Conspiracy of Silence: Scot Young's Fatal Fall in London Exposed an International Network of Strange Deaths.
Book
On 8 December 2014, the shattered body of bankrupt property tycoon Scot Young was found impaled on...
Ad Astra: An Illustrated Guide to Leaving the Planet
Book
A rough-ish guide to space exploration from award-winning BBC journalist and space enthusiast,...
BookwormLea (3034 KP) rated Bridgerton in TV
Jan 11, 2021
Daphne is the beautiful oldest daughter of the Bridgerton house, one of Londons richest. She is one of the debutantes set for marriage along with many other eligible bacholerettes and is highly sought after the Queen dubs her a Diamond. But since their father is gone, her oldest brother Antony is responsible for scaring off matches, and that he does. Leaving her with no choice but some hideous man who I can't even remember the name of.
Simon is the Duke of Hastings, taking over his fathers work after his death. He is very handsome and very rich. All the ladies want him and all the mothers want him for their daughter's. He happens to be Antonys best friend from their boarding school times and after meeting Daphne, they decide to fake a courtship so she can seem desirable again and he will be left alone. But without even realising, they start to fall in love.
After the Queens handsome nephew starts to fall for Daphne, and their plan seems to be working, he realises he wants her and 'defiles' her honour at a party. After a failed duel on her brothers part, they are to be married despite his refusal and his insistence that he can't have children or give her the big family she dreams of.
Shoe Dog: A Memoir by the Creator of Nike
Book
'A refreshingly honest reminder of what the path to business success really looks like ...It's an...
Bob Mann (459 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 8, 2021
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
The Wise King: A Christian Prince, Muslim Spain, and the Birth of the Renaissance
Book
If I had been present at the Creation," the thirteenth-century Spanish philosopher-king Alfonso X is...
Dispatches from Pluto: Lost and Found in the Mississippi Delta
Book
Adventure writer Richard Grant takes on "the most American place on Earth" the enigmatic, beautiful,...
The House of the Dead: Siberian Exile Under the Tsars
Book
SHORTLISTED FOR THE WOLFSON HISTORY PRIZE 2017 AND THE PUSHKIN HOUSE RUSSIAN BOOK PRIZE 2017 THE...
The 32 Stops: The Central Line
Book
Geographer Danny Dorling tells the stories of the people who live along "The 32 Stops of the Central...
The Cuban Affair: A Novel
Book
From the legendary #1 New York Times bestselling author of Plum Island and Night Fall, Nelson...
Thriller