"I never tire of using this film in the classroom, because there’s always more to glean from it, and I say this as someone who has seen it many, many times. Before I saw it, I had already read Todd’s script, and I did not have any understanding of what it was going to be. I just remember seeing it in New York City at a small screening, and I was in the movie for so long after that—I couldn’t shake it. I came out so hyperaware of every little thing. At the time I was living above a dry cleaner, and I became obsessed with every smell around me. Julianne Moore is amazing in the movie—is there a better performance? This is a film that, if you don’t know anything about it, you certainly won’t know where it’s going. I remember riding in a cab with some big film critic at the time who said, “You won’t believe what I saw today! Some story about a housewife who gets sick—can you believe it?” He had no idea what to make of it, but people have really revised their opinions since then. It’s so masterful, and it’s some of my favorite Todd Haynes writing—it’s so darkly funny."

"I've always love that type of extreme music. I think that Slayer sort of condensed the music coming from the thrash scene - whether it was Exodus or Testament or even the early Metallica - and made it into this sick, almost evil type of menacing [thing], which really put them on top of their game in terms of that style. 'Angel Of Death' is one of my all-time favourite Slayer tracks. It's just a great roaring cacophony, but there are some really strong hooks and melodies in there, which is really difficult to do with that type of music. They do it so well and I'm a massive fan. Later in their career they covered one of our songs, 'Dissident Aggressor', which was a big surprise. We had a great release a while back where bands were all covering Priest tracks, and a lot of our friends in the rock & roll world were willing to take part. It'd be great to do something like that, though, I think it's always a cool thing to do to show your ability as musicians and step out of your comfort zone. It's quite a good idea actually, bringing in some of that speed. Maybe the next release will have a sort of Priest-do-Slayer vibe."

"I think to this day that whole album, Fly Or Die is one of my top buys for so many reasons - every time I go back to it there's other things I hear in it. Even bigger than that, it was Pharrell and what he did with N/E*/R/D. It was the first thing that I identified with. I used to skateboard, and I always felt like what I was doing was ‘other’. And then I saw that and I was like ‘Oh. Sick.’ Someone gets it. There’s another black guy, skateboarding and they were into rap and hip hop and making beats and he plays drums. It was like there's room to do what I do, you know what I mean? This has never sounded old, like some records do. Some records of that era you listen back and they don’t age well. But I feel like that particular one, it's still very raw, still very honest. That was one of the first CDs I got in secondary school. My brother went to America and brought it back. And I was like ‘What dyou get for me?’ and he was like ‘Uhhhh... here.’ I’m glad I asked that question."