"The bible for visual storytelling for me. The first sketch freely jumps between points of view that forfeits logic for movement. Allows the viewer the perfect opportunity to entirely inhabit the role of voyeur. Content plays just for our most prurient sensors."

"It comes down to my specific brand of comedy – I really enjoy comedy that takes things to different places. Best in Show had already been out when I saw it, and it was the first improv sketch film I saw – it was my first mockumentary. And I noticed that the way that they do it is just so amazing. I was in love with Catherine O’Hara and Eugene Levy, who are amazing in A Mighty Wind as well. But Best in Show is so good because it was so evocative of a time and a place, this dog show that goes on, and I’d never seen, like I said, a mockumentary, I’d never seen improv."

"I watched [it] just about every day growing up. In like seventh or eighth grade every day after school, my friend Andrew and I would watch Wayne’s World. And I think it’s a great example of a sketch effectively turned into a movie and a story that really works with a good journey. Not easily accomplished but such a good journey. And I’m drawn to it because I watched Saturday Night Live growing up, but also I think the duo of Mike Myers and Dana Carvey, who are both from the same world and yet are such different guys. You know, the sort of confidence and leadership of Wayne and then the understated kind of genius of Garth: very meta and self-aware, which at that time wasn’t all over TV and film yet. It’s like the cross promotion for Pepsi and Advil and all that kind of stuff wasn’t overly present yet, and I think he really nailed it."