Search
LoganCrews (2861 KP) rated Her (2013) in Movies
Sep 20, 2020
Super insane when you think about how an actual person was capable of making something this impeccable. Earth-shattering romance with very little frills, works as well as it does in part because Jonze - seasoned craftsman that he is - refuses to cloud the central dynamic(s) with overbearing "hey it's the future everybody look" winking nor random tech overanalyzing which usually bog down these types of films and take away from what works. It's easy to forget that acting can be this perfect - from the seismic Phoenix lead performance to Johansson's heart-wrenching and constantly evolving vocal presence. And it's nice to see a technology-oriented future-set film that doesn't dive into annoying 'The State of Things' preachiness or look like a grodey 𝘉𝘭𝘢𝘥𝘦 𝘙𝘶𝘯𝘯𝘦𝘳 rustbucket bootleg. In short, it never lets its story take a backseat to obnoxious gimmicks, ever - so everything is allowed to breathe. Wish it didn't spoil the final frame of the goddamned movie on the back of the DVD case, but otherwise holy fucking shit the waterworks were turned UP on this one.
Suswatibasu (1701 KP) rated The Zookeeper's Wife (2017) in Movies
Nov 24, 2017 (Updated Nov 24, 2017)
Story is harrowing and essential but film could have been made better
As a massive fan of biopics, The Zookeeper's Wife is an incredibly important tale of a the real life Polish couple who sheltered Jews in their zoo during the Second World War, helping 300 people to escape from Warsaw.
Dr. Jan Zabinski was the director of the Warsaw Zoo in the 1930's, and along with his wife Antonina and young son, they ensured the safety and care of animals in the area. Their life came to an abrupt halt with the German invasion of Poland in 1939, when most of their animals and structures were destroyed in the bombings and siege of the city. The zoo was closed under German occupation, but the Zabinskis continued to occupy the villa, and the zoo itself was used first as a pig farm and subsequently as a fur farm. All the while, Dr Zabinski smuggled Jewish people out of the Warsaw Ghetto and aided their way out of city, not before allowing them to stay in their own house. He was injured while fighting in the Polish resistance, but the couple were given an honorary title by Yad Vashem (Israel's official memorial for Jewish victims of the Holocaust) for their brave efforts.
Similar in the vein of films such as @Schindler's List (1993), there is an element of a saviour complex in these films, but unlike Steven Spielberg's Oscar-winner, it is less extravagant and less well-made, as there was very little engagement with the Jewish characters - focusing more on Antonina, played by Jessica Chastain. It is definitely heart-wrenching watching films based on the holocaust, and there were scenes I had to turn away from, such as when an elderly woman and her mother were shot dead in the streets by soldiers. The script and cinematography weren't at a high standard, however, and as a result the film definitely fell short. I would suggest reading the book @The Zookeeper's Wife - it has far more detail than the film, in which there were glaringly obvious plot holes.
Dr. Jan Zabinski was the director of the Warsaw Zoo in the 1930's, and along with his wife Antonina and young son, they ensured the safety and care of animals in the area. Their life came to an abrupt halt with the German invasion of Poland in 1939, when most of their animals and structures were destroyed in the bombings and siege of the city. The zoo was closed under German occupation, but the Zabinskis continued to occupy the villa, and the zoo itself was used first as a pig farm and subsequently as a fur farm. All the while, Dr Zabinski smuggled Jewish people out of the Warsaw Ghetto and aided their way out of city, not before allowing them to stay in their own house. He was injured while fighting in the Polish resistance, but the couple were given an honorary title by Yad Vashem (Israel's official memorial for Jewish victims of the Holocaust) for their brave efforts.
Similar in the vein of films such as @Schindler's List (1993), there is an element of a saviour complex in these films, but unlike Steven Spielberg's Oscar-winner, it is less extravagant and less well-made, as there was very little engagement with the Jewish characters - focusing more on Antonina, played by Jessica Chastain. It is definitely heart-wrenching watching films based on the holocaust, and there were scenes I had to turn away from, such as when an elderly woman and her mother were shot dead in the streets by soldiers. The script and cinematography weren't at a high standard, however, and as a result the film definitely fell short. I would suggest reading the book @The Zookeeper's Wife - it has far more detail than the film, in which there were glaringly obvious plot holes.
Andy K (10821 KP) rated The Tree of Life (2011) in Movies
Apr 19, 2019
Challenge yourself. Give this a watch!
I have to admit to not having seen many films directed by Terrence Malick. Not by choice, just hadn't gotten around to it. I watched The Thin Red Line when it was released, but thought it was inferior to Saving Private Ryan which was released around the same time. I will give a rewatch soon.
I saw another review which said to describe this film would be like trying to describe the color blue to someone who was blind. A basically impossible task.
The easiest way for me would be to mention other movies, so if you took parts of 2001: A Space Odyssey, Mother!, Revolutionary Road and Stand By Me you might start to come close to the interesting weave of imagery and story which conjoin this film.
Loosely speaking, it's about a family with 3 young boys in Texas in the 1950s. Their relationships, their troubles, their triumphs, the small insignificant moments in their lives combined with the very important ones. Throw in scenes of the creation of the universe, dinosaurs and unusual images of the Earth itself you'll finally start to maybe understand the complexity of this film.
Of course, this is a film like 2001 or Mother in which some will say it is crap or there is no meaning beyond what is displayed onscreen, but I would beg to differ. I respect everyone's opinions, but strive to seek out films that make me think a little and make me ponder during and after the end credits are complete and this film will do that for sure.
I am not a religious person, but you don't need to be to appreciate the vivid imagery in this film. I believe Malick supports differing views whether you believe in God or not.
In short, in a world of summer blockbusters just beyond the horizon, I would challenge you to enjoy those films as they have their place, but also challenge yourself with something rich.
I know I will be finding Days of Heaven and Badlands to get more Malick in the weeks ahead.
I saw another review which said to describe this film would be like trying to describe the color blue to someone who was blind. A basically impossible task.
The easiest way for me would be to mention other movies, so if you took parts of 2001: A Space Odyssey, Mother!, Revolutionary Road and Stand By Me you might start to come close to the interesting weave of imagery and story which conjoin this film.
Loosely speaking, it's about a family with 3 young boys in Texas in the 1950s. Their relationships, their troubles, their triumphs, the small insignificant moments in their lives combined with the very important ones. Throw in scenes of the creation of the universe, dinosaurs and unusual images of the Earth itself you'll finally start to maybe understand the complexity of this film.
Of course, this is a film like 2001 or Mother in which some will say it is crap or there is no meaning beyond what is displayed onscreen, but I would beg to differ. I respect everyone's opinions, but strive to seek out films that make me think a little and make me ponder during and after the end credits are complete and this film will do that for sure.
I am not a religious person, but you don't need to be to appreciate the vivid imagery in this film. I believe Malick supports differing views whether you believe in God or not.
In short, in a world of summer blockbusters just beyond the horizon, I would challenge you to enjoy those films as they have their place, but also challenge yourself with something rich.
I know I will be finding Days of Heaven and Badlands to get more Malick in the weeks ahead.
Emma @ The Movies (1786 KP) rated Cars 3 (2017) in Movies
Sep 25, 2019
There was me thinking that seeing Cars 3 on a Friday morning when most of the schools are still in sessions would be a nice and peaceful affair... *insert annoyed face here* Sadly, this was not the case and I was the only person in the screen without a child. There were probably only about twenty of us there... but still, when are they going to do adult only screenings of things?! Anyway, enough of that.
Lightning McQueen and his fellow racers have been enjoying the road together for a long time. So when the newcomers start to make waves it means there are hard decisions ahead. McQueen isn't ready to take his last pit stop though and so he has to train harder, and smarter, if he's going to beat his new high-tech competition.
With the help of Cruz Ramirez, he could be about to start the next phase of his career. But is it enough to beat Jackson Storm?..
Pixar have made another winner with this one. I'm not even sure how they manage to make me cry at animated cars... damn you Pixar, I never have enough tissues.
Cars is the least successful of the Pixar franchises. Don't shoot the messenger, I checked on box office sales. (It's not the worst performing film if that's any consolation, but it was fairly close.) But even Pixar's worst is still pretty amazing. Their films are all round fun, they have the ups and downs of any adult films, PLUS you always get an amazing short to go with it. Here's a quick trailer for Lou.
Lightning McQueen and his fellow racers have been enjoying the road together for a long time. So when the newcomers start to make waves it means there are hard decisions ahead. McQueen isn't ready to take his last pit stop though and so he has to train harder, and smarter, if he's going to beat his new high-tech competition.
With the help of Cruz Ramirez, he could be about to start the next phase of his career. But is it enough to beat Jackson Storm?..
Pixar have made another winner with this one. I'm not even sure how they manage to make me cry at animated cars... damn you Pixar, I never have enough tissues.
Cars is the least successful of the Pixar franchises. Don't shoot the messenger, I checked on box office sales. (It's not the worst performing film if that's any consolation, but it was fairly close.) But even Pixar's worst is still pretty amazing. Their films are all round fun, they have the ups and downs of any adult films, PLUS you always get an amazing short to go with it. Here's a quick trailer for Lou.
Dean (6925 KP) rated Top Boy - Season 3 in TV
Dec 8, 2019 (Updated Dec 8, 2019)
Great story (1 more)
Good range of characters
Back on Top
I remember the first 2 short series when they were on Channel 4, both good but they were only 4 episodes long and the second one seemed to end abruptly. They are available on Netflix with the Netflix original new series which is 10 episodes long.
It's definitely worth watching the first 2 series as many of the main characters are the same and the story does carry on from then. Although it's been 6 years since the last series.
This is a good crime drama showing how rival drug gangs from different estates are trying to out do each other. It does feel quite realistic as we see the events unfold from many different characters viewpoints. Family, friends, rivals, gang members as they all get tied up with the events that unfold. It definitely feels like a much better all round story than the first 2 series. It's quite violent in parts as you would expect. Definitely worth putting towards the Top of your list to check out. If you like films like @Kidulthood (2006) you will like this.
It's definitely worth watching the first 2 series as many of the main characters are the same and the story does carry on from then. Although it's been 6 years since the last series.
This is a good crime drama showing how rival drug gangs from different estates are trying to out do each other. It does feel quite realistic as we see the events unfold from many different characters viewpoints. Family, friends, rivals, gang members as they all get tied up with the events that unfold. It definitely feels like a much better all round story than the first 2 series. It's quite violent in parts as you would expect. Definitely worth putting towards the Top of your list to check out. If you like films like @Kidulthood (2006) you will like this.
Silent Comedy
Book
On the surface it may seem slightly surprising that a master of verbal humour should also be a...
Zombies: A Cultural History
Book
The zombie has shuffled with dead-eyed, remorseless menace from its beginnings in obscure folklore...
To Pixar and Beyond: My Unlikely Journey with Steve Jobs to Make Entertainment History
Book
One day in November 1994, Lawrence Levy received a phone call out of the blue from Steve Jobs, whom...
Bob Mann (459 KP) rated The Night House (2020) in Movies
Aug 23, 2021
Rebecca Hall - outstanding (1 more)
Nicely vague script: leaves a lot to interpret
This one really creeped me out
Positives:
- Of the different movie genres, comedy and horror are probably the ones that polarise opinion the most. One person's meat is another's fowl. But I have to say that this movie officially creeped me out. I was extremely tense for just about the whole 107 minute running time. Much of this is down to Rebecca Hall, who is just SUPERB in this. She brilliantly portrays a woman on the edge, her impassive character breaking every so often into an "everything's fine" sarcastic smile. I know that the Academy tend not to nominate actors for Oscars for 'frivolous' films, but this genuinely, to me, felt like an Oscar-nomination-worthy performance.
- I've talked before in my blog about the overuse of 'jump scares' in horror films and the law of diminishing returns. This film doles them out very sparingly indeed. There are two notable ones (one spoiled by the trailer!) but - man - the first of these had me levitating off the seat!
- The script is very vague indeed about where you end up in this movie. (I've tried to do a synopsis of what I *think* happened in a "Sp0iler section" in my blog). The script deliciously muddies the waters between dreams and reality; sanity and madness; sobriety and drunkenness; with the real-life Madelyn (Stacy Martin) bringing you up short at times with an "oh - so that bit must by reality then"!
Negatives:
- The ending. I'm not sure how I wanted it to end. But it felt wholly anti-climactic.
Summary Thoughts on "The Night House": London-born Rebecca Hall seems to have a "leisurely" output as an actress, but she really deserves more prominence in the industry. (If you've not seen it yet, watch her outstanding performance in "Christine" as another proof point). Here she magnificently holds the movie together.
Effective horror films for me are those on the tense psychological side rather than the mindless slasher variety. This point was well made by Tom Shone in his review in "The Sunday Times", describing it as a "middle-aged kind of horror movie!". "The Night House" delivered those mental chills for me in spades. There is actually very little gore in this one. But it certainly had me thinking about it when I woke up in the middle of the night last night. Was that a noise downstairs??
If you like your scary films, then this one is highly recommended.
(For my full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
- Of the different movie genres, comedy and horror are probably the ones that polarise opinion the most. One person's meat is another's fowl. But I have to say that this movie officially creeped me out. I was extremely tense for just about the whole 107 minute running time. Much of this is down to Rebecca Hall, who is just SUPERB in this. She brilliantly portrays a woman on the edge, her impassive character breaking every so often into an "everything's fine" sarcastic smile. I know that the Academy tend not to nominate actors for Oscars for 'frivolous' films, but this genuinely, to me, felt like an Oscar-nomination-worthy performance.
- I've talked before in my blog about the overuse of 'jump scares' in horror films and the law of diminishing returns. This film doles them out very sparingly indeed. There are two notable ones (one spoiled by the trailer!) but - man - the first of these had me levitating off the seat!
- The script is very vague indeed about where you end up in this movie. (I've tried to do a synopsis of what I *think* happened in a "Sp0iler section" in my blog). The script deliciously muddies the waters between dreams and reality; sanity and madness; sobriety and drunkenness; with the real-life Madelyn (Stacy Martin) bringing you up short at times with an "oh - so that bit must by reality then"!
Negatives:
- The ending. I'm not sure how I wanted it to end. But it felt wholly anti-climactic.
Summary Thoughts on "The Night House": London-born Rebecca Hall seems to have a "leisurely" output as an actress, but she really deserves more prominence in the industry. (If you've not seen it yet, watch her outstanding performance in "Christine" as another proof point). Here she magnificently holds the movie together.
Effective horror films for me are those on the tense psychological side rather than the mindless slasher variety. This point was well made by Tom Shone in his review in "The Sunday Times", describing it as a "middle-aged kind of horror movie!". "The Night House" delivered those mental chills for me in spades. There is actually very little gore in this one. But it certainly had me thinking about it when I woke up in the middle of the night last night. Was that a noise downstairs??
If you like your scary films, then this one is highly recommended.
(For my full graphical review, please check out onemannsmovies on the web, Facebook and Tiktok. Thanks).
Kirk Bage (1775 KP) rated 3 Idiots (2009) in Movies
Mar 3, 2020
So, I am writing a coffee table book that selects the 200 top films of 2000 – 2019. Called, predictably, 21st Century Cinema: 200 Unmissable films. It uses a system of rating I devised called The Decinemal, which takes the ten categories by which a film can be rated (Direction, Script, Design, Lead Acting, Support Acting, Music, Photography, Critical Acclaim, Watchability and X-Factor) and scores them out of 10, to give an overall score out of 100. Whilst not foolproof, it does give a remarkable working basis for comparing movies of different genres, and the ratings often bear a striking relation to the democratic system used by IMDb – a film scoring 7.2 on that website might be a 75 decinemal, for example, and that feels like that validates its use.
It has been a very fun, if time consuming, project. The difficulty is keeping up with new releases every year, and trying to catch some of the more obscure foreign language films out there that get high scores on IMDb. One such film was 3 Idiots, to date the highest rated Bollywood film on that website, with a score of 8.5; which is high! Very high! So I have to watch it and find out for myself.
Now, Bollywood is not me for, barring the odd amusement of how bizarre they can be. I find the musical interludes often grating and incongruous, and the melodramatic acting styles something that the cinema of most other countries outgrew decades ago. So it is hard for me to be objective about it. On the whole they just don’t compete on any level with American, European or, well, any other country’s output. In short, I would never normally watch one at all.
Surprisingly, I found 3 Idiots, although clownish and OTT, quite entertaining from the start. I even found one or two of the obligatory musical numbers very catchy and a lot of fun! Also, lead actor Aamir Khan, one of India’s biggest stars, was very charming and watchable. Of course, it is colourful, loud and has a childish sensibility, but some moments made me genuinely laugh. The main problem actually came from it being padded out to almost 2 and 1/2 hours, which was far too long for comfort. If it had been more economical I may have even been able to say it was worth watching.
Sadly, it is the moments of cultural difference and pure silliness that dragged it down. Despite its positive points, ultimately it is a mess, and to compare it on the standard I judge all films I see I have to be fair and not patronise it. Certainly in terms of the Bollywood fare I have seen bits of over the years, I can see why it is so well thought of. I can also see how films like this gain such a high rating, because it is the native audience it was made for that cast the votes. Which is fair enough, but does give it an unreasonably high score.
I think if more people watched it and rated it, it would balance out at a 6.5, and it probably deserves that for sheer entertainment value. I have certainly seen many worse films! Applying The Decinemal objectively, however, it comes out like this: Direction 4, Script 5, Design 6, Lead Acting 6, Support acting 4, Music 5, Photography 6, Critical Acclaim 7, Wachability 5, x-Factor 6. Added up that gives it a Decinemal of 54 – a far cry from the 74 it would have needed to make my top 200. And I stand by that score, as the level of likelihood of everyone’s enjoyment of it.
To an extent it discourages me from watching anything from this part of the world again, but I can’t say I didn’t appreciate why it was such a big hit. Interesting.
It has been a very fun, if time consuming, project. The difficulty is keeping up with new releases every year, and trying to catch some of the more obscure foreign language films out there that get high scores on IMDb. One such film was 3 Idiots, to date the highest rated Bollywood film on that website, with a score of 8.5; which is high! Very high! So I have to watch it and find out for myself.
Now, Bollywood is not me for, barring the odd amusement of how bizarre they can be. I find the musical interludes often grating and incongruous, and the melodramatic acting styles something that the cinema of most other countries outgrew decades ago. So it is hard for me to be objective about it. On the whole they just don’t compete on any level with American, European or, well, any other country’s output. In short, I would never normally watch one at all.
Surprisingly, I found 3 Idiots, although clownish and OTT, quite entertaining from the start. I even found one or two of the obligatory musical numbers very catchy and a lot of fun! Also, lead actor Aamir Khan, one of India’s biggest stars, was very charming and watchable. Of course, it is colourful, loud and has a childish sensibility, but some moments made me genuinely laugh. The main problem actually came from it being padded out to almost 2 and 1/2 hours, which was far too long for comfort. If it had been more economical I may have even been able to say it was worth watching.
Sadly, it is the moments of cultural difference and pure silliness that dragged it down. Despite its positive points, ultimately it is a mess, and to compare it on the standard I judge all films I see I have to be fair and not patronise it. Certainly in terms of the Bollywood fare I have seen bits of over the years, I can see why it is so well thought of. I can also see how films like this gain such a high rating, because it is the native audience it was made for that cast the votes. Which is fair enough, but does give it an unreasonably high score.
I think if more people watched it and rated it, it would balance out at a 6.5, and it probably deserves that for sheer entertainment value. I have certainly seen many worse films! Applying The Decinemal objectively, however, it comes out like this: Direction 4, Script 5, Design 6, Lead Acting 6, Support acting 4, Music 5, Photography 6, Critical Acclaim 7, Wachability 5, x-Factor 6. Added up that gives it a Decinemal of 54 – a far cry from the 74 it would have needed to make my top 200. And I stand by that score, as the level of likelihood of everyone’s enjoyment of it.
To an extent it discourages me from watching anything from this part of the world again, but I can’t say I didn’t appreciate why it was such a big hit. Interesting.