"I’m cautious of musical dynasties. It seems to treat musical ability as some kind of spiritual magic, passed from soul to soul. I don’t get “Only Giles Martin can mix the Beatles because only he has the aura”. Nevertheless, everyone in the Haden family has such a gentle, intelligent, soulful talent that I find it hard to pull out a favourite. Father Charlie Haden is a beautiful, sensitive bass player who has played alongside Ornette Colman, Keith Jarrett and Pat Metheny. He created political, instrumental, jazz with Carla Bley and Don Cherry in the Liberation Music Orchestra. His parents were also singers and performed on the radio as The Haden Family. His son Josh is a bass player and singer with the band Spain and writes the tensest, poised, songs of heartbreak. Petra, Tanya and Rachel are Josh’s sisters and Charlie’s daughters, and although they have been singing for years, it took until 2014 to record their debut album of country songs. Previously Petra and Rachel had been That Dog and Petra had made an acapella version of ‘The Who Sell Out’. They have that synchronicity and intonation that only siblings can have. The three voices move as one. It’s the most straightforward, emotional music. There is no re-inventing of the wheel. It’s just music that lifts the spirits."

"I’ve always loved Del. He was my first hero when I was young. When 'Runaway’ came out I was only 13 or 14. I had to have my own rock star. Well, they weren’t called ‘rock stars’ then – they were all pop stars. But my sisters had had Elvis – and I loved Elvis of course – but you had to have your own hero, you know? So Del Shannon was my one. But there’s a great story about Del and ‘Runaway’. He’d made the record and he was on the road and someone had sent him a copy of the record and he put it on his record player, played it and went, ""what the fuck?!"" It was semitone faster than it should have been! And he phones up his manager and he says, ""what the hell have you done to my record?"" And the manager said, ""oh, we sped it up because we thought it was too slow."" And that’s how it is to this day. It’s in B flat minor instead of A minor. Which is amazing and it sounds better when it’s sped up. I’ve slowed it back down to see what it sounded like when it was originally done and it doesn’t sound as good as the sped-up version. You can tell that his vibrato is really fast and you can tell it’s sped up."