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Sherpa: The Memoir of Ang Tharkay
Book
Adventurous stories told from a non-Western perspective by one of the most accomplished early...
James Baldwin: Escape from America, Exile in Provence
Book
To escape racism in America, James Baldwin fled to Saint-Paul-de-Vence, France, in 1970, where he...
Legal Origins and the Efficiency Dilemma
Nuno Garoupa, Carlos Gomez Liguerre and Lela Melon
Book
Economists advise that the law should seek efficiency. More recently, it has been suggested that...
Gender, Power and Knowledge for Development
Book
Knowledge-for-development is under-theorised and under-researched within development studies, but as...
LeftSideCut (3778 KP) rated The Purge (2013) in Movies
Aug 8, 2021
Despite it's shortcomings, it's easy to see why The Purge ended up spawning a franchise and that's mainly down to it's tantalising premise. The whole "murder is legal for one night every year" idea is suitably dystopian, and yet feels uncomfortably plausible. It's a little slice of horror-plot gold.
This first entry however, is more of a tease of what could be, focusing on one family, in one location, on Purge Night.
It has a fair amount going for it. Two strong leads in Ethan Hawke and Lena Headey, a relatively charismatic villain, and a well paced narrative that manages to achieve some sort of tension here and there.
Unfortunately, it falls into silly action clichés during the final third. It's easy to lose count of how many times a main character is about to meet their demise, before being miraculously saved at the last second. It becomes a bit laughable by the time the credits roll. The plot beats around this point take a bit of a dive as well, with some last minute twists thrown in that don't really make a lick of sense. The action itself is fairly entertaining, but marred somewhat by all the crappy CGI blood flying around. And although the main villain has some entertaining aspects, his minions are just a bunch of cringy edge lords that unfortunately plague this entire series.
All that being said, The Purge is still a modest and tidy enough home invasion thriller that deserves a watch.
This first entry however, is more of a tease of what could be, focusing on one family, in one location, on Purge Night.
It has a fair amount going for it. Two strong leads in Ethan Hawke and Lena Headey, a relatively charismatic villain, and a well paced narrative that manages to achieve some sort of tension here and there.
Unfortunately, it falls into silly action clichés during the final third. It's easy to lose count of how many times a main character is about to meet their demise, before being miraculously saved at the last second. It becomes a bit laughable by the time the credits roll. The plot beats around this point take a bit of a dive as well, with some last minute twists thrown in that don't really make a lick of sense. The action itself is fairly entertaining, but marred somewhat by all the crappy CGI blood flying around. And although the main villain has some entertaining aspects, his minions are just a bunch of cringy edge lords that unfortunately plague this entire series.
All that being said, The Purge is still a modest and tidy enough home invasion thriller that deserves a watch.
LoganCrews (2861 KP) rated Garden State (2004) in Movies
Sep 20, 2020 (Updated Nov 26, 2020)
Whole quirk, probably just a feature length "Try not to cringe" challenge if I really think about it - which as a cringe connoisseur I always have a soft spot for and you will too if that's your thing - but this taps into something buried deep in the psyche, with an almost primal force. Not only does this capture how fucking insufferable "Hey, how've you been?" small talk can be, but this does better than most movies before or after it in depicting that time in your life (late adolescence/early adulthood) where you were the center of your own moody universe and nothing else mattered - when you thought that's how life would be forever and you just Felt So Deeply™, for good and for ill. It has this authentic, free youthful energy about it but it also has a pretty mopey demeanor to it as well. Hence why I think this would work better if these characters were a bit younger, but I digress - it does that so impeccably well that all of its other blatant shortcomings are easy to forgive (for instance I still can't decide if Braff nailed the emotionally detached, despondent aura of his disillusioned lead character... or if he just sucked). It's so magnetic stylistically (soundtrack is stacked and the cinematography rules) I think it does its job more than capably. Pretty mesmerizingly walks a fine line between "What the fuck is this?" and "Hey who left this bowl of onions here?". Portman is the final boss Manic Pixie Dream Girl.
Joe Goodhart (27 KP) rated Faction Paradox: The Book of the Enemy in Books
Nov 30, 2020
This is, for all intents and purposes, as close to identifying, or, at the very least, understanding who the Enemy is. The stories that make up the whole of this collection is as follows: Subjective
<b>"Interlock" and "The Annotated Autopsy of Agent A" Simon Bucher-Jones
"Cobweb and Ivory" Nate Bumber
"The Book of the Enemy" Andrew Hickey
T.memeticus: A Morphology" Philip Purser-Hallard
"The Short Briefing Sergeant's Tale" Simon Bucher-Jones
"A Bloody (And Public) Domaine" Jacob Black
"Life-Cycle" Grant Springford
"First Draft" Nick Wallace
"Eyes" Christian Read
"We are the Enemy" Lawrence Burton
"Timeshare" Helen Angove
"A Choice of Houses" Simon Bucher-Jones
"Houses of Cards" Lisa Sarah Good
"The Enemy - The Hole in Everything" Simon Bucher-Jones
"The Enemy of My Enemy Is My Enemy" Jay Eales
"No Enemy But Despair" Simon Bucher-Jones
"The Map and the Spiders" Wilhelm Liebknecht</b>
I quite enjoyed the book as a whole, even though there was some weak pieces that did not really seem to fit, like Helen Angove's "Timeshare". Overall, it was a fitting collection for what it was intended to be. Of particular interest were Simon Bucher-Jones' interconnecting briefs that tie it all together. Quite brilliant, despite some of the weaker stories.
And, yes, as some people have remarked in their reviews, there were some noticeable punctuation and formatting errors. However, the stories are good enough to overlook and not focus on those shortcomings.
Recommended to all fans of Faction Paradox as a whole!!
<b>"Interlock" and "The Annotated Autopsy of Agent A" Simon Bucher-Jones
"Cobweb and Ivory" Nate Bumber
"The Book of the Enemy" Andrew Hickey
T.memeticus: A Morphology" Philip Purser-Hallard
"The Short Briefing Sergeant's Tale" Simon Bucher-Jones
"A Bloody (And Public) Domaine" Jacob Black
"Life-Cycle" Grant Springford
"First Draft" Nick Wallace
"Eyes" Christian Read
"We are the Enemy" Lawrence Burton
"Timeshare" Helen Angove
"A Choice of Houses" Simon Bucher-Jones
"Houses of Cards" Lisa Sarah Good
"The Enemy - The Hole in Everything" Simon Bucher-Jones
"The Enemy of My Enemy Is My Enemy" Jay Eales
"No Enemy But Despair" Simon Bucher-Jones
"The Map and the Spiders" Wilhelm Liebknecht</b>
I quite enjoyed the book as a whole, even though there was some weak pieces that did not really seem to fit, like Helen Angove's "Timeshare". Overall, it was a fitting collection for what it was intended to be. Of particular interest were Simon Bucher-Jones' interconnecting briefs that tie it all together. Quite brilliant, despite some of the weaker stories.
And, yes, as some people have remarked in their reviews, there were some noticeable punctuation and formatting errors. However, the stories are good enough to overlook and not focus on those shortcomings.
Recommended to all fans of Faction Paradox as a whole!!
Fish Cytogenetic Techniques: Ray-Fin Fishes and Chondrichthyans
Catherine Ozouf-Costaz, Eva Pisano, Fausto Foresti and Lurdes Foresti de Almeida Toledo
Book
Recent advances in fish cytogenetics have enhanced the interest in chromosome analysis in both...
Organic Struggle: The Movement for Sustainable Agriculture in the United States
Book
In the early 1970s, organic farming was an obscure agricultural practice, associated with the...
Acanthea Grimscythe (300 KP) rated Deliver Her in Books
May 16, 2018
Like many of the readers that have turned the pages of this book, I selected <i>Deliver Her: A Novel</i> because it was one of this month's options for Amazon Prime subscribers via Kindle First. Listed under suspense, the title's description hinted at an edge-of-your-seat, fast-paced story. While the tragic tale of Alex Carmody, her dysfunctional family, and the hired transport were entertaining, it did not live up to my expectations when it comes to a novel of this genre.
After the horrific death of her best friend, Alex Carmody spirals out of control and she becomes the typical angst filled, rebellious teenager. In a last-ditch effort to save Alex from herself, her mother decides to hire Carl Alden, owner of Begin Again Transport, to take her to The Birches, a boarding school for troubled youth. En route, as stated in the description, Alex goes missing and things begin to spiral out of control.
The plot of the story is fairly simple and does bear realistic elements, even if a few of them, such as Alex's behavior, are a bit too cliche. While the story is centered around Alex's transport to The Birches, it seems as if her mother plays the most dominant role in the book. It is easier to feel "in touch" with Meg's thoughts, feelings, and realizations than it is Carl's or Alex's. Many times, I felt that Meg was closer to the brink of losing control than Alex was, perhaps due to the way in which her entire life was deteriorating around her. In her portrayal of a dysfunctional family and a marriage in shambles, Donovan succeeded in creating a feeling of empathy for the Carmodys.
On the other hand, the story progressed fairly slowly, and at times the style was inconsistent. There were many occasions in which I felt the word choice was too verbose, only to become more simple a few pages later. This, coupled with the frequent change in point of view, interrupted the story's flow while simultaneously blurring the line as to which of the three main characters served as the protagonist.
The minor characters seemed, more often than not, to be a convenient scapegoat, used to justify certain actions and outcomes. Evan is introduced to the reader as your typical drug-abusing kid, and despite Alex's feelings for him, plays a very minor role in the book. It's mentioned that Alex is his mule, however that subject isn't really touched upon beyond simple acknowledgment. Jacob, Alex's father, sits backseat for the majority of the story, only to become a major player toward the end, bringing to light his own shortcomings - and the truth behind some of the accusations that Alex has suffered. Shana appears to exist solely to substantiate the tragedy that started Alex's decline, while her brother is mentioned only in memories, despite the crucial role he's played in the Carmody family history.
Despite its shortcomings, and the fact that I do not feel it should be categorized as suspense, <i>Deliver Her: A Novel</i> was a fun read. I do not regret the time that I spent turning its pages, and should Donovan decide to turn this into a Transport series, I would probably read further installments.
<b>This book was acquired free of charge via Amazon Prime Kindle First. My review is an accurate expression of my own opinion, without bias.</b>
After the horrific death of her best friend, Alex Carmody spirals out of control and she becomes the typical angst filled, rebellious teenager. In a last-ditch effort to save Alex from herself, her mother decides to hire Carl Alden, owner of Begin Again Transport, to take her to The Birches, a boarding school for troubled youth. En route, as stated in the description, Alex goes missing and things begin to spiral out of control.
The plot of the story is fairly simple and does bear realistic elements, even if a few of them, such as Alex's behavior, are a bit too cliche. While the story is centered around Alex's transport to The Birches, it seems as if her mother plays the most dominant role in the book. It is easier to feel "in touch" with Meg's thoughts, feelings, and realizations than it is Carl's or Alex's. Many times, I felt that Meg was closer to the brink of losing control than Alex was, perhaps due to the way in which her entire life was deteriorating around her. In her portrayal of a dysfunctional family and a marriage in shambles, Donovan succeeded in creating a feeling of empathy for the Carmodys.
On the other hand, the story progressed fairly slowly, and at times the style was inconsistent. There were many occasions in which I felt the word choice was too verbose, only to become more simple a few pages later. This, coupled with the frequent change in point of view, interrupted the story's flow while simultaneously blurring the line as to which of the three main characters served as the protagonist.
The minor characters seemed, more often than not, to be a convenient scapegoat, used to justify certain actions and outcomes. Evan is introduced to the reader as your typical drug-abusing kid, and despite Alex's feelings for him, plays a very minor role in the book. It's mentioned that Alex is his mule, however that subject isn't really touched upon beyond simple acknowledgment. Jacob, Alex's father, sits backseat for the majority of the story, only to become a major player toward the end, bringing to light his own shortcomings - and the truth behind some of the accusations that Alex has suffered. Shana appears to exist solely to substantiate the tragedy that started Alex's decline, while her brother is mentioned only in memories, despite the crucial role he's played in the Carmody family history.
Despite its shortcomings, and the fact that I do not feel it should be categorized as suspense, <i>Deliver Her: A Novel</i> was a fun read. I do not regret the time that I spent turning its pages, and should Donovan decide to turn this into a Transport series, I would probably read further installments.
<b>This book was acquired free of charge via Amazon Prime Kindle First. My review is an accurate expression of my own opinion, without bias.</b>