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LeftSideCut (3776 KP) rated Hereditary (2018) in Movies
Oct 25, 2020
As a person who watches a respectable chunk of horror, it's not often that a genre film comes along that manages to get under my skin, something that Hereditary definitely does.
The first full length feature by Ari Aster is many things - it's heart wrenching, it's unsettling, definitely disturbing, frequently terrifying, but also carries a weight of beauty. It's wonderfully realised - Aster has a keen eye for striking visuals, something he proved doubly with Midsommar, and Hereditary boasts a brag worthy amount of fantastic shots and clever edits. A lot of the tracking shots centred around the characters add to the uneasiness, and has you constantly scanning the frame for something hidden away, leering at the viewer from the darkness. (A few shots legit just make me want to watch something else)
There are multiple moments that gave me chills, and a lovely fear-soaked amount of visual cues that will stick with me for some time. The whole atmosphere of Hereditary is unpleasant, quite sinister, and brimming with emotion.
The whole cast are great without a doubt, but Toni Collette is the true star. She's an absolute powerhouse throughout this movie, and is arguably her best performance ever put to screen. Her portrayal of the sheer trauma she experiences is harrowing at times, managing to give us a hugely sympathetic and human character (whilst occasionally being nightmare fuel herself)
That's a good word to use actually - Hereditary feels like a nightmare put onto screen. The whole movie is dripping with tension, and never lets up on making the viewer feel uncomfortable. Ari Aster will surely play a huge part in the future of the genre. Not only is Hereditary a masterclass in modern horror, but it's a genuinely fantastic cinematic experience, which I would consider essential viewing.
The first full length feature by Ari Aster is many things - it's heart wrenching, it's unsettling, definitely disturbing, frequently terrifying, but also carries a weight of beauty. It's wonderfully realised - Aster has a keen eye for striking visuals, something he proved doubly with Midsommar, and Hereditary boasts a brag worthy amount of fantastic shots and clever edits. A lot of the tracking shots centred around the characters add to the uneasiness, and has you constantly scanning the frame for something hidden away, leering at the viewer from the darkness. (A few shots legit just make me want to watch something else)
There are multiple moments that gave me chills, and a lovely fear-soaked amount of visual cues that will stick with me for some time. The whole atmosphere of Hereditary is unpleasant, quite sinister, and brimming with emotion.
The whole cast are great without a doubt, but Toni Collette is the true star. She's an absolute powerhouse throughout this movie, and is arguably her best performance ever put to screen. Her portrayal of the sheer trauma she experiences is harrowing at times, managing to give us a hugely sympathetic and human character (whilst occasionally being nightmare fuel herself)
That's a good word to use actually - Hereditary feels like a nightmare put onto screen. The whole movie is dripping with tension, and never lets up on making the viewer feel uncomfortable. Ari Aster will surely play a huge part in the future of the genre. Not only is Hereditary a masterclass in modern horror, but it's a genuinely fantastic cinematic experience, which I would consider essential viewing.
I read book 7, several months ago and enjoyed it.
This one follows Ivy, who we saw quite a lot of in the previous book since she was one of Sadie's best friends, who owns the areas best taco truck with its spicy food. It's as she's getting ready for the breakfast crowd that she bumps into Kel, a sheriff visiting family in the area for a few weeks and an instant attraction blooms between them. They both try to fight it but keep being drawn back to each other.
I think I liked this more than Playing for Keeps. Kel's protective nature and Ivy's don't-get-close-to-me-because-I-wont-stick-around attitude sort of made me want them to get under each others skin and they did, in a big way. Admittedly it took a while before anything happened but we had hot glances and interesting conversations. Both of them are damaged in some ways. Ivy never really had a parent so she's wary of letting people get close as she's scared of what might happen and Kel keeps himself detached from relationships and blames it on his job for not staying around.
What I did enjoy was seeing them working through their problems so they could be with each other. It wasn't easy to get over them and it wasn't until near the end of the book that they finally got together and it was sweet.
I really like this group of friends. They're the ones who'll stick with you through thick and thin and won't shy away from any problem you might have. I wish I'd read all the previous books - books 1-6 - so I could see how some of these couples got together but I will be keeping my eye out for more books in this series.
This one follows Ivy, who we saw quite a lot of in the previous book since she was one of Sadie's best friends, who owns the areas best taco truck with its spicy food. It's as she's getting ready for the breakfast crowd that she bumps into Kel, a sheriff visiting family in the area for a few weeks and an instant attraction blooms between them. They both try to fight it but keep being drawn back to each other.
I think I liked this more than Playing for Keeps. Kel's protective nature and Ivy's don't-get-close-to-me-because-I-wont-stick-around attitude sort of made me want them to get under each others skin and they did, in a big way. Admittedly it took a while before anything happened but we had hot glances and interesting conversations. Both of them are damaged in some ways. Ivy never really had a parent so she's wary of letting people get close as she's scared of what might happen and Kel keeps himself detached from relationships and blames it on his job for not staying around.
What I did enjoy was seeing them working through their problems so they could be with each other. It wasn't easy to get over them and it wasn't until near the end of the book that they finally got together and it was sweet.
I really like this group of friends. They're the ones who'll stick with you through thick and thin and won't shy away from any problem you might have. I wish I'd read all the previous books - books 1-6 - so I could see how some of these couples got together but I will be keeping my eye out for more books in this series.
Bong Mines Entertainment (15 KP) rated We Were Kings - Single by Neon Dreams in Music
Jun 25, 2019
Neon Dreams (Frank Kadillac, Adrian Morrisis) is a pop outfit based in Halifax, Nova Scotia. Not too long ago, they released a music video for their “We Were Kings” single.
“The video for ‘We Were Kings’ was shot by my close friend Alex Gayoso and directed by me. We were driving through Utah and found this piece of land that was incredible. It had all the landscapes in one place. As a Coldplay fan, I had this idea for doing a one-take video like ‘Yellow’ but making it our own.” – Frank Kadillac
‘We Were Kings’ tells an interesting tale of a young man who reminisces on his teenage years when he was thirteen and six-feet-tall.
Back then, he was shy and the new kid in town, until he obtained a friend. Together, they skipped classes; he wrote songs that his friend sang along to.
Later, he admits that the other children used to beat him up because of the color of his skin. Even then, his friend was there to pick him up.
Even though he hasn’t seen his friend since then, he still remembers the days when they had crowns before they were kings.
“I want to be honest about who I am. I was raised by a single mother who had me when she was only 17. We moved around a lot. I was sleeping in closets, couches – wherever we could stay until we got evicted. I was the new kid in 10 different schools. ‘We Were Kings’ is a heartfelt thank you to those that helped me get through my difficult teenage years. I wanted to make a song that shows these people they’re always in my heart. Nothing has ever changed about my feelings towards them.” – Frank Kadillac
“The video for ‘We Were Kings’ was shot by my close friend Alex Gayoso and directed by me. We were driving through Utah and found this piece of land that was incredible. It had all the landscapes in one place. As a Coldplay fan, I had this idea for doing a one-take video like ‘Yellow’ but making it our own.” – Frank Kadillac
‘We Were Kings’ tells an interesting tale of a young man who reminisces on his teenage years when he was thirteen and six-feet-tall.
Back then, he was shy and the new kid in town, until he obtained a friend. Together, they skipped classes; he wrote songs that his friend sang along to.
Later, he admits that the other children used to beat him up because of the color of his skin. Even then, his friend was there to pick him up.
Even though he hasn’t seen his friend since then, he still remembers the days when they had crowns before they were kings.
“I want to be honest about who I am. I was raised by a single mother who had me when she was only 17. We moved around a lot. I was sleeping in closets, couches – wherever we could stay until we got evicted. I was the new kid in 10 different schools. ‘We Were Kings’ is a heartfelt thank you to those that helped me get through my difficult teenage years. I wanted to make a song that shows these people they’re always in my heart. Nothing has ever changed about my feelings towards them.” – Frank Kadillac
Lottie disney bookworm (1056 KP) rated Trying to Live Happily Ever After in Books
Oct 8, 2019
I received an advance review copy of this book for free, and I am leaving this review voluntarily. Thank you to Booksirens and Clive Lilwall for this opportunity.
I was very intrigued by the concept of Trying to Live Happily Ever After: bringing fairytales into the modern age is right up my street and, on the whole, Clive Lilwall did not disappoint.
With 17 short stories in total I must admit I did not enjoy every tale.
Cinderella, in my opinion, was just as vapid as her stepsisters and it felt like her owning an old model of a mobile phone justified her to get "the prince". Granted, this may have been Lilwall's aim to show how we associate technology with social standing. However, I would have appreciated a stronger role model as opposed to the slightly kinder but still materialistic Cindy we received.
Unfortunately some of the fables were also lost on me but that may be because I am not familiar with the originals.
Nevertheless, some of Lilwall's tales will possibly stay with me forever. Red's granny getting saucy under a wolf skin; Hansel and Gretal getting fat and baked in a whole new way and, of course, the blunt, shameless, no-holds-barred adaptation of The Emperor's New Clothes, starring a certain "president".
The writing is overly simplistic at times but this only highlights the roots of these tales as stories and fables.
The writing does not need to be complex when human actions and consequences are under the spotlight in such a humorous, satirical and thought provoking manner.
These are not the fairy tales you remember, they're not even revolting-rhymes-sort-of-for-kids. Not in the slightest. You have been warned.
I was very intrigued by the concept of Trying to Live Happily Ever After: bringing fairytales into the modern age is right up my street and, on the whole, Clive Lilwall did not disappoint.
With 17 short stories in total I must admit I did not enjoy every tale.
Cinderella, in my opinion, was just as vapid as her stepsisters and it felt like her owning an old model of a mobile phone justified her to get "the prince". Granted, this may have been Lilwall's aim to show how we associate technology with social standing. However, I would have appreciated a stronger role model as opposed to the slightly kinder but still materialistic Cindy we received.
Unfortunately some of the fables were also lost on me but that may be because I am not familiar with the originals.
Nevertheless, some of Lilwall's tales will possibly stay with me forever. Red's granny getting saucy under a wolf skin; Hansel and Gretal getting fat and baked in a whole new way and, of course, the blunt, shameless, no-holds-barred adaptation of The Emperor's New Clothes, starring a certain "president".
The writing is overly simplistic at times but this only highlights the roots of these tales as stories and fables.
The writing does not need to be complex when human actions and consequences are under the spotlight in such a humorous, satirical and thought provoking manner.
These are not the fairy tales you remember, they're not even revolting-rhymes-sort-of-for-kids. Not in the slightest. You have been warned.
Eleanor (1463 KP) rated Lies Lies Lies in Books
Aug 17, 2019
Good Twisty Domestic Thriller
A true page turner of a domestic thriller. Despite some hard to read content it was a book I tore through. Some good twists in and some hard hitting themes are dealt with.
Millie is the “miracle” daughter of Daisy and Simon; conceived after a long battle with infertility. Despite the perfect family appearance there are truths covered up by lies and after one fateful night their lives will change forever. The story is told through the alternating perspective views of Daisy and Simon as they reevaluate everything in their lives.
Early on this book deals with Simon and his ever increasing dependence on booze and it’s done in a very hard hitting way giving a really gritty feeling of the life as, and life living with an alcoholic. In particular viewing things from Simon’s perspective offered a really interesting perspective.
I found some of this uncomfortable to read and just wanted to shake the characters into facing their reality head on rather than avoiding difficult conversations with each other. Daisy became a bit too much of a useless protagonist I understand some things are difficult to face up to but throughout the book she really is useless. Unfortunately this is the second book in a row I’ve read with a very weak female lead in it, I don’t mind some vulnerability but show some backbone please or its just too frustrating to read.
The twists are interesting in this although I guessed one of the big ones early on it was still an interesting read and the “baddie” really did make my skin crawl. All in all an uncomfortable but worthwhile thriller, I just would of liked Daisy to be a more developed character.
Millie is the “miracle” daughter of Daisy and Simon; conceived after a long battle with infertility. Despite the perfect family appearance there are truths covered up by lies and after one fateful night their lives will change forever. The story is told through the alternating perspective views of Daisy and Simon as they reevaluate everything in their lives.
Early on this book deals with Simon and his ever increasing dependence on booze and it’s done in a very hard hitting way giving a really gritty feeling of the life as, and life living with an alcoholic. In particular viewing things from Simon’s perspective offered a really interesting perspective.
I found some of this uncomfortable to read and just wanted to shake the characters into facing their reality head on rather than avoiding difficult conversations with each other. Daisy became a bit too much of a useless protagonist I understand some things are difficult to face up to but throughout the book she really is useless. Unfortunately this is the second book in a row I’ve read with a very weak female lead in it, I don’t mind some vulnerability but show some backbone please or its just too frustrating to read.
The twists are interesting in this although I guessed one of the big ones early on it was still an interesting read and the “baddie” really did make my skin crawl. All in all an uncomfortable but worthwhile thriller, I just would of liked Daisy to be a more developed character.
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