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The Red Lotus
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From the #1 New York Times bestselling author of Midwives and The Flight Attendant comes a twisting...
Leningrad: Tragedy of a City Under Siege, 1941-44
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On 8 September 1941, eleven short weeks after Hitler launched Operation Barbarossa, his brutal...
Footsteps of the Past (Second Chances #2)
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It was like in the movies: their eyes met from across the room and they fell in love. Nine years...
Contemporary MM Romance
Merissa (11704 KP) rated Seeds of Sorrow (Immortal Realms #1) in Books
Apr 28, 2022
SEEDS OF SORROW is the first book in the Immortal Realms trilogy, and we start with a retelling of Hades and Persephone.
We find ourselves in a world divided into three realms, each brother ruling one. Draven chose to go to Andhera when it was clear it needed someone in charge. Staying there brought about changes expected but not guaranteed. Many years later, he is pulled into his younger brother's -- Zyron -- machinations and ends up with Eden as his unwilling guest for six months. The sparks initially fly between these two until Draven takes a step back. Eden grows into her own person as the turmoil starts within all three realms.
This was a good story that I enjoyed. There are parts of it that I think are unnecessary and parts that I wanted more from. That is just the way of books. A lot of emphases was placed on one Big Bad and I'm not entirely sure why. I don't feel it did much to move the story along, other than to paint Eden in a glowing light. And after her swift exit, it moved on to the next one without much of an ado.
The next book is hinted at the end of this one, with Travion/Poseidon having his story. This was a great retelling that I have no hesitation in recommending, and will definitely be continuing this series if only to see if my questions are answered.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
We find ourselves in a world divided into three realms, each brother ruling one. Draven chose to go to Andhera when it was clear it needed someone in charge. Staying there brought about changes expected but not guaranteed. Many years later, he is pulled into his younger brother's -- Zyron -- machinations and ends up with Eden as his unwilling guest for six months. The sparks initially fly between these two until Draven takes a step back. Eden grows into her own person as the turmoil starts within all three realms.
This was a good story that I enjoyed. There are parts of it that I think are unnecessary and parts that I wanted more from. That is just the way of books. A lot of emphases was placed on one Big Bad and I'm not entirely sure why. I don't feel it did much to move the story along, other than to paint Eden in a glowing light. And after her swift exit, it moved on to the next one without much of an ado.
The next book is hinted at the end of this one, with Travion/Poseidon having his story. This was a great retelling that I have no hesitation in recommending, and will definitely be continuing this series if only to see if my questions are answered.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Joe Goodhart (27 KP) rated Avengers West Coast: Darker than Scarlet in Books
Nov 30, 2020
I took advantage of some great Marvel sales on Comixology the end of last month. It was a great opportunity to revisit HOUSE OF M (which I had own the TPB of it when still owned the physical copies, instead of the digital ones I now favor). I bought that one, WCA: DARKER THAN SCARLET, X-MEN: DECIMATION - SON OF M, DECIMATION: HOUSE OF M - THE DAY AFTER, and AVENGERS: THE CHILDREN'S CRUSADE. I started WCA: DTS the end of last week, finishing it up today.
First, I just want to open with what a refreshing breath it was to return to late 1989 for this read. It was a simpler time, in which you could tell the villains from the heroes, where heroes actually did <b>good things</b> on account of, you know, them being heroes and all, and where villains committed actual <i>dirty deeds</i>! And it was also a time when Marvel still understood that publishing good comic books didn't mean dovetailing each and every event into another event six months later, followed by *another* event six months <after> the first two!
One of the big draws for this trade was getting to see John Byrne back when he was totally on his game (not that he has ever been off his game). Seriously, it was worth it just to see him draw the 'M' fam again: Magneto, Scarlet With and Quicksilver! So, so good! And best of all? The art was actually drawn on paper, with inks, no computer aiding at that point in comic publishing!
And while his style was somewhat different that Byrne's, Paul Ryan did an equally great job as the penciller for the remainder of the story's last three issues. I had forgotten how I much I had liked his art back in the day, stirring up fond memories of his run as penciller on IRON MAN, also in the late 80s. #goodtimes
In addition to handling the art chores, Byrne also provided the writing. Equally admirable is the way Roy Thomas, and his wife Dann, took over the writing beginning with Issue #60, providing a seamless transition from Byrne. Both writers provided a fun sense, even when the danger was mounting against them, of the Avengers.
So, as much as I loved this trade, I also feel the need to let you all know the dialogue at points felt a little clunky, maybe a little dated. However, it was nothing that took away from my overall enjoyment of this volume. At points where the dialogue didn't feel all that good, I just went and re-read it with names, or words, that fit better. Again, nothing that should diminish the fun factor here, unless you are one of <i>those kind</i> of comic readers!
In concluding, I just want to say this was a good read. It is especially important, perhaps even so far as dubbing it "required reading", before starting HOUSE OF M. In an age where the fun has diminished greatly in the superhero comics, it is good to have something like this to read, which helps us escape the "doom 'n goom" of this so un-fun era!
First, I just want to open with what a refreshing breath it was to return to late 1989 for this read. It was a simpler time, in which you could tell the villains from the heroes, where heroes actually did <b>good things</b> on account of, you know, them being heroes and all, and where villains committed actual <i>dirty deeds</i>! And it was also a time when Marvel still understood that publishing good comic books didn't mean dovetailing each and every event into another event six months later, followed by *another* event six months <after> the first two!
One of the big draws for this trade was getting to see John Byrne back when he was totally on his game (not that he has ever been off his game). Seriously, it was worth it just to see him draw the 'M' fam again: Magneto, Scarlet With and Quicksilver! So, so good! And best of all? The art was actually drawn on paper, with inks, no computer aiding at that point in comic publishing!
And while his style was somewhat different that Byrne's, Paul Ryan did an equally great job as the penciller for the remainder of the story's last three issues. I had forgotten how I much I had liked his art back in the day, stirring up fond memories of his run as penciller on IRON MAN, also in the late 80s. #goodtimes
In addition to handling the art chores, Byrne also provided the writing. Equally admirable is the way Roy Thomas, and his wife Dann, took over the writing beginning with Issue #60, providing a seamless transition from Byrne. Both writers provided a fun sense, even when the danger was mounting against them, of the Avengers.
So, as much as I loved this trade, I also feel the need to let you all know the dialogue at points felt a little clunky, maybe a little dated. However, it was nothing that took away from my overall enjoyment of this volume. At points where the dialogue didn't feel all that good, I just went and re-read it with names, or words, that fit better. Again, nothing that should diminish the fun factor here, unless you are one of <i>those kind</i> of comic readers!
In concluding, I just want to say this was a good read. It is especially important, perhaps even so far as dubbing it "required reading", before starting HOUSE OF M. In an age where the fun has diminished greatly in the superhero comics, it is good to have something like this to read, which helps us escape the "doom 'n goom" of this so un-fun era!
Interesting and engaging mystery
It's a bright May day when Cedar Valley Detective Gemma Monroe is called to Lost Lake. Sari Chesney, who was camping with her boyfriend, his brother, and her best friend, has gone missing. Sari hated the water, and the group is convinced she would never go missing on her own so near the lake. Sari was scheduled to work at a big gala at Cedar Valley's museum later that evening--a huge event she had been working on for months. Her friends insist she would never miss it. It's still chilly in Colorado in May, the lake still tinged in ice. Gemma begins the search for Sari, not realizing how quickly one woman's disappearance will lead to so much more.
"Later, much later, I would regret every decision I made that morning."
This is the third book in Emily Littlejohn's Gemma Monroe series, and I really enjoy both Gemma's character and the series. The books stand alone, but it's an enjoyable series, and I do recommend reading them from the beginning. At this point, Gemma has a six-month-old daughter, Grace, with her fiance, Brody, and one of my favorite things about the books is how realistically Littlejohn paints Gemma's struggles as a working mom. She loves her career and yet finds it difficult to leave Grace and juggle working and caring for her daughter.
Gemma is a great character overall, and I always enjoy reading a strong mystery that features a female detective. We find Gemma not only dealing with Sari's disappearance, but several more things that happen in the aftermath, which lead to her becoming quite busy, and allow us a solid set of cases to follow. This one kept me guessing the whole way, with a few good twists thrown in too. There's occasionally a bit of telling versus showing, but overall Littlejohn is a strong writer, and you can't help but root for Gemma.
In this one, I especially felt like Gemma was growing as a person, as we find her struggling in her partnership with Finn (her fellow detective) and second guessing some of the decisions she makes in Sari's case. It's nice to see a story where everything isn't easy, cut and dried, and our heroine seems so human and regular. One of the things I like so much about Gemma is that she seems like someone you could befriend (if maybe she let her walls down once in a while). It leads to an insightful and thoughtful book coupled with a good mystery (or two) as well.
Overall, I enjoyed this one. I feel like I can always count on Littlejohn for some excellent characterization with Gemma, and I found the plot to be interesting. It kept me engaged and guessing.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
"Later, much later, I would regret every decision I made that morning."
This is the third book in Emily Littlejohn's Gemma Monroe series, and I really enjoy both Gemma's character and the series. The books stand alone, but it's an enjoyable series, and I do recommend reading them from the beginning. At this point, Gemma has a six-month-old daughter, Grace, with her fiance, Brody, and one of my favorite things about the books is how realistically Littlejohn paints Gemma's struggles as a working mom. She loves her career and yet finds it difficult to leave Grace and juggle working and caring for her daughter.
Gemma is a great character overall, and I always enjoy reading a strong mystery that features a female detective. We find Gemma not only dealing with Sari's disappearance, but several more things that happen in the aftermath, which lead to her becoming quite busy, and allow us a solid set of cases to follow. This one kept me guessing the whole way, with a few good twists thrown in too. There's occasionally a bit of telling versus showing, but overall Littlejohn is a strong writer, and you can't help but root for Gemma.
In this one, I especially felt like Gemma was growing as a person, as we find her struggling in her partnership with Finn (her fellow detective) and second guessing some of the decisions she makes in Sari's case. It's nice to see a story where everything isn't easy, cut and dried, and our heroine seems so human and regular. One of the things I like so much about Gemma is that she seems like someone you could befriend (if maybe she let her walls down once in a while). It leads to an insightful and thoughtful book coupled with a good mystery (or two) as well.
Overall, I enjoyed this one. I feel like I can always count on Littlejohn for some excellent characterization with Gemma, and I found the plot to be interesting. It kept me engaged and guessing.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!)
Travels with My Harp: The Complete Autobiography
Book
Mary O'Hara's life story is something only the most inspired press agent could ever hope to concoct'...
Crimes of the Century: Women Killers
Book
Murder is a terrifying factor of everyday life, but when the perpetrator is a woman, it somehow...
Erika (17788 KP) rated Wonder Woman 1984 (2020) in Movies
Dec 29, 2020 (Updated Dec 29, 2020)
I was lucky enough to see this in theaters with my 'rents. I do not agree with Warner Bros decision to release same day on HBO Max, so I initially wasn't going to see it, but my dad bought the tickets.
The story itself isn't bad, but it is wayyyyy too long. I have an issue with how long the first section of the film was, taking place on Themiscyra. It didn't really add to the story, other than showing the gold armor that's worn later. I think it was just an excuse to have Robin Wright and crew in the film.
Kristen Wiig, of course, as horrible as every. Normally, I avoid everything with her like the plague, she's not funny, nor is she a good actress. She was highly annoying, and the CGI at the end was SO BAD. There is absolutely NO EXCUSE for bad CGI for these delayed films, they had an extra six months to make sure it looked good.
I loved that Chris Pine returned in WW84, I'm always up for some Chris Pine in movies. I did find Diana's unwillingness to give him up initially a little off for the character. It just wasn't Wonder Woman, and coming from a woman writer, it was weak.
The climatic speech was not the strongest, not unlike the climatic speech in the first film (Seriously, the improper grammar during the climactic speech in WW haunts me). It was just kind of lame.
Now, good ol' Pedro Pascal, I liked his character overall. I wish they'd have shown more of the little snippets of his history prior to the climax, i.e. being made fun of due to being Hispanic, changing his name to something anglo. That was the only point in the film where I actually felt something.
I did like it in general, and I would watch it again. It just wasn't as strong as I wanted.
The story itself isn't bad, but it is wayyyyy too long. I have an issue with how long the first section of the film was, taking place on Themiscyra. It didn't really add to the story, other than showing the gold armor that's worn later. I think it was just an excuse to have Robin Wright and crew in the film.
Kristen Wiig, of course, as horrible as every. Normally, I avoid everything with her like the plague, she's not funny, nor is she a good actress. She was highly annoying, and the CGI at the end was SO BAD. There is absolutely NO EXCUSE for bad CGI for these delayed films, they had an extra six months to make sure it looked good.
I loved that Chris Pine returned in WW84, I'm always up for some Chris Pine in movies. I did find Diana's unwillingness to give him up initially a little off for the character. It just wasn't Wonder Woman, and coming from a woman writer, it was weak.
The climatic speech was not the strongest, not unlike the climatic speech in the first film (Seriously, the improper grammar during the climactic speech in WW haunts me). It was just kind of lame.
Now, good ol' Pedro Pascal, I liked his character overall. I wish they'd have shown more of the little snippets of his history prior to the climax, i.e. being made fun of due to being Hispanic, changing his name to something anglo. That was the only point in the film where I actually felt something.
I did like it in general, and I would watch it again. It just wasn't as strong as I wanted.
In Search of Lost Frogs
Book
On August 9, 2010, 33 teams from 21 countries were dispatched to search for the Lost Frogs...