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Bob Mann (459 KP) rated Get Out (2017) in Movies
Sep 29, 2021
“It really doesn’t matter if you’re ‘Black or White”.
Due to a mixture of holiday, work commitments and sickness (I would not wish to inflict my bronchial cough on ANY cinema audience for a while) I haven’t been to the cinema in over a month… shocking. But it has given me a chance to catch up on some of the films in 2017 (and a few from last year) that I hadn’t got to see. So this will be the first of a series of such “DVD” reviews.
“Get Out” was written and directed by Jordan Peele and was his directorial debut. And a hot item on his resume it is too.
Daniel Kaluuya (“Sicario”) plays African-American Chris Washington who, nervously, takes a trip ‘upstate’ to meet the parents of his cute white girlfriend Rose (Allison Williams). The parents, Dean (Bradley Whitford, best known as Josh Lyman from “The West Wing”) and Missy (Catherine Keener, “ Captain Phillips”), are extremely welcoming.
But the weekend coincides with an “annual gathering” of family and friends, and events quickly take a left turn into “The Twilight Zone”, with anti-smoking hypnosis and a bizarre game of Bingo where the win is so substantial that playing becomes a ‘no brainer’. Can Chris ‘Get Out’, with his mind still intact, before it’s too late?
This is a really clever script by Peele. The film baits you into thinking this is some redneck-inter-racial-revenge flick, but actually the colour of the skin is almost irrelevant. (Or is it? This angle is left deliciously vague). Some of the filming is spectacularly creepy, with the hypnosis scene being reminiscent to me of the excellent “Under The Skin”. And never has a teaspoon in a cup of tea been a more devastating weapon.
I seemed to have talked at length this year in this blog on the subject of the “physics of horror”: the story elements hanging together in a satisfying – albeit sometimes in an unbelievable – way. “Get Out” delivers this to perfection, keeping its powder dry until the closing moments of the film before delivering a series of satisfying “Ah!” relevatory moments.
While the ‘physics’ of the film is good the ‘biology’ is bonkers, featuring a plot point from the terrible first episode of the 3rd season of the original “Star Trek” (if you can be bothered to look that up!). But I’ll forgive this, parking my incredulity, to salute what I think is one of the year’s most novel and impressive low-budget indie horror films.
“Get Out” was written and directed by Jordan Peele and was his directorial debut. And a hot item on his resume it is too.
Daniel Kaluuya (“Sicario”) plays African-American Chris Washington who, nervously, takes a trip ‘upstate’ to meet the parents of his cute white girlfriend Rose (Allison Williams). The parents, Dean (Bradley Whitford, best known as Josh Lyman from “The West Wing”) and Missy (Catherine Keener, “ Captain Phillips”), are extremely welcoming.
But the weekend coincides with an “annual gathering” of family and friends, and events quickly take a left turn into “The Twilight Zone”, with anti-smoking hypnosis and a bizarre game of Bingo where the win is so substantial that playing becomes a ‘no brainer’. Can Chris ‘Get Out’, with his mind still intact, before it’s too late?
This is a really clever script by Peele. The film baits you into thinking this is some redneck-inter-racial-revenge flick, but actually the colour of the skin is almost irrelevant. (Or is it? This angle is left deliciously vague). Some of the filming is spectacularly creepy, with the hypnosis scene being reminiscent to me of the excellent “Under The Skin”. And never has a teaspoon in a cup of tea been a more devastating weapon.
I seemed to have talked at length this year in this blog on the subject of the “physics of horror”: the story elements hanging together in a satisfying – albeit sometimes in an unbelievable – way. “Get Out” delivers this to perfection, keeping its powder dry until the closing moments of the film before delivering a series of satisfying “Ah!” relevatory moments.
While the ‘physics’ of the film is good the ‘biology’ is bonkers, featuring a plot point from the terrible first episode of the 3rd season of the original “Star Trek” (if you can be bothered to look that up!). But I’ll forgive this, parking my incredulity, to salute what I think is one of the year’s most novel and impressive low-budget indie horror films.
Sarah (7798 KP) rated Terminator: Dark Fate (2019) in Movies
Oct 31, 2019
Finally a worthy sequel
After all of the other poor sequels since the original Terminator films, I hadn’t been holding out much hope for this one and had forgotten it even existed until the trailers popped up a couple of weeks ago. However this film was a massively pleasant surprise.
Right from the opening scene, this film knows how to pack a punch. This opening scene is so far away from anything I expected and it was so brilliantly done, the CGI in this was fantastic and starting this way really increased the nostalgia factor that seems to resonate through the entire film. There’s no doubt whatsoever that this film fits in with the original two and for me there’s no other way they could’ve pulled this off. We’ve seen before how badly other Terminator films can go wrong, but this doesn’t shy away from nods to the originals and it really works.
The first 20-30 minutes are non-stop action, and a great introduction to both the Rev-9 and Grace. The Rev-9 is a very good addition to the Terminator family, he’s rather creepy, virtually unstoppable and a seemingly appropriate transition from the T-1000. Aside from the odd dodgy CGI moment, he’s definitely a rather worthy successor to the T-1000. And then there’s Grace, a kick ass powerful female who is a brilliant and much better alternative to the male protector we’ve seen from the rest of the films. She’s played wonderfully by Mackenzie Davis who definitely looks the part. Having Grace alongside old hand Sarah Connor and newbie Dani brings a powerful trio of independent women who spend most of the film battling on their own, is a refreshing change to a male driven film.
Of course they are joined eventually by Arnie, who’s return has sadly been by the trailers. However his appearance in the latter half of the film is very much welcome, as he provides some great deadpan humour that is a little lacking from the first half, and also some of the emotional heartwarming side which was a pleasant surprise. Seeing him back alongside Linda Hamilton is a wonderful feeling, even if her Sarah Connor seems a little too OTT at times.
Despite the above, Dark Fate isn’t perfect. It has been entirely ruined by the trailer, which has given away a lot of the plot – I for one would’ve preferred not to know Arnie was returning, how much of a shock would that have been?! Also, I found some of the action scenes (especially in the second half) to be a little bit much and I wish they could’ve been toned down a little as they were almost giving me motion sickness! There’s also the fact that this film has blatantly been set up for another sequel and I’m hoping and praying that this isn’t the case. This is a very worthy sequel to the original Terminator films and whilst it doesn’t surpass them it sure as hell doesn’t let them down, and I think it’d be such a shame if they were to ruin the franchise again by bringing out yet more second rate sequels.
Right from the opening scene, this film knows how to pack a punch. This opening scene is so far away from anything I expected and it was so brilliantly done, the CGI in this was fantastic and starting this way really increased the nostalgia factor that seems to resonate through the entire film. There’s no doubt whatsoever that this film fits in with the original two and for me there’s no other way they could’ve pulled this off. We’ve seen before how badly other Terminator films can go wrong, but this doesn’t shy away from nods to the originals and it really works.
The first 20-30 minutes are non-stop action, and a great introduction to both the Rev-9 and Grace. The Rev-9 is a very good addition to the Terminator family, he’s rather creepy, virtually unstoppable and a seemingly appropriate transition from the T-1000. Aside from the odd dodgy CGI moment, he’s definitely a rather worthy successor to the T-1000. And then there’s Grace, a kick ass powerful female who is a brilliant and much better alternative to the male protector we’ve seen from the rest of the films. She’s played wonderfully by Mackenzie Davis who definitely looks the part. Having Grace alongside old hand Sarah Connor and newbie Dani brings a powerful trio of independent women who spend most of the film battling on their own, is a refreshing change to a male driven film.
Of course they are joined eventually by Arnie, who’s return has sadly been by the trailers. However his appearance in the latter half of the film is very much welcome, as he provides some great deadpan humour that is a little lacking from the first half, and also some of the emotional heartwarming side which was a pleasant surprise. Seeing him back alongside Linda Hamilton is a wonderful feeling, even if her Sarah Connor seems a little too OTT at times.
Despite the above, Dark Fate isn’t perfect. It has been entirely ruined by the trailer, which has given away a lot of the plot – I for one would’ve preferred not to know Arnie was returning, how much of a shock would that have been?! Also, I found some of the action scenes (especially in the second half) to be a little bit much and I wish they could’ve been toned down a little as they were almost giving me motion sickness! There’s also the fact that this film has blatantly been set up for another sequel and I’m hoping and praying that this isn’t the case. This is a very worthy sequel to the original Terminator films and whilst it doesn’t surpass them it sure as hell doesn’t let them down, and I think it’d be such a shame if they were to ruin the franchise again by bringing out yet more second rate sequels.
Night Reader Reviews (683 KP) rated The Other Side of the Looking Glass in Books
Feb 29, 2020
Honest Review for Free Copy of Book
The Other Side of the Looking Glass by Kathleen Harryman is an amazing and well-written story. It focuses on some very hard topics (that I discuss in the final paragraph) and readers need to be prepared for that. The frequent reader will probably figure out the plot early like I did.
Kate is married to a very wealthy man, Liam, who believes appearances are everything. Liam spends thousands on clothing for Kate to keep her looking what he considers to be appropriate. The only time they really spend any time together is at events when Liam wants or feels the need to show Kate off. However, Kate is very unhappy with this arrangement and ends up falling in love with one of her doctors. Kate knows Liam will never let her go, so with the help of her doctor they create an elaborate plan to make Liam believe Kate is going to die of cancer and send her away to a clinic.
Even in severe sickness Liam refuses to give up Kate, but her current state of “illness” is unacceptable to him so he does exactly as she expects and sends her away. What he does after she is gone is even more of a problem. With that being said Liam creates his own plan. He will replace the “sick” Kate with a healthy look-a-like. The only problem is that he must change the look-a-like’s memories and behaviors to match that of the original Kate. Too bad for Liam memories have a way of coming back, that and because he is a perfectionist a look-a-like will not do it for him. No, he needs someone identical to Kate. Now, where can he find an identical match to his wife?
The emotions the book provoked were very strong and very real. The writing was well done to the point that while reading it was possible to feel everything the characters go through. It is impressive when writing can provoke real emotions. What I did not like was that the plot is given away way too early into the book. The book ended up being externally predictive because of it. There really wasn’t much in the lines of surprising twist either, which was disappointing.
An adult book for sure. Some very mature high school students should be able to handle it, but I would not recommend it for anyone under 16. Foul language, abuse both physical and mental, and rape run rampant in this book, not to mention pregnancy death and kidnapping. You have been warned. I rate this book 2 out of 4. I really enjoyed this book but the fact that I had the ending figured out three chapters in was disappointing. It can really ruin a well written, emotional book when the entire plot is exposed way to early.
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Kate is married to a very wealthy man, Liam, who believes appearances are everything. Liam spends thousands on clothing for Kate to keep her looking what he considers to be appropriate. The only time they really spend any time together is at events when Liam wants or feels the need to show Kate off. However, Kate is very unhappy with this arrangement and ends up falling in love with one of her doctors. Kate knows Liam will never let her go, so with the help of her doctor they create an elaborate plan to make Liam believe Kate is going to die of cancer and send her away to a clinic.
Even in severe sickness Liam refuses to give up Kate, but her current state of “illness” is unacceptable to him so he does exactly as she expects and sends her away. What he does after she is gone is even more of a problem. With that being said Liam creates his own plan. He will replace the “sick” Kate with a healthy look-a-like. The only problem is that he must change the look-a-like’s memories and behaviors to match that of the original Kate. Too bad for Liam memories have a way of coming back, that and because he is a perfectionist a look-a-like will not do it for him. No, he needs someone identical to Kate. Now, where can he find an identical match to his wife?
The emotions the book provoked were very strong and very real. The writing was well done to the point that while reading it was possible to feel everything the characters go through. It is impressive when writing can provoke real emotions. What I did not like was that the plot is given away way too early into the book. The book ended up being externally predictive because of it. There really wasn’t much in the lines of surprising twist either, which was disappointing.
An adult book for sure. Some very mature high school students should be able to handle it, but I would not recommend it for anyone under 16. Foul language, abuse both physical and mental, and rape run rampant in this book, not to mention pregnancy death and kidnapping. You have been warned. I rate this book 2 out of 4. I really enjoyed this book but the fact that I had the ending figured out three chapters in was disappointing. It can really ruin a well written, emotional book when the entire plot is exposed way to early.
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Lottie disney bookworm (1056 KP) rated Wendy, Darling in Books
Jun 17, 2021
Have you ever wondered what happened when Wendy, John and Michael returned from Neverland? Wendy, Darling by A. C Wise is about to reveal all, but let me warn you, it is far from a fairytale!
Life post-Neverland for the Darling children has been difficult to say the least. Upon their return Wendy was struck with a serious fever, their parents were casualties of the Titanic, Michael has recently returned from WWI with his own ghosts and John has financial struggles. However, from Wendy's perspective, these all pale in comparison: John and Michael have done the worst thing imaginable they have forgotten Neverland!
Wendy's refusal to let go of Neverland and her dogged determination to make her brothers remember their adventures causes great friction within the Darling family. Wendy finds herself labelled as a hysterical woman and is even confined to an asylum after raging at her siblings.
This is just one of the methods Wise uses to address the misogyny of the original Peter Pan story and it is a particularly harrowing one: the abuse Wendy faces at the hands of her "carers" is brutal and unforgiving in its detail. To everyone surrounding her, Neverland is Wendy's sickness, an imaginery world that she is hiding behind. However, several years after her release from St Bernadettes, Neverland still lives on in Wendy's memories and now it is catching up with her. Now Peter is flying out of her window again... with Wendy's daughter Jane in tow!
Wendy returns to a very different Neverland to that which she left. Although the island always seemed to play to Peter's every whim this time there is a dark, evil edge to it. Wise really plays on the fact that everyone idolised Peter in the original fairytale but this Peter has a barbaric, sinister personality along with a dangerous secret. Can Wendy rescue her daughter from the boy she used to worship? One thing is for sure, they're not playing a game anymore!
A. C Wise's writing almost hypnotises the reader, flitting between characters and time periods with ease without losing our interest. The undercurrent of a locked-away secret and the juxtaposition between Barrie/Disney's Neverland and Wise's makes this a real page turner.
Wendy herself is a flawed heroine but in my opinion that is the best kind. She has overcome so much loss and trauma and, although she still feels the pull of Neverland, she finds that motherhood has a much stronger claim on her heart and can provide her with so much more power than she ever imagined.
Wendy, Darling is an unflinching retelling of Peter Pan with a feminist edge. A. C Wise kidnaps and transports her readers to a dark and ominous Neverland which harbours a monstrous secret. Wendy and her daughter are on an adventure of fear, loss and grief. There is no make-believe in this fantasy land.
Thank you to Netgalley and Titan Books for the opportunity to read this e-ARC in exchange for an honest review. Wendy, Darling comes with trigger warnings for kidnap, death, trauma and abuse.
Life post-Neverland for the Darling children has been difficult to say the least. Upon their return Wendy was struck with a serious fever, their parents were casualties of the Titanic, Michael has recently returned from WWI with his own ghosts and John has financial struggles. However, from Wendy's perspective, these all pale in comparison: John and Michael have done the worst thing imaginable they have forgotten Neverland!
Wendy's refusal to let go of Neverland and her dogged determination to make her brothers remember their adventures causes great friction within the Darling family. Wendy finds herself labelled as a hysterical woman and is even confined to an asylum after raging at her siblings.
This is just one of the methods Wise uses to address the misogyny of the original Peter Pan story and it is a particularly harrowing one: the abuse Wendy faces at the hands of her "carers" is brutal and unforgiving in its detail. To everyone surrounding her, Neverland is Wendy's sickness, an imaginery world that she is hiding behind. However, several years after her release from St Bernadettes, Neverland still lives on in Wendy's memories and now it is catching up with her. Now Peter is flying out of her window again... with Wendy's daughter Jane in tow!
Wendy returns to a very different Neverland to that which she left. Although the island always seemed to play to Peter's every whim this time there is a dark, evil edge to it. Wise really plays on the fact that everyone idolised Peter in the original fairytale but this Peter has a barbaric, sinister personality along with a dangerous secret. Can Wendy rescue her daughter from the boy she used to worship? One thing is for sure, they're not playing a game anymore!
A. C Wise's writing almost hypnotises the reader, flitting between characters and time periods with ease without losing our interest. The undercurrent of a locked-away secret and the juxtaposition between Barrie/Disney's Neverland and Wise's makes this a real page turner.
Wendy herself is a flawed heroine but in my opinion that is the best kind. She has overcome so much loss and trauma and, although she still feels the pull of Neverland, she finds that motherhood has a much stronger claim on her heart and can provide her with so much more power than she ever imagined.
Wendy, Darling is an unflinching retelling of Peter Pan with a feminist edge. A. C Wise kidnaps and transports her readers to a dark and ominous Neverland which harbours a monstrous secret. Wendy and her daughter are on an adventure of fear, loss and grief. There is no make-believe in this fantasy land.
Thank you to Netgalley and Titan Books for the opportunity to read this e-ARC in exchange for an honest review. Wendy, Darling comes with trigger warnings for kidnap, death, trauma and abuse.
Emma @ The Movies (1786 KP) rated Death on the Nile (2022) in Movies
Feb 19, 2022
I don't like to go into a film with a negative impression... but... #NotMyPoirot #SlashTheStash.
Linnet Ridgeway goes to Poirot with fears for her safety, and that of her new husband, when an old mutual acquaintance shows up at each new location on their honeymoon.
An Agatha Christie novel always makes for a great plot, and this one has had several different adaptations over the years. Don't go into it expecting a faithful adaptation though, this one comes out a bit spicier. It also takes some liberties with Poirot's backstory, which does add some interesting context to things about him, but at the same time, it's not the source material.
As with Death Train, Death Boat has a star-studded cast. While I love most of them in other things, I found the whole dynamic to be a little all over the place. Tom Bateman and Ali Fazal were solid, Russell Brand was surprisingly good, but everyone else was either rather bland or too over the top. Then there's Kenneth... I'll give it to them, it feels wrong thinking that Poirot is sexy... but there's one moment where even I, a Ken denier, took a sharp intake of breath.
Death on the Nile comes in at 2 hours and 7 minutes, had they cut what felt like 10 minutes of Gal Gadot walking down the length of the ship, it could easily have come in under 2 hours.
I think that identifies the issue I have with these new adaptations. This one in particular has a very theatrical feel to it. A lot of the boat shots early on feel like you're watching it happen on a stage. I don't object to that style, I like watching theatre, but having it thrown in randomly threw me.
My other big gripe was the choice of shots. Death Boat really likes to not show you faces when people are talking. Watching these scenes was off-putting, it felt like they'd been re-edited and had a new audio track overlaid... badly. There's also a scene where the camera swoops backwards and forwards between the people who are talking, and after a while, I could feel the motion sickness building.
It isn't until films like this come out that you realise just how much of one is computer generated. I have to assume that the majority of this budget went on the cast, it certainly wasn't spent on the effects. The de-aging on Branagh in the opening was awful, and must have cost more than hiring a younger actor to do those scenes. The generated scenery wasn't any better, it was painfully obvious which weren't real.
Death on the Nile is, at the end of the day, another classic Christie story, and even with some butchering, there's still a great mystery to unfold. That being said, I would rather sit through one of the other adaptations again if they were all laid out in front of me.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/02/death-on-nile-movie-review.html
Linnet Ridgeway goes to Poirot with fears for her safety, and that of her new husband, when an old mutual acquaintance shows up at each new location on their honeymoon.
An Agatha Christie novel always makes for a great plot, and this one has had several different adaptations over the years. Don't go into it expecting a faithful adaptation though, this one comes out a bit spicier. It also takes some liberties with Poirot's backstory, which does add some interesting context to things about him, but at the same time, it's not the source material.
As with Death Train, Death Boat has a star-studded cast. While I love most of them in other things, I found the whole dynamic to be a little all over the place. Tom Bateman and Ali Fazal were solid, Russell Brand was surprisingly good, but everyone else was either rather bland or too over the top. Then there's Kenneth... I'll give it to them, it feels wrong thinking that Poirot is sexy... but there's one moment where even I, a Ken denier, took a sharp intake of breath.
Death on the Nile comes in at 2 hours and 7 minutes, had they cut what felt like 10 minutes of Gal Gadot walking down the length of the ship, it could easily have come in under 2 hours.
I think that identifies the issue I have with these new adaptations. This one in particular has a very theatrical feel to it. A lot of the boat shots early on feel like you're watching it happen on a stage. I don't object to that style, I like watching theatre, but having it thrown in randomly threw me.
My other big gripe was the choice of shots. Death Boat really likes to not show you faces when people are talking. Watching these scenes was off-putting, it felt like they'd been re-edited and had a new audio track overlaid... badly. There's also a scene where the camera swoops backwards and forwards between the people who are talking, and after a while, I could feel the motion sickness building.
It isn't until films like this come out that you realise just how much of one is computer generated. I have to assume that the majority of this budget went on the cast, it certainly wasn't spent on the effects. The de-aging on Branagh in the opening was awful, and must have cost more than hiring a younger actor to do those scenes. The generated scenery wasn't any better, it was painfully obvious which weren't real.
Death on the Nile is, at the end of the day, another classic Christie story, and even with some butchering, there's still a great mystery to unfold. That being said, I would rather sit through one of the other adaptations again if they were all laid out in front of me.
Originally posted on: https://emmaatthemovies.blogspot.com/2022/02/death-on-nile-movie-review.html
Sophia (Bookwyrming Thoughts) (530 KP) rated Hullmetal Girls in Books
Jan 23, 2020
<b><i>I received this book for free from Publisher in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<em>Hullmetal Girls</em> was both painful and fun to read, with machinery and body modification in space. Skrutskie's latest novel is quite different for those who have read her <em><a href="https://bookwyrmingthoughts.com/mini-reviews-part-1-emily-skrutskie-marie-lu-and-others/">The Abyss Surrounds Us</a></em> duology, but just as good.
No cute sea monsters though. 😞
<h2><strong>What can you expect from <em>Hullmetal Girls</em> then?</strong></h2>
Because that's what you're really here for. (That, and well, prime book shoving from one of your favorite book dragons.)
<h3>Space and machinery</h3>
<em>Hullmetal Girls</em> is kind of cyborgs in space but not exactly cyborgs as Scela are people who are enhanced with machinery to be stronger and better. There's a huge price to pay, but also rewarding for those who make it to the top. I found it interesting to see how the Scela worked both during the process of becoming one and training.
<h3>Very painful beginning</h3>
Skrutskie introduces us to Aisha, a girl who decides to undergo surgery to become Scela, an enhanced soldier who is stripped of humanity to protect the Fleet ruled by the General Body. We're in the process of the surgery with her, and it'll be a painful read as she is being taken apart and put back together.
<h3>Strong sense of family</h3>
Family is a huge theme from the beginning of the book until the end. Aisha risks her life to become Scela to provide a better life for her remaining family and to give her younger brother the best care for his sickness. Throughout the book, we see this as her motivation to get through basic training and to be a part of the best Scela, even though she probably doesn't care or want to be there. She's not the only one though, as one of her teammates undergoes the procedure to help her sister become the best researcher she can possibly be. If anything happens to the people they love, they're in a void of nothing, trying to figure out what their meaning of life is.
<h3>Friendship and teamwork</h3>
After Scela survive their procedure, they are placed into squads who they will be with from training and into their careers as the Fleet's protective body. From early on, Aisha and her squadmates: Key, Wooj and Praava are all thrown together and have to figure how they can work together as a team. They learn that if they all want to accomplish their goals, they'll have to meet somewhere in the middle. It's not something they get ahold of easily and without some challenges, though, but they get there eventually.
<h3>Open-ended ending</h3>
<em>Hullmetal Girls</em> has an open ending but brings everything together to a satisfying closure that leaves some imagination to the readers of what could happen to the characters after the book ends.
<h2><strong><em>Hullmetal Girls</em> is different from Skrutskie's debut novels, but just as amazing with the technology in space, the friendship that develops and the sibling relationship that drives some of the characters.</strong></h2>
<a href="https://bookwyrmingthoughts.com/hullmetal-girls-by-emily-skrutskie/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<em>Hullmetal Girls</em> was both painful and fun to read, with machinery and body modification in space. Skrutskie's latest novel is quite different for those who have read her <em><a href="https://bookwyrmingthoughts.com/mini-reviews-part-1-emily-skrutskie-marie-lu-and-others/">The Abyss Surrounds Us</a></em> duology, but just as good.
No cute sea monsters though. 😞
<h2><strong>What can you expect from <em>Hullmetal Girls</em> then?</strong></h2>
Because that's what you're really here for. (That, and well, prime book shoving from one of your favorite book dragons.)
<h3>Space and machinery</h3>
<em>Hullmetal Girls</em> is kind of cyborgs in space but not exactly cyborgs as Scela are people who are enhanced with machinery to be stronger and better. There's a huge price to pay, but also rewarding for those who make it to the top. I found it interesting to see how the Scela worked both during the process of becoming one and training.
<h3>Very painful beginning</h3>
Skrutskie introduces us to Aisha, a girl who decides to undergo surgery to become Scela, an enhanced soldier who is stripped of humanity to protect the Fleet ruled by the General Body. We're in the process of the surgery with her, and it'll be a painful read as she is being taken apart and put back together.
<h3>Strong sense of family</h3>
Family is a huge theme from the beginning of the book until the end. Aisha risks her life to become Scela to provide a better life for her remaining family and to give her younger brother the best care for his sickness. Throughout the book, we see this as her motivation to get through basic training and to be a part of the best Scela, even though she probably doesn't care or want to be there. She's not the only one though, as one of her teammates undergoes the procedure to help her sister become the best researcher she can possibly be. If anything happens to the people they love, they're in a void of nothing, trying to figure out what their meaning of life is.
<h3>Friendship and teamwork</h3>
After Scela survive their procedure, they are placed into squads who they will be with from training and into their careers as the Fleet's protective body. From early on, Aisha and her squadmates: Key, Wooj and Praava are all thrown together and have to figure how they can work together as a team. They learn that if they all want to accomplish their goals, they'll have to meet somewhere in the middle. It's not something they get ahold of easily and without some challenges, though, but they get there eventually.
<h3>Open-ended ending</h3>
<em>Hullmetal Girls</em> has an open ending but brings everything together to a satisfying closure that leaves some imagination to the readers of what could happen to the characters after the book ends.
<h2><strong><em>Hullmetal Girls</em> is different from Skrutskie's debut novels, but just as amazing with the technology in space, the friendship that develops and the sibling relationship that drives some of the characters.</strong></h2>
<a href="https://bookwyrmingthoughts.com/hullmetal-girls-by-emily-skrutskie/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
JT (287 KP) rated Elysium (2013) in Movies
Mar 10, 2020
Neill Blomkamp came pretty much out of nowhere. Having only directed a handful of shorts he was handed $30m by Peter Jackson and told to make any film he wanted. That offer for any up and coming director would be as good as winning the lottery and he didn’t disappoint, making the dystopian District 9 which went on to become a smash hit.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
Zuky the BookBum (15 KP) rated The Girl Before in Books
Mar 15, 2018
Read my first ever author Q&A, with Rena Olsen! http://bookbum.weebly.com/author-qas/qa-with-rena-olsen-author-of-the-girl-before
Also read my review here: http://bookbum.weebly.com/book-reviews/the-girl-before-by-rena-olsen
<b><i>I am nothing if not obedient.</b></i>
I was anticipating this novel for a goddamn long time and so when it finally showed up at work (Id preordered it months in advance) I was so excited to finally get my hands on it and start reading it and from page 1 it did not disappoint! This novel got more and more gripping with each page, I didnt want to put it down!
I have voiced my opinion on books that flit about between the past and the present and in case you missed my last rant, I <i>usually</i> hate it because it confuses me a lot of the time (simple mind, I know). But it worked excellently in this novel because, for one, it made it <b>very</b> clear when we were in the past and when we were back to the present, and secondly the two flowed really well together. I loved how Olsen made the stories of the past connect so perfectly with the present - this whole book was written beautifully.
Claras refusal to cooperate got a little irritating after a while, but you cant really expect anything different from such a brainwashed woman, and just hold out a little longer and things might just start going your way! The plot for this wasnt exactly unique, <a href="https://www.goodreads.com/review/show/1640564203?book_show_action=false&from_review_page=1">The Butterfly Garden</a> <i>kind of</i> has the same storyline, to name something recent, but there were no faults in this book. Olsen worked out exactly how to progress with this book, it was flawless. Granted, there were a couple of predictable parts, <spoiler>the fact she was pregnant, the real use of the morning sickness tea</spoiler>, but they didnt make the story less exciting in anyway.
I was so close to giving this 4 stars for the reason of me not liking Glen but then I realised, no. We werent suppose to like Glen. He was a manipulative, evil, disgusting human being and I <i>hated</i> him. The fact that Olsen could make me hate him so much just shows how amazing her writing was. She brought out a really strong emotion in me that often times made me feel anxious and sick. Hating a character as much as I did isnt at all a bad thing when the character is there to be hated.
This is a really emotional read. I'm sure if it wasn't for the fact I mainly only read this on the train, I definitely would have bawled over this, hence the reason I'm classing this as a book that made me cry. I cant even imagine the feelings Clara goes through as this book progresses and she begins to find out things shes believed her entire life are not all that they seem. Its so horrible to think this kind of thing isnt just a figment of someones creative mind, my heart goes out to all those men and women that have been subject to this kind of twisted abuse - this is one of many reasons I give so much to human right charities every month.
I cannot believe this is a debut novel. I am stunned at the quality of Olsens writing and story-telling, I cant wait to read more from her. This tackles many difficult subjects but if youre a lover of all things suspense and thriller, then you definitely <b>need</b> to pick this up in the future. <b>Its 2016 must read!</b>
Also read my review here: http://bookbum.weebly.com/book-reviews/the-girl-before-by-rena-olsen
<b><i>I am nothing if not obedient.</b></i>
I was anticipating this novel for a goddamn long time and so when it finally showed up at work (Id preordered it months in advance) I was so excited to finally get my hands on it and start reading it and from page 1 it did not disappoint! This novel got more and more gripping with each page, I didnt want to put it down!
I have voiced my opinion on books that flit about between the past and the present and in case you missed my last rant, I <i>usually</i> hate it because it confuses me a lot of the time (simple mind, I know). But it worked excellently in this novel because, for one, it made it <b>very</b> clear when we were in the past and when we were back to the present, and secondly the two flowed really well together. I loved how Olsen made the stories of the past connect so perfectly with the present - this whole book was written beautifully.
Claras refusal to cooperate got a little irritating after a while, but you cant really expect anything different from such a brainwashed woman, and just hold out a little longer and things might just start going your way! The plot for this wasnt exactly unique, <a href="https://www.goodreads.com/review/show/1640564203?book_show_action=false&from_review_page=1">The Butterfly Garden</a> <i>kind of</i> has the same storyline, to name something recent, but there were no faults in this book. Olsen worked out exactly how to progress with this book, it was flawless. Granted, there were a couple of predictable parts, <spoiler>the fact she was pregnant, the real use of the morning sickness tea</spoiler>, but they didnt make the story less exciting in anyway.
I was so close to giving this 4 stars for the reason of me not liking Glen but then I realised, no. We werent suppose to like Glen. He was a manipulative, evil, disgusting human being and I <i>hated</i> him. The fact that Olsen could make me hate him so much just shows how amazing her writing was. She brought out a really strong emotion in me that often times made me feel anxious and sick. Hating a character as much as I did isnt at all a bad thing when the character is there to be hated.
This is a really emotional read. I'm sure if it wasn't for the fact I mainly only read this on the train, I definitely would have bawled over this, hence the reason I'm classing this as a book that made me cry. I cant even imagine the feelings Clara goes through as this book progresses and she begins to find out things shes believed her entire life are not all that they seem. Its so horrible to think this kind of thing isnt just a figment of someones creative mind, my heart goes out to all those men and women that have been subject to this kind of twisted abuse - this is one of many reasons I give so much to human right charities every month.
I cannot believe this is a debut novel. I am stunned at the quality of Olsens writing and story-telling, I cant wait to read more from her. This tackles many difficult subjects but if youre a lover of all things suspense and thriller, then you definitely <b>need</b> to pick this up in the future. <b>Its 2016 must read!</b>
Emma @ The Movies (1786 KP) rated Escape Room (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
TL;DR - I'm never doing an escape room ever again, and potentially never going anywhere that begins with a mysterious invitation.
The film opens, somewhat strangely, with some of the last scenes of the movie. I'm not sure whether this helped the film along or not. We already knew what to expect before going in so starting with the intrigue of the invitations probably would have worked just as well, it did at least ease you in to what you'd be getting from the rest of the film.
I was a little disappointed that we didn't get an intro to all of the characters. Admittedly six intro pieces would have made the beginning of the story drag but it felt a little odd to have the other three thrown in with no context. On the plus side you are able to infer some things about their back story as we go through the film, but I don't quite see the logic behind who they included and excluded.
Drama, mystery, sci-fi, thriller... that's how IMDb classified Escape Room, and this is why I don't know why we bother pigeon holing films. It's definitely a thriller and can loosely fit into the horror genre (I only say loosely because of it's lack of gore) but to claim any of the others is a stretch.
In what was probably a rather average film I was glad to see some pieces that impressed me. Amanda (Deborah Ann Woll) has a flashback during one of their escapes and the transition was seamless. Woll's performance overall was probably the best, she goes from vulnerable to woman of action and in each scene she creates something that I found incredibly believable.
Tyler Labine is one of my favourite "hidden" gems of the movie world so I was excited to see he was part of this. My excitement was short lived though as his character wasn't given much opportunity to shine as his story is largely overlooked until the very last minute.
One of the issues I have at the cinema is that I suffer from mild motion sickness, generally I'm okay but on occasion the weirdest things can set it off. This film gave me a near heart attack when it entered the pool room, you can see it during the trailer, the room is basically upside down but that combined with the camera shots meant I had to keep looking at my feet for fear of either passing out or throwing up on my fellow cinema goers.
The idea behind the film had a lot of potential and up to a certain point I was enjoying what was happening... but that ending. My brain suddenly stopped and went "huh, Belko Experiment." I'm not generally a watcher of horror type films but from the comments I've seen online Escape Room is similar to a lot of things already out there. What I know is that it's predictable. Probably more so because of the way the film starts, the premise of an escape room, and the trailer. It does have some things up its sleeve though.
For someone who is easily scared out of their skin I didn't have a problem watching this (apart from that pool room scene), a lot of the really jumpy bits I'd already seen before going into the film. Until the memory of this film is washed away by several dozen other films I will not be setting foot in an escape room, and they should probably look at suing the film for lose of revenue.
What you should do
It's an entertaining film and if thrillers/horrors are your sort of thing then you should give it a go.
Movie thing you wish you could take home
Needless to say there is basically nothing I want from this movie apart from the little piece of sanity and rational thinking it stole from me.
The film opens, somewhat strangely, with some of the last scenes of the movie. I'm not sure whether this helped the film along or not. We already knew what to expect before going in so starting with the intrigue of the invitations probably would have worked just as well, it did at least ease you in to what you'd be getting from the rest of the film.
I was a little disappointed that we didn't get an intro to all of the characters. Admittedly six intro pieces would have made the beginning of the story drag but it felt a little odd to have the other three thrown in with no context. On the plus side you are able to infer some things about their back story as we go through the film, but I don't quite see the logic behind who they included and excluded.
Drama, mystery, sci-fi, thriller... that's how IMDb classified Escape Room, and this is why I don't know why we bother pigeon holing films. It's definitely a thriller and can loosely fit into the horror genre (I only say loosely because of it's lack of gore) but to claim any of the others is a stretch.
In what was probably a rather average film I was glad to see some pieces that impressed me. Amanda (Deborah Ann Woll) has a flashback during one of their escapes and the transition was seamless. Woll's performance overall was probably the best, she goes from vulnerable to woman of action and in each scene she creates something that I found incredibly believable.
Tyler Labine is one of my favourite "hidden" gems of the movie world so I was excited to see he was part of this. My excitement was short lived though as his character wasn't given much opportunity to shine as his story is largely overlooked until the very last minute.
One of the issues I have at the cinema is that I suffer from mild motion sickness, generally I'm okay but on occasion the weirdest things can set it off. This film gave me a near heart attack when it entered the pool room, you can see it during the trailer, the room is basically upside down but that combined with the camera shots meant I had to keep looking at my feet for fear of either passing out or throwing up on my fellow cinema goers.
The idea behind the film had a lot of potential and up to a certain point I was enjoying what was happening... but that ending. My brain suddenly stopped and went "huh, Belko Experiment." I'm not generally a watcher of horror type films but from the comments I've seen online Escape Room is similar to a lot of things already out there. What I know is that it's predictable. Probably more so because of the way the film starts, the premise of an escape room, and the trailer. It does have some things up its sleeve though.
For someone who is easily scared out of their skin I didn't have a problem watching this (apart from that pool room scene), a lot of the really jumpy bits I'd already seen before going into the film. Until the memory of this film is washed away by several dozen other films I will not be setting foot in an escape room, and they should probably look at suing the film for lose of revenue.
What you should do
It's an entertaining film and if thrillers/horrors are your sort of thing then you should give it a go.
Movie thing you wish you could take home
Needless to say there is basically nothing I want from this movie apart from the little piece of sanity and rational thinking it stole from me.
Movie Metropolis (309 KP) rated Hansel and Gretel: Witch Hunters (2013) in Movies
Jun 11, 2019
2013 is the year of the fairy-tale and the year of the witch, or so it looks that way from what seems to be a never-ending bombardment of films related to the two age-old topics. This year sees the release of Bryan Singer’s Jack the Giant Slayer as well as Sam Raimi’s Oz: The Great & the Powerful and whilst the latter has opened to mixed reviews, it is Bryan Singer’s effort which really looks like it’ll sparkle.
Sat between these two behemoths is the critical and somewhat commercial failure, Hansel & Gretel: Witch Hunters, but is it as bad as the reviews would have you believe? Let’s find out.
The fairy-tale of Hansel & Gretel is as well-known as Jack & the Beanstalk and to some extent the story in the Wizard of Oz, but films of this classic have been limited to low-budget television movies because finding the audience for such a difficult genre is not to be underestimated.
Here however, Tommy Wirkola directs his first English-language film with some degrees of success, though, a few niggling factors stop it from being the success it could’ve been. In a darker tale than perhaps we’re used to with a story such as this, Jeremy Renner and Gemma Arterton star as Hansel & Gretel respectively and for the most part, fulfil their roles well as they battle numerous dark witches in a plot which never really gets to grips with the genre it is trying to be.
Herein lays the problem, do you direct the fairy-tale genre as a family comedy or as something a little darker? Clearly director Wirkola has had his work cut out to find the balance between the two and the result is confusing, he has ended up with a 15 certificate which mixes comedy with a bloodbath that wouldn’t look out of place in a Quentin Tarantino picture; it really is that over-the-top. The use of swear-words also feels out of place, like they’re there just to shock rather than add anything to the film’s narrative.
Hansel & Gretel have grown up deciding to kill witches after they were left abandoned in the woods by their father. To cut a long story short, they are captured by a witch and forced to work for her; whilst doing this, Hansel develops ‘sugar sickness’ (diabetes) from all the candy he is forced to consume and must inject himself often. After killing said witch, they flee and the story begins; with them being hired to kill witches who have stolen children from a small town to allow them to become immune to fire; their major weakness.
It’s an interesting take on the story and Famke Janssen plays the wicked grand witch brilliantly, she manages to be both endearing and rightly terrifying in the same scene, though this is helped with the prosthetics used to alter her face. The other actors, including the main two are a little uninspired, especially Arterton who looks positively bored with the work she’s been given. In saying that, Renner isn’t much better and the majority of the film suffers as a result. In fact, you’ll probably be rooting for Janssen’s Muriel to succeed in her evil plot.
Thankfully, the special effects are very good, although I was expecting a little more witch-on-witch action, a la Harry Potter. Atli Orvarsson’s score is excellent and a real highlight of the film. The music in the brilliant opening credits is fantastic.
Overall, Hansel & Gretel: Witch Hunters is a solid but uninspiring adaptation of a fairy-tale which was never meant for the big screen. Director Tommy Wirkola has obviously tried very hard to create a film which caters for most palates and whilst the score, special effects and acting from Famke Janssen are all top notch, the confusing mish-mash of genres and hammy acting from Jeremy Renner and Gemma Arterton stop it being anything more than a forgettable action flick. After all, when your lead characters look like they can’t be bothered, you’ve got a serious problem.
https://moviemetropolis.net/2013/03/02/hansel-gretel-witch-hunters-review-2013/
Sat between these two behemoths is the critical and somewhat commercial failure, Hansel & Gretel: Witch Hunters, but is it as bad as the reviews would have you believe? Let’s find out.
The fairy-tale of Hansel & Gretel is as well-known as Jack & the Beanstalk and to some extent the story in the Wizard of Oz, but films of this classic have been limited to low-budget television movies because finding the audience for such a difficult genre is not to be underestimated.
Here however, Tommy Wirkola directs his first English-language film with some degrees of success, though, a few niggling factors stop it from being the success it could’ve been. In a darker tale than perhaps we’re used to with a story such as this, Jeremy Renner and Gemma Arterton star as Hansel & Gretel respectively and for the most part, fulfil their roles well as they battle numerous dark witches in a plot which never really gets to grips with the genre it is trying to be.
Herein lays the problem, do you direct the fairy-tale genre as a family comedy or as something a little darker? Clearly director Wirkola has had his work cut out to find the balance between the two and the result is confusing, he has ended up with a 15 certificate which mixes comedy with a bloodbath that wouldn’t look out of place in a Quentin Tarantino picture; it really is that over-the-top. The use of swear-words also feels out of place, like they’re there just to shock rather than add anything to the film’s narrative.
Hansel & Gretel have grown up deciding to kill witches after they were left abandoned in the woods by their father. To cut a long story short, they are captured by a witch and forced to work for her; whilst doing this, Hansel develops ‘sugar sickness’ (diabetes) from all the candy he is forced to consume and must inject himself often. After killing said witch, they flee and the story begins; with them being hired to kill witches who have stolen children from a small town to allow them to become immune to fire; their major weakness.
It’s an interesting take on the story and Famke Janssen plays the wicked grand witch brilliantly, she manages to be both endearing and rightly terrifying in the same scene, though this is helped with the prosthetics used to alter her face. The other actors, including the main two are a little uninspired, especially Arterton who looks positively bored with the work she’s been given. In saying that, Renner isn’t much better and the majority of the film suffers as a result. In fact, you’ll probably be rooting for Janssen’s Muriel to succeed in her evil plot.
Thankfully, the special effects are very good, although I was expecting a little more witch-on-witch action, a la Harry Potter. Atli Orvarsson’s score is excellent and a real highlight of the film. The music in the brilliant opening credits is fantastic.
Overall, Hansel & Gretel: Witch Hunters is a solid but uninspiring adaptation of a fairy-tale which was never meant for the big screen. Director Tommy Wirkola has obviously tried very hard to create a film which caters for most palates and whilst the score, special effects and acting from Famke Janssen are all top notch, the confusing mish-mash of genres and hammy acting from Jeremy Renner and Gemma Arterton stop it being anything more than a forgettable action flick. After all, when your lead characters look like they can’t be bothered, you’ve got a serious problem.
https://moviemetropolis.net/2013/03/02/hansel-gretel-witch-hunters-review-2013/