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Night Reader Reviews (683 KP) rated Ronaldo: The Vixen Pederson Workshop in Books
Jan 10, 2020
Honest Review for Free Copy of Book
Ronaldo: The Vixen Peterson Workshop is another amazing book by Maxine Sylvester. It is short, fun, and carries some wonderful messages to its readers. Read it as a stand-alone book or part of the series, either way, this is one book you don’t want to miss.
Ronaldo and Rudi take readers to the North Pole as they take part in The Vixen Peterson Workshop, focusing on teamwork. The young reindeer are all put into teams and as it happens Ronaldo’s team gets the one cadet that no one wants, Cupid. Poor Cupid is a sweet reindeer with a wonderful attitude, but a terrible flyer. All the members of Ronaldo’s team look to him for guidance with hopes that they may still win the race at the end of the workshop.
Ronaldo befriends Cupid and tries his best to help her. Finally, he discovers why Cupid has so many problems with flying and can help her correct the issue. As luck would have it Ronaldo has a score throat the day of the big race and is unable to lead his team. He gives up his position to Cupid which builds her confidence even more.
I loved how Ronaldo not only befriends Cupid and tires to help her but also stands up for her, even when she is not around. There are very few people who will do something like that anymore and it is a lesson that everyone needs to learn, especially children. It is a rare occurrence that I can truly say there is nothing that I did not like about this book. In previous Ronaldo books I have mentioned that I don’t like the fart jokes and while I could still do without them, they have become a common occurance in this series that I have come to expect.
Just like the rest of the series, this book is great for elementary students. There may be a couple of words that they need help with but overall it shouldn’t be a problem. Alternatively, it would be great for parents to read to their children. I rate this book with a perfect 4 out of 4 once again. This book is wonderful. The story is fun, yet packed full of strong messages. It offers many learning opportunities for children and discussion points for parents.
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Ronaldo and Rudi take readers to the North Pole as they take part in The Vixen Peterson Workshop, focusing on teamwork. The young reindeer are all put into teams and as it happens Ronaldo’s team gets the one cadet that no one wants, Cupid. Poor Cupid is a sweet reindeer with a wonderful attitude, but a terrible flyer. All the members of Ronaldo’s team look to him for guidance with hopes that they may still win the race at the end of the workshop.
Ronaldo befriends Cupid and tries his best to help her. Finally, he discovers why Cupid has so many problems with flying and can help her correct the issue. As luck would have it Ronaldo has a score throat the day of the big race and is unable to lead his team. He gives up his position to Cupid which builds her confidence even more.
I loved how Ronaldo not only befriends Cupid and tires to help her but also stands up for her, even when she is not around. There are very few people who will do something like that anymore and it is a lesson that everyone needs to learn, especially children. It is a rare occurrence that I can truly say there is nothing that I did not like about this book. In previous Ronaldo books I have mentioned that I don’t like the fart jokes and while I could still do without them, they have become a common occurance in this series that I have come to expect.
Just like the rest of the series, this book is great for elementary students. There may be a couple of words that they need help with but overall it shouldn’t be a problem. Alternatively, it would be great for parents to read to their children. I rate this book with a perfect 4 out of 4 once again. This book is wonderful. The story is fun, yet packed full of strong messages. It offers many learning opportunities for children and discussion points for parents.
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JT (287 KP) rated Real Steel (2011) in Movies
Mar 10, 2020
Michael Bay, take note, this is how to make a proper film about robots beating the living shit out of each other. Based on the Richard Matheson short story Steel, this follows the journey of former professional boxer Charlie Kenton (Jackman) who now spends his time in debt, as a promoter for the new sport of robot boxing.
When Charlie meets his 11-year old son Max (Goyo) the two must rediscover themselves and build a relationship strong enough to get them through any of life’s toughest challenges. Let’s get one thing clear right away, this is Levy’s best film to date. Which is not hard when past titles include, both Night at the Museum’s, Date Night and The Pink Panther.
Jackman is strong enough in a role which let’s him flex his muscles from time to time, he’s a rough and rugged character anyway which is why he fits the Charlie Kenton mould so well. Partnered opposite young Max, who has enough cheeky charm and wide eyed looks to seduce any adult in to letting things go his way. But its not just about the Charlie and Max relationship, there is of course ‘Atom’, the sparing robot they discover in a junkyard.
Despite being all metal and wires, there is a strong feeling that Atom has a personality of his own even if it is mirrored by the person standing in front of him. But the scenes that Atom and Max share on screen together are genuine heart felt moments.
There is enough robot smashing mayhem going on through the drama, as Atom beings the road to underdog glory moving from one metal crunching bout to the next. The fights are very well choreographed from no holes barred scrap fights to the glitz and glamour of the Robot Boxing League where the stakes and money are high.
It’s hard not to see the underlying homage to the Rocky franchise, even the final fight which pairs Atom against the mighty Zeus is a robotic version of Balboa Vs Drago, right down to the female Russian, Olga, who sits in his corner. The supporting cast are in effect just that, the chemistry between Kenton and Bailey (Lily) is good, but she’s not really given enough in the script to make her stand out, so sparks are few and far between.
Jackman is likeable and the kid less annoying than others before him, its flashy and packs a punch that produces some great action sequences throughout.
When Charlie meets his 11-year old son Max (Goyo) the two must rediscover themselves and build a relationship strong enough to get them through any of life’s toughest challenges. Let’s get one thing clear right away, this is Levy’s best film to date. Which is not hard when past titles include, both Night at the Museum’s, Date Night and The Pink Panther.
Jackman is strong enough in a role which let’s him flex his muscles from time to time, he’s a rough and rugged character anyway which is why he fits the Charlie Kenton mould so well. Partnered opposite young Max, who has enough cheeky charm and wide eyed looks to seduce any adult in to letting things go his way. But its not just about the Charlie and Max relationship, there is of course ‘Atom’, the sparing robot they discover in a junkyard.
Despite being all metal and wires, there is a strong feeling that Atom has a personality of his own even if it is mirrored by the person standing in front of him. But the scenes that Atom and Max share on screen together are genuine heart felt moments.
There is enough robot smashing mayhem going on through the drama, as Atom beings the road to underdog glory moving from one metal crunching bout to the next. The fights are very well choreographed from no holes barred scrap fights to the glitz and glamour of the Robot Boxing League where the stakes and money are high.
It’s hard not to see the underlying homage to the Rocky franchise, even the final fight which pairs Atom against the mighty Zeus is a robotic version of Balboa Vs Drago, right down to the female Russian, Olga, who sits in his corner. The supporting cast are in effect just that, the chemistry between Kenton and Bailey (Lily) is good, but she’s not really given enough in the script to make her stand out, so sparks are few and far between.
Jackman is likeable and the kid less annoying than others before him, its flashy and packs a punch that produces some great action sequences throughout.
Gareth von Kallenbach (980 KP) rated Dark Places (2015) in Movies
Aug 6, 2019
Although it was exciting to hear “Dark Places” is based on a novel written by the same author who wrote “Gone Girl,” unfortunately it just doesn’t measure up.
Libby Day (Charlize Theron) is the sole survivor of a massacre in which her two sisters and mother (Christina Hendricks) were murdered. Her Satan worshipping brother (Corey Stoll), the most likely suspect, spends his life in prison for the murders.
After living most of her life believing the case is closed, one day Libby is contacted by a group called “The Kill Club.” The group is obsessed with her family’s case and swears they can prove her brother’s innocence.
As Libby goes on a cathartic journey into her own mind and into a case she hardly feels is worth looking into, scenes switch between her memories and her present experience. The plot execution is intricate, yet coherent.
However, the film’s slow pace and lack of climactic scenes frankly starts to become exhausting about midway through. It is a raw and suspenseful drama. But it falls disappointingly short of being a thriller – getting close but never quite finishing.
There are moments of genuine quality, mostly found in the skill of Theron and Hendricks’ acting.
We’ve already seen Theron in similar roles and know she really can do no wrong. She embodies her role as an emotionally charged heroin, and her expressions exude a past riddled with dark memories. It could be said she has been type cast for these roles. This makes it hard to tell if the film would be all that watchable without her in the cast.
Even Theron’s amazing acting isn’t enough to place this film on a glorious pedestal.
The story feels incomplete in many ways while at the same time being quite elaborate in some aspects.
One example – the scenes showing the mother’s experience of hardship provide good background for the main plotline. These scenes are raw and unsettling. Hendricks does an amazing job showing the emotion of a single mother who is continuously beaten down by life.
On the other hand – “The Kill Club,” which is a central part of the plot as it is the catalyst for Theron’s exploration of the case, is hardly elaborated on. This makes its members come off as unconvincing in their roles and the idea of the group becomes a hokey part of the plot. The lack of depth here takes away from Theron’s skillful performance just a bit.
Not a big thrill, I give “Dark Places” 2.5 out of 5 stars.
Libby Day (Charlize Theron) is the sole survivor of a massacre in which her two sisters and mother (Christina Hendricks) were murdered. Her Satan worshipping brother (Corey Stoll), the most likely suspect, spends his life in prison for the murders.
After living most of her life believing the case is closed, one day Libby is contacted by a group called “The Kill Club.” The group is obsessed with her family’s case and swears they can prove her brother’s innocence.
As Libby goes on a cathartic journey into her own mind and into a case she hardly feels is worth looking into, scenes switch between her memories and her present experience. The plot execution is intricate, yet coherent.
However, the film’s slow pace and lack of climactic scenes frankly starts to become exhausting about midway through. It is a raw and suspenseful drama. But it falls disappointingly short of being a thriller – getting close but never quite finishing.
There are moments of genuine quality, mostly found in the skill of Theron and Hendricks’ acting.
We’ve already seen Theron in similar roles and know she really can do no wrong. She embodies her role as an emotionally charged heroin, and her expressions exude a past riddled with dark memories. It could be said she has been type cast for these roles. This makes it hard to tell if the film would be all that watchable without her in the cast.
Even Theron’s amazing acting isn’t enough to place this film on a glorious pedestal.
The story feels incomplete in many ways while at the same time being quite elaborate in some aspects.
One example – the scenes showing the mother’s experience of hardship provide good background for the main plotline. These scenes are raw and unsettling. Hendricks does an amazing job showing the emotion of a single mother who is continuously beaten down by life.
On the other hand – “The Kill Club,” which is a central part of the plot as it is the catalyst for Theron’s exploration of the case, is hardly elaborated on. This makes its members come off as unconvincing in their roles and the idea of the group becomes a hokey part of the plot. The lack of depth here takes away from Theron’s skillful performance just a bit.
Not a big thrill, I give “Dark Places” 2.5 out of 5 stars.
Gareth von Kallenbach (980 KP) rated Inside Out (2015) in Movies
Aug 6, 2019
Have you ever wondered what goes on inside that noggin of yours when your feeling angry, scared, sad or happy even? The producers and directors of Up and Toy Story have delved inside these emotions with their new film Inside Out. It is the latest and greatest film from Disney’s Pixar to open this summer. The film brought in some of the best comedic actors together and strategically placed them in the mind of an eleven year old girl.
Riley is an eleven year old girl from Minnesota. Her parents have made the difficult decision to uproot her and move to San Francisco for her fathers new job. Riley’s life is flipped upside down and inside out. She is guided only by her emotions as most of us are. Her thoughts are being manned by a control room of sorts. Joy (Amy Poehler) keeps everything at bay. As it is her soul purpose to keep Riley happy and all the other emotions away from the controls as much as possible. Although other emotions like Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith) tend to creep in from time to time.
Her memories are color-coded specific to each emotion. Core memories are glowing. Sadness has become quite enamored with these glowing core memories and can’t help herself from touching the orbs turning all of the happy core memories into sad memories. As her mind short circuits it paves the path for fear, disgust and anger to take over. Joy must stop this from happening and retrieve core memories that are almost lost. Guiding them along the way is Bing Bong (Richard Kind), Riley’s imaginary friend who was thought to be forgotten.
Inside Out will literally give you a seat on the train of thought and will wind through all the twists and turns of the mind. With such an ambitious idea Pixar has proved once again that they can make a film that can relate to both young and old. It will definitely tug at the heartstrings. It did for me as I was about Riley’s age when I was uprooted to Costa Rica so I hold this film close to my heart. Lots of surprises, laughs and maybe even a few sniffles await you with this film and really shouldn’t be missed. A few hidden surprises also await the true Disney fan. Skip the 3D version not worth the extra couple dollars.
Riley is an eleven year old girl from Minnesota. Her parents have made the difficult decision to uproot her and move to San Francisco for her fathers new job. Riley’s life is flipped upside down and inside out. She is guided only by her emotions as most of us are. Her thoughts are being manned by a control room of sorts. Joy (Amy Poehler) keeps everything at bay. As it is her soul purpose to keep Riley happy and all the other emotions away from the controls as much as possible. Although other emotions like Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy Kaling) and Sadness (Phyllis Smith) tend to creep in from time to time.
Her memories are color-coded specific to each emotion. Core memories are glowing. Sadness has become quite enamored with these glowing core memories and can’t help herself from touching the orbs turning all of the happy core memories into sad memories. As her mind short circuits it paves the path for fear, disgust and anger to take over. Joy must stop this from happening and retrieve core memories that are almost lost. Guiding them along the way is Bing Bong (Richard Kind), Riley’s imaginary friend who was thought to be forgotten.
Inside Out will literally give you a seat on the train of thought and will wind through all the twists and turns of the mind. With such an ambitious idea Pixar has proved once again that they can make a film that can relate to both young and old. It will definitely tug at the heartstrings. It did for me as I was about Riley’s age when I was uprooted to Costa Rica so I hold this film close to my heart. Lots of surprises, laughs and maybe even a few sniffles await you with this film and really shouldn’t be missed. A few hidden surprises also await the true Disney fan. Skip the 3D version not worth the extra couple dollars.
Gareth von Kallenbach (980 KP) rated How to Train Your Dragon 2 (2014) in Movies
Aug 6, 2019
In 2010, the most unlikely Viking proved that dragons and humans can co-exist in the first How To Train Your Dragon film. Set five years after the original movie, How to Train Your Dragon 2 opens up on the Village of Berk where Vikings and dragons have developed a fond relationship. Hiccup (Jay Baruchel), the nerdy chieftain’s son, is now a few years older and has made himself a winged suit and spends his days soaring the skies with his beloved dragon, Toothless. This film brings together the original gang of friends, Astrid (America Ferrera), Fishlegs (Christopher Mintz-Plasse), Snotlout (Jonah Hill), and twins Ruffnut and Tuffnut (Kristen Wiig and TJ Miller). Still at odds with his expectations, Hiccup’s father Stoick (Gerard Butler) demands that he begins the preparations and training to follow in his footsteps and become chief of their Village. This is not the future Hiccup sees for himself, he and Toothless flee the Village and explore the world and stumble upon a cave full of dragons and encounter a Mysterious Dragon Rider (Cate Blanchett), with a similar affinity for dragons. Hiccup has realized that war still exists between dragons and men beyond the borders of his Village. He attempts to negotiate peace with dragon-hunter Drago (Djimon Hounsou), who is threatening to invade the village with his army.
Writer/director Dean DeBlois helms the reins on this one; he has opened up the story without losing the tone of the original. The true delight is in the details, the visual effects are stunning; a prime example of how much computer generated animation has progressed in such a short amount of time. From the diverse landscapes to the design of the characters were absolutely breathtaking. Even the most minute details, such as the texture from the armor, to the scales on the dragons, even the battles scars on the soldiers are so vividly expressed, they assisted in creating the most dramatic and heartfelt moments.
The overall theme has matured from the first film with a continually surprising plot. In the first go around, Hiccup learned to be himself; in this installment Hiccup is taught to become a better version of himself when those unbreakable bonds are tested, and the line between good vs. evil is skewed.
I wouldn’t say there is much training in the sequel, however there is still a wonderful message of friendship, love, and loyalty. Some of the material may be a little too dark, and there were moments that spent way too much time developing the characters which can be pretty taxing for young children.
A worthy follow up….
Writer/director Dean DeBlois helms the reins on this one; he has opened up the story without losing the tone of the original. The true delight is in the details, the visual effects are stunning; a prime example of how much computer generated animation has progressed in such a short amount of time. From the diverse landscapes to the design of the characters were absolutely breathtaking. Even the most minute details, such as the texture from the armor, to the scales on the dragons, even the battles scars on the soldiers are so vividly expressed, they assisted in creating the most dramatic and heartfelt moments.
The overall theme has matured from the first film with a continually surprising plot. In the first go around, Hiccup learned to be himself; in this installment Hiccup is taught to become a better version of himself when those unbreakable bonds are tested, and the line between good vs. evil is skewed.
I wouldn’t say there is much training in the sequel, however there is still a wonderful message of friendship, love, and loyalty. Some of the material may be a little too dark, and there were moments that spent way too much time developing the characters which can be pretty taxing for young children.
A worthy follow up….
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Emma @ The Movies (1786 KP) rated Playmobil: The Movie (2019) in Movies
Jun 20, 2020
What can I say about Playmobil The Movie? You know how in real life Playmobil is naff when you compare it to Lego? ... Yeah.
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html