"The way their styles went back and forth was some sick street shit. Their beats were ill and they had like a slur, a slang style going on that resonated with so many people on the street. When I first heard 'You're A Customer' I was hooked; every single record was so tight and so completely banging. I think they had four or five gold records in a straight row which was such an incredible achievement. They were on some ill roll that just continued. They also listened to the dopest shit too and you could tell that from listening to their music. As well as being influenced by so much themselves, they influenced a lot of people too. Bands like us, Public Enemy, Run-D.M.C were just talking about EPMD so much. Back then, you had to make music that sounded real because if you didn't, people just saw straight through that shit. Most motherfuckers didn't make it but then artists like EPMD showed you how."

"It’s such a sick song. Just listening to the lyrics, how he can juxtapose sounding happy, but also when you listen it’s quite melancholy what they’re saying you know – “Life, life, tell it like it is, you don’t have to die before you live”. I think I always go back to Sly in particular, across his discography from a production point of view - how his drums sound so crisp, and at the end when you get into the break. I just listen to it and I’m like man, how did you record this? I think the 70s in general… what were they on man? How does the music sound so crisp and completely knock when you put it on a speaker or a soundsystem, how is it still so strong? And then I play Drake and it’s like… it doesn't sound the same. It’s not that I’m living too much in nostalgia or trying to be something I’m not, there’s just something strong."