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The Lamb Lies Down On Broadway by Genesis
Album
Digitally remastered two CD edition of this classic 1974 album from one of Rock's most successful...
Cosmic Voyage (Космический рейс) (1936)
6.0
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Soviet silent science fiction movie. In the year 1946, Professor Sedych ignores the edicts of his...
RəX Regent (349 KP) rated The Passion of Joan of Arc (1928) in Movies
Feb 19, 2019
Silent cinema is not my strongest subject but one which I have been making a concerted effort to learn about over the past decade, but admittedly at a slow pace. The idea of sitting through a silent film can seem to be chore to a modern audience and to be honest, it can be inconceivable to the vast majority, but these attitudes only serve to deprive us of 30 years of cinema, both in primitive evolution and cinematic excellence.
The notion is that silent movies where almost amateurish is style, a three decade long film school to keep up occupied until the Talkies turned up and “film” as we know it, was born. This is wrong. Film is visual medium, Movies, moving pictures, all of which were accompanied by music by the way, so the term “silent” only really refers to the lack of synchronized sound and dialogue.
ydvjeYet, the core of film is visual. Modern cinema is a about perfecting the mesh of media forms, music, photography, narrative and sound. But without dialogue, silent movies had a challenge on their hands and one which The Passion Of Joan Of Arc, one of the last silent movies of the era, rose to perfectly.
Visually, this could have been made yesterday. A truly timeless blend of artistic and innovative cinematography, fast paced editing and outstanding performances. The Danish director, Carl Theodore Dreyer mastered the close up, naturalistic acting and manages to tell the procedural story of the trial of Joan Of Arc in such a gripping manner that you will forget that there is no spoken dialogue, yet you are literally putting the intertitles in to the mouths of the cast.
Not a single cast member is wasted, with every one pouring their hearts and souls in to the camera in such nuanced ways that it can be left to debate and interpretation as to exactly who is thinking or feeling what as Joan, Maria Falconetti in her third and final film role, steals the screen with her tortured soul and face shown almost entirely in close up.
the-passion-of-joan-of-arc-large-pictureOver acting has given way to strong acting, each shot designed to allow us access to her soul as she, in a plot not to dissimilar from the last hours of Jesus Christ, is torn between torture and certain death of abandoning her faith and spending the rest of her life imprisoned with only bread and water to look forward too.
The script is based on the actually accounts of the future saint’s trial in 1431 but the real events took place over 18 months whilst this either compresses this into one day or takes place on the last one, but the feeling is that this is the one and only trial of Joan so in that sense, theatrical licence has been taken but it hardly matters. The facts are present and the story is harrowing, made more so by an almost perfect production, led by a controversial, almost Kubrickian director, forcing his cast to suffer for their art, yet this version of events is also contested.
joan-of-arc-soundtrackFor everyone out there who believes that Silent movies are just cut to the chase comedies, or overly flamboyant and patronising filler until “real films” are made, this may just serve as wake up call, that films have evolved, but Sound would actually set the industry back in the 1930’s, as the new audio based art form evolved just as movies had up until this point., but Joan Of Arc should help all see that film has always been able to convey anything, from humour to horror; Real of make-believe.
Many believe that this movie is one of the best ever made and I do believe that to be true. An outstanding and forgotten film to all but critics and film buffs, one which everyone should see.
VERSION
The version which I watched was The Criterion Edition of the 1985 restoration of Dreyer’s “Lost” original cut. The music to this film was never deemed to be that important so there are several compositions which have been attached to the film over the years.
The “Lo Duca” cut, which was the a 61 minute version (1951) doing the rounds for years after the original cut was lost in a fire soon after the film’s release, was cut together by Joseph-Marie Lo Duca after discovering a negative in a vault. This version, as well as the “Director’s Cut” are both available on the Blu-ray, whilst it appeared that the 1985 restoration (Director’s Cut) is more widely available on DVD.
The notion is that silent movies where almost amateurish is style, a three decade long film school to keep up occupied until the Talkies turned up and “film” as we know it, was born. This is wrong. Film is visual medium, Movies, moving pictures, all of which were accompanied by music by the way, so the term “silent” only really refers to the lack of synchronized sound and dialogue.
ydvjeYet, the core of film is visual. Modern cinema is a about perfecting the mesh of media forms, music, photography, narrative and sound. But without dialogue, silent movies had a challenge on their hands and one which The Passion Of Joan Of Arc, one of the last silent movies of the era, rose to perfectly.
Visually, this could have been made yesterday. A truly timeless blend of artistic and innovative cinematography, fast paced editing and outstanding performances. The Danish director, Carl Theodore Dreyer mastered the close up, naturalistic acting and manages to tell the procedural story of the trial of Joan Of Arc in such a gripping manner that you will forget that there is no spoken dialogue, yet you are literally putting the intertitles in to the mouths of the cast.
Not a single cast member is wasted, with every one pouring their hearts and souls in to the camera in such nuanced ways that it can be left to debate and interpretation as to exactly who is thinking or feeling what as Joan, Maria Falconetti in her third and final film role, steals the screen with her tortured soul and face shown almost entirely in close up.
the-passion-of-joan-of-arc-large-pictureOver acting has given way to strong acting, each shot designed to allow us access to her soul as she, in a plot not to dissimilar from the last hours of Jesus Christ, is torn between torture and certain death of abandoning her faith and spending the rest of her life imprisoned with only bread and water to look forward too.
The script is based on the actually accounts of the future saint’s trial in 1431 but the real events took place over 18 months whilst this either compresses this into one day or takes place on the last one, but the feeling is that this is the one and only trial of Joan so in that sense, theatrical licence has been taken but it hardly matters. The facts are present and the story is harrowing, made more so by an almost perfect production, led by a controversial, almost Kubrickian director, forcing his cast to suffer for their art, yet this version of events is also contested.
joan-of-arc-soundtrackFor everyone out there who believes that Silent movies are just cut to the chase comedies, or overly flamboyant and patronising filler until “real films” are made, this may just serve as wake up call, that films have evolved, but Sound would actually set the industry back in the 1930’s, as the new audio based art form evolved just as movies had up until this point., but Joan Of Arc should help all see that film has always been able to convey anything, from humour to horror; Real of make-believe.
Many believe that this movie is one of the best ever made and I do believe that to be true. An outstanding and forgotten film to all but critics and film buffs, one which everyone should see.
VERSION
The version which I watched was The Criterion Edition of the 1985 restoration of Dreyer’s “Lost” original cut. The music to this film was never deemed to be that important so there are several compositions which have been attached to the film over the years.
The “Lo Duca” cut, which was the a 61 minute version (1951) doing the rounds for years after the original cut was lost in a fire soon after the film’s release, was cut together by Joseph-Marie Lo Duca after discovering a negative in a vault. This version, as well as the “Director’s Cut” are both available on the Blu-ray, whilst it appeared that the 1985 restoration (Director’s Cut) is more widely available on DVD.
Matthew Krueger (10051 KP) rated Nosferatu (Eine Symphonie Des Grauens) (1922) in Movies
Oct 1, 2019
The Horror Masterpiece
Nosferatu- is a masterpiece for its time, it is one of the best silent fims of all time. It is a masterpiece. Without this movie, we couldnt have horror films today, without this movie, we couldnt have monster movies today, without this movie, horror movies wouldnt be the same. This movie waved and introduced monster movies, horror movies, scary movies, terrorfying movies, horrorfying movies and much more.
The Plot: In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen (Greta Schroeder). After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock (Alexander Granach), prepares for his master to arrive at his new home.
Count Orlok- is mysterious, creepy, terrorfying, horrorfying and more. Without him we wouldnt have monsters/creatures in horror movies today.
I can go on and on, on how this movie is perfect and waved the horror films as a whole and gave horror its name.
If you havent seen this film or heard this film, i wouls highly reccordmend watching this film.
The Plot: In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen (Greta Schroeder). After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock (Alexander Granach), prepares for his master to arrive at his new home.
Count Orlok- is mysterious, creepy, terrorfying, horrorfying and more. Without him we wouldnt have monsters/creatures in horror movies today.
I can go on and on, on how this movie is perfect and waved the horror films as a whole and gave horror its name.
If you havent seen this film or heard this film, i wouls highly reccordmend watching this film.
The Book of Illusions
Book
The Book of Illusions, written with breath-taking urgency and precision, plunges the reader into a...
8mm for iPad
Photo & Video and Lifestyle
App
8mm turns your iPad into an authentic Super 8 camera. 8mm Vintage Camera captures the beauty and...
Hazel (2934 KP) rated The Silent Man in Books
Aug 27, 2023
I didn't realise this was the last book in a trilogy when I started reading it and whilst it is clear that I have missed the back story, it didn't affect my enjoyment of this book one little bit. My only gripe is with myself, how did I miss the first 2 books in this series??
From the very first page, I was hooked and couldn't read it fast enough. The characters are excellent and I loved the easy and natural relationship between Archer and Quinn. The story is told from various points of view which give a rounded view of the two main plots and whilst this can sometimes cause confusion, not so here.
Written at a fast pace with plenty of twists, turns and scenes of violence and peril, The Silent Man is a book that I can highly recommend to those of you who love a gritty and dark story with a serial killer who uses a unique way to both identify and despatch his victims.
I will definitely be looking out for more by David Fennell in the future and thanks must go to him, Bonnier Books, Zaffre and NetGalley for enabling me to read and share my thoughts of The Silent Man.
From the very first page, I was hooked and couldn't read it fast enough. The characters are excellent and I loved the easy and natural relationship between Archer and Quinn. The story is told from various points of view which give a rounded view of the two main plots and whilst this can sometimes cause confusion, not so here.
Written at a fast pace with plenty of twists, turns and scenes of violence and peril, The Silent Man is a book that I can highly recommend to those of you who love a gritty and dark story with a serial killer who uses a unique way to both identify and despatch his victims.
I will definitely be looking out for more by David Fennell in the future and thanks must go to him, Bonnier Books, Zaffre and NetGalley for enabling me to read and share my thoughts of The Silent Man.
Slippers and Songs (Brodyr Alarch #1)
10.0
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Book
In the realm of Holmfirth, far from Melthkior, Princess Tesni finds herself ensnared in a curse that...
Brothers Grimm Fairytale Retelling Welsh Gods Fantasy Romance Brodyr Alarch
Pixar do it again!
A very good and enjoyable film that all ages will love. The story sounded odd at first but it's a very cute film. It has a great 10 minute opening which is nearly silent and quite sad for a Pixar film. Once we get to the old guy getting up out of bed and setting off to fulfill a promise it actually becomes quite funny in places. Definitely one all ages will love. Once again the level of detail in the animation is amazing, they seem to set new levels with each new film!