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Lindsay (1717 KP) rated The Camelot Kids: Volume One (The Camelot Kids, #1-4) in Books
Feb 15, 2018 (Updated Apr 9, 2019)
The Camelot kids is packed with adventures and action. It great for all ages of kids. Simon finds out his parents died. Simon want to find a place to belong. He starts to have dreams. A place named Camelot. Is there really a place called New Camelot?
Someone is trying to find him and wants him dead. Who could want him dead? He meets up with several different kids and is thrown from one action to another. He seem to be trying survive. Who could be King Arthur, Lancelot, many others? There seems to be more questions then answers.
What all will Simon be dealt with and understand. He makes friends and loss some as well. Their seems to be a mystery around the corner of each paged turned. I had a little bit of a hard time getting into it at the beginning of the book. Once the action started and the adventures. I was able to read it and understand it. It then seem like King Arthur and Round Table.
Pictures are done well. I really enjoyed looking at pictures. Images or pictures are colorful. I was looking and staring at the pictures for a short period of time. Children would love it. This is good for children ages 12 and up.
Someone is trying to find him and wants him dead. Who could want him dead? He meets up with several different kids and is thrown from one action to another. He seem to be trying survive. Who could be King Arthur, Lancelot, many others? There seems to be more questions then answers.
What all will Simon be dealt with and understand. He makes friends and loss some as well. Their seems to be a mystery around the corner of each paged turned. I had a little bit of a hard time getting into it at the beginning of the book. Once the action started and the adventures. I was able to read it and understand it. It then seem like King Arthur and Round Table.
Pictures are done well. I really enjoyed looking at pictures. Images or pictures are colorful. I was looking and staring at the pictures for a short period of time. Children would love it. This is good for children ages 12 and up.
ClareR (5721 KP) rated King in Waiting (Lord Edward’s Archer series Book 2) in Books
Nov 6, 2019
King in Waiting was an enjoyable, action packed, history filled novel, about Gerald War Bow and his part in the battles to free Henry III from Simon de Montfort in 1264.
Gerald is from a poor family, and King Henry is quite clear about his opinions of Archers - they’re disposable and unimportant. Luckily, his son and heir, Lord Edward, is not of the same opinion. He values Gerald War Bow, and sees his worth. Even though he’s young, he has loads of experience and his men are loyal to him.
This book gives the reader a real feel for the time. There’s a lot of historical detail, from how battles are run, to travelling and living in medieval England. I’ve finished the book feeling as though I now know more about this period in history, and how difficult it is to draw back and let fly an arrow from a longbow (serious strength is needed!). How the nobility could have seen so little value in these men is a mystery to me. Their skill is described so well.
So, if you enjoy historical fiction and a lot of action in battle, then this is the book for you - I really enjoyed it.
Many thanks to The Pigeonhole and the author for reading along with us!
Gerald is from a poor family, and King Henry is quite clear about his opinions of Archers - they’re disposable and unimportant. Luckily, his son and heir, Lord Edward, is not of the same opinion. He values Gerald War Bow, and sees his worth. Even though he’s young, he has loads of experience and his men are loyal to him.
This book gives the reader a real feel for the time. There’s a lot of historical detail, from how battles are run, to travelling and living in medieval England. I’ve finished the book feeling as though I now know more about this period in history, and how difficult it is to draw back and let fly an arrow from a longbow (serious strength is needed!). How the nobility could have seen so little value in these men is a mystery to me. Their skill is described so well.
So, if you enjoy historical fiction and a lot of action in battle, then this is the book for you - I really enjoyed it.
Many thanks to The Pigeonhole and the author for reading along with us!
David McK (3425 KP) rated Outlaw (The Outlaw Chronicles, #1) in Books
Jan 30, 2019
"Robin Hood, Robin Hood, Riding throught the Glenn
Robin Hood, Robin Hood, and his bunch of blood-thirsty murderous outlaws ..."
Doesn't have quite the same ring, does it?
"Outlaw" is the story of Robin Hood, told from the perspective of Alan Dale. Like Bernard Cornwell's series of books about King Arthur (indeed, my copy of the book even had a "As good as Bernard Cornwell or your money back" sticker on it), Outlaw is a more earthy, more 'real', telling of the famous tale. All the famous characters are here: Robin Hood, Maid Marie-Anne (Marion), Little John, Friar Tuck, Guy of Gisbourne, and (obviously) Alan Dale himself.
Forget the recent BBC adaptation, or even the '91 film starring a not-very-English Kevin Costner; this is more what Robin Hood would have been like (if he ever existed) than the over-romanticised legendary figure.
Worth a read? If you like Cornwell (or Simon Scarrow's) style of historical fiction, then my answer is a definite yes.
Robin Hood, Robin Hood, and his bunch of blood-thirsty murderous outlaws ..."
Doesn't have quite the same ring, does it?
"Outlaw" is the story of Robin Hood, told from the perspective of Alan Dale. Like Bernard Cornwell's series of books about King Arthur (indeed, my copy of the book even had a "As good as Bernard Cornwell or your money back" sticker on it), Outlaw is a more earthy, more 'real', telling of the famous tale. All the famous characters are here: Robin Hood, Maid Marie-Anne (Marion), Little John, Friar Tuck, Guy of Gisbourne, and (obviously) Alan Dale himself.
Forget the recent BBC adaptation, or even the '91 film starring a not-very-English Kevin Costner; this is more what Robin Hood would have been like (if he ever existed) than the over-romanticised legendary figure.
Worth a read? If you like Cornwell (or Simon Scarrow's) style of historical fiction, then my answer is a definite yes.
Phil Leader (619 KP) rated King of Light and Shadows (The Omaran Saga #3) in Books
Nov 18, 2019
Brannog, who has been declared king of the Earthwrought despite being human, is hunting down the spawn of the evil city of Xennidhum that he helped destroy when he discovers something troubling. There are songs under the earth, beguiling the Earthwrought. Both his enemy turned ally Simon Wargallow and the rod of power held by Orhung have been captured. Who are the Earthwise and what do they want?
This was my introduction into the work of Adrian Cole, and it certainly impressed me. Firstly the tone is very much what would be described now as 'grimdark' with Wargallow being a particularly fine antihero. Secondly this is resolutely non-Tolkien and avoids so many fantasy tropes that were prevalent at the time. No orcs or elves. Instead we have altogether more imaginative creations - Children of the Mound, Deliverers.
This does start slow - it after all is part way through the saga and the characters are already established - but gradually builds to some fantastic set pieces, and a rather well executed and low key ending, setting up the fourth and final part of the series perfectly.
This was my introduction into the work of Adrian Cole, and it certainly impressed me. Firstly the tone is very much what would be described now as 'grimdark' with Wargallow being a particularly fine antihero. Secondly this is resolutely non-Tolkien and avoids so many fantasy tropes that were prevalent at the time. No orcs or elves. Instead we have altogether more imaginative creations - Children of the Mound, Deliverers.
This does start slow - it after all is part way through the saga and the characters are already established - but gradually builds to some fantastic set pieces, and a rather well executed and low key ending, setting up the fourth and final part of the series perfectly.
Graham Massey recommended Flying Wonders by Homelife in Music (curated)
ClareR (5721 KP) rated The Dream Weavers in Books
Apr 25, 2021
The Dream Weavers is an historical fiction novel, with one foot in Saxon Mercia and the other in modern day Hereford. There’s a touch of the supernatural as well - all the better to see the past with. And I loved reading it.
Simon is writing a book of Anglo-Saxon history, and starts to hear a woman calling a name outside his rented cottage. When he goes out to look, no one is there.
The cottage owner brings in her local spiritual advisor, Bea, who hopes to put the ghost outside to rest. This is only the beginning.
The timelines alternate between King Offa’s daughter, Eadburh, and Bea’s life in Hereford with her husband who is a priest at the cathedral.
I honestly didn’t think I’d enjoy this - but I really did! It uses religion without being overly religious, and the same goes for the more Pagan elements. It was a a really interesting, highly readable book. I haven’t read much about the history around King Offa’s time, so I enjoyed the opportunity to do that. It was a book that was difficult to put down - except that was done for me, as I read a stave a day on The Pigeonhole! It’s a big book, but it really didn’t feel that way. It sent me off on little internet searches as well - namely Anchorites, and what types of dogs Anglo-Saxons kept as pets (and whether they did or not!). I like a book that interests me enough to read around it!
This is definitely one for the historical fiction fans, especially those that like a bit of the magical element as well. I loved reading it!
Many thanks to The Pigeonhole, and to HarperCollins for giving me access via NetGalley for an honest review.
Simon is writing a book of Anglo-Saxon history, and starts to hear a woman calling a name outside his rented cottage. When he goes out to look, no one is there.
The cottage owner brings in her local spiritual advisor, Bea, who hopes to put the ghost outside to rest. This is only the beginning.
The timelines alternate between King Offa’s daughter, Eadburh, and Bea’s life in Hereford with her husband who is a priest at the cathedral.
I honestly didn’t think I’d enjoy this - but I really did! It uses religion without being overly religious, and the same goes for the more Pagan elements. It was a a really interesting, highly readable book. I haven’t read much about the history around King Offa’s time, so I enjoyed the opportunity to do that. It was a book that was difficult to put down - except that was done for me, as I read a stave a day on The Pigeonhole! It’s a big book, but it really didn’t feel that way. It sent me off on little internet searches as well - namely Anchorites, and what types of dogs Anglo-Saxons kept as pets (and whether they did or not!). I like a book that interests me enough to read around it!
This is definitely one for the historical fiction fans, especially those that like a bit of the magical element as well. I loved reading it!
Many thanks to The Pigeonhole, and to HarperCollins for giving me access via NetGalley for an honest review.
Caitlin Ann Cherniak (85 KP) rated The Dragon Queen in Books
Oct 20, 2018
A very strong and intelligent female protagonist (2 more)
The Korean history
Rich detail
Mr. Simon bits (1 more)
The king is so weak!
Taken from my review on Goodreads: I won this book during a Kindle giveaway, and I'm very happy I was one of the lucky winners of this book. For a book that almost has five stars on this forum, it definitely deserves its ranking. This book not only tells a legend to an ignorant American government official, it tells the story of how a shy girl became a queen that sparked a revolution between the Koreans and the Japanese in the late 1800's. Honestly, the present day parts didn't add much except for why Anna is telling the story in the first place, which I guess adds some relevance, but the core of the story is the story of Ja-young, who should count as a princess Disney will never write about considering how sexist and violent her situation got throughout the entire novel. My greatest advice for encountering this book is skip the beginning and go straight to Ja-young's story. Waaaaaaaaaaay more influential than listening to a white man ramble about North and South Korean issues any day of the week.
David McK (3425 KP) rated The War Prince (Warrior #3) in Books
May 30, 2023
I think I'd posted previously that I'd heard (read) that Simon Scarrow and Tj Andrews 'Warrior' series of e-book novellas was to be a series of five.
If so, we're now at the halfway point.
(The previous entries being The King in Rome and The Druid's Lair).
We're also now past Caratacus' childhood and teenage years, with the protagonist hearing recounting how his training at the hands of the Druids came to an end when he was summoned home in order to participate in an assembly of tribes in an attempt over the, uhhh, 'ownership' of Lhandain.
Whilst all concerned do, initially (pre assembly), agree to abide by the resolution reached by the Druid High Council, this soon falls by the wayside when it is discovered that those on the council are just as venal and corrupt as any other (with Caratacus, as he recounts the tale, laying the blame squarely on Rome).
I'll continue reading these - I do also have to say, I'm intrigued by the 'modern day' (well, modern day to the historian in Nero's Empire who is documenting the story, not modern day to us) opening and closing of each novella - is he bringing unwelcome attention to himself?
If so, we're now at the halfway point.
(The previous entries being The King in Rome and The Druid's Lair).
We're also now past Caratacus' childhood and teenage years, with the protagonist hearing recounting how his training at the hands of the Druids came to an end when he was summoned home in order to participate in an assembly of tribes in an attempt over the, uhhh, 'ownership' of Lhandain.
Whilst all concerned do, initially (pre assembly), agree to abide by the resolution reached by the Druid High Council, this soon falls by the wayside when it is discovered that those on the council are just as venal and corrupt as any other (with Caratacus, as he recounts the tale, laying the blame squarely on Rome).
I'll continue reading these - I do also have to say, I'm intrigued by the 'modern day' (well, modern day to the historian in Nero's Empire who is documenting the story, not modern day to us) opening and closing of each novella - is he bringing unwelcome attention to himself?
Bob Mann (459 KP) rated Battle of the Sexes (2016) in Movies
Sep 29, 2021
Tennis and sex, but without the grunting.
Here’s a good test of someone’s age…. ask the question “Billie-Jean?”. Millennials will probably come back with “Huh?”; those in their 30’s or 40’s might come back with “Michael Jackson!”; those older than that will probably reply “King!”.
“Battle of the Sexes” (which I just managed to catch before it left cinemas) tells the true-life story of US tennis star Billie-Jean King (Emma Stone, “La La Land“). The year is 1973 and Billie-Jean is riding high as the Number 1 female tennis player. She is a feminist; she is married (to hunk Larry – no not that one – King played by Austin Stowell (“Whiplash“, “Bridge of Spies“)); …. and she is also attracted to women, not something she has yet acted on. That all changes when her path crosses with LA-hairdresser Marilyn (Andrea Riseborough, “Birdman“, “Oblivion”).
But this is a side story: the main event is a bet made by aging ex-star Bobby Riggs (Steve Carell, “Foxcatcher“); that – even at his age – as a man he could beat the leading female tennis player of the day.
The film is gloriously retro, starting with the old-school 20th Century Fox production logo. And it contains breathtakingly sexist dialogue by writer Simon Beaufoy (“Everest“, “The Full Monty”). Surely men couldn’t have been so crass and outrageous in the 70’s? Sorry ladies, but the answer is yes, and the film is testament to how far women’s rights have come in 50 years.
This is a tour de force in acting from both Emma Stone and Steve Carell, particularly the latter: a scene where Carell tries to re-engage with his estranged wife (Elisabeth Shue, “Leaving Las Vegas”) is both nuanced and heart-breaking. Stone’s performance is also praiseworthy, although it feels slightly less so as it is an impersonation of a (relatively) well-known figure: this is extremely well-studied though, right down to her strutting walk around the court which I had both forgotten and was immediately again reminded of.
One of my favourite movie awards are the Screen Actor’s Guild (SAG) “cast” awards that celebrate ensemble performances, and here is a film that should have been nominated (it unfortunately wasn’t). Andrea Riseborough; Natalie Morales (as fellow tennis player Rosie Casals); comedian Sarah Silverman (“A Million Ways to Die in the West“), almost unrecognisable as the brash publicist Gladys Heldman; Bill Pullman as LTA head Jack Kramer; the great Alan Cumming (“The Good Wife”) as the team’s flamboyant, gay, costume designer; Lewis Pullman as Riggs’s son Larry; Jessica McNamee (magnetic eyes!) as King’s Australian tennis nemesis Margaret Court. All bounce off the leads, and each other, just beautifully.
Cinematography by Linus Sandgren (“La La Land“) and editing by Pamela Martin (“Little Miss Sunshine”) unite to deliver one of the most sexually charged haircuts you are ever likely to see on the screen. For those put off by this aspect of the storyline, the “girl-on-girl action” is pretty tastefully done and not overly graphic: it’s mostly “first-base” stuff rather than “third-base”!
“What a waste of a lovely night”. Marilyn (Andrea Riseborough) and Billie-Jean (Emma Stone) get serious.
Directed with panache by the co-directors of the 2006 smash “Little Miss Sunshine” – Jonathan Dayton and Valerie Faris – all in all it’s a delight, especially for older audiences who will get a blast of nostalgia from days when sports were still played at a slightly more leisurely pace… and definitely without the grunting.
“Battle of the Sexes” (which I just managed to catch before it left cinemas) tells the true-life story of US tennis star Billie-Jean King (Emma Stone, “La La Land“). The year is 1973 and Billie-Jean is riding high as the Number 1 female tennis player. She is a feminist; she is married (to hunk Larry – no not that one – King played by Austin Stowell (“Whiplash“, “Bridge of Spies“)); …. and she is also attracted to women, not something she has yet acted on. That all changes when her path crosses with LA-hairdresser Marilyn (Andrea Riseborough, “Birdman“, “Oblivion”).
But this is a side story: the main event is a bet made by aging ex-star Bobby Riggs (Steve Carell, “Foxcatcher“); that – even at his age – as a man he could beat the leading female tennis player of the day.
The film is gloriously retro, starting with the old-school 20th Century Fox production logo. And it contains breathtakingly sexist dialogue by writer Simon Beaufoy (“Everest“, “The Full Monty”). Surely men couldn’t have been so crass and outrageous in the 70’s? Sorry ladies, but the answer is yes, and the film is testament to how far women’s rights have come in 50 years.
This is a tour de force in acting from both Emma Stone and Steve Carell, particularly the latter: a scene where Carell tries to re-engage with his estranged wife (Elisabeth Shue, “Leaving Las Vegas”) is both nuanced and heart-breaking. Stone’s performance is also praiseworthy, although it feels slightly less so as it is an impersonation of a (relatively) well-known figure: this is extremely well-studied though, right down to her strutting walk around the court which I had both forgotten and was immediately again reminded of.
One of my favourite movie awards are the Screen Actor’s Guild (SAG) “cast” awards that celebrate ensemble performances, and here is a film that should have been nominated (it unfortunately wasn’t). Andrea Riseborough; Natalie Morales (as fellow tennis player Rosie Casals); comedian Sarah Silverman (“A Million Ways to Die in the West“), almost unrecognisable as the brash publicist Gladys Heldman; Bill Pullman as LTA head Jack Kramer; the great Alan Cumming (“The Good Wife”) as the team’s flamboyant, gay, costume designer; Lewis Pullman as Riggs’s son Larry; Jessica McNamee (magnetic eyes!) as King’s Australian tennis nemesis Margaret Court. All bounce off the leads, and each other, just beautifully.
Cinematography by Linus Sandgren (“La La Land“) and editing by Pamela Martin (“Little Miss Sunshine”) unite to deliver one of the most sexually charged haircuts you are ever likely to see on the screen. For those put off by this aspect of the storyline, the “girl-on-girl action” is pretty tastefully done and not overly graphic: it’s mostly “first-base” stuff rather than “third-base”!
“What a waste of a lovely night”. Marilyn (Andrea Riseborough) and Billie-Jean (Emma Stone) get serious.
Directed with panache by the co-directors of the 2006 smash “Little Miss Sunshine” – Jonathan Dayton and Valerie Faris – all in all it’s a delight, especially for older audiences who will get a blast of nostalgia from days when sports were still played at a slightly more leisurely pace… and definitely without the grunting.
David McK (3425 KP) rated Death to the Emperor (Macro and Cato #21) in Books
Apr 10, 2023
The Year 2001.
I wondered into a local branch of Eason's, and saw Under the Eagle on offer, sold for an introductory price (which I can't even remember), and with a blurb that sounded interesting. That, and a quote from the king of historical action-adventure fiction Bernard Cornwell that 'I really don't need this kind of competition ... a great read'.
Jump forward just over 20 years, and we're now onto book #20 in the series, and back in the Roman province of Brittania after the intervening books have had us all over the Roman Empire.
The series has also lost the 'Eagle' that was always included somewhere in the earlier titles (Under the Eagle, The Eagle's Conquest, The Eagle and the Wolves etc), with that word last used in the title in entry # 7 (The Eagle in the Sand).
That's not all that has changed: Cato is no longer the scared young man he had been in the first entries; Macro no longer the seasoned Centurion. Now, Macro is retired from active service whilst Cato - who now has a family of his own - has risen in rank above that that Macro ever reached but is still firm friends with the latter.
We've now also reached a pivotal moment in Roman Britain history, with the Boudicean revolt just about to kick off (as it does here) and as the Romans finally capture and raze the Druid stronghold of Mona.
Those two events form the backbone of this novel, with Cato involved in the attack on Mona whilst Macro is charged with the defence of Camulodunum (Colchester) and in charge of the Roman Reserves there whilst the main army is away on campaign, just after the Governor of Britain has further alienated their Icenian allies.
As with all of the Simon Scarrow books I've read, the history is worn lightly enough to make an enjoyable read: this is not a dry, stuffy retelling of events but rather uses the real historical events as the backbone for the story being built around it.
This, I have to say, is also the first in the series that I can remember ending in a definite cliffhanger ...
(I might have to go back and re-read the previous now)
I wondered into a local branch of Eason's, and saw Under the Eagle on offer, sold for an introductory price (which I can't even remember), and with a blurb that sounded interesting. That, and a quote from the king of historical action-adventure fiction Bernard Cornwell that 'I really don't need this kind of competition ... a great read'.
Jump forward just over 20 years, and we're now onto book #20 in the series, and back in the Roman province of Brittania after the intervening books have had us all over the Roman Empire.
The series has also lost the 'Eagle' that was always included somewhere in the earlier titles (Under the Eagle, The Eagle's Conquest, The Eagle and the Wolves etc), with that word last used in the title in entry # 7 (The Eagle in the Sand).
That's not all that has changed: Cato is no longer the scared young man he had been in the first entries; Macro no longer the seasoned Centurion. Now, Macro is retired from active service whilst Cato - who now has a family of his own - has risen in rank above that that Macro ever reached but is still firm friends with the latter.
We've now also reached a pivotal moment in Roman Britain history, with the Boudicean revolt just about to kick off (as it does here) and as the Romans finally capture and raze the Druid stronghold of Mona.
Those two events form the backbone of this novel, with Cato involved in the attack on Mona whilst Macro is charged with the defence of Camulodunum (Colchester) and in charge of the Roman Reserves there whilst the main army is away on campaign, just after the Governor of Britain has further alienated their Icenian allies.
As with all of the Simon Scarrow books I've read, the history is worn lightly enough to make an enjoyable read: this is not a dry, stuffy retelling of events but rather uses the real historical events as the backbone for the story being built around it.
This, I have to say, is also the first in the series that I can remember ending in a definite cliffhanger ...
(I might have to go back and re-read the previous now)