"I'd never heard of Connie Converse before I saw Anna & Elizabeth – this amazing American duo – singing one of her songs, Father Neptune. I'm always drawn to sea shanties, but I remember thinking, wow, where does this come from? Her songs felt very different to me, but also familiar – I like to think it's me. ‘One By One' is about a woman walking in the dark, and it's heartbreaking, but so beautiful. ‘Trouble Man In The Sky' is about her falling in love with Orion, and it all going wrong. Even in her humorous and philosophical moments there's an underlying sadness, which for a folk singer is very attractive [laughs]. And then she left home one day, left her family a letter, saying, I'm going, just let me be. So ambiguous. Then she wasn't heard of again. But even before that, he's a fascinating songwriter. Her songs reminded me of Molly Drake's. They're so unusual, but so human. And I'm not a songwriter, I'm a singer, so I'm always about finding songs to sing. Ones full of intelligence, humour and melancholy that feel a bit apart, they always speak to me.
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"A superb documentary about the once little-known American singer-songwriter Sixto Rodriguez, and his huge popularity in South Africa, which starts with a rumour about him killing himself by setting fire to himself on stage. His real story then reveals itself to be very different. This film delves into mythology, how it develops, and the way we elevate musicians as beacons in culture. It’s also a film about an incredibly underrated guy, and how difficult it was to find lost stars before the internet took off. It couldn’t happen now."

"Such a devastating and beautiful film. It’s interesting to see Amy Winehouse as a young girl with raw talent, and watch how, like a wave, she goes up and up and up and then crashes. As a viewer, you feel almost guilty to be watching her – she was watched enough – but this is a respectful portrait and I like that it celebrates her music. A lot of the time, in films about female artists, they only focus on the tragedy of their emotional lives and not enough about how amazing their craft was – and with this film you definitely get a sense of what an amazing singer and songwriter she was. She was much more than someone with addiction problems: she was a singular talent."

"As a bass player and singer I liked Jack Bruce’s style. And then there was Clapton. Sometimes it was hard to tell who was singing what song, but this really influential on a generation of musicians, as was Jimi Hendrix – but I discovered Cream slightly before Hendrix. I liked both sides of Cream – the jamming and the songs – and Paul and l used to play music like that with jamming and long solos. I lost interest in Clapton after Cream, because I liked him best when he was playing through 1000 watts. I do like songs like ‘Layla’, because I’m a songwriter, but I didn’t follow him when he returned specifically to playing the blues. For that I preferred Gary Moore."