat into increasingly ridiculous fantasies to escape the sinister fate that awaits her. During a number of daring missions in which they tackle everything from Nazis, mechanical robots and fire breathing dragons they must acquire a selection of different items along the way each aiding them in their quest. All the time guided through by the Wise Man (Scott Glenn).
There is no denying that Snyder is one of the most exciting action directors about although some would say that his storytelling is not as strong. He leaves the backstory to be played out in the opening credits. Personally I don’t see anything wrong with that, in fact I think it is done very well.
It’s clear though from the limited and brief interlude of a back story that Snyder was only thinking about making these dream sequences as elaborate as he possibly and he certainly achieved that! The girls battle through in next to nothing, short skirts, knee high socks and push up bras. Titillating, it’s close to a peep show with guns.
Given that this is Snyder’s own original screenplay I think he has done enough to hold his own. While not as engaging as 300 or Watchmen it’s a definite A for effort with a soundtrack that is not a bad listen either.
This group include Blondie (Vanessa Hudgens), Amber (Jamie Chung ) and sisters Sweet Pea (Abbie Cornish) and Rocket (Jena Malone). They teach Baby to retreat into increasingly ridiculous fantasies to escape the sinister fate that awaits her. During a number of daring missions in which they tackle everything from Nazis, mechanical robots and fire breathing dragons they must acquire a selection of different items along the way each aiding them in their quest. All the time guided through by the Wise Man (Scott Glenn).
There is no denying that Snyder is one of the most exciting action directors about although some would say that his storytelling is not as strong. He leaves the backstory to be played out in the opening credits. Personally I don’t see anything wrong with that, in fact I think it is done very well.
It’s clear though from the limited and brief interlude of a back story that Snyder was only thinking about making these dream sequences as elaborate as he possibly and he certainly achieved that! The girls battle through in next to nothing, short skirts, knee high socks and push up bras. Titillating, it’s close to a peep show with guns.
Given that this is Snyder’s own original screenplay I think he has done enough to hold his own. While not as engaging as 300 or Watchmen it’s a definite A for effort with a soundtrack that is not a bad listen either.
Kristy H (1252 KP) rated The Empty Bed in Books
Mar 19, 2020
The second book in The Burial Society series finds its founder Catherine juggling a variety of "cases," so-to-speak. When Eva Lombard and her husband Peter take a trip to Hong Kong to celebrate their anniversary, Peter wakes in their hotel to find an empty bed. Eva has vanished without a trace. Eva thought she was being followed, and now Peter wonders if she was right. As he quickly becomes a suspect in her disappearance, he turns to his boss, Forrest "Holly" Holcomb, who recommends Catherine (his old lover) to assist. Catherine sends two of her associates to Hong Kong while she tends to other work--mainly, protecting a family in Mexico City whose father knows too much about a pharmaceutical company. Meanwhile, a determined FBI agent is working on tracking down a missing mother and child of a wealthy businessman and threatening Catherine's secret agency.
I enjoyed this book. It's told in short chapters from varying points of view--Eva, Catherine, and Jake and Stephanie (Catherine's associates), etc. The result is a story that moves at a brisk pace, with almost a cinematic-type feel. This is no surprise, considering Sadowsky's background in film and as a screenwriter. The three stories intertwine somewhat--with Catherine as the center--and while a lot of information flies at you, I never found the book confusing.
I really like Catherine, and I enjoyed learning even more about her crew in this one. It's fun seeing some of the proteges interact. The novel kept me guessing and putting together the pieces was quite enjoyable. There are plenty of twists and turns to keep you engaged.
Overall, this is an interesting thriller. The whole idea of the Burial Society fascinates me, and I liked the quick pace of this book, along with its twisty and engaging plot. 4 stars.
I enjoyed this book. It's told in short chapters from varying points of view--Eva, Catherine, and Jake and Stephanie (Catherine's associates), etc. The result is a story that moves at a brisk pace, with almost a cinematic-type feel. This is no surprise, considering Sadowsky's background in film and as a screenwriter. The three stories intertwine somewhat--with Catherine as the center--and while a lot of information flies at you, I never found the book confusing.
I really like Catherine, and I enjoyed learning even more about her crew in this one. It's fun seeing some of the proteges interact. The novel kept me guessing and putting together the pieces was quite enjoyable. There are plenty of twists and turns to keep you engaged.
Overall, this is an interesting thriller. The whole idea of the Burial Society fascinates me, and I liked the quick pace of this book, along with its twisty and engaging plot. 4 stars.
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