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Saw II (2005)
Saw II (2005)
2005 | Horror, Mystery
Guttural. Few other horror franchises loathe their characters as deeply and as passionately as 𝘚𝘢𝘸 - not even two minutes into the movie and it already proceeds to chuck these people down the garbage disposal without remorse. Has the worst outlook possible on life as a whole, revels in such an instantaneous breakdown of the human body and mind. Trades out the 'knucklehead Shakespeare' vibes of the original to double down on its endlessly creative gore, which is a fair tradeoff if we can't get both I guess. Can't believe this is the same Darren Lynn who directed 𝘚𝘱𝘪𝘳𝘢𝘭 - which I not only am beginning to dislike more and more with each revisit to the originals, but which also gets next to no points for being pro-ACAB when this one did it first *and* better 16 years prior. Filled with a multitude of anxious cuts and cool-as-hell camera trickeries (plus such a tantalizing MTV filth aesthetic), often unfairly shunned for being amateurish I'd actually argue the opposite - quick flashes of people in agony, everyone turning against each other and scrambling for answers with each passing second, visually emulating the final stages of a person's fight-or-flight mode like no other horror series before or after. The hypodermic needle pit still remains an all-time skin-crawler. In an age filled with such intolerably self-conscious bleakness in cinema, it's refreshing to see it done so sincerely with these.
  
Kick Inside Soundtrack by Kate Bush
Kick Inside Soundtrack by Kate Bush
1990 | Rock
(0 Ratings)
Album Favorite

"Well, it’s got ‘Wuthering Heights’ on it, that’s the big song… But it’s one of those albums that made me realise that there is more than one way to skin a cat, you know, because I always used to feel slightly inadequate about my voice. I always wanted to sound like Steven Tyler or Bon Scott or someone like that... but actually I sound more like Kate Bush! I didn’t really acknowledge that before and then when I was listening to that stuff I thought that she makes a lot of the same choices I would make, melodically and stuff – and possibly presentation-wise! I discovered this around 2003. We’d already made our album by the way – we didn’t copy hers [laughs]. But it made me feel better about everything really. It’s hard to go and record stuff or go out and perform when you’re having a confidence crisis. But listening to that made me feel a million times better. There are beautiful songs on this. She’s a beautiful songwriter. I actually heard a rumour that at 18 she had that record ready to go but the record label wouldn’t let her because they thought it would destroy her, because it was so powerful it would engulf her and she would drown in her own success… [laughs] but I don’t know how true it is. So I’ve bought everything that she’s ever released now and I’m still researching it, but that’s where you start isn’t it?"

Source
  
Foodfight! (2012)
Foodfight! (2012)
2012 | Action, Animation, Comedy
"𝘈𝘨𝘰𝘯𝘺, 𝘴𝘩𝘦 𝘪𝘴 𝘭𝘪𝘬𝘦 𝘮𝘺 𝘭𝘰𝘺𝘢𝘭 𝘣𝘦𝘭𝘰𝘷𝘦𝘥... 𝘢𝘭𝘭𝘰𝘸 𝘮𝘦 𝘵𝘰 𝘪𝘯𝘵𝘳𝘰𝘥𝘶𝘤𝘦 𝘺𝘰𝘶."

Anti-cinema. Furry propaganda that bastardizes random corporate logos into hideous background characters for a crude mixture of ripoff film noir, shit-looking 𝘛𝘰𝘺 𝘚𝘵𝘰𝘳𝘺 and... the Nazi Party? Sort of genius. But also the most compact measurable example of going through the Kübler-Ross five stages of grief. The best thing you can do with butt-ugly, endlessly questionable, ultra-filtered garbaggio like this is not to futilely attempt to reject its offerings into the minds of twisted, twisted individuals - but to fully embrace and accept it as a tonic, to make you feel better about yourself. One big hilariously bad sexual thrust of a children's film that isn't - in any capacity - suitable for children; at one point there's an extended 'steamy' dance routine where Dex Dogtective and Lady X strongly attempt to both fuck *and* kill each other at the same time. Horrible, half-finished food puns like "Let's strawberry jam outta here" and "Frankly my dear, I don't give a Spam" spin back into some kind of stupid subversion. Cold, lifeless, perturbing eyes staring back at you with an ominous silence that makes one want to crawl out of their own skin (pretty sure this triggered my fight-or-flight response multiple times over). Also the last 30 minutes is a sustained barrage of disgustingly rendered CGI puss. A closer experience to 𝘞𝘩𝘦𝘳𝘦 𝘵𝘩𝘦 𝘋𝘦𝘢𝘥 𝘎𝘰 𝘵𝘰 𝘋𝘪𝘦 than it thinks.
  
Open Water (2003)
Open Water (2003)
2003 | Horror
Admirable for what it had to work with, and I guess it gets points for being one of the most realistic shark movies out there - but why the hell did this terrify everyone back in the day lmfao. It amounts to a somehow pointedly slow 81 minutes (less after credits) of a couple bickering at sea while... like, occasionally seeing a jellyfish or maybe half a second of a shark from far away. This actually works better as an (intentional) comedy than a horror film, and the beginning of this feels like a weird ass porno, too - complete with millimeters away from couples full-frontal nudity in a dingy hotel room. The one thing this has going for it is that they're in *real* ocean water with *real* sharks, and on that front there are some real motherfucker shots in this that made me jump just on principle. There's also just some really terrific footage of various sea + land creatures in this that help add to the realism. When all is said and done I have to give props to that brutally hopeless coda though, Jesus Christ - made my skin crawl and actually made this whole product grow on me a lot more than my initial measure. But it fucks around too much and even though it does what it can decently well, it isn't enough. While I still think it's too unfair of a reaction, I can clearly see why everyone hates this now.
  
All the Money in the World (2017)
All the Money in the World (2017)
2017 | Crime, Drama, Thriller
The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.



This is a difficult one to sum up. I managed to see this by the skin of my teeth, it flew out of the listings almost as quickly as it arrived. The trailer did the film a lot of good, there was enough intrigue and star quality to make it appeal. But I'm not sure it delivered what I was hoping for.

Plummer worked well as the formidable Getty. I'm not sure I could have seen Kevin Spacey playing the part, the initial casting seems truly bizarre. I can't help but wonder how much the reshooting affected the final product. For a week and a half of reshoots though you have to give them credit for the efficiency of it.

Even now I'm struggling to find things to say about this one. I was left bored and surprisingly unengaged. A terrible habit that I haven't actually done in about a year resurfaced during this film... when I'm bored and without anything to do I will sit and bite my nails, and about half way into this film I was fully aware that I was rapidly losing length on my nails.

The story is an interesting one but it never felt like it really made its way from being a two dimensional story.
  
    Make-Up Touch 2

    Make-Up Touch 2

    Games

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    * * * New Halloween Make-up and Face-paint Added! * * * Have you ever wanted to be a make up artist?...

    IEatWell:Healthy Eating Diary

    IEatWell:Healthy Eating Diary

    Health & Fitness and Food & Drink

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    IEatWell is your assistant to help you eat healthy without counting calories. Improving your weight...

    MuvaMoji by Amber Rose

    MuvaMoji by Amber Rose

    Entertainment and Utilities

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    Presenting the official MuvaMoji app by Amber Rose. Featuring over 900 brand new emoji personally...