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A poignant and suspenseful drama that untangles the complicated ties binding three women—two...
ClareR (5726 KP) rated Medusa: The Girl Behind The Myth in Books
Sep 28, 2021
Now THIS is the side of the story I have always wanted to hear about! Medusa’s OWN story from her OWN mouth. In mythology, she is always portrayed as ugly, dangerous and unpredictable - lethal. In this story, we see a young girl, afraid and alone, forced to live away from others in case she hurts them - or they harm her. Her only companions, a dog and her sisters, the Gorgons, who fly out to hunt during the day, returning to their sister at night with food.
One day, a boy lands his boat on the island - it’s Perseus.
We see the side of Medusa that the original myth writers would never have imagined: a young girl who is taken advantage of, vulnerable, used by men for their own pleasure, and then blamed for something that she has no control over.
In the original stories, she gets her just desserts. Medusa is ugly and not to be trusted. It gives an insight into how men regarded women at this time. Be subservient. Be a virgin. Don’t get raped, and if you do, it’s your own fault - you brought it on yourself (I can feel my blood pressure rising just thinking about this). Women don’t come out of myth and legend terribly well.
I absolutely loved this. Medusa isn’t a meek, mild victim, but neither is she evil. She knows, or has some idea anyway, her glance can cause a lot of damage - so she hides herself away.
And in this story, not a single head is lost.
The illustrations are gorgeous as well.
I wonder if Jessie Burton will write more Greek myths in this way? Because I’m all in!
Many thanks to Bloomsbury Children’s Books for my copy of this gorgeous book through NetGalley.
One day, a boy lands his boat on the island - it’s Perseus.
We see the side of Medusa that the original myth writers would never have imagined: a young girl who is taken advantage of, vulnerable, used by men for their own pleasure, and then blamed for something that she has no control over.
In the original stories, she gets her just desserts. Medusa is ugly and not to be trusted. It gives an insight into how men regarded women at this time. Be subservient. Be a virgin. Don’t get raped, and if you do, it’s your own fault - you brought it on yourself (I can feel my blood pressure rising just thinking about this). Women don’t come out of myth and legend terribly well.
I absolutely loved this. Medusa isn’t a meek, mild victim, but neither is she evil. She knows, or has some idea anyway, her glance can cause a lot of damage - so she hides herself away.
And in this story, not a single head is lost.
The illustrations are gorgeous as well.
I wonder if Jessie Burton will write more Greek myths in this way? Because I’m all in!
Many thanks to Bloomsbury Children’s Books for my copy of this gorgeous book through NetGalley.
Laura Doe (1350 KP) rated A Lady’s Guide To Fortune Hunting in Books
Nov 13, 2022
A very Bridgerton-esque book, and I loved it just as much as I loved the Bridgertons series.
Kitty Talbot must find a husband, a rich one, or she faces losing her home and her sisters being split up from her. After her father’s death, she has acquired his substantial debt and can no longer put off paying it. After selling most of their belongings, she has nothing left to sell and time is running out. This is when she comes up with a scheme that will solve all: she will go to London and have a season with the ton to find a rich husband to pay off her debts. She asks for the help of her mother’s best friend who insists that she brings along her prettiest sister. Kitty and Cecily set off for London with the hope of fixing all their problems.
Once there, Kitty comes up with various different schemes to catch the eyes of the gentlemen of the ton, such as falling and letting her slipper fly off on a walk just in front of a gentleman by the name of Archie de Lacy, whose sister Cecily went to school with. Kitty thinks this is the answer to all her problems, that is until his older brother Lord Radcliffe comes back from the country and forbids Kitty to marry Archie after seeing straight through her schemes.
The rest of the book has you rooting for Kitty to find her husband, whilst also wanting Kitty and Lord Radcliffe to realise how they truly feel about each other.
This was an easy read, and it was fun to revisit the ton and the Bridgerton era but through the eyes of a different author. I think Sophie Irwin wrote a fantastic book and I look forward to reading her next book!
Kitty Talbot must find a husband, a rich one, or she faces losing her home and her sisters being split up from her. After her father’s death, she has acquired his substantial debt and can no longer put off paying it. After selling most of their belongings, she has nothing left to sell and time is running out. This is when she comes up with a scheme that will solve all: she will go to London and have a season with the ton to find a rich husband to pay off her debts. She asks for the help of her mother’s best friend who insists that she brings along her prettiest sister. Kitty and Cecily set off for London with the hope of fixing all their problems.
Once there, Kitty comes up with various different schemes to catch the eyes of the gentlemen of the ton, such as falling and letting her slipper fly off on a walk just in front of a gentleman by the name of Archie de Lacy, whose sister Cecily went to school with. Kitty thinks this is the answer to all her problems, that is until his older brother Lord Radcliffe comes back from the country and forbids Kitty to marry Archie after seeing straight through her schemes.
The rest of the book has you rooting for Kitty to find her husband, whilst also wanting Kitty and Lord Radcliffe to realise how they truly feel about each other.
This was an easy read, and it was fun to revisit the ton and the Bridgerton era but through the eyes of a different author. I think Sophie Irwin wrote a fantastic book and I look forward to reading her next book!
Hazel (2934 KP) rated A Child for the Reich in Books
Dec 4, 2022
Inspired by a true story, this book is absolutely gripping and full of tension, heartbreak and the story of one woman's quest to find and rescue her daughter from the Nazi's Lebensborn programme.
Anna Dankova and her family live in Nazi-occupied Prague. Her husband and brother-in-law have joined the Czech Resistance leaving them to try and raise their children with the ever present danger of the Nazi soldiers, the Gestapo and the much feared Brown Sisters; female nurses who were dedicated to the Nazi cause. They worked for the Nazi Welfare Organization and searched through villages and towns for Aryan-looking children.
Anna and her sister's children are blonde-haired and blue-eyed and their fears are only too real but they are powerless against the might of the Nazi regime and one day, Anna's daughter, Ema is literally ripped from her arms in broad daylight leaving Anna, understandably, distraught and determined to get her back whatever the risks before she is lost forever.
Anna uses all her skills, courage and guile to find her daughter, infiltrate the children's home where she has been placed to be indoctrinated into the German way and to figure out a way to get her out of there whilst under the ever present threat of exposure and certain death.
This is a story full of tension and heartbreak and one mother's determination to find her daughter no matter what and it was absolutely gripping and I have no hesitation recommending it to those of you who 'enjoy' reading historical fiction based on true stories and events.
Thank you to HarperCollins UK, One More Chapter and NetGalley for enabling me to read and share my thoughts of A Child for the Reich.
Anna Dankova and her family live in Nazi-occupied Prague. Her husband and brother-in-law have joined the Czech Resistance leaving them to try and raise their children with the ever present danger of the Nazi soldiers, the Gestapo and the much feared Brown Sisters; female nurses who were dedicated to the Nazi cause. They worked for the Nazi Welfare Organization and searched through villages and towns for Aryan-looking children.
Anna and her sister's children are blonde-haired and blue-eyed and their fears are only too real but they are powerless against the might of the Nazi regime and one day, Anna's daughter, Ema is literally ripped from her arms in broad daylight leaving Anna, understandably, distraught and determined to get her back whatever the risks before she is lost forever.
Anna uses all her skills, courage and guile to find her daughter, infiltrate the children's home where she has been placed to be indoctrinated into the German way and to figure out a way to get her out of there whilst under the ever present threat of exposure and certain death.
This is a story full of tension and heartbreak and one mother's determination to find her daughter no matter what and it was absolutely gripping and I have no hesitation recommending it to those of you who 'enjoy' reading historical fiction based on true stories and events.
Thank you to HarperCollins UK, One More Chapter and NetGalley for enabling me to read and share my thoughts of A Child for the Reich.
David McK (3425 KP) rated The Hunger Games (2012) in Movies
Jun 5, 2022
So, the pop-culture behometh that was (is?) 'The Hunger Games'.
It's a trilogy of Young Adult (I hate that term! Us older adults can like them, too ...) novels, made into a quartet of movies.
This is the first in both the novels and the movie series.
While, yes, I have read those novels - I'm not sure, but maybe after originally having watched this film back in 2012 or so? - I can't really remember the full ins and outs of the plot - except the obvious! - although I am sure that, as always, liberties will have been taken, as movies and prose are two distinct mediums.
Set in the future dystopia of Panem (post apocalyptic America?), once every year the 12 districts are forced to randomly choose and send two teenagers - one boy and a girl - to The Capitol to participate in a televised fight to the death inside a giant man-made arena. Katniss Everdeen is one of those chosen from District 12, volunteering to take her sister's place when her sisters name is chosen during her first year of mandatory participation. The film (like what I remember from the book) draws a clear distinction between those from The Capitol - who view this all as a grand sport, and who are very definitely the haves of this world against those from the various districts (the have nots), while also taking the opportunity to make a point about how those in power can treat and abuse those without.
Yes, it's violent.
Yes, I'm sure some of the bloodier parts of the book were cut in order to get the PG-13 rating it does.
Yes, Jennifer Lawrence shines in the lead role
Yes, that *is* Chris Hemsworth's (otherwise known as the MCU's Thor) brother Liam.
It's a trilogy of Young Adult (I hate that term! Us older adults can like them, too ...) novels, made into a quartet of movies.
This is the first in both the novels and the movie series.
While, yes, I have read those novels - I'm not sure, but maybe after originally having watched this film back in 2012 or so? - I can't really remember the full ins and outs of the plot - except the obvious! - although I am sure that, as always, liberties will have been taken, as movies and prose are two distinct mediums.
Set in the future dystopia of Panem (post apocalyptic America?), once every year the 12 districts are forced to randomly choose and send two teenagers - one boy and a girl - to The Capitol to participate in a televised fight to the death inside a giant man-made arena. Katniss Everdeen is one of those chosen from District 12, volunteering to take her sister's place when her sisters name is chosen during her first year of mandatory participation. The film (like what I remember from the book) draws a clear distinction between those from The Capitol - who view this all as a grand sport, and who are very definitely the haves of this world against those from the various districts (the have nots), while also taking the opportunity to make a point about how those in power can treat and abuse those without.
Yes, it's violent.
Yes, I'm sure some of the bloodier parts of the book were cut in order to get the PG-13 rating it does.
Yes, Jennifer Lawrence shines in the lead role
Yes, that *is* Chris Hemsworth's (otherwise known as the MCU's Thor) brother Liam.
Lyndsey Gollogly (2893 KP) rated The Rules of Magic in Books
May 5, 2024
85 of 220
Book
The Rules of Magic ( Practical Magic 2)
By Alice Hoffman
⭐️⭐️⭐️
Find your magic.
For the Owens family, love is a curse that began in 1620, when Maria Owens was charged with witchery for loving the wrong man.
Hundreds of years later, in New York City at the cusp of the sixties, when the whole world is about to change, Susanna Owens knows that her three children are dangerously unique. Difficult Franny, with skin as pale as milk and blood red hair, shy and beautiful Jet, who can read other people’s thoughts, and charismatic Vincent, who began looking for trouble on the day he could walk.
From the start Susanna sets down rules for her children: No walking in the moonlight, no red shoes, no wearing black, no cats, no crows, no candles, no books about magic. And most importantly, never, ever, fall in love. But when her children visit their Aunt Isabelle, in the small Massachusetts town where the Owens family has been blamed for everything that has ever gone wrong, they uncover family secrets and begin to understand the truth of who they are. Yet, the children cannot escape love even if they try, just as they cannot escape the pains of the human heart. The two beautiful sisters will grow up to be the memorable aunts in Practical Magic, while Vincent, their beloved brother, will leave an unexpected legacy.
This was good much better than the previous one I read. I enjoyed learning of the 2 aunts and Vincent I got a little bored in places which is why I went with 3⭐️. Vincent was a colourful character. Definitely a nice set up for Practical Magic.
Book
The Rules of Magic ( Practical Magic 2)
By Alice Hoffman
⭐️⭐️⭐️
Find your magic.
For the Owens family, love is a curse that began in 1620, when Maria Owens was charged with witchery for loving the wrong man.
Hundreds of years later, in New York City at the cusp of the sixties, when the whole world is about to change, Susanna Owens knows that her three children are dangerously unique. Difficult Franny, with skin as pale as milk and blood red hair, shy and beautiful Jet, who can read other people’s thoughts, and charismatic Vincent, who began looking for trouble on the day he could walk.
From the start Susanna sets down rules for her children: No walking in the moonlight, no red shoes, no wearing black, no cats, no crows, no candles, no books about magic. And most importantly, never, ever, fall in love. But when her children visit their Aunt Isabelle, in the small Massachusetts town where the Owens family has been blamed for everything that has ever gone wrong, they uncover family secrets and begin to understand the truth of who they are. Yet, the children cannot escape love even if they try, just as they cannot escape the pains of the human heart. The two beautiful sisters will grow up to be the memorable aunts in Practical Magic, while Vincent, their beloved brother, will leave an unexpected legacy.
This was good much better than the previous one I read. I enjoyed learning of the 2 aunts and Vincent I got a little bored in places which is why I went with 3⭐️. Vincent was a colourful character. Definitely a nice set up for Practical Magic.
ClareR (5726 KP) rated The Secret Diaries of Charles Ignatius Sancho in Books
May 7, 2024
The Secret Diaries of Charles Ignatius Sancho was a real eye opener of a novel. I listened to the audiobook, read so well by the author, Paterson Joseph.
This is the true story of Charles Ignatius Sancho, fictionalised somewhat, but only so that the modern day reader can begin to grasp what living in London as a black ex-slave in the mid-1700’s would have been like. And whilst Sancho may have had a more privileged life than most, it wasn’t his own life to live until he ran away from his first owners - sisters who used him as their entertainment.
Charles has a fear of the slave catcher, and rightly so, as they could kidnap any black person and sell them into slavery - whether they had escaped or been freed. These men were a constant threat.
Charles though, catches the eye of a duke who helps him to become educated, and he even works for the King for a while. He ends his life as a business owner and the first black person to vote in Britain. All of this from a life begun on a slave ship.
I don’t think it really matters how much of this book was fictionalised - we can never exactly know what went on in his head, but we can have a fair guess - and I like to think that Paterson Joseph has really caught the essence of the real Charles Ignatius Sancho. I liked Charles very much, and the love he shows for his son through the letters included in the novel are so touching.
I’d recommend this book, it’s a great read (or listen - I can definitely vouch for that!).
This is the true story of Charles Ignatius Sancho, fictionalised somewhat, but only so that the modern day reader can begin to grasp what living in London as a black ex-slave in the mid-1700’s would have been like. And whilst Sancho may have had a more privileged life than most, it wasn’t his own life to live until he ran away from his first owners - sisters who used him as their entertainment.
Charles has a fear of the slave catcher, and rightly so, as they could kidnap any black person and sell them into slavery - whether they had escaped or been freed. These men were a constant threat.
Charles though, catches the eye of a duke who helps him to become educated, and he even works for the King for a while. He ends his life as a business owner and the first black person to vote in Britain. All of this from a life begun on a slave ship.
I don’t think it really matters how much of this book was fictionalised - we can never exactly know what went on in his head, but we can have a fair guess - and I like to think that Paterson Joseph has really caught the essence of the real Charles Ignatius Sancho. I liked Charles very much, and the love he shows for his son through the letters included in the novel are so touching.
I’d recommend this book, it’s a great read (or listen - I can definitely vouch for that!).
Kristy H (1252 KP) rated The Fifth Letter in Books
Feb 13, 2018
Joni, Eden, Deb, and Trina have been friends since high school, when a teacher grouped them together by their last names. However, as they age, it seems the women are growing apart. Desperate to keep her friends together, Joni books a vacation house for them by the ocean. It's been a yearly tradition for the group, and she's insistent they all keep it up. However, it becomes clear that the women are a little reluctant to gather together: three of them are mothers now, and many are busy with their careers and other worries. So they come up with an idea: they'll write anonymous letters on an old computer at the beach cottage, and read one a night during their vacation. But the game turns dark quickly, as the women struggle to guess who wrote what letter. Even worse, Joni discovers a "fifth letter" in the fireplace; partially burned, it appears to be filled with hate toward one of the women in the group (from another). The foursome is supposed to be the best of friends, but it appears it isn't so. Can they recover from this vacation? And who in the group wrote that awful letter?
I feel terrible, as I really enjoy the other Moriarty sisters ([a:Liane Moriarty|322069|Liane Moriarty|https://images.gr-assets.com/authors/1459827224p2/322069.jpg] and [a:Jaclyn Moriarty|47290|Jaclyn Moriarty|https://images.gr-assets.com/authors/1199066598p2/47290.jpg]), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.
Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://images.gr-assets.com/books/1467061262s/26247008.jpg|49997474]. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.
Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
I feel terrible, as I really enjoy the other Moriarty sisters ([a:Liane Moriarty|322069|Liane Moriarty|https://images.gr-assets.com/authors/1459827224p2/322069.jpg] and [a:Jaclyn Moriarty|47290|Jaclyn Moriarty|https://images.gr-assets.com/authors/1199066598p2/47290.jpg]), but I just didn't care for this book at all. Throughout the entire novel, I never found myself able to care for these four women or their problems whatsoever. The premise of the book seemed utterly ridiculous: why on earth would a group of grown women write a bunch of letters like children and if they were such good friends, how could they know so little about each other? It was painful to read. Furthermore, the book itself was difficult to read. The book was set up in various ways: we had the current day thread at the beach cottage; we had threads in the past with the girls at school. Then, there's a thread where Joni is telling a priest (via confession) about what had happened at the cottage. Then we get pieces of the letters. Then we get snippets from the fifth letter. It was so utterly confusing that for parts of it, I couldn't tell who was talking, or what the dialogue related to, and it drove me insane.
Pieces of the women's problems were resolved far too easily, while others were blown far too out of proportion. Others were incredibly serious and just - ugh. When the big "reveal" happened, it made me cringe. I feel awful, but it almost felt like a bad imitation of Liane's book, [b:Truly Madly Guilty|26247008|Truly Madly Guilty|Liane Moriarty|https://images.gr-assets.com/books/1467061262s/26247008.jpg|49997474]. A bunch of angst leading to a big "reveal," which sort of leaves you feeling let down.
Overall, I have high admiration for the Moriarty sisters, and I truly feel bad that I didn't enjoy this book more. I just couldn't find any sympathy with the characters, and the way the novel was laid out irked me. I kept comparing it with another book where the women escape for a girls getaway: [b:Girls' Weekend|28280644|Girls' Weekend|Cara Sue Achterberg|https://images.gr-assets.com/books/1453684219s/28280644.jpg|48328656], which was such a more nuanced and enjoyable portrayal of some similar subjects. I would recommend picking up Achterberg's book instead.
I received a copy of this novel from the publisher and Edelweiss (thank you!) in return for an unbiased review; it is available everywhere as of 01/24/2017.
Lee (2222 KP) rated Frozen II (2019) in Movies
Nov 25, 2019 (Updated Nov 25, 2019)
Just as enjoyable as the original
I'm sure you don't need me to tell you how big a hit 2013 movie Frozen was. For a long while after it was released, you couldn't go on social media, or even turn on a TV, without seeing mention of Frozen in some form. And you couldn't really avoid hearing somebody bash out their rendition of 'Let It Go', arguably one of the biggest and most recognisable songs of this decade. Frozen became the highest-grossing animated film ever and a sequel was always inevitable. But, with any sequel, there's always a high chance that they'll fail to live up to the original, simply coming across as nothing more than a cash grab. Frozen 2 had a lot to live up to!
Following the events of the first Frozen movie, Arendelle is once again a calm, happy and carefree place. Elsa and Anna are close sisters once more. Anna and Kristoff are a couple, although in a running theme throughout the movie, Kristoff is now keen to try and propose to Anna. Meanwhile, some magic from Elsa means that Olaf now has a permafrost, no longer needing his own snow cloud and able to freely go around without fear of melting. He's also extremely keen to learn - becoming more thoughtful and aware of the world, asking existential questions, and sharing new found facts with his friends.
An early scene shows a young Elsa and Anna being told a bedtime story by their parents. The story involves an enchanted forest and their grandfather, who went to the forest as king in order to make peace with it's inhabitants, the Northuldra, and to sweeten the deal by building them a shiny new dam. But a betrayal caused the elemental forces of the forest - air, earth, fire and water - to become angered, resulting in a fierce battle and the entire forest being sealed for all time beneath a magical shield of mist. Clearly this story is being told in order to set the scene for a major plot point in this sequel, so it's not long before present day Elsa begins to hear voices - a mysterious siren, beckoning her with a beautiful melody. And when the terrifying elemental spirits strike the town of Arendelle, forcing its residents to flee for safety, she remembers the story we've just heard and heads off to the enchanted forest to look for answers and a resolution, closely followed by Anna, Kristoff, Sven and Olaf.
What follows is an epic adventure involving all of the main characters as they work together, or separately at times, to try and regain order and peace to this expanding world we're being introduced to. It becomes a quest to uncover the sisters ancestry and an attempt to undo damage caused by past generations with each character deals with their own personal transformation and growth. It's all beautifully animated, as you'd expect, full of peril, action and fun. And Olaf still manages to generate big laughs in pretty much every scene he's in!
Once again, Frozen 2 boasts an impressive soundtrack of songs. At least one is extremely powerful and catchy, knocking loudly at the door of 'Let It Go' in terms of memorability (admittedly, I've already listened to it a few times since leaving the cinema!), and there are more fun songs for Olaf to sing too. Kristoff comes up short though, getting dealt the worst of the songs, but that's not to say they're not still enjoyable.
Like Toy Story 4 earlier this year, Frozen 2 is a sequel that wasn't really necessary. But, as with Toy Story, it is still wonderful to be back in the company of such great characters. Having re-watched the original Frozen the day before seeing Frozen 2, I can honestly say that the sequel for me was just as enjoyable and entertaining as the first. Highly recommended.
Following the events of the first Frozen movie, Arendelle is once again a calm, happy and carefree place. Elsa and Anna are close sisters once more. Anna and Kristoff are a couple, although in a running theme throughout the movie, Kristoff is now keen to try and propose to Anna. Meanwhile, some magic from Elsa means that Olaf now has a permafrost, no longer needing his own snow cloud and able to freely go around without fear of melting. He's also extremely keen to learn - becoming more thoughtful and aware of the world, asking existential questions, and sharing new found facts with his friends.
An early scene shows a young Elsa and Anna being told a bedtime story by their parents. The story involves an enchanted forest and their grandfather, who went to the forest as king in order to make peace with it's inhabitants, the Northuldra, and to sweeten the deal by building them a shiny new dam. But a betrayal caused the elemental forces of the forest - air, earth, fire and water - to become angered, resulting in a fierce battle and the entire forest being sealed for all time beneath a magical shield of mist. Clearly this story is being told in order to set the scene for a major plot point in this sequel, so it's not long before present day Elsa begins to hear voices - a mysterious siren, beckoning her with a beautiful melody. And when the terrifying elemental spirits strike the town of Arendelle, forcing its residents to flee for safety, she remembers the story we've just heard and heads off to the enchanted forest to look for answers and a resolution, closely followed by Anna, Kristoff, Sven and Olaf.
What follows is an epic adventure involving all of the main characters as they work together, or separately at times, to try and regain order and peace to this expanding world we're being introduced to. It becomes a quest to uncover the sisters ancestry and an attempt to undo damage caused by past generations with each character deals with their own personal transformation and growth. It's all beautifully animated, as you'd expect, full of peril, action and fun. And Olaf still manages to generate big laughs in pretty much every scene he's in!
Once again, Frozen 2 boasts an impressive soundtrack of songs. At least one is extremely powerful and catchy, knocking loudly at the door of 'Let It Go' in terms of memorability (admittedly, I've already listened to it a few times since leaving the cinema!), and there are more fun songs for Olaf to sing too. Kristoff comes up short though, getting dealt the worst of the songs, but that's not to say they're not still enjoyable.
Like Toy Story 4 earlier this year, Frozen 2 is a sequel that wasn't really necessary. But, as with Toy Story, it is still wonderful to be back in the company of such great characters. Having re-watched the original Frozen the day before seeing Frozen 2, I can honestly say that the sequel for me was just as enjoyable and entertaining as the first. Highly recommended.
Lee (2222 KP) rated Black Christmas (2019) in Movies
Dec 13, 2019
Back in 1974, a low-budget Canadian horror movie by the name of Black Christmas was released and was one of the first to define the slasher movie template that we've now become so heavily accustomed to. Black Christmas already got a remake back in 2006 and now we have another, coming this time from powerhouse movie studio Blumhouse and directed/co-written by Sophia Takal.
Black Christmas retains its campus setting as a group of sorority sisters, all seniors at Hawthorne University, prepare for the end of term and the Christmas holidays. While a group of girls are celebrating one night, one of their friends is being terrorised by a robed killer as she walks home alone down a quiet snowy street, adorned with Christmas decorations. It's all pretty generic stuff so far, and in terms of horror and suspense, that's all we get for about the next 30 minutes or so while the movie shifts down a few gears and tries to introduce us to some characters and some kind of plot.
Riley (Imogen Poots) is one of only a couple of characters who you'll remember come the end of the movie. After passing out at a frat party a few years earlier, Riley was sexually assaulted, and she and her friends are now preparing to sing at another frat party which her accused rapist will also be attending. While looking around the house for a friend who seems to have gone missing, Riley opens the door on a hidden room where she observes a strange ceremony - pledges, wearing medieval robes and masks, are being daubed with some kind of black goo that's oozing from the eyes of a bust depicting the University's founder. She leaves them to it, and heads back to the party, not before rescuing her lost friend from the unwanted advances of another frat boy in his room.
Riley goes on to perform with her friends, a routine which turns out to be a carefully choreographed prank song - worded as a call out to the toxic masculinity and frat rape culture that Riley and so many other girls have experienced first hand. Needless to say, this doesn't go down too well with the boys, even more so when a video of the routine goes viral the next day.
Meanwhile, another one of the sisters is currently in the process of gathering signatures for a petition, in an attempt to get their English professor (Cary Elwes) sacked for not including enough diversity in his curriculum. So, when some of the lesser known female characters begin disappearing, and our main cast begin receiving mysterious and threatening messages on their phones, there are certainly plenty of potential suspects to choose from. Eventually, the killer makes it into the sorority house where Riley and her friends are, and it's up to them all to work together in order to outwit and defeat the killer.
I'm a big fan of the 'final girl' movie, where the seemingly indestructible female lead goes from downtrodden victim to badass warrior (see 'You're Next', or this years hugely enjoyable 'Ready Or Not'), remaining as sole survivor once the dust has settled and the movie comes to its satisfying conclusion. I was really hoping for Black Christmas to follow in that vein, and it's clearly what the filmmakers were aiming for too. But, despite its well-intentioned premise, Black Christmas completely fails to deliver. Death scenes are rushed, not even particularly inventive, and because it is so drearily written and poorly directed, you barely know or even care who most of the victims are anyway. Following a slow and messy first half, the movie then takes a turn towards the supernatural, culminating in a frankly ridiculous final act and cementing this movie firmly in my worst 5 movies of 2019!
Black Christmas retains its campus setting as a group of sorority sisters, all seniors at Hawthorne University, prepare for the end of term and the Christmas holidays. While a group of girls are celebrating one night, one of their friends is being terrorised by a robed killer as she walks home alone down a quiet snowy street, adorned with Christmas decorations. It's all pretty generic stuff so far, and in terms of horror and suspense, that's all we get for about the next 30 minutes or so while the movie shifts down a few gears and tries to introduce us to some characters and some kind of plot.
Riley (Imogen Poots) is one of only a couple of characters who you'll remember come the end of the movie. After passing out at a frat party a few years earlier, Riley was sexually assaulted, and she and her friends are now preparing to sing at another frat party which her accused rapist will also be attending. While looking around the house for a friend who seems to have gone missing, Riley opens the door on a hidden room where she observes a strange ceremony - pledges, wearing medieval robes and masks, are being daubed with some kind of black goo that's oozing from the eyes of a bust depicting the University's founder. She leaves them to it, and heads back to the party, not before rescuing her lost friend from the unwanted advances of another frat boy in his room.
Riley goes on to perform with her friends, a routine which turns out to be a carefully choreographed prank song - worded as a call out to the toxic masculinity and frat rape culture that Riley and so many other girls have experienced first hand. Needless to say, this doesn't go down too well with the boys, even more so when a video of the routine goes viral the next day.
Meanwhile, another one of the sisters is currently in the process of gathering signatures for a petition, in an attempt to get their English professor (Cary Elwes) sacked for not including enough diversity in his curriculum. So, when some of the lesser known female characters begin disappearing, and our main cast begin receiving mysterious and threatening messages on their phones, there are certainly plenty of potential suspects to choose from. Eventually, the killer makes it into the sorority house where Riley and her friends are, and it's up to them all to work together in order to outwit and defeat the killer.
I'm a big fan of the 'final girl' movie, where the seemingly indestructible female lead goes from downtrodden victim to badass warrior (see 'You're Next', or this years hugely enjoyable 'Ready Or Not'), remaining as sole survivor once the dust has settled and the movie comes to its satisfying conclusion. I was really hoping for Black Christmas to follow in that vein, and it's clearly what the filmmakers were aiming for too. But, despite its well-intentioned premise, Black Christmas completely fails to deliver. Death scenes are rushed, not even particularly inventive, and because it is so drearily written and poorly directed, you barely know or even care who most of the victims are anyway. Following a slow and messy first half, the movie then takes a turn towards the supernatural, culminating in a frankly ridiculous final act and cementing this movie firmly in my worst 5 movies of 2019!
