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Cameron Crowe recommended track Barcelona by Stephen Sondheim in Company by Stephen Sondheim in Music (curated)

 
Company by Stephen Sondheim
Company by Stephen Sondheim
1978 | Soundtrack
7.0 (1 Ratings)
Album Favorite

Barcelona by Stephen Sondheim

(0 Ratings)

Track

"There was a PBS special on Sondheim, and I got steeped in “Company,” and “Barcelona” really stuck out. It was like the third character in that scene was Bobby’s emerging soul. Beneath this lilting back-and- forth, push-and-pull of the song was the strong current of what was pulling Bobby to “Being Alive.” It was as rich as any Paul Simon or Neil Young song that I was starting to fall in love with."

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The Inbetweeners 2 (2014)
The Inbetweeners 2 (2014)
2014 | Comedy, Family
6
5.6 (5 Ratings)
Movie Rating
This is as straightforward as you could possibly want it. Three lads go to meet up with one lad in Australia. It’s the sequel people begged would happen and they got their wish. There is not an ounce of disappointment as banter levels are raised.

Jay is on a gap year down under and catching up with the guys via email he lets them know he’s up to his neck in clunge and making a shit load of cash as a top night club DJ. All complete bullshit of course. But it’s delivered in a brilliant continuous shot that opens the film.

For the others the chance to break the monotony of their current lives could not come soon enough. Will who is decidedly more unpopular than ever, Simon looking to escape his psychotic girlfriend and Neil who is, well, same old Neil all feel that the time is right to go travelling (or on holiday).

It would be hard to review this without going into too much detail and if that were the case some of the best gags and laughs would simply be ruined. So I’m going to keep my mouth shut.

That said Damon Beesley and Iain Morris do their best to make sure this adventure leaves a lasting memory with some exquisite scenes and class gags. The cast all deliver as you would expect and there are a few nice supporting additions (Will’s Mum for one).

Given the success of this a third film would seem likely, but it’s going to take something pretty special to top it on almost every level.
  
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Rufus Wainwright recommended Future by Leonard Cohen in Music (curated)

 
Future by Leonard Cohen
Future by Leonard Cohen
1992 | Pop
(0 Ratings)
Album Favorite

"The Future came out at around the same moment I discovered Maria Callas, and I got into it somewhat, but it was really Martha who was affected most by that record when it was released, along with a few of my friends. I could see it having its effect on the world around me. But I didn't really understand it for a long time, and then years later when we did the Leonard Cohen tribute shows in Australia, which were filmed for the I'm Your Man film, I really started looking at his material, and I realised that record was so seminal in his career. It was really when he became Leonard Cohen, in a lot of ways, in terms of how he ended up. I can pinpoint that transition as a useful guide in terms of my own career, where you hit a certain age and you have to kind of reinvent yourself – not totally, but you have to settle into a theme, and Leonard really did that with The Future so successfully. I think there's other albums that do that: Paul Simon with Graceland, Neil Young with Harvest Moon, so that's what I admire the most about that record."

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The Prisoner of Second Avenue (1975)
The Prisoner of Second Avenue (1975)
1975 | Classics, Comedy
5
5.0 (1 Ratings)
Movie Rating
This is a comedy?
Okay, let me start by saying I love Neil Simon movies.The Odd Couple ranks up there in my top 10. I love the Out-of-Towners, love Murder By Death, the Sunshine Boys & many of his other films. In fact, I can say I liked every one of his movies I have ever seen. This being said, I went into watching Prisoner thinking it would be a laugh-out-loud comedy. Instead, the movie borders on full-blown drama. Sure, there are quick one-liners thrown out from Jack Lemmon towards Anne Bancroft, but these seem more like insults than zingers. Throughout the film, every line I knew was supposed to be funny made me crack a smile, but there are no burst out laughing jokes.

I guess we're supposed to feel sorry for Mel Edison & his wife. But, instead I find him to over-react at every little thing. He's a weak little man who probably deserves a lot more than he got. You feel more sorry for his wife for having to put up with him. Then later on, when the roles are reversed, you could care less about either character. The funniest parts of the movie have to do with the radio announcements made throughout the film. But 5 or 6 of these cannot hold this film together as a comedy.

It's not a bad film, & it was somewhat enjoyable to watch. The acting by Lemmon & Bancroft is top notch. But it's just not funny enough.
  
The Heartbreak Kid (2007)
The Heartbreak Kid (2007)
2007 | Comedy, Drama, Romance
6
4.4 (5 Ratings)
Movie Rating
It has been almost ten years since Ben Stiller teamed with the Farrelly brothers for the comedy classic “There’s Something About Mary”, which launched a series of highly successful films for Stiller who has championed the likeable loser role to the delight of audiences worldwide.

In the new film “The Heartbreak Kid”, Stiller is Eddie Cantrow, a successful owner of a San Francisco sporting goods, store who is at a crossroads in his life. At 40, Eddie is unmarried, not dating anyone, and about to attend the wedding of his former fiancé.

As if Eddie did not have enough to on his mind as he prepares for the wedding, his father (Jerry Stiller), constantly grills him on the need for him to sleep with more women and settle down. His best friend Mac (Rob Coddry) always touts the virtues of marriage and the need to do what the woman tells him to.

Shortly after the wedding, Eddie sees a lady being mugged and attempts to help her out. While things do not go as planned, he does form a connection with her and learns that her name is Lila (Malin Akerman), and despite his inability to muster the courage to ask for her number, she eventually shows up at his store looking for him.

The two begin to date and it looks like Eddie has finally found the perfect girl for him. She even shows old fashioned values by not wanting to have sex until later in their relationship, as she does not want to mess up a good thing.

The couple’s plans take an unexpected detour when Lila informs Eddie that her job plans to move her overseas for two years. When Eddie learns that her company will not transfer a married person, he musters up the courage and marries Lila after only 6 weeks of data.

The smitten couple plan to take three weeks to drive down to Cabo and stay at a resort, and enjoy their first weeks as husband and wife. Along the way, Eddie starts to see some annoying behavior arise in Lila, such as actively singing and acting along to every song on the radio, and some very acrobatic, dominate, and painful tendencies when they consummate their marriage.

As the honeymoon unfolds, Eddie becomes trapped in a nightmare, as it seems that Lila has become a crazy freak, and is not the person he though he married. Unsure what to do next, Eddie meets a lady named Miranda (Michelle Monaghan), while Lila is recovering from severe sunburn.

Intrigued by Miranda, Eddie starts to spend time with her, and soon falls for her which forces Eddie to figure out how to break the news of his marriage to Miranda, and how to get away from Lila.

In true Farrelly brother’s style, a series of outrageous and over the top events follows punctuated by some very crude and at times funny jokes and situations that push Eddie to the limits to find true love.

The film is a remake of the 1972 Neil Simon film of the same name, and while updated with more off color humor, the basic premise of the film has remained unchanged. There are some funny moments in the film and Stiller once again gets the job done as the likeable Eddie.

The problem is that for me, the film was two long, as many times there were gaps of almost twenty minutes between some of the good jokes, and I was left watching fairly dull stuff waiting for the next funny moment to arrive.

The performances in the film were eager, and the brothers did a workmanlike job of direction, as none of the cast was really challenged by the material. Even fine supporting work by Carlos Mencia as Uncle Tito did not get the chance to reach the potential his character showed. In the end, the film just had too many moments that did not work, as the jokes were too few and far between to truly be effective.