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Kristy H (1252 KP) rated Written in the Stars in Books
Dec 3, 2020
Astrologist Elle Jones is looking for love. Even if she doesn't exactly have a successful track record of finding it. She and her best friend, Margot, are the pair behind the incredibly popular Twitter account, Oh My Stars. And they are just about to join with OTP, the coolest dating app ever, thereby realizing their professional dreams. OTP was created by Brendon, who is nerdy, sweet, and about to be their boss. So when he offers to set Elle up with his sister, Darcy, she agrees. But the date is a disaster. Darcy is the opposite of Elle: buttoned up, analytical, and completely against astrology. Still, neither can deny they felt a bit of a spark before their date went awry. And Darcy is sick of being set up on terrible dates by her brother. So when he asks how it went, she lies. And then, she begs Elle to play along, to say they are dating. Each agrees to a few conditions of a dating pact. Surely nothing can go wrong, right?
"What if? Wasn't that the million-dollar question, the spark of hope that kept her coming back for more time and time--and time--again?"
Bellefleur states that she set out to write a "quirky, queer rom com," and I have to say, I'm here for it. It's not often we get our own romantic comedies, with true blue queer characters, with their own problems and characterization and their gayness just being a part of who they are.
This is an incredibly witty, sexy, and sappy read. Yes, it was a bit drawn out and repetitive at times. Okay, we understand that Elle is the flitty one who needs family approval and Darcy is the hurt one unwilling to commit. That point was emphasized perhaps a bit too much. I get stressed out when books have a lot of misunderstandings, so one based on a fake dating relationship took a lot of my strength.
But, it makes up for it with some wonderful characters. I adored Elle, who is so sweet and funny and just "her." And, of course, I identified 110% with uptight, wary workaholic Darcy who was scared of falling in love again. Then there's Margot, Elle's best friend, who was the secret star of the show. I tell you, everyone needs a wise best friend like Margot!
In this end, this book is downright adorable, laugh out loud funny, and full of chemistry. A few pieces might have hit their point one (or two) too many times, but I still really enjoyed it. 3.5 stars, rounded to 4 here.
"What if? Wasn't that the million-dollar question, the spark of hope that kept her coming back for more time and time--and time--again?"
Bellefleur states that she set out to write a "quirky, queer rom com," and I have to say, I'm here for it. It's not often we get our own romantic comedies, with true blue queer characters, with their own problems and characterization and their gayness just being a part of who they are.
This is an incredibly witty, sexy, and sappy read. Yes, it was a bit drawn out and repetitive at times. Okay, we understand that Elle is the flitty one who needs family approval and Darcy is the hurt one unwilling to commit. That point was emphasized perhaps a bit too much. I get stressed out when books have a lot of misunderstandings, so one based on a fake dating relationship took a lot of my strength.
But, it makes up for it with some wonderful characters. I adored Elle, who is so sweet and funny and just "her." And, of course, I identified 110% with uptight, wary workaholic Darcy who was scared of falling in love again. Then there's Margot, Elle's best friend, who was the secret star of the show. I tell you, everyone needs a wise best friend like Margot!
In this end, this book is downright adorable, laugh out loud funny, and full of chemistry. A few pieces might have hit their point one (or two) too many times, but I still really enjoyed it. 3.5 stars, rounded to 4 here.
Bubbu Cat – My Virtual Pet
Games and Entertainment
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Meet Bubbu, your new virtual pet. He is a cute, emotional and adorable cat who loves to eat tasty...
Laura Doe (1350 KP) rated Wish You Were Here in Books
Jan 26, 2022
I didn’t quite realise how much this book would resonate with me until I started reading it. It reminded me sometimes about the awful things that we have lived through the past 2 years but also reminded me how strong people can be.
Diana and Finn are living in New York as the Covid-19 pandemic is beginning, they have planned to go on a once in a lifetime holiday to The Galápagos Islands just as the world seems to be shutting down. Finn, being a surgical resident, has been told that he can’t take time off, even pre planned holidays. While Diana, who is an art specialist working for Sotheby’s, knows that she needs to take time off as a deal she had brokered for a painting has fallen through. Finn tells Diana to go anyway as he doesn’t want to make her sick since he’s working in the hospital.
We then follow Diana exploring the beautiful, scenic Isabela island, and meeting a family who take her in and look after her when she becomes stranded there. She explores the island and although she doesn’t speak the language she manages to get by because she needs to. She has no phone service and very limited access to the internet so she has no way to contact the outside world, but it doesn’t seem to matter too much when you’re in paradise.
The second part of the book was a complete surprise, but a pleasant one. It reminded me of exactly how we were at the start of the pandemic, wiping down anything that came from outside, not opening mail for days and for some of us stripping as soon as we came in from work for fear we’d brought the virus home with us. I am a support worker and so had no choice but to go into work and look after people that had Covid-19 because as much as I was scared, I knew that they needed me more. One line that sticks in my head is also one that I thought myself: “Well if I catch it, I catch it” and that became my opinion for a lot of the pandemic.
It was a nice change that not everything was tied up with a neat little bow at the end of this book, as that’s how life is sometimes. I really enjoyed this book and I feel like it will be one of those that helps us to remember the pandemic in years to come.
Diana and Finn are living in New York as the Covid-19 pandemic is beginning, they have planned to go on a once in a lifetime holiday to The Galápagos Islands just as the world seems to be shutting down. Finn, being a surgical resident, has been told that he can’t take time off, even pre planned holidays. While Diana, who is an art specialist working for Sotheby’s, knows that she needs to take time off as a deal she had brokered for a painting has fallen through. Finn tells Diana to go anyway as he doesn’t want to make her sick since he’s working in the hospital.
We then follow Diana exploring the beautiful, scenic Isabela island, and meeting a family who take her in and look after her when she becomes stranded there. She explores the island and although she doesn’t speak the language she manages to get by because she needs to. She has no phone service and very limited access to the internet so she has no way to contact the outside world, but it doesn’t seem to matter too much when you’re in paradise.
The second part of the book was a complete surprise, but a pleasant one. It reminded me of exactly how we were at the start of the pandemic, wiping down anything that came from outside, not opening mail for days and for some of us stripping as soon as we came in from work for fear we’d brought the virus home with us. I am a support worker and so had no choice but to go into work and look after people that had Covid-19 because as much as I was scared, I knew that they needed me more. One line that sticks in my head is also one that I thought myself: “Well if I catch it, I catch it” and that became my opinion for a lot of the pandemic.
It was a nice change that not everything was tied up with a neat little bow at the end of this book, as that’s how life is sometimes. I really enjoyed this book and I feel like it will be one of those that helps us to remember the pandemic in years to come.
Haley Mathiot (9 KP) rated Birthmarked (Birthmarked, #1) in Books
Apr 27, 2018
Gaia is a midwife, apprentice to her mother. But her job is not just to deliver the babies: it’s to take the first three of the month to the city within the wall away from their families, to “Advance” them and let them join the government there. Gaia has never questioned the government—until she has to advance a baby herself, until her innocent parents are taken away, until she sees the injustice that happens behind the wall… Gaia’s only wish is to get her parents back, safely outside the wall, and then flee to the Dead Forest—which may or may not exist—but when she finally gets in, a series of events makes her question what is really right, who she loves, and what she lives for.
When I first started Birthmarked, I had a hard time getting through the first chapter. The thought of these people taking the newborn babies away from their parents to live in the richer society but away from the ones who loved them made me sick to my stomach, and I almost put it down completely. It also struck me as familiar, and I realized later that it was the whole concept of taking the children away. It reminded me of The Hunger Games, and I didn’t want a lousy play-off. But I couldn’t stop reading, because it was just so good. Good thing I didn’t stop.
The plot had me guessing every step of the way. It was completely unpredictable and I’m still reeling from it.
The writing was beautiful and descriptive, so visual that I could see everything exactly. It almost had a rhythmic feel to it.
The characters were wonderful. Gaia is a strong willed girl, willing to do anything for the people she loves. The other characters are quickly defined and unique. Gaia’s father is a sweet wonderful man, and her mother was strong and beautiful like Gaia herself.
One of the things I love about this book is the realness behind everything—the dialogue, the feelings, even the romance. Especially the romance. I hate it when the main characters get crushes for each other within the first paragraph of the book. In Birthmarked, I didn’t see it coming until maybe halfway through the book (and that was only because the character just kept reappearing). I love that!
The ending, though, left me hanging a little. It wasn’t as horrible as The Hunger Games endings have been (hurry up, Suzanne!) but it did leave me saying “but… but… but….awww dang….” I shall be sitting on the edge of my seat, waiting for the sequel. And there better be a sequel.
Content: Clean of sex, language, and violence.
Recommendation: Ages 12+ Adults will love it, too!
When I first started Birthmarked, I had a hard time getting through the first chapter. The thought of these people taking the newborn babies away from their parents to live in the richer society but away from the ones who loved them made me sick to my stomach, and I almost put it down completely. It also struck me as familiar, and I realized later that it was the whole concept of taking the children away. It reminded me of The Hunger Games, and I didn’t want a lousy play-off. But I couldn’t stop reading, because it was just so good. Good thing I didn’t stop.
The plot had me guessing every step of the way. It was completely unpredictable and I’m still reeling from it.
The writing was beautiful and descriptive, so visual that I could see everything exactly. It almost had a rhythmic feel to it.
The characters were wonderful. Gaia is a strong willed girl, willing to do anything for the people she loves. The other characters are quickly defined and unique. Gaia’s father is a sweet wonderful man, and her mother was strong and beautiful like Gaia herself.
One of the things I love about this book is the realness behind everything—the dialogue, the feelings, even the romance. Especially the romance. I hate it when the main characters get crushes for each other within the first paragraph of the book. In Birthmarked, I didn’t see it coming until maybe halfway through the book (and that was only because the character just kept reappearing). I love that!
The ending, though, left me hanging a little. It wasn’t as horrible as The Hunger Games endings have been (hurry up, Suzanne!) but it did leave me saying “but… but… but….awww dang….” I shall be sitting on the edge of my seat, waiting for the sequel. And there better be a sequel.
Content: Clean of sex, language, and violence.
Recommendation: Ages 12+ Adults will love it, too!
Rachel King (13 KP) rated The Hunger Games in Books
Feb 11, 2019
Right away this book captures my attention with a quick introduction to Katniss's survival skills followed by the District 12 Hunger Games lottery, a grim holiday that nobody wants to celebrate, but is still mandatory. It does not take long for the reader to feel sympathetic towards Katniss and the hardship she struggles with everyday just to survive.
Every detail leading up to the actual event of the Hunger Games has a surreal feel, as Katniss is primped and paraded like a beauty pageant contestant, as if everyone is ignoring the fact that these are children, with all but one facing imminent death. This is reality television meets the ancient gladiator games of Rome, combined with the sick irony of using a nation's most precious commodity -- its children. As a mother of three, I can not even fathom living in a country that tolerated this year after year. These Hunger Games are the country's way of preventing rebellion in its citizens through fear, brainwashing, and desensitization, as it is mandatory for every citizen to watch. In some districts, this is so successful that children are routinely trained specifically for the Hunger Games, volunteering to face murder and death for a chance at fame and fortune.
The love triangle is obvious early on, though the conflict can't come into play until the second book in the series. Peeta is the one in the spotlight, the one that humanizes Katniss for the viewers and makes her likable due to his own romantic feelings for her. Unfortunately, Katniss is too busy staying alive to be certain of her true feelings, even though she can pretend well enough to convince even Peeta. Peeta is self-sacrificing, while Katniss is observant and resourceful. Katniss is able to avoid becoming a cold-hearted murderer only because of Peeta's presence.
Regarding the actual Game, those that run it operate to keep the entertainment value up, adding to the danger of the contestants still alive, handing out gifts to give one an edge over another, forcing contestants into battle to increase bloodshed and drama, and generally treating the twenty-four as actors and actresses in any other fictional television drama. What Katniss keeps returning to is how "normal" these people of the Capitol see of the deaths of these children. It occurred to me while reading this that it would be better to be one of those that died in the Games, rather than live with being the monster responsible for the deaths of twenty-three other children purely for the entertainment of the shallow and self-absorbed.
This book is both shocking and heart-rending, and I look forward to the next installment, Catching Fire.
Every detail leading up to the actual event of the Hunger Games has a surreal feel, as Katniss is primped and paraded like a beauty pageant contestant, as if everyone is ignoring the fact that these are children, with all but one facing imminent death. This is reality television meets the ancient gladiator games of Rome, combined with the sick irony of using a nation's most precious commodity -- its children. As a mother of three, I can not even fathom living in a country that tolerated this year after year. These Hunger Games are the country's way of preventing rebellion in its citizens through fear, brainwashing, and desensitization, as it is mandatory for every citizen to watch. In some districts, this is so successful that children are routinely trained specifically for the Hunger Games, volunteering to face murder and death for a chance at fame and fortune.
The love triangle is obvious early on, though the conflict can't come into play until the second book in the series. Peeta is the one in the spotlight, the one that humanizes Katniss for the viewers and makes her likable due to his own romantic feelings for her. Unfortunately, Katniss is too busy staying alive to be certain of her true feelings, even though she can pretend well enough to convince even Peeta. Peeta is self-sacrificing, while Katniss is observant and resourceful. Katniss is able to avoid becoming a cold-hearted murderer only because of Peeta's presence.
Regarding the actual Game, those that run it operate to keep the entertainment value up, adding to the danger of the contestants still alive, handing out gifts to give one an edge over another, forcing contestants into battle to increase bloodshed and drama, and generally treating the twenty-four as actors and actresses in any other fictional television drama. What Katniss keeps returning to is how "normal" these people of the Capitol see of the deaths of these children. It occurred to me while reading this that it would be better to be one of those that died in the Games, rather than live with being the monster responsible for the deaths of twenty-three other children purely for the entertainment of the shallow and self-absorbed.
This book is both shocking and heart-rending, and I look forward to the next installment, Catching Fire.
graveyardgremlin (7194 KP) rated The Christmas Killer in Books
Feb 15, 2019
The Christmas Killer (aka The Dream Killer) was a Point Horror book I missed out reading when I was younger, so decided to pick it up to enjoy this holiday season (yes, I am sick). Rosecleer Potter is a normal, everyday fifteen-year-old girl who has a twin brother, Jerram, and loves to dance. She also just happens to have developed the ability to talk, through dreams, to the recently departed, which starts when an acquaintance disappears and whose body turns up murdered in the woods. Now, as the body count rises, Rose has to figure out how to use her power before the killer gets to her.
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
The first paragraph almost caused me to rethink my expectations of enjoyment I'd get from the book. The sentences were short and choppy, and if the whole book had been written this way, I don't think I'd have managed to get through it. Fortunately for me, it didn't turn out that way at all. Although there were more short, fragmented sentences, they were few and far between and seemed more of a style choice than anything else.
Rose was a good choice as a lead and had both positive and negative attributes to her personality. She was generally nice but could have moments of cattiness or where her temper got the best of her, which made her more believable. I can't say any of the characters are over-developed, but they are described enough to get a rough sketch of who they are as a person, and there are moments of truth in many of their actions, e.g. the mother's freaking out, the father's clamming up, and the brother's withdrawal and secretiveness. The atmosphere is done extremely well. Even though I don't remember many actual descriptions, I got the feeling of a small town, its claustrophobia, and sense of impending doom all the same.
I have to admit this book surprised me. I went in expecting more of the slasher-type YA horrors I read as a youngster, and was handed a more mature, psychological suspense horror read instead. The plot flows well and has enough clues and red herrings to keep most readers interested. As someone who has read a lot of mysteries, I did figure it out, but it could have gone many ways and still have been satisfying. The ending is the only weak point as it was a bit abrupt and maybe too open-ended, but that's a minor niggle and didn't affect my enjoyment much. As far as I've been able to tell, there is no sequel, which might be for the best. The Christmas Killer was a quick and easy chiller that kept me entertained throughout and I'd recommend it for those who like creepy teen reads.
Originally Reviewed: December 29, 2012
Received: Library
Kristy H (1252 KP) rated Today Will be Different in Books
Feb 1, 2018
Eleanor wakes up with the resolution that today will indeed be different. She will be a better person, a better mother, and a better wife. She will pay more focused attention to her son, Timby. She will have sex with her surgeon husband, Joe. She will go to her poetry and yoga classes. She will wear real clothes. She will pleasantly lunch with a friend she doesn't quite care for. But it doesn't take long for Eleanor's plans to quickly derail, as a series of mishaps rapidly start to add up: Timby is sick, it appears as if Joe is no longer going to work (and lying about it), and Eleanor's lunch date isn't what it seems, either.
I may be the only person left on the planet who hasn't read [book:Where'd You Go, Bernadette|13526165] (sometimes I'm stubborn about reading "it" books, ok), so I cannot compare this novel to that one. That may be for the best. This is the second novel--in a row--that I contemplated just not finishing, and again, that is so rarely my style. This book felt like a slapdash series of paragraphs thrown together about a crazy woman whose motivations and actions made entirely no sense.
The book veers back and forth in time: while the main action occurs all in one day (the one Eleanor vows will be better), she flashes back to her past, telling the story of her childhood, a long and confusing saga with her sister, Ivy, and Ivy's husband, and how she met her own husband. She also covers her time as working as an animator. It all happens sort of randomly and often in a stream of consciousness. This occurs among the crazy, insane happenings of Eleanor's day, where she sets off a series of bizarre actions that-to me-made no sense and came across as completely irrational. She was not endearing, she was not a little silly: she was just weird and somewhat unhinged, and I'm honestly not sure how she was still allowed to care for poor Timby.
There were a few glimmers about the frustrations of modern motherhood and marriage in this novel, but most were buried by the bizarre ramblings and incoherence of the plot. Some plot pieces were never resolved, some just popped up for no reason, and some dragged on and on endlessly. Maybe I'm just not familiar with Semple's style, but I have to pass on this one.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
I may be the only person left on the planet who hasn't read [book:Where'd You Go, Bernadette|13526165] (sometimes I'm stubborn about reading "it" books, ok), so I cannot compare this novel to that one. That may be for the best. This is the second novel--in a row--that I contemplated just not finishing, and again, that is so rarely my style. This book felt like a slapdash series of paragraphs thrown together about a crazy woman whose motivations and actions made entirely no sense.
The book veers back and forth in time: while the main action occurs all in one day (the one Eleanor vows will be better), she flashes back to her past, telling the story of her childhood, a long and confusing saga with her sister, Ivy, and Ivy's husband, and how she met her own husband. She also covers her time as working as an animator. It all happens sort of randomly and often in a stream of consciousness. This occurs among the crazy, insane happenings of Eleanor's day, where she sets off a series of bizarre actions that-to me-made no sense and came across as completely irrational. She was not endearing, she was not a little silly: she was just weird and somewhat unhinged, and I'm honestly not sure how she was still allowed to care for poor Timby.
There were a few glimmers about the frustrations of modern motherhood and marriage in this novel, but most were buried by the bizarre ramblings and incoherence of the plot. Some plot pieces were never resolved, some just popped up for no reason, and some dragged on and on endlessly. Maybe I'm just not familiar with Semple's style, but I have to pass on this one.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
Kristy H (1252 KP) rated The Girl with the Lower Back Tattoo in Books
Feb 1, 2018
Amy Schumer's book comes out at a time when it seems like every celebrity in the world has a book out: some collection of essays about their life, showcasing how funny they are and what their life is like as a celebrity. In Schumer's, we hear about her life from childhood to her post <i>Trainwreck</i> success and nearly everything in between: her friendships, her relationships, her parents, and her growth as a comedian. And, of course, a lot about sex. The book is told in a series of chapters - essays if you will - each one covering a particular moment in Schumer's life. They don't go in any particular order, but cover the gamut of her range of experiences.
I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved <i>Trainwreck</i> and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).
Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.
In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.
I found this book to be a refreshing and engaging celebrity book. It carried a surprising depth. I don't know a ton about Schumer, but loved <i>Trainwreck</i> and have had a crush on her for ages. That crush has only intensified upon reading her book, as I discovered several similarities between us: introverts who love hotdogs and have complicated relationships with their mothers, who both internalize stress to the point where it makes us sick. We're a match made in heaven! But, seriously, Schumer is an excellent writer, and her book is an easy read, with well-written and wonderful essays that range from humorous to serious (and often both).
Her book avoided all of my usual celebrity autobiography/memoir/essay pet peeves. In this book, we really learn about Schumer, instead of just a few token stories. I was fascinated to hear about her career trajectory: you get a great look into how hard she worked in her early years as a comedian. In addition, we actually get a lot of insight into her early life-- her childhood and teenage years. What I love is that she comes across as a real human being, instead of giving us a book that is simply full of polished, trite jokes and well-worn stories.
In fact, while parts of the book make you laugh out loud, other places make you empathize with Schumer. The book is funny, but not too funny or fake funny. And it's serious without preaching. She covers topics such as sexual assault, gun control, her father's MS, her relationship with her parents, and other serious childhood experiences that molded her, with a realism that is refreshing. Sure, there are a few "woe is me" moments about how hard it is to be a celebrity, or what it's like to have money, but they are few and far between. By the end, I admired Amy even more as a person and a comedian, and my crush will continue on stronger than ever.
Kristy H (1252 KP) rated Not That I Could Tell in Books
Mar 25, 2018
Good women's fiction tale but nothing new or surprising here
In the quiet town of Yellow Springs, Ohio, the disappearance of one of its residents, Kristin, is a big deal. She vanishes after an evening with several of her neighbors, filled with wine and conversation around the fire pit. She also takes her young twins, Aaron and Abigail. Left behind is her soon-to-be-ex-husband, Paul, a well-known ob-gyn. A window in Kristin's house is broken and some of her belongings missing. But otherwise, there is no trace or idea about where she and the twins have gone. Paul accuses her of disappearing with money owed to him. Kristin's neighbors, especially her next-door neighbor, Clara, for whom Kristin's disappearance hits a bit close to home, and Izzy, a single woman who recently moved to the neighborhood to get away from her own issues, are baffled. They realize how little they knew about their friend--and that they have no idea where she's gone.
This was an interesting one. From the beginning, this book felt familiar to me--the "something happened" after a barbecue reminiscent of Truly Madly Guilty and others I'd read lately. I was sick while reading, so I had trouble keeping the women and their backstories separate for a while. Too much cold medicine and fatigue, probably.
The book is told from various viewpoints--mainly Clara and Izzy. I was always expecting there to be more: some unexpected surprise or twist, but there never really was. The ending threw in a bit of one, but it wasn't quite what I was expecting. Still, there is a tenseness to the novel, and it can certainly be creepy at times. The novel also does a good job of capturing kids and parenthood--the weariness of the day-to-day of parenting small children, for instance. I also liked how it captured how preschools can be a microcosm of life and small towns and such a cesspool of stress and gossip.
This one moved slowly for me. I liked the characters, but wasn't drawn to them. I had some sympathy for Izzy, but also questioned her motives a lot. I should have been more drawn to Clara, but wasn't. Perhaps because, while I have small children, I don't have the same sort of neighborhood tribe as these women? I'm not sure. Not even the token lesbian neighbors could do it, though I appreciated the effort.
Overall, the story was good, but never offered the big surprise I was waiting for. Characters are interesting but I was never fully pulled into their stories.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review; more at justacatandabookatherside.blogspot.com.
This was an interesting one. From the beginning, this book felt familiar to me--the "something happened" after a barbecue reminiscent of Truly Madly Guilty and others I'd read lately. I was sick while reading, so I had trouble keeping the women and their backstories separate for a while. Too much cold medicine and fatigue, probably.
The book is told from various viewpoints--mainly Clara and Izzy. I was always expecting there to be more: some unexpected surprise or twist, but there never really was. The ending threw in a bit of one, but it wasn't quite what I was expecting. Still, there is a tenseness to the novel, and it can certainly be creepy at times. The novel also does a good job of capturing kids and parenthood--the weariness of the day-to-day of parenting small children, for instance. I also liked how it captured how preschools can be a microcosm of life and small towns and such a cesspool of stress and gossip.
This one moved slowly for me. I liked the characters, but wasn't drawn to them. I had some sympathy for Izzy, but also questioned her motives a lot. I should have been more drawn to Clara, but wasn't. Perhaps because, while I have small children, I don't have the same sort of neighborhood tribe as these women? I'm not sure. Not even the token lesbian neighbors could do it, though I appreciated the effort.
Overall, the story was good, but never offered the big surprise I was waiting for. Characters are interesting but I was never fully pulled into their stories.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review; more at justacatandabookatherside.blogspot.com.