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Kristy H (1252 KP) rated The Spires in Books
Oct 28, 2021
Penelope Cox thinks she's put her college years behind her, when, twenty years later, her old friend Willa shows up unexpectedly on her doorstep. Willa Blaine needs help escaping her abusive husband. Penelope hasn't seen Willa since their gap year after college, when they and three other friends lived together in a converted church. Calling themselves "the Spires" they were a close-knit group, until hidden resentments and jealousies tipped over. Focused on their leader, Jack, things started to change when he brought home a girlfriend, Grace. Then tragedy struck and the group went their separate ways. Now, Willa seems the perfect guest, bringing order and happiness to the Cox household. But Penelope feels like her friend is putting her life off-balance and bringing up horrible memories: memories she'd rather leave long buried.
"Six months after they moved in, he brought home Grace and sent them all into a tailspin."
This is slow burn read--it's sluggish to start, but picks up as the story gets moving. Less thriller, more character-driven, THE SPIRES focuses on relationships more than mystery, though there is certainly plenty to figure out as the tale progresses.
The book skips back and forth between the group's gap year after college at The Church House and present day, when Penelope's friend Willa shows up without warning. The two haven't seen each other since they scattered after The Church House tragedy. We know something bad happened at The Church House, but it takes a while (basically the whole book) to get it all figured out. There is a lot of drama and angst as this all happens. None of the characters are particularly likeable, but there are plenty of motives and secrets tossed in along the way.
I didn't find THE SPIRES as thrilling as some of Moretti's other books. Still, it became more interesting and suspenseful as I read, and there are definitely some good twists. This is an especially good read for those who like a good psychological mystery. 3.5 stars.
"Six months after they moved in, he brought home Grace and sent them all into a tailspin."
This is slow burn read--it's sluggish to start, but picks up as the story gets moving. Less thriller, more character-driven, THE SPIRES focuses on relationships more than mystery, though there is certainly plenty to figure out as the tale progresses.
The book skips back and forth between the group's gap year after college at The Church House and present day, when Penelope's friend Willa shows up without warning. The two haven't seen each other since they scattered after The Church House tragedy. We know something bad happened at The Church House, but it takes a while (basically the whole book) to get it all figured out. There is a lot of drama and angst as this all happens. None of the characters are particularly likeable, but there are plenty of motives and secrets tossed in along the way.
I didn't find THE SPIRES as thrilling as some of Moretti's other books. Still, it became more interesting and suspenseful as I read, and there are definitely some good twists. This is an especially good read for those who like a good psychological mystery. 3.5 stars.
Merissa (12058 KP) rated Shadow Bound (Shadow #1) in Books
Oct 20, 2023
SHADOW BOUND is the first book in the Shadow series, starting off with the Daughter of Death, Talia. Not only that, but you get a nice prologue that tells you about the love between her father and mother, and just what their situation was. I really liked that.
After the prologue, you move forward twenty-six years to find Talia packing for a new job after successfully defending her dissertation. All that changes when two Wraiths force their way into her home and kill her flatmate. Talia goes on the run, successfully hiding for a few months until her luck seems to run out. While this has been going on, Adam has been searching for her. She is the only one so far he has found that mentions 'Shadowman' and he is desperate to find her. He does, in the nick of time, and that's when the fun really starts.
Talia doesn't simply turn into a kick-ass bad-ass b!tch. Nope, she claws her way through her instincts to run and hide, only really coming into her own during the last part of the book. Adam is a bitter, arrogant jerk (with reason) who wants to use Talia at the beginning and, by the end, will do anything to protect her.
This is a fast-paced story that will keep you turning the pages. The world-building was great and really helped to set the scene, not only for this book but also for the others in the series. Talia and Adam are ably supported by a fascinating group of characters that I hope will be in later books. I found it to be a great start to the series and look forward to Custo's story, which is next.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 20, 2023
After the prologue, you move forward twenty-six years to find Talia packing for a new job after successfully defending her dissertation. All that changes when two Wraiths force their way into her home and kill her flatmate. Talia goes on the run, successfully hiding for a few months until her luck seems to run out. While this has been going on, Adam has been searching for her. She is the only one so far he has found that mentions 'Shadowman' and he is desperate to find her. He does, in the nick of time, and that's when the fun really starts.
Talia doesn't simply turn into a kick-ass bad-ass b!tch. Nope, she claws her way through her instincts to run and hide, only really coming into her own during the last part of the book. Adam is a bitter, arrogant jerk (with reason) who wants to use Talia at the beginning and, by the end, will do anything to protect her.
This is a fast-paced story that will keep you turning the pages. The world-building was great and really helped to set the scene, not only for this book but also for the others in the series. Talia and Adam are ably supported by a fascinating group of characters that I hope will be in later books. I found it to be a great start to the series and look forward to Custo's story, which is next.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 20, 2023
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Matthew Krueger (10051 KP) rated Lethal Weapon 2 (1989) in Movies
Jul 9, 2020
Protect Joe Pesci
Lethal Weapon 2- adds more action, drama, suspense, thrills, comedy, lots of comedy and more chemistry.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
The production:
Shane Black and Warren Murphy's original Play Dirty script:
Their original title for the script was Play Dirty. Although many people thought that their script was brilliant, it was rejected by Silver, studio and director Richard Donner for being too dark and bloody, and because in the ending of the script Riggs dies, while they wanted to keep him alive in case of further sequels. They also wanted the second film to focus more on comedy, while Black's draft focused more on courage and heroics, like Riggs willing to die to protect Murtaugh and his family, due to his love for them
When his script was rejected, Black felt that he had failed the producers. He initially offered to give his payment back, but his agent talked him out of it. Black also refused to re-write the script and quit from the project after working for six months on it. Black later said how the problem with the second film was that they did too much comedy, and how he dislikes the third and fourth films because of the way Riggs' character was changed.
Director Richard Donner said in the film's Blu-ray commentary that the film was shot in such a way that it could be edited with two different endings, one in which Riggs dies and one in which he lives. Audiences in test screenings responded well to Riggs' survival, and this was kept, though the last shot in the film with the camera moving away from Murtaugh holding Riggs was shot for the ending in which he dies.
Jeffrey Boam's final script:
Originally, the character of Rika was intended to survive, with the last scene in the film being Riggs and Rika eating Thanksgiving dinner with the Murtaughs, but the director decided to kill the character to increase Riggs' motivation to destroy the South African drug smugglers. The film was the debut of Leo Getz (Joe Pesci), a crooked but whistle-blowing CPA who is placed in protective custody by Riggs and Murtaugh, and makes the detectives' more difficult due to his neurotic behavior. The Getz character remained a regular throughout the remainder of the film series.
The plot: South African smugglers find themselves being hounded and harassed by Riggs and Murtaugh, two mismatched Los Angeles police officers. However, the South Africans are protected by diplomatic immunity, and so the two are assigned to witness-protection duty in an attempt by their captain to keep his job. It is only when this witness reveals to them that he has already dealt with the smugglers that the trouble really starts.
I love the chemistry between Mel and Danny and now adding Joe Pesci to the mix its perfect. The perfrct trio.
Lethal Weapon 2- is a good sequel to the first one, and adds more. Highly recordmend watching it.
Kirk Bage (1775 KP) rated Seinfeld - Season 1 in TV
Jan 22, 2021
I always assumed I wouldn’t like Seinfeld in the 90s. In fact I was opposed to the very idea of it on principle. And that principle was: I’ve never heard of this guy as a comedian, and American stand-up usually isn’t funny. I never saw a single episode until six months ago – in my head it was some dumb, canned laughter show with very forced scripts and little charm. I just didn’t get why it was always quoted amongst the best sitcoms of all time, and I wasn’t willing to find out. This is called “being ignorant”. Guilty.
One random day with nothing else inspiring me I finally took the plunge and put an episode on. Guess what happened? I laughed, I found it completely charming and witty and easy to watch, with some great lines and likeable characters. 3 hours later I had done 6 episodes and was as hooked as anyone can be with anything. It was just so nostalgically and completely 90s! And I loved that!
A show doesn’t run for 9 years and over 170 episodes without being some kind of special, especially taking into account the depreciation due to being dated, as all sitcoms eventually are, and it really is quite remarkable – deserving of a place in the conversation of the greatest ever American half hour shows. Sure, there is an element early on in the preoccupation with everyone’s sex life and dating habits that is a little creepy in 2020, but I am totally willing to forgive it.
Shows that are hyper aware of themselves and the audience are odd creatures the minute they take themselves too seriously, and Seinfeld never does that. It knows it is trivial, essentially about nothing and going nowhere, and style-wise it is always winking at us for being in on the joke and a part of it, even to the point of applauding new characters on their entrance, which is a uniquely American thing to do.
The secret of the show is undoubtedly the chemistry of the four leads, so mismatched that it someone works a spell and creates magic, much in the same way Friends managed to do, times six. Jerry Seinfeld himself is a very likeable everyman, and the schtick of each show beginning and ending with 30 seconds of stand up is a gimmick that grows on you, as does everything about it: the more you watch, the more you love it for what it is.
Jason Alexander as the balding, quirky, self-conscious, opinionated best friend is perhaps my least favourite of the regular quartet, but he has some amazing moments over the course of things, and plays great dead-pan. But the other two are on a plane of equal genius. The verbal timing of the super cute, super smart Julia Louis-Dreyfus as Elaine (who I have fallen in love with a little bit in 1993) and the physical slapstick timing of Michael Richards as Cosmo Kramer (surely one of the most memorable characters in sitcom history) have both left me aching with laughter time after time after time. Just a glance or an expression is often enough.
And the great thing is, it never seems to get old. They are always finding new ways and new situations that keep it fresh. Some trick! Even in the final season of the 9, when there is a small melancholia creeping in because they all know it is coming to an end, it still manages to create moments that aren’t just repeats of previous gags. Which means, as future background watching it is 100% perfect. Leave it on whilst doing something else, look up once in a while, and like the best of all long running US comedy shows each episode is indistinguishable from any other in the best way – it is like having a friend in the room.
I can’t imagine ever saying it is amongst my very favourites, maybe because I missed out on it first time around – which I put down to an inherent middle aged appeal, rather than a youth appeal – but I wouldn’t also ever argue with anyone that did say that it was one of their favourites. Because I get it now. And I’m so glad I got to do it, no matter how late to the party!
One random day with nothing else inspiring me I finally took the plunge and put an episode on. Guess what happened? I laughed, I found it completely charming and witty and easy to watch, with some great lines and likeable characters. 3 hours later I had done 6 episodes and was as hooked as anyone can be with anything. It was just so nostalgically and completely 90s! And I loved that!
A show doesn’t run for 9 years and over 170 episodes without being some kind of special, especially taking into account the depreciation due to being dated, as all sitcoms eventually are, and it really is quite remarkable – deserving of a place in the conversation of the greatest ever American half hour shows. Sure, there is an element early on in the preoccupation with everyone’s sex life and dating habits that is a little creepy in 2020, but I am totally willing to forgive it.
Shows that are hyper aware of themselves and the audience are odd creatures the minute they take themselves too seriously, and Seinfeld never does that. It knows it is trivial, essentially about nothing and going nowhere, and style-wise it is always winking at us for being in on the joke and a part of it, even to the point of applauding new characters on their entrance, which is a uniquely American thing to do.
The secret of the show is undoubtedly the chemistry of the four leads, so mismatched that it someone works a spell and creates magic, much in the same way Friends managed to do, times six. Jerry Seinfeld himself is a very likeable everyman, and the schtick of each show beginning and ending with 30 seconds of stand up is a gimmick that grows on you, as does everything about it: the more you watch, the more you love it for what it is.
Jason Alexander as the balding, quirky, self-conscious, opinionated best friend is perhaps my least favourite of the regular quartet, but he has some amazing moments over the course of things, and plays great dead-pan. But the other two are on a plane of equal genius. The verbal timing of the super cute, super smart Julia Louis-Dreyfus as Elaine (who I have fallen in love with a little bit in 1993) and the physical slapstick timing of Michael Richards as Cosmo Kramer (surely one of the most memorable characters in sitcom history) have both left me aching with laughter time after time after time. Just a glance or an expression is often enough.
And the great thing is, it never seems to get old. They are always finding new ways and new situations that keep it fresh. Some trick! Even in the final season of the 9, when there is a small melancholia creeping in because they all know it is coming to an end, it still manages to create moments that aren’t just repeats of previous gags. Which means, as future background watching it is 100% perfect. Leave it on whilst doing something else, look up once in a while, and like the best of all long running US comedy shows each episode is indistinguishable from any other in the best way – it is like having a friend in the room.
I can’t imagine ever saying it is amongst my very favourites, maybe because I missed out on it first time around – which I put down to an inherent middle aged appeal, rather than a youth appeal – but I wouldn’t also ever argue with anyone that did say that it was one of their favourites. Because I get it now. And I’m so glad I got to do it, no matter how late to the party!