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Debbiereadsbook (1202 KP) rated The Color of Summer in Books
May 30, 2019
bloody loved it!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Max returns home to open his tattoo studio and to be closer to his mum. On the way he gets stopped speeding, by his best friend's older brother, Tyler. While Max has immediate attraction to Tyler, Tyler is straight and tells him so. But there is . .something . . between them, and as the summer begins, the relationship grows. Can Tyler be a cop in a small town, who is gay?
I might gush about this book, just a heads up! Cos I bloody LOVED it!
Max returns to his home town after his mum has a stroke. He wants to be closer while she recovers. And he wants his own tattoo studio so combines the two plans into one. Meeting Tyler throws Max for a loop, cos he never really noticed Tyler before, you know? He was just Shane's big brother, is all. But now, the man did grow up good and proper and he pushes all of Max' buttons.
Tyler is just plodding along, bringing up his daughter with the help of his family. Catching up with Max was fun, and Tyler really needs a friend. But his long suppressed attraction to men, and to Max in particular begins to resurface, Tyler doesn't want Max as a friend, he WANTS Max. He has his daughter the think about, though, and his job as deputy, and his brother's reaction to finding out.
I really LOVED this, it fell on my kindle just when I needed it to and I devoured it. That's the only word I can find: devoured.
I went to bed to read a few chapters and the next thing I know, it was 1am and I had finished. It's not a short book, 230 odd pages, but it felt a lot less. A sign of a good, nay, GREAT book, that; that it doesn't seem as long as it really is!
Both Max and Tyler have a say, in the third. Both voices are clear and different and they tell their story incredibly well.
It has a good deal of angst/drama but they aren't really the right words for it. It's more soul searching, maybe? I dunno, hate not finding the right words. It has a LOT of emotion, both for Max and Tyler, from very different points of view. There is a huge family network too, who see, you know, they SEE what Max feels for Tyler, even if they haven't figured that out themselves yet!
It's not overly explicit, but I don't think it needs to be. It's hot and sexy though! The relationship between Max and Tyler moves along at a steady pace, both the emotional connection adn the physical one. I liked being made to wait a while!
I've only read one other book by Ms Martin, and that book didn't quite work for me but THIS one? I freaking loved it and it just goes to show, you can't love every book and just because one book by an author doesn't work for you, it doesn't mean they ALL won't.
So, because I loved it, because I read it in one sitting, just because its my review and I CAN . . .
5 stars
**same worded review will appear elsewhere**
Max returns home to open his tattoo studio and to be closer to his mum. On the way he gets stopped speeding, by his best friend's older brother, Tyler. While Max has immediate attraction to Tyler, Tyler is straight and tells him so. But there is . .something . . between them, and as the summer begins, the relationship grows. Can Tyler be a cop in a small town, who is gay?
I might gush about this book, just a heads up! Cos I bloody LOVED it!
Max returns to his home town after his mum has a stroke. He wants to be closer while she recovers. And he wants his own tattoo studio so combines the two plans into one. Meeting Tyler throws Max for a loop, cos he never really noticed Tyler before, you know? He was just Shane's big brother, is all. But now, the man did grow up good and proper and he pushes all of Max' buttons.
Tyler is just plodding along, bringing up his daughter with the help of his family. Catching up with Max was fun, and Tyler really needs a friend. But his long suppressed attraction to men, and to Max in particular begins to resurface, Tyler doesn't want Max as a friend, he WANTS Max. He has his daughter the think about, though, and his job as deputy, and his brother's reaction to finding out.
I really LOVED this, it fell on my kindle just when I needed it to and I devoured it. That's the only word I can find: devoured.
I went to bed to read a few chapters and the next thing I know, it was 1am and I had finished. It's not a short book, 230 odd pages, but it felt a lot less. A sign of a good, nay, GREAT book, that; that it doesn't seem as long as it really is!
Both Max and Tyler have a say, in the third. Both voices are clear and different and they tell their story incredibly well.
It has a good deal of angst/drama but they aren't really the right words for it. It's more soul searching, maybe? I dunno, hate not finding the right words. It has a LOT of emotion, both for Max and Tyler, from very different points of view. There is a huge family network too, who see, you know, they SEE what Max feels for Tyler, even if they haven't figured that out themselves yet!
It's not overly explicit, but I don't think it needs to be. It's hot and sexy though! The relationship between Max and Tyler moves along at a steady pace, both the emotional connection adn the physical one. I liked being made to wait a while!
I've only read one other book by Ms Martin, and that book didn't quite work for me but THIS one? I freaking loved it and it just goes to show, you can't love every book and just because one book by an author doesn't work for you, it doesn't mean they ALL won't.
So, because I loved it, because I read it in one sitting, just because its my review and I CAN . . .
5 stars
**same worded review will appear elsewhere**
Movie Metropolis (309 KP) rated Batman v Superman: Dawn of Justice (2016) in Movies
Jun 10, 2019
The Transformers of the superhero genre
It feels like eons ago that Batman v Superman was announced as a genuine movie. Way back in 2007 there was a poster that seemed to signify DC Comic’s plans in I am Legend, but fans just thought of it as a pipedream.
Now, in 2016, the moment has finally arrived. The marketing campaign has been relentless, the trailers have been criticised for showing far too much (which they have), and Ben Affleck’s casting as Batman was met with disdain rather than joy. So what is the finished product like?
Superman has now become a controversial figure after his climactic battle with General Zod, with Batman in particular being cautious of his true plans for Earth. After a new threat is created, Doomsday, they must put aside their differences to save the planet.
Following on directly from the events of Man of Steel, director Zak Snyder brings together DC Comics’ biggest superheroes in a film as loud as anything Michael Bay served up in the Transformers series.
Henry Cavill returns as the god from above with Ben Affleck taking over duties from Christian Bale as the Dark Knight. Both of them give great performances with Cavill in particular impressing. Affleck proves his doubters wrong and is more than a match for Bale, though his one facial expression wears thin over the course of the film.
Elsewhere, Jesse Eisenberg takes on the role of Lex Luthor in a portrayal reminiscent of Johnny Depp’s Willy Wonka – eerily creepy and well-acted but just trying that little bit too hard. Amy Adams makes a welcome return as Lois Lane and gets much more screen time here than she did in Man of Steel.
However, the most praise has to go to Gal Gadot. Her exceptional characterisation of Wonder Woman is one of the movie’s highlights and it’s such a shame she takes a backseat to the two titular characters. It’s clear the filmmakers thought highly of her too, as she gets her own thundering theme tune whenever she appears.
Unfortunately, the plot is just too nondescript and completely incomprehensible at times, with Lex Luthor’s motives remaining unclear throughout the 150 minute running time. This proves increasingly hard to swallow as the film progresses and makes his villain feel less menacing than he should be.
Nevertheless, Batman v Superman is visually spectacular. Snyder bombards the audience with breath-taking set pieces, dispersing them well enough to ensure the plot only drags in a few areas, namely at the beginning – though the film’s flabby length is a sticking point; it simply doesn’t need to be nearly three hours long.
It may all sound pretty negative, but the exciting and beautifully filmed final act almost makes up for these shortcomings. We also get to see an emotional side to the genre, something that has been sorely lacking more recently with the constant quipping of the Marvel Universe.
Overall, Batman v Superman was never going to live up to the hype and in some ways it does fall short. The battle between Bat of Gotham and Son of Krypton is disappointingly brief and the story lacks any real weight, until the final 30 minutes. But it’s filmed in such a unique fashion and with such confidence; it’s quite possible you may not see anything like it in the genre again.
https://moviemetropolis.net/2016/03/27/the-transformers-of-the-superhero-genre-batman-v-superman-review/
Now, in 2016, the moment has finally arrived. The marketing campaign has been relentless, the trailers have been criticised for showing far too much (which they have), and Ben Affleck’s casting as Batman was met with disdain rather than joy. So what is the finished product like?
Superman has now become a controversial figure after his climactic battle with General Zod, with Batman in particular being cautious of his true plans for Earth. After a new threat is created, Doomsday, they must put aside their differences to save the planet.
Following on directly from the events of Man of Steel, director Zak Snyder brings together DC Comics’ biggest superheroes in a film as loud as anything Michael Bay served up in the Transformers series.
Henry Cavill returns as the god from above with Ben Affleck taking over duties from Christian Bale as the Dark Knight. Both of them give great performances with Cavill in particular impressing. Affleck proves his doubters wrong and is more than a match for Bale, though his one facial expression wears thin over the course of the film.
Elsewhere, Jesse Eisenberg takes on the role of Lex Luthor in a portrayal reminiscent of Johnny Depp’s Willy Wonka – eerily creepy and well-acted but just trying that little bit too hard. Amy Adams makes a welcome return as Lois Lane and gets much more screen time here than she did in Man of Steel.
However, the most praise has to go to Gal Gadot. Her exceptional characterisation of Wonder Woman is one of the movie’s highlights and it’s such a shame she takes a backseat to the two titular characters. It’s clear the filmmakers thought highly of her too, as she gets her own thundering theme tune whenever she appears.
Unfortunately, the plot is just too nondescript and completely incomprehensible at times, with Lex Luthor’s motives remaining unclear throughout the 150 minute running time. This proves increasingly hard to swallow as the film progresses and makes his villain feel less menacing than he should be.
Nevertheless, Batman v Superman is visually spectacular. Snyder bombards the audience with breath-taking set pieces, dispersing them well enough to ensure the plot only drags in a few areas, namely at the beginning – though the film’s flabby length is a sticking point; it simply doesn’t need to be nearly three hours long.
It may all sound pretty negative, but the exciting and beautifully filmed final act almost makes up for these shortcomings. We also get to see an emotional side to the genre, something that has been sorely lacking more recently with the constant quipping of the Marvel Universe.
Overall, Batman v Superman was never going to live up to the hype and in some ways it does fall short. The battle between Bat of Gotham and Son of Krypton is disappointingly brief and the story lacks any real weight, until the final 30 minutes. But it’s filmed in such a unique fashion and with such confidence; it’s quite possible you may not see anything like it in the genre again.
https://moviemetropolis.net/2016/03/27/the-transformers-of-the-superhero-genre-batman-v-superman-review/
Movie Metropolis (309 KP) rated Avengers: Age of Ultron (2015) in Movies
Jun 10, 2019
This one belongs to James Spader
I doubt that Joss Whedon and the team down at Marvel knew just how successful 2012’s Avengers Assemble would go on to be. After just a few months of release it became the third highest-grossing film of all time, by no means an easy feat to achieve.
Therefore, Whedon and co had their work cut out trying to build on the solid foundations they had laid when it came to producing a sequel. However, three years and $250m later Avengers: Age of Ultron hits our screens. But is it the follow-up everyone was asking for?
Age of Ultron follows the dynamic team of superheroes as they continue to save the world following the near cataclysmic events of the 2009 predecessor and of course every Marvel film released since. Here however, they are tasked with taking down a robot hell bent on destroying the world – a tough day at the office to say the least.
All the fan favourites return as well as some new faces in a film that is technically spectacular but a little overambitious at times. There are 11, count them 11, major characters vying for screen time in Age of Ultron and while Whedon manages to give each of them their own story arc, at times it feels a little rushed.
Joining the cast is James Spader as the voice of Ultron, a robot accidentally created by Tony Stark, and he is by far the most intriguing character in an already impressive line-up. Robert Downey Jr. continues to be on fine form as the wise-cracking Iron Man/Stark with Chris Hemsworth providing the eye-candy as Thor.
It’s also nice to see Scarlett Johansson and Jeremy Renner’s Black Widow and Hawkeye get some much-needed fleshing out after their fairly limited roles in previous Marvel films, and Mark Ruffalo’s Hulk is a joy to watch.
Kick-Ass’ Aaron Taylor-Johnson and Godzilla’s Elizabeth Olsen also join the cast as Quicksilver and Scarlet Witch, two characters fans of the X-Men universe will recognise. However, due to legal requirements their origins are changed and the fact that they are mutants is never revealed, unfortunately limiting their appeal.
When it comes to special effects, Whedon has made sure every sequence is brimming with the highest quality CGI, and despite a couple of lapses early on in the film, the majority of the picture is flawless with some stunning global locations beautifully juxtaposed with the characters doing their thing.
What stands out in Age of Ultron however is the plot. Avengers Assemble was a fine film right up until the generic city-levelling, headache inducing climax that looked like it could have come straight out of a Michael Bay movie.
Thankfully, whilst the action is dialled up a few notches here, the plot is much more detailed and the final scenes are utterly breath-taking.
Overall, Avengers: Age of Ultron had a massive amount to live up to and in some respects it falls a little short, its overambitious nature is its downfall with too many characters needing screen time. However, as a good-time blockbuster it’s hard to find one better and James Spader is genuinely mesmerising as Ultron.
Is it the best film in the Marvel Cinematic Universe? Well, it’s definitely an improvement on its predecessor – but for me, Guardians of the Galaxy just takes that title by a whisker.
https://moviemetropolis.net/2015/04/26/this-one-belongs-to-james-spader-avengers-age-of-ultron-review/
Therefore, Whedon and co had their work cut out trying to build on the solid foundations they had laid when it came to producing a sequel. However, three years and $250m later Avengers: Age of Ultron hits our screens. But is it the follow-up everyone was asking for?
Age of Ultron follows the dynamic team of superheroes as they continue to save the world following the near cataclysmic events of the 2009 predecessor and of course every Marvel film released since. Here however, they are tasked with taking down a robot hell bent on destroying the world – a tough day at the office to say the least.
All the fan favourites return as well as some new faces in a film that is technically spectacular but a little overambitious at times. There are 11, count them 11, major characters vying for screen time in Age of Ultron and while Whedon manages to give each of them their own story arc, at times it feels a little rushed.
Joining the cast is James Spader as the voice of Ultron, a robot accidentally created by Tony Stark, and he is by far the most intriguing character in an already impressive line-up. Robert Downey Jr. continues to be on fine form as the wise-cracking Iron Man/Stark with Chris Hemsworth providing the eye-candy as Thor.
It’s also nice to see Scarlett Johansson and Jeremy Renner’s Black Widow and Hawkeye get some much-needed fleshing out after their fairly limited roles in previous Marvel films, and Mark Ruffalo’s Hulk is a joy to watch.
Kick-Ass’ Aaron Taylor-Johnson and Godzilla’s Elizabeth Olsen also join the cast as Quicksilver and Scarlet Witch, two characters fans of the X-Men universe will recognise. However, due to legal requirements their origins are changed and the fact that they are mutants is never revealed, unfortunately limiting their appeal.
When it comes to special effects, Whedon has made sure every sequence is brimming with the highest quality CGI, and despite a couple of lapses early on in the film, the majority of the picture is flawless with some stunning global locations beautifully juxtaposed with the characters doing their thing.
What stands out in Age of Ultron however is the plot. Avengers Assemble was a fine film right up until the generic city-levelling, headache inducing climax that looked like it could have come straight out of a Michael Bay movie.
Thankfully, whilst the action is dialled up a few notches here, the plot is much more detailed and the final scenes are utterly breath-taking.
Overall, Avengers: Age of Ultron had a massive amount to live up to and in some respects it falls a little short, its overambitious nature is its downfall with too many characters needing screen time. However, as a good-time blockbuster it’s hard to find one better and James Spader is genuinely mesmerising as Ultron.
Is it the best film in the Marvel Cinematic Universe? Well, it’s definitely an improvement on its predecessor – but for me, Guardians of the Galaxy just takes that title by a whisker.
https://moviemetropolis.net/2015/04/26/this-one-belongs-to-james-spader-avengers-age-of-ultron-review/
Movie Metropolis (309 KP) rated The BFG (2016) in Movies
Jun 10, 2019
Spielberg, where are you?
Roald Dahl’s inspiring novels have had a chequered history when it comes to turning them into films. Danny DeVito’s Matilda is widely regarded as one of the best adaptations, with Tim Burton’s Charlie & the Chocolate Factory rendered a monstrosity by fans of the author and movie critics alike.
So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice?
Partially is the short answer. Spielberg proves a safe pair of hands as usual, but it lacks his trademark flair, losing the darker, more brooding elements of the source material in the process.
Ten-year-old Sophie (Ruby Barnhill) experiences the adventure of a lifetime when she meets the Big Friendly Giant (Mark Rylance). Naturally scared at first, she soon realizes that the 24-foot behemoth is actually gentle and charming. As their friendship grows, Sophie’s presence attracts the unwanted attention of Bloodbottler, Fleshlumpeater and other giants. After traveling to London, Sophie and the BFG must convince the Queen to help them get rid of all the bad giants once and for all.
Casting wise, The BFG is practically spot on with Mark Rylance being exceptional in the titular role. It was always going to be hard to fill the shoes of David Jason, who tackled the character in the 1989 TV film, but he is perfect; getting the mannerisms and voice down to a tee. The motion capture used to render Rylance’s face onto the giant is breath-taking and some of the best I’ve seen. Elsewhere, Ruby Barnhill certainly has the look of Sophie, but lacks the acting finesse of some child actors.
The cinematography is both beautiful and at times hard to stomach. The opening sequence in which Sophie is taken from her bed to Giant Country is stunning, climaxing in a first-person view of the far-away land. Unfortunately, Spielberg’s avoidance of shaky cam lends an almost video-game feel to the scene that proves nauseating after a few minutes.
The BFG also suffers when both its main characters share a close-up. In particular, when Sophie is being carried by the giant, the motions look continuously jerky and spoil an otherwise impeccably rendered film – you can see where the $140million was spent.
Unfortunately, John Williams’ score lacks any sort of punch and feels sorely out of place in certain parts of the film. This is even more unusual considering the pairing of Spielberg and Williams has given us greats like Jurassic Park, E.T. and Indiana Jones.
Nevertheless, this is a sweet film that children and adults should enjoy. The themes of friendship and loneliness can resonate with all generations and a packed-out cinema proves just what a draw Roald Dahl still is to this day.
Overall, The BFG is everything most families will want from a summer holiday blockbuster. It’s sugary sweet, with great special effects, engaging acting and a wonderful story that follows its source material reasonably well. However, for Spielberg fans, it’s puzzling because the director’s presence feels a little lost. There’s a lot to like, but not a lot to love.
https://moviemetropolis.net/2016/07/28/spielberg-where-are-you-the-bfg-review/
So when Steven Spielberg was announced as director of The BFG, my personal favourite of all Dahl’s novels, I was equal parts pleased and wary. Could my favourite filmmaker really do this amazing book justice?
Partially is the short answer. Spielberg proves a safe pair of hands as usual, but it lacks his trademark flair, losing the darker, more brooding elements of the source material in the process.
Ten-year-old Sophie (Ruby Barnhill) experiences the adventure of a lifetime when she meets the Big Friendly Giant (Mark Rylance). Naturally scared at first, she soon realizes that the 24-foot behemoth is actually gentle and charming. As their friendship grows, Sophie’s presence attracts the unwanted attention of Bloodbottler, Fleshlumpeater and other giants. After traveling to London, Sophie and the BFG must convince the Queen to help them get rid of all the bad giants once and for all.
Casting wise, The BFG is practically spot on with Mark Rylance being exceptional in the titular role. It was always going to be hard to fill the shoes of David Jason, who tackled the character in the 1989 TV film, but he is perfect; getting the mannerisms and voice down to a tee. The motion capture used to render Rylance’s face onto the giant is breath-taking and some of the best I’ve seen. Elsewhere, Ruby Barnhill certainly has the look of Sophie, but lacks the acting finesse of some child actors.
The cinematography is both beautiful and at times hard to stomach. The opening sequence in which Sophie is taken from her bed to Giant Country is stunning, climaxing in a first-person view of the far-away land. Unfortunately, Spielberg’s avoidance of shaky cam lends an almost video-game feel to the scene that proves nauseating after a few minutes.
The BFG also suffers when both its main characters share a close-up. In particular, when Sophie is being carried by the giant, the motions look continuously jerky and spoil an otherwise impeccably rendered film – you can see where the $140million was spent.
Unfortunately, John Williams’ score lacks any sort of punch and feels sorely out of place in certain parts of the film. This is even more unusual considering the pairing of Spielberg and Williams has given us greats like Jurassic Park, E.T. and Indiana Jones.
Nevertheless, this is a sweet film that children and adults should enjoy. The themes of friendship and loneliness can resonate with all generations and a packed-out cinema proves just what a draw Roald Dahl still is to this day.
Overall, The BFG is everything most families will want from a summer holiday blockbuster. It’s sugary sweet, with great special effects, engaging acting and a wonderful story that follows its source material reasonably well. However, for Spielberg fans, it’s puzzling because the director’s presence feels a little lost. There’s a lot to like, but not a lot to love.
https://moviemetropolis.net/2016/07/28/spielberg-where-are-you-the-bfg-review/
Movie Metropolis (309 KP) rated The Snowman (2017) in Movies
Jun 10, 2019
No, not that one
Nordic noir is big business at the moment, but with the incredible scenery of the locations lending themselves perfectly to film, is there any wonder?
The Girl with the Dragon Tattoo and The Hypnotist are just a couple of movies that have fallen into this massively expanding genre.
Now, Jo Nesbø’s chilling The Snowman novel gets the silver screen treatment in a film of the same name. But can this continue the thrilling trend of whodunit novels being turned into fabulous crime dramas?For Detective Harry Hole (Michael Fassbender), the death of a young woman during the first snow of winter feels like anything but a routine homicide. His investigation leads him to “The Snowman Killer,” an elusive sociopath who continuously taunts Hole with ingeniously crafted cat-and-mouse games. As the brutal deaths show no sign of slowing, Harry teams up with a new recruit (Rebecca Ferguson) to try and lure the madman out of the shadows before it’s too late.
With Michael Fassbender at the helm, director Thomas Alfredson (Tinker Tailor Soldier Spy) manages to blend gorgeous imagery with an intriguing plot and excellent performances in a film that suffers from a couple of issues that stops it from becoming a must-see event.
These R-rated thrillers are ten-a-penny these days with the bar still being set incredibly high by Gone Girl. Last year’s Girl on the Train was a decent stab at dethroning David Fincher’s masterpiece, but it just fell a little short – well the same has happened here.
Michael Fassbender is uniformly excellent as troubled detective, Harry and the actor can do no wrong in his performances, but he’s suffered this year. After Assassin’s Creed failed to ignite the box-office, it looks to be a similar story this time. While The Snowman is technically competent and filmed beautifully, it lacks the sense of originality that breeds success.
It also doesn’t help that he’s surrounded by thinly padded supporting characters like former love interest Rakel (Charlotte Gainsbourg) and new police officer Katrine (Ferguson). Elsewhere, bizarre glorified cameos for Val Kilmer and Toby Jones leave you wondering if these actors expected a little more from their parts.
Perhaps I’m being a little harsh. After all, the cast is one of the film’s strongest suits. Add J.K. Simmons to the aforementioned roster and it really does have one of the best line-ups of the year. It’s just a shame the script doesn’t do more with them.
To look at, The Snowman is absolutely gorgeous. Helped obviously by magnificent Norwegian landscapes, Alfredson shoots using steady cam in scenes reminiscent of Stanley Kubrick’s The Shining, high praise indeed. In a year populated by CGI-heavy blockbusters, this comes as a real breath of fresh air.
Unfortunately, the constant use of flashbacks and a peculiar subplot involving a Winter sporting event ruin the pacing, though at 130 minutes, this isn’t too much of an issue. The ending however, is disappointing and lacks an emotional payoff after the film’s events.
Overall, The Snowman is a gritty adaptation of Jo Nesbø’s successful novel and while some of the plot choices leave a little to be desired, a great anchor performance by Michael Fassbender and stunning cinematography mean it’s definitely worth a watch; just don’t expect too much.
https://moviemetropolis.net/2017/10/14/the-snowman-review/
The Girl with the Dragon Tattoo and The Hypnotist are just a couple of movies that have fallen into this massively expanding genre.
Now, Jo Nesbø’s chilling The Snowman novel gets the silver screen treatment in a film of the same name. But can this continue the thrilling trend of whodunit novels being turned into fabulous crime dramas?For Detective Harry Hole (Michael Fassbender), the death of a young woman during the first snow of winter feels like anything but a routine homicide. His investigation leads him to “The Snowman Killer,” an elusive sociopath who continuously taunts Hole with ingeniously crafted cat-and-mouse games. As the brutal deaths show no sign of slowing, Harry teams up with a new recruit (Rebecca Ferguson) to try and lure the madman out of the shadows before it’s too late.
With Michael Fassbender at the helm, director Thomas Alfredson (Tinker Tailor Soldier Spy) manages to blend gorgeous imagery with an intriguing plot and excellent performances in a film that suffers from a couple of issues that stops it from becoming a must-see event.
These R-rated thrillers are ten-a-penny these days with the bar still being set incredibly high by Gone Girl. Last year’s Girl on the Train was a decent stab at dethroning David Fincher’s masterpiece, but it just fell a little short – well the same has happened here.
Michael Fassbender is uniformly excellent as troubled detective, Harry and the actor can do no wrong in his performances, but he’s suffered this year. After Assassin’s Creed failed to ignite the box-office, it looks to be a similar story this time. While The Snowman is technically competent and filmed beautifully, it lacks the sense of originality that breeds success.
It also doesn’t help that he’s surrounded by thinly padded supporting characters like former love interest Rakel (Charlotte Gainsbourg) and new police officer Katrine (Ferguson). Elsewhere, bizarre glorified cameos for Val Kilmer and Toby Jones leave you wondering if these actors expected a little more from their parts.
Perhaps I’m being a little harsh. After all, the cast is one of the film’s strongest suits. Add J.K. Simmons to the aforementioned roster and it really does have one of the best line-ups of the year. It’s just a shame the script doesn’t do more with them.
To look at, The Snowman is absolutely gorgeous. Helped obviously by magnificent Norwegian landscapes, Alfredson shoots using steady cam in scenes reminiscent of Stanley Kubrick’s The Shining, high praise indeed. In a year populated by CGI-heavy blockbusters, this comes as a real breath of fresh air.
Unfortunately, the constant use of flashbacks and a peculiar subplot involving a Winter sporting event ruin the pacing, though at 130 minutes, this isn’t too much of an issue. The ending however, is disappointing and lacks an emotional payoff after the film’s events.
Overall, The Snowman is a gritty adaptation of Jo Nesbø’s successful novel and while some of the plot choices leave a little to be desired, a great anchor performance by Michael Fassbender and stunning cinematography mean it’s definitely worth a watch; just don’t expect too much.
https://moviemetropolis.net/2017/10/14/the-snowman-review/
Movie Metropolis (309 KP) rated Vacation (2015) in Movies
Jun 11, 2019
Family holidays will never be the same
It was 1983 when Chevy Chase and Beverly D’Angelo made the infamous decision to take their family across the US to “America’s Favourite Family Fun Park” in National Lampoon’s Vacation.
Being the best in the long-running series, it seemed natural for it to receive a fully-fledged sequel of some kind, but it has taken up until now to get the balance right, but does Vacation evoke memories of that brilliant road-trip comedy?
Ed Helms takes on the role of an adult Rusty Griswold as he, like his father makes the epic trip to Walley World theme park alongside his long-suffering wife Debbie (Christina Applegate) and his two sons James and Kevin, played by Skyler Gisondo and Steele Stebbins respectively.
Everybody’s favourite thunder-god, Chris Hemsworth makes a rather revealing cameo as Rusty’s brother-in-law and ladies’ man, Stone Crandall, and helps lift Vacation out of what could have been a half-way lull.
Naturally, there are many tasteful references to its predecessor but this isn’t just a lesson in comedy history. Writers Jonathan Goldstein and John Francis Daley inject some much-needed modern humour into the film – this is most definitely a movie from the 21st Century.
Ed Helms and Christina Applegate have real chemistry as the married couple but it is in their children that most of the laughs are. James and Kevin are the stereotypical, bickering siblings but like everything in Vacation they are turned up to eleven.
From raw sewage infested hot springs to a would-be maniac truck driver, the gags on the whole hit the spot every single time – by no means an easy feat when writing a comedy over 90 minutes in length. There are a couple of ill-placed laughs like a Four Corners police brawl that threaten to stop the film in its tracks, but thankfully these are few and far between.
Short but sweet cameos for Chevy Chase and Beverly D’Angelo towards the climax anchor Vacation to what came before it and it’s nice that the writers didn’t forget to honour those roots in more ways than sickly nostalgia.
The direction is also positively inspired. Acting like a tourist brochure for the USA, Vacation makes you feel like you’re part of the vast locations. From desolate highways to bustling cities, it’s all here and beautifully shot.
Unfortunately the plot seems to run a little out of steam towards the end. After all, there’s only so much déjà vu a story can take and it seems that the writers put all their best work in the first two thirds of the movie, as is the case with many films in the genre.
Nevertheless, Vacation is a confident film that knows exactly what it’s trying to be. Acting as a standalone comedy for newcomers and a decent sequel for fans of the original, it has something for everyone.
The acting is sublime and the casting choices are spot on, only a lacklustre final third pull it back from the edge of glory.
I probably won’t be planning that road trip any time soon.
https://moviemetropolis.net/2015/08/23/family-holidays-will-never-be-the-same-vacation-review/
Being the best in the long-running series, it seemed natural for it to receive a fully-fledged sequel of some kind, but it has taken up until now to get the balance right, but does Vacation evoke memories of that brilliant road-trip comedy?
Ed Helms takes on the role of an adult Rusty Griswold as he, like his father makes the epic trip to Walley World theme park alongside his long-suffering wife Debbie (Christina Applegate) and his two sons James and Kevin, played by Skyler Gisondo and Steele Stebbins respectively.
Everybody’s favourite thunder-god, Chris Hemsworth makes a rather revealing cameo as Rusty’s brother-in-law and ladies’ man, Stone Crandall, and helps lift Vacation out of what could have been a half-way lull.
Naturally, there are many tasteful references to its predecessor but this isn’t just a lesson in comedy history. Writers Jonathan Goldstein and John Francis Daley inject some much-needed modern humour into the film – this is most definitely a movie from the 21st Century.
Ed Helms and Christina Applegate have real chemistry as the married couple but it is in their children that most of the laughs are. James and Kevin are the stereotypical, bickering siblings but like everything in Vacation they are turned up to eleven.
From raw sewage infested hot springs to a would-be maniac truck driver, the gags on the whole hit the spot every single time – by no means an easy feat when writing a comedy over 90 minutes in length. There are a couple of ill-placed laughs like a Four Corners police brawl that threaten to stop the film in its tracks, but thankfully these are few and far between.
Short but sweet cameos for Chevy Chase and Beverly D’Angelo towards the climax anchor Vacation to what came before it and it’s nice that the writers didn’t forget to honour those roots in more ways than sickly nostalgia.
The direction is also positively inspired. Acting like a tourist brochure for the USA, Vacation makes you feel like you’re part of the vast locations. From desolate highways to bustling cities, it’s all here and beautifully shot.
Unfortunately the plot seems to run a little out of steam towards the end. After all, there’s only so much déjà vu a story can take and it seems that the writers put all their best work in the first two thirds of the movie, as is the case with many films in the genre.
Nevertheless, Vacation is a confident film that knows exactly what it’s trying to be. Acting as a standalone comedy for newcomers and a decent sequel for fans of the original, it has something for everyone.
The acting is sublime and the casting choices are spot on, only a lacklustre final third pull it back from the edge of glory.
I probably won’t be planning that road trip any time soon.
https://moviemetropolis.net/2015/08/23/family-holidays-will-never-be-the-same-vacation-review/
Zuky the BookBum (15 KP) rated Gather the Daughters in Books
Mar 15, 2018
I was so interested in this one because it's ultimately about a cult. A cult who live on an island where very strict rules are put in place. Daughters are used to "comfort" their Father's during the night until their first bleed, then they get married off, Mothers are used for producing two children and housework. Sons help their Fathers in their jobs and Fathers rule the land.
On the island they have a Bible / religious text equivalent called Our Book and within the book there are the "Shalt Not's", for example "Thou shalt not disobey thy father", or "Thou shalt not touch a daughter who has bled until she enters her summer of fruition". Living on the island is simple if you don't question or break the rules.
For a woman to have a decent life on the island, there's only one piece of advice: have son's.
If you can't already see what I'm getting at from my short description above, then let me put this simply. <b>This is dark.</b> Gather the Daughters is a very ominous, disturbed and often times uncomfortable read.
Melamed's writing is stunning. The island she has created comes alive in your mind so easily with every description of the trees, the houses, the beach. The shadiness of the men, the melancholy of the woman, and the fear of the daughters can really be felt and you can almost touch the tension of what is looming, as it gets heavier and heavier with every turn of the page.
I loved the use of the four different characters to tell a story. To begin with, it is a little confusing - who is who? But you get used to it very quickly! Each of the girls we follow are so well developed, we climb inside their shoes and exist as they do for the length of their chapter. Personally, Rosie was my favourite character of them all, and she wasn't even one of the main ones! That just goes to show how well structured every single girl in this book was... when you feel you can love a side character over a main one.
I guess this book only gets a 4 stars because it wasn't entirely what I was expecting... and sometimes that's a good thing, your expectations are exceeded, but that wasn't the case for this one. It was a lot slower moving than I would have liked, there were panicky, heart racing moments, but not a lot of them, and I wasn't really satisfied with how everything ended. I don't want to say too much because of spoilers, but yes, not what I was hoping for.
Would I class this as sci-fi? No. As horror? No. As a thriller? No. For me, this felt more like a general fiction novel with some more disturbing aspects than many of the others in the genre have.
Overall, though, this is worth picking up to read. It's definitely uncomfortable to read at times and I did feel a little bit squirmish at what is implied throughout, but it's such a gorgeously written book and there are some excellent exciting moments. As this is Melamed's first book, I can see her going big places with more fiction in the future!
<i>P.S. If you don't feel comfortable reading books about incest / child sexual abuse please don't read this and then rate it 1 star because you found the subject matter difficult to read. That's just not fair.</i>
On the island they have a Bible / religious text equivalent called Our Book and within the book there are the "Shalt Not's", for example "Thou shalt not disobey thy father", or "Thou shalt not touch a daughter who has bled until she enters her summer of fruition". Living on the island is simple if you don't question or break the rules.
For a woman to have a decent life on the island, there's only one piece of advice: have son's.
If you can't already see what I'm getting at from my short description above, then let me put this simply. <b>This is dark.</b> Gather the Daughters is a very ominous, disturbed and often times uncomfortable read.
Melamed's writing is stunning. The island she has created comes alive in your mind so easily with every description of the trees, the houses, the beach. The shadiness of the men, the melancholy of the woman, and the fear of the daughters can really be felt and you can almost touch the tension of what is looming, as it gets heavier and heavier with every turn of the page.
I loved the use of the four different characters to tell a story. To begin with, it is a little confusing - who is who? But you get used to it very quickly! Each of the girls we follow are so well developed, we climb inside their shoes and exist as they do for the length of their chapter. Personally, Rosie was my favourite character of them all, and she wasn't even one of the main ones! That just goes to show how well structured every single girl in this book was... when you feel you can love a side character over a main one.
I guess this book only gets a 4 stars because it wasn't entirely what I was expecting... and sometimes that's a good thing, your expectations are exceeded, but that wasn't the case for this one. It was a lot slower moving than I would have liked, there were panicky, heart racing moments, but not a lot of them, and I wasn't really satisfied with how everything ended. I don't want to say too much because of spoilers, but yes, not what I was hoping for.
Would I class this as sci-fi? No. As horror? No. As a thriller? No. For me, this felt more like a general fiction novel with some more disturbing aspects than many of the others in the genre have.
Overall, though, this is worth picking up to read. It's definitely uncomfortable to read at times and I did feel a little bit squirmish at what is implied throughout, but it's such a gorgeously written book and there are some excellent exciting moments. As this is Melamed's first book, I can see her going big places with more fiction in the future!
<i>P.S. If you don't feel comfortable reading books about incest / child sexual abuse please don't read this and then rate it 1 star because you found the subject matter difficult to read. That's just not fair.</i>
Heather Cranmer (2721 KP) rated Glass (Crank, #2) in Books
Jun 6, 2018
(This review can also be found on my blog <a href="http://themisadventuresofatwentysomethingyearold.blogspot.com">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
After reading Crank by Ellen Hopkins, I knew I had to read the sequel. It just had to be done. I enjoyed this book a lot, not as much as the first book in the series, but it was still good.
Glass begins where Crank left off. Now Kristina has a baby to take care off. Kristina believes she can control the monster now that she has Hunter to take care of. Little does she know it's not as easy as that. Will Kristina finally give up the monster for good this time to become a good mother?
The title of this sequel to Crank is a great one. Glass is one of the many slang names for the drug Meth. I love the way Hopkins continues to use a slang name for Meth.
Again, I do like the cover to this book. I do prefer the first cover as I loved the black and white simplicity of it. However, the purple cover with the title written in Meth looks good too.
As with the first book in this series, the world building is perfect. It's so easy to lose yourself in Kristina's world. The scenes for each chapter are so easy to imagine.
The pacing of this book is a bit slower than the first one. However, the pacing is still very good. I didn't devour this book like I did Crank, but I still loved it. I don't know why, but Glass just read a bit slower.
Like with the first book in the series, there isn't that much dialogue between characters. However, I loved the internal dialogue Kristina has with herself. It makes Kristina come across as more real and vulnerable. There is swearing in this book so if that bothers you, you don't want to read this book.
I still think Kristina is a fabulous character, and Hopkins does a fantastic job of portraying her like a proper Meth addict that came from a great home life. Kristina is a very well written character, and I really, really loved learning more about her. I was a bit saddened that Chase wasn't really in the second book as I loved him in the first. We do get to meet Trey though who I didn't really like, not because he wasn't written very well, but because of the way he treated Kristina. Brad was definitely one of my favourite characters.
This book is also written in verse like the first one. I like this because it makes the story more interesting to me. Plus, I like it when a book has a short chapter. Long chapters in books really annoy me for some reason.
Glass is a fantastic book and continues from the first book rather smoothly. The pacing is not as fast as the first book, but it's still a great sequel. I've now started on the third and final book in the series.
I'd recommend this book to everyone aged 16+ due to the bad language and the themes.
I'd give Glass (Crank #2) by Ellen Hopkins a 4.5 out of 5.
After reading Crank by Ellen Hopkins, I knew I had to read the sequel. It just had to be done. I enjoyed this book a lot, not as much as the first book in the series, but it was still good.
Glass begins where Crank left off. Now Kristina has a baby to take care off. Kristina believes she can control the monster now that she has Hunter to take care of. Little does she know it's not as easy as that. Will Kristina finally give up the monster for good this time to become a good mother?
The title of this sequel to Crank is a great one. Glass is one of the many slang names for the drug Meth. I love the way Hopkins continues to use a slang name for Meth.
Again, I do like the cover to this book. I do prefer the first cover as I loved the black and white simplicity of it. However, the purple cover with the title written in Meth looks good too.
As with the first book in this series, the world building is perfect. It's so easy to lose yourself in Kristina's world. The scenes for each chapter are so easy to imagine.
The pacing of this book is a bit slower than the first one. However, the pacing is still very good. I didn't devour this book like I did Crank, but I still loved it. I don't know why, but Glass just read a bit slower.
Like with the first book in the series, there isn't that much dialogue between characters. However, I loved the internal dialogue Kristina has with herself. It makes Kristina come across as more real and vulnerable. There is swearing in this book so if that bothers you, you don't want to read this book.
I still think Kristina is a fabulous character, and Hopkins does a fantastic job of portraying her like a proper Meth addict that came from a great home life. Kristina is a very well written character, and I really, really loved learning more about her. I was a bit saddened that Chase wasn't really in the second book as I loved him in the first. We do get to meet Trey though who I didn't really like, not because he wasn't written very well, but because of the way he treated Kristina. Brad was definitely one of my favourite characters.
This book is also written in verse like the first one. I like this because it makes the story more interesting to me. Plus, I like it when a book has a short chapter. Long chapters in books really annoy me for some reason.
Glass is a fantastic book and continues from the first book rather smoothly. The pacing is not as fast as the first book, but it's still a great sequel. I've now started on the third and final book in the series.
I'd recommend this book to everyone aged 16+ due to the bad language and the themes.
I'd give Glass (Crank #2) by Ellen Hopkins a 4.5 out of 5.
Bethany Fletcher (17 KP) rated Beyond a Darkened Shore in Books
Jun 25, 2018
Contains spoilers, click to show
I had serious mixed feelings about this book. It promised Viking’s and magic and adventure and that was all there no doubt but not really well.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
Louise (64 KP) rated Anna and the French Kiss in Books
Jul 2, 2018
I was pretty late on this band wagon, so late that I almost missed it. I found the delights of booktube this year!( I have been hiding under a rock!) and whenever some one mentioned a book to re read or one that gets you out of slumps etcetera etcetera, This was the one that popped up most of the time or Fangirl by Rainbow Rowell.
I really loved this book, I probably could have read it in one sitting but the fact I had to go to work the next morning made me put it down (I was late for work). I was reading this well into the night as I was unable to put it down, I needed to read more and find out what happened without having a break, to say I was fully invested was an understatement.
Anna is enrolled to go to a College/school in Paris for Americans, she totally doesn't want to be there, but because her dad is a high regarded author in the book world, he wants his daughter to reap the benefits or in Anna's terms... to show off. Being in a foreign country is daunting when there are no familiar people around you and the fact that you have no understanding of the language - Luckily Anna befriends a group of people very quickly, they take her under their wing and help Anna with her French and her way around the city. Among the group is Etienne St Clair, one of the hottest guys at the school - there is an instant mutual attraction, however there is a problem.....HIS GIRLFRIEND!
Anna is a great female protagonist, she starts off naive, shy and comes across as a bit whiney but the great thing as the story goes on you see her develop and act more grown up. I felt sorry for her being forced to school in Paris where she is all alone, when all she wants to do is be at home in Atlanta with her Mum, Seany (brother), Bridgette(best friend) and Toph (Potential love interest).
Etienne St Clair! Well what can I say? He was a complicated character he had so much emotional baggage. He is the heart-throb of the school, everyone wants to be hanging off his arm and there is a lot of bitchiness towards Anna as people notice their closeness. He has this certain aura about him, he has amazing hair, teeth, skin, dresses like a Parisian and not too tall (for some reason this was mentioned a lot) He has a British accent but lives in America and his father is french! He is swoon worthy in short, he blushes, he gets anxious and he isn't a complete douche-bag. He is mature for his age. However his family life is complicated, he's got a girlfriend but he wants Anna.
This book is cute, sweet , fluffy and all the adjectives. The fact that it is set in the City of Love also makes it more romantic. I totally recommend this book if you are a fan of Romance and YA. It is definitely a book you can reread, the writing is so easy to follow and a fast read.
I will be continuing with the trilogy.
I rated this book 5 out of 5 stars
I really loved this book, I probably could have read it in one sitting but the fact I had to go to work the next morning made me put it down (I was late for work). I was reading this well into the night as I was unable to put it down, I needed to read more and find out what happened without having a break, to say I was fully invested was an understatement.
Anna is enrolled to go to a College/school in Paris for Americans, she totally doesn't want to be there, but because her dad is a high regarded author in the book world, he wants his daughter to reap the benefits or in Anna's terms... to show off. Being in a foreign country is daunting when there are no familiar people around you and the fact that you have no understanding of the language - Luckily Anna befriends a group of people very quickly, they take her under their wing and help Anna with her French and her way around the city. Among the group is Etienne St Clair, one of the hottest guys at the school - there is an instant mutual attraction, however there is a problem.....HIS GIRLFRIEND!
Anna is a great female protagonist, she starts off naive, shy and comes across as a bit whiney but the great thing as the story goes on you see her develop and act more grown up. I felt sorry for her being forced to school in Paris where she is all alone, when all she wants to do is be at home in Atlanta with her Mum, Seany (brother), Bridgette(best friend) and Toph (Potential love interest).
Etienne St Clair! Well what can I say? He was a complicated character he had so much emotional baggage. He is the heart-throb of the school, everyone wants to be hanging off his arm and there is a lot of bitchiness towards Anna as people notice their closeness. He has this certain aura about him, he has amazing hair, teeth, skin, dresses like a Parisian and not too tall (for some reason this was mentioned a lot) He has a British accent but lives in America and his father is french! He is swoon worthy in short, he blushes, he gets anxious and he isn't a complete douche-bag. He is mature for his age. However his family life is complicated, he's got a girlfriend but he wants Anna.
This book is cute, sweet , fluffy and all the adjectives. The fact that it is set in the City of Love also makes it more romantic. I totally recommend this book if you are a fan of Romance and YA. It is definitely a book you can reread, the writing is so easy to follow and a fast read.
I will be continuing with the trilogy.
I rated this book 5 out of 5 stars