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Rachel King (13 KP) rated Ink Exchange (Wicked Lovely, #2) in Books
Feb 11, 2019
The second book in the Wicked Lovely series is decidely darker than the first book, especially as it focuses on the Dark Court. A major plot point is Leslie's struggles to deal with how her brother and father have fallen off the "deep end" and the rape that her brother allowed to happen to her. She believes a tattoo will allow her to reclaim her body as her own and stop being afraid, but the tattoo she chooses has unimaginable consequences as she becomes entangled into the drama of the faery courts that her best friend Aislinn belongs to.
I like the change in main characters, as we get to see this world through other characters' eyes as well as learn about different aspects that Keenan or Aislinn may not be familiar with. I had a difficult time finding a character to really love, as all three of the main characters, Leslie, Irial, and Niall, all seemed to have major faults that I had a hard time getting around. The theme for this book seemed to be the darker side of humanity and how deeply entrenched people can get into the "gray" area of life, while still believing that they are not doing anything wrong. Irial wants to only use Leslie, just as he has for every other mortal, but then he falls for her. Leslie wants to be her own person and hates her brother for his druggie lifestyle, but then becomes an addict just like Ren. Niall has shunned the Dark Court for all it stands for, even denying his own nature, but then wants Leslie so bad that he unknowingly uses what he is and what the Dark Court is about to try and lure her to him. In a word, they all behave like hypocrites, but Marr is such a good writer, that I find myself feeling sorry for all of them at some point. While in many fantasy genre works, the female lead often has to choose between two guys, Marr takes a completely unpredictable approach, and I think that I like this ending the best of all possibilities. Plus, since this is only the second book in a series, there is potential for Leslie to change her mind in the long run as she becomes more comfortable in her own skin.
The way that Marr approaches the horrific trauma that Leslie endured prior to this book's beginning is handled very delicately, as it should be. It is never really described in detail what exactly happens to her, and it is mostly left up to the reader's imagination, which I think is a smart move in that girls who have been in a situation similar to Leslie's can relate to her and feel like they have a voice in her words and thoughts. This alone is what makes this book both poignant and powerful. The fact that both males vying for her affection try to rescue her from this trauma in his own way is what redeems both of them for me.
Politics run heavy in this series, and while I am not really a fan of politics in real life, fantasy books often make it much more interesting, Marr's writing being no exception. The dynamics between the faery courts are quite intriguing and I think they seem to balance one another out well, even though at first glance it might seem like some should be kept over others. I find myself constantly wondering about the High Court and its Queen, Sorcha, which I can look forward to in the third installment in the series, Fragile Eternity (Wicked Lovely).
I like the change in main characters, as we get to see this world through other characters' eyes as well as learn about different aspects that Keenan or Aislinn may not be familiar with. I had a difficult time finding a character to really love, as all three of the main characters, Leslie, Irial, and Niall, all seemed to have major faults that I had a hard time getting around. The theme for this book seemed to be the darker side of humanity and how deeply entrenched people can get into the "gray" area of life, while still believing that they are not doing anything wrong. Irial wants to only use Leslie, just as he has for every other mortal, but then he falls for her. Leslie wants to be her own person and hates her brother for his druggie lifestyle, but then becomes an addict just like Ren. Niall has shunned the Dark Court for all it stands for, even denying his own nature, but then wants Leslie so bad that he unknowingly uses what he is and what the Dark Court is about to try and lure her to him. In a word, they all behave like hypocrites, but Marr is such a good writer, that I find myself feeling sorry for all of them at some point. While in many fantasy genre works, the female lead often has to choose between two guys, Marr takes a completely unpredictable approach, and I think that I like this ending the best of all possibilities. Plus, since this is only the second book in a series, there is potential for Leslie to change her mind in the long run as she becomes more comfortable in her own skin.
The way that Marr approaches the horrific trauma that Leslie endured prior to this book's beginning is handled very delicately, as it should be. It is never really described in detail what exactly happens to her, and it is mostly left up to the reader's imagination, which I think is a smart move in that girls who have been in a situation similar to Leslie's can relate to her and feel like they have a voice in her words and thoughts. This alone is what makes this book both poignant and powerful. The fact that both males vying for her affection try to rescue her from this trauma in his own way is what redeems both of them for me.
Politics run heavy in this series, and while I am not really a fan of politics in real life, fantasy books often make it much more interesting, Marr's writing being no exception. The dynamics between the faery courts are quite intriguing and I think they seem to balance one another out well, even though at first glance it might seem like some should be kept over others. I find myself constantly wondering about the High Court and its Queen, Sorcha, which I can look forward to in the third installment in the series, Fragile Eternity (Wicked Lovely).
KittyMiku (138 KP) rated Witch's Bell in Books
May 23, 2019
This was a free book on Amazon and the reviews make you wonder if you should even pick it up, but I still did and I have never been happier. I did find some of the complaints to be true to word, but I did enjoy the book way too much to just say it wasn't worth the read. However, we will be discussing Ebony Bell and her adventures and what Bell may have been done to make it better. Let's dive in.
So first of all, I fell in love with the idea behind this book and apparently the series. With characters like Nathan Wall and Ebony Bell, I couldn't help but be intrigued on whatever relationships was forming between them. I think this book was pretty well thought out considering it cold have left the scenes bare making it hard to visualize where the characters were and what was exactly going on. However, I did think there could have been a little less rambling about different things, though I feel it may be foreshadowing for other books. I feel that even though Ebony was pretty fleshed out, that there could have been a little more on the other characters we find ourselves following a bit. For example, Avery's mother is described by her looks and a bit of how she acted when Ebony was a child, but as a member of the Coven, I wanted a little more. Like how did she become apart of the Coven who were supposedly the strongest witches around as well as the oldest? It left a few questions popping to mind and hope they will be answered in the future. Nathan was another character I felt could have been fleshed out a bit more and not really semi revealed at the end. It left a lot to be desired, but again could just be information that makes you want to read on.
I loved, and I mean LOVED, how when Ebony had her magic blocked from her, the way she saw things changed a bit. Do not get me wrong, her outfits made me giggle, but seeing her actually notice the small things even though she didn't have to and hadn't noticed before, was kind of nice. You were able to see her actually begin to appreciate things she hadn't before. I always love seeing characters grow as a person. Ebony had learned to really appreciate what she was seeing as well as what she had. To see her struggle had brought some delight and I found myself a little mad at how she would forget the most important thing she had thought about until it was almost too late. I did find that the use of other characters did help make what was going on around her seem a little more dire.
I found the love interest between Ebony and Nathan to be a bit subtle, which was kind of nice since it left a lot of room for something to blossom a wonderful romance. I do like how Nate gets under Ebony's skin and no matter how hard she tries rattle him he is unfazed. This made them polar opposites, which made me smile a bit, Though I would have loved to see more between them in the form of witty banter and teasing. but what I was given, I didn't think it was all that bad, just could have been more.
Overall, I would rate this book 4 stars out of 5 stars. There could have been more given and even explained something better while not rambling on things that made you begin to question a character's mental state. I loved the story line and hope that as the books move forward we can figure it all out about our mysterious Detective Nathan Wall, the Coven and whoever is behind trying to rewrite Ebony Bell's story.
So first of all, I fell in love with the idea behind this book and apparently the series. With characters like Nathan Wall and Ebony Bell, I couldn't help but be intrigued on whatever relationships was forming between them. I think this book was pretty well thought out considering it cold have left the scenes bare making it hard to visualize where the characters were and what was exactly going on. However, I did think there could have been a little less rambling about different things, though I feel it may be foreshadowing for other books. I feel that even though Ebony was pretty fleshed out, that there could have been a little more on the other characters we find ourselves following a bit. For example, Avery's mother is described by her looks and a bit of how she acted when Ebony was a child, but as a member of the Coven, I wanted a little more. Like how did she become apart of the Coven who were supposedly the strongest witches around as well as the oldest? It left a few questions popping to mind and hope they will be answered in the future. Nathan was another character I felt could have been fleshed out a bit more and not really semi revealed at the end. It left a lot to be desired, but again could just be information that makes you want to read on.
I loved, and I mean LOVED, how when Ebony had her magic blocked from her, the way she saw things changed a bit. Do not get me wrong, her outfits made me giggle, but seeing her actually notice the small things even though she didn't have to and hadn't noticed before, was kind of nice. You were able to see her actually begin to appreciate things she hadn't before. I always love seeing characters grow as a person. Ebony had learned to really appreciate what she was seeing as well as what she had. To see her struggle had brought some delight and I found myself a little mad at how she would forget the most important thing she had thought about until it was almost too late. I did find that the use of other characters did help make what was going on around her seem a little more dire.
I found the love interest between Ebony and Nathan to be a bit subtle, which was kind of nice since it left a lot of room for something to blossom a wonderful romance. I do like how Nate gets under Ebony's skin and no matter how hard she tries rattle him he is unfazed. This made them polar opposites, which made me smile a bit, Though I would have loved to see more between them in the form of witty banter and teasing. but what I was given, I didn't think it was all that bad, just could have been more.
Overall, I would rate this book 4 stars out of 5 stars. There could have been more given and even explained something better while not rambling on things that made you begin to question a character's mental state. I loved the story line and hope that as the books move forward we can figure it all out about our mysterious Detective Nathan Wall, the Coven and whoever is behind trying to rewrite Ebony Bell's story.
Hazel (1853 KP) rated Purple Hearts in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
An epic tale of a reimagined World War II comes to an explosive end in this third and final book <i>Purple Hearts</i>. Michael Grant created an alternative history in which women were allowed to enter the army and fight alongside the men on the front lines in Europe. Having earned accolades, promotions and the right to go home to America at the conclusion of the previous book, Rio, Frangie and Rainy decide to stay for the remains of the war. It is 6th June 1944, and the battle on the sands of Omaha Beach is about to begin – D-Day.
The story rushes into the horrors of the D-Day landings where Rio, now a Sergeant, is leading her platoon through the treacherous battleground, whilst Frangie, the medic, tries to patch up fallen comrades. The author teases the reader with the introduction of new characters who promptly get killed during this fateful day and battles further along the line. There is no sugar coating the horrific experience of soldiers and civilians, regardless of whether the scenes are fictionalized or not.
The difficulty with writing a work of fiction about the final years of World War II is that the majority of readers will already know the facts. Therefore, it was impossible for Grant to compose a drastic alternative history. Despite the inclusion of women soldiers, the main events occur exactly as they did in reality, beginning with D-Day before moving on to Liberated France, the Hürtgen Forest, the Battle of the Bulge, and, eventually, VE Day.
The three main characters have undergone complete transformations since the beginning of book one. No longer are they the innocent girls mocked for the belief they could be as strong as male soldiers. As horror after horror unfolds, readers are left with only the hope that these three survive.
Throughout book one and two, the narrative was interspersed with a commentary from an anonymous female soldier in a bed at the 107th evacuee hospital in Würzburg, Germany. As promised at the beginning of the series, readers finally find out which character this nameless voice belongs to, although it is dragged out until the final pages of the book.
The title, <i>Purple Hearts</i>, refers to the medal earned by soldiers injured in battle. Rio, Frangie and Rainy have each received one, along with a few other characters. Unfortunately, many are killed in the battles, some who have been in the story from the start, making this an extremely shocking book. It goes to show how dangerous war is and the brutality WWII soldiers experienced. It is a surprise that as many survived as they did.
Although at this point the main focus of the story is the war, there is still the underlying theme of equality, both for women and for black people. Frangie provides the insight into the segregation of blacks, being assigned to black-only patrols and having white patients refuse to be treated by her. However, as the war gets more violent, these lines get blurred until it is (mostly) no longer important the colour of a soldier or medic’s skin.
<i>Purple Hearts</i> is a brilliant end to a challenging series. Readers become invested in the characters and are drawn into a story that is so true to form that it is easy to forget that women did not actually take part in the fighting. Evidently well researched, Michael Grant has penned a series that educates whilst it entertains, opening readers’ eyes to the truth about war. This is nothing like a textbook full of facts and figures, it is a moving, personal (forget the fictional bit) account of what WWII was really like. Written with young adults in mind, this is a great series for both teens and older readers.
<i>I received this book for free through Goodreads First Reads.</i>
From the moment the great storm of 1987 almost blew six-year-old Nick Hunt away, he has had the urge to travel. So many travel books are on the market, it is difficult to produce something new and exciting, but after coming across an interesting map of Europe, Hunt was determined to go on a journey that not many have attempted before. With a map listing the named winds of Europe, Hunt sets off on a quixotic quest to follow the winds.
Beginning in the Pennine Mountains, Nick Hunt takes the reader on a personal journey through the continent as he explores the towns and valleys the winds flow through whilst hoping the elusive tempests will occur so that he can experience them himself. With a mix of euphoria and disappointment, Hunt details his arduous journey providing additional knowledge along the way.
Some winds are more evanescent than others – one, discouragingly, not appearing at all – whereas one is so strong, Hunt witnesses a waterfall being blown upwards. Ignoring the warnings of the locals, Hunt, dead set on completing what he intended to do, takes us on a long walk from Italy to Croatia, a trek through the Alpine valleys of Switzerland, and a final expedition to the south of France.
Wind may seem like an odd topic to write a book about, but the Helm, Bora, Foehn and Mistral are no ordinary breezes. Their violence makes Hunt’s journey a dangerous and daring endeavour and is full of stories about past disasters that have occurred as a result of the strong, temperamental weather.
As well as teaching us about these four winds, Nick Hunt has collected facts and stories about the general areas he passes through. Personal stories of the inhabitants break up Hunt’s narrative, however, myths, legends, history and superstitions frequent the lengthy chapters as much as the winds themselves.
Giving wind a name provides it with a personality, as though it is something tangible that can be met and observed. Nick Hunt notes that artists such as Turner and Constable were interested in the weather and fascinated by the effects the wind had on the surrounding landscape. Another artist that was affected by the weather was Vincent Van Gogh - some of his paintings took place in France in the midst of the powerful Mistral. Just as the wind can be seen in his starry night skies, the scenery in France is evocative of a Van Gogh painting.
The winds do not only affect the lands they blow through, they have a strong impact on the wellbeing of the inhabitants. Some experience physical symptoms such as headaches, nose bleeds, dry skin and so forth, whereas others find themselves growing irritable, depressed and confused. The author himself has the opportunity to undergo the effects of these winds. Hunt also puts forward the suggestion that Van Gogh’s deteriorating mental health was a direct consequence of residing in the path of the Mistral.
From witchcraft to the Greek god Aeolus, there are a number of theories about why these strong winds blow. There are, of course, meteorological explanations, which Hunt attempts to explain, but admits he finds it as baffling as the next person. Regardless of the reason, these winds exist and it is captivating to learn about this aspect of Europe.
<i>Where the Wild Winds Are: Walking Europe’s Winds from the Pennines to Provence</i> is a fantastic, beautifully written book. Nick Hunt’s narrative is so personal that it becomes more than a travel documentation or informative non-fiction. As we read, we really get a sense of the emotions and physical hardship Hunt experienced, yet, at the same time, learn so much about European culture as well as, of course, Europe’s winds. Whether or not you are interested in travelling, this book will take you on a journey you will never forget.
From the moment the great storm of 1987 almost blew six-year-old Nick Hunt away, he has had the urge to travel. So many travel books are on the market, it is difficult to produce something new and exciting, but after coming across an interesting map of Europe, Hunt was determined to go on a journey that not many have attempted before. With a map listing the named winds of Europe, Hunt sets off on a quixotic quest to follow the winds.
Beginning in the Pennine Mountains, Nick Hunt takes the reader on a personal journey through the continent as he explores the towns and valleys the winds flow through whilst hoping the elusive tempests will occur so that he can experience them himself. With a mix of euphoria and disappointment, Hunt details his arduous journey providing additional knowledge along the way.
Some winds are more evanescent than others – one, discouragingly, not appearing at all – whereas one is so strong, Hunt witnesses a waterfall being blown upwards. Ignoring the warnings of the locals, Hunt, dead set on completing what he intended to do, takes us on a long walk from Italy to Croatia, a trek through the Alpine valleys of Switzerland, and a final expedition to the south of France.
Wind may seem like an odd topic to write a book about, but the Helm, Bora, Foehn and Mistral are no ordinary breezes. Their violence makes Hunt’s journey a dangerous and daring endeavour and is full of stories about past disasters that have occurred as a result of the strong, temperamental weather.
As well as teaching us about these four winds, Nick Hunt has collected facts and stories about the general areas he passes through. Personal stories of the inhabitants break up Hunt’s narrative, however, myths, legends, history and superstitions frequent the lengthy chapters as much as the winds themselves.
Giving wind a name provides it with a personality, as though it is something tangible that can be met and observed. Nick Hunt notes that artists such as Turner and Constable were interested in the weather and fascinated by the effects the wind had on the surrounding landscape. Another artist that was affected by the weather was Vincent Van Gogh - some of his paintings took place in France in the midst of the powerful Mistral. Just as the wind can be seen in his starry night skies, the scenery in France is evocative of a Van Gogh painting.
The winds do not only affect the lands they blow through, they have a strong impact on the wellbeing of the inhabitants. Some experience physical symptoms such as headaches, nose bleeds, dry skin and so forth, whereas others find themselves growing irritable, depressed and confused. The author himself has the opportunity to undergo the effects of these winds. Hunt also puts forward the suggestion that Van Gogh’s deteriorating mental health was a direct consequence of residing in the path of the Mistral.
From witchcraft to the Greek god Aeolus, there are a number of theories about why these strong winds blow. There are, of course, meteorological explanations, which Hunt attempts to explain, but admits he finds it as baffling as the next person. Regardless of the reason, these winds exist and it is captivating to learn about this aspect of Europe.
<i>Where the Wild Winds Are: Walking Europe’s Winds from the Pennines to Provence</i> is a fantastic, beautifully written book. Nick Hunt’s narrative is so personal that it becomes more than a travel documentation or informative non-fiction. As we read, we really get a sense of the emotions and physical hardship Hunt experienced, yet, at the same time, learn so much about European culture as well as, of course, Europe’s winds. Whether or not you are interested in travelling, this book will take you on a journey you will never forget.
Purple Phoenix Games (2266 KP) rated Mephisto: The Card Game in Tabletop Games
Jun 18, 2019 (Updated Jun 21, 2019)
Ya done messed up and made a deal with devil. Now he requires you to harvest souls from monsters as payment in return. How will you do this? You have no weapons, no skills, and no plan. Luckily, there is a grid of powerful cards to aid you in your toils. Only one problem: you gotta stay in your lane.
DISCLAIMER: I am not intending to cover every rule in the rulebook (well, rule cards), but to give you an idea of how the game plays. -T
Mephisto is a card drafting, hand management game (with a dash of take-that) played using a grid of cards to be affected and manipulated… LIKE YOUR SOUL!! Setup is easy for a multiplayer game. Deal a hand of cards to each player, setup the main 3 x 3 grid of cards in the middle of the table with the draw deck in the center, and two corners (making a diagonal line) having random placeholder cards face-down to be unavailable for play. The reasoning is simple: where you sit at the table determines in which lane, like in bowling, you can play your cards to (if you have ever played the Adventure Time Card Wars game you will instantly be familiar) and you only have access to two cards in each lane.
You will be using your hand of cards to gain favor from Mephistopheles, to fight and kill monsters to reap their souls, to gain cards from the grid, and to activate items or spell cards for their abilities. Many cards can combo together, and several cards are multipurpose/multi-use cards that can decay every time you use them, so you must take care not to allow your powerful weapons to lose all durability before you can maximize their effectiveness. The first player to amass a total of 12 souls will gain the ultimate wish from Mephistopheles: infinite power!
Components: This game consists of a deck of cards, which are of great quality. I believe this was an earlier-than-originally-expected Kickstarter fulfillment due to switching manufacturers to an American-based company, so we Americans were able to enjoy the game sooner as a result. In any case, the cards are great. What I love about the components is the art. The art on the cards are really really cool. I love the art style employed here, and the explosive neon color scheme used. What I really wished had happened was that the colors would be alluded to on the box cover as well. Honestly, if I had never heard of this game and saw the dark dark colors and occultish logo on the box I probably would have passed it up as “not for me.” But, playing the game is much more enjoyable with a fresh and vibrant set of cards.
I made a comparison to Adventure Time Card Wars in referencing how the lanes worked in play. And honestly, the game kinda feels like ATCW with a different skin. There is some take-that, some moving cards into different lanes, and affecting different cards in the grid. Now, I am an Adventure Time fan, but I just could not get into that game. Mephisto feels familiar in that… lane… but I must like the theme more, because I would rather play Mephisto over ATCW. If you haven’t played a game using lanes like this and don’t mind a darker theme I say give it a shot. It’s small (deck of playing cards size), portable, inexpensive, and a pretty good game. Purple Phoenix Games, with guest Tony, give this one a darkened 15 / 24.
DISCLAIMER: I am not intending to cover every rule in the rulebook (well, rule cards), but to give you an idea of how the game plays. -T
Mephisto is a card drafting, hand management game (with a dash of take-that) played using a grid of cards to be affected and manipulated… LIKE YOUR SOUL!! Setup is easy for a multiplayer game. Deal a hand of cards to each player, setup the main 3 x 3 grid of cards in the middle of the table with the draw deck in the center, and two corners (making a diagonal line) having random placeholder cards face-down to be unavailable for play. The reasoning is simple: where you sit at the table determines in which lane, like in bowling, you can play your cards to (if you have ever played the Adventure Time Card Wars game you will instantly be familiar) and you only have access to two cards in each lane.
You will be using your hand of cards to gain favor from Mephistopheles, to fight and kill monsters to reap their souls, to gain cards from the grid, and to activate items or spell cards for their abilities. Many cards can combo together, and several cards are multipurpose/multi-use cards that can decay every time you use them, so you must take care not to allow your powerful weapons to lose all durability before you can maximize their effectiveness. The first player to amass a total of 12 souls will gain the ultimate wish from Mephistopheles: infinite power!
Components: This game consists of a deck of cards, which are of great quality. I believe this was an earlier-than-originally-expected Kickstarter fulfillment due to switching manufacturers to an American-based company, so we Americans were able to enjoy the game sooner as a result. In any case, the cards are great. What I love about the components is the art. The art on the cards are really really cool. I love the art style employed here, and the explosive neon color scheme used. What I really wished had happened was that the colors would be alluded to on the box cover as well. Honestly, if I had never heard of this game and saw the dark dark colors and occultish logo on the box I probably would have passed it up as “not for me.” But, playing the game is much more enjoyable with a fresh and vibrant set of cards.
I made a comparison to Adventure Time Card Wars in referencing how the lanes worked in play. And honestly, the game kinda feels like ATCW with a different skin. There is some take-that, some moving cards into different lanes, and affecting different cards in the grid. Now, I am an Adventure Time fan, but I just could not get into that game. Mephisto feels familiar in that… lane… but I must like the theme more, because I would rather play Mephisto over ATCW. If you haven’t played a game using lanes like this and don’t mind a darker theme I say give it a shot. It’s small (deck of playing cards size), portable, inexpensive, and a pretty good game. Purple Phoenix Games, with guest Tony, give this one a darkened 15 / 24.
Hazel (1853 KP) rated Lies We Tell Ourselves in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
Phillip McSween (751 KP) rated Green Book (2018) in Movies
Dec 23, 2018
Phenomenal
Sometimes a solid film can catch you off guard. Blockbusters, Marvel films, anything Disney, those are the ones you expect to succeed and most times they do. However, sometimes films come along that aren’t highly publicized that gives you a glimpse of its potential in a trailer you never even would have seen had you not gone to see a certain movie. Enter Green Book, the story of famous black pianist Dr. Don Shirley (Mahershala Ali) and his decision to embark on a tour in the deep south accompanied by his driver and protector, an American-Italian man named Tony Lip (Viggo Mortensen).
Acting: 10
You can tell someone is killing at their job as an actor in a movie when you don’t even recognize them. Viggo Mortensen is out of this world amazing in his performance as Tony. He’s tough as nails, but you can see his softer side coming forth as the movie progresses. He and Mahershala Ali have a phenomenal chemistry that carries the story and entertains you from start to finish. They make you feel as if they’re actually becoming the best of friends as their worlds collide. I loved the intensity of some of their scenes and how they could turn on a dime and bring you a little laughter. Also, not-so-small shout out to Linda Cardellini who plays Lip’s wife Dolores as her performance was extremely solid as well.
Beginning: 10
Characters: 10
Tony Lip is easily one of my favorite characters in any 2018 movie this year. He is the typical gruff male and the stereotypical American-Italian type, but it’s eye-opening and fun to watch a character like that in a setting that’s not a mafia movie. His progression is what makes him great, or adds to his greatness rather. I couldn’t imagine coming across a guy like Tony Lip and not liking him after five minutes of meeting him.
I don’t want to downplay Don Shirley’s character, although Lip does steal the show. Shirley is one we can learn from, a guy that fights through adversity and is determined to win at all costs. He is a lost soul that drowns himself in the highs and lows of alcohol and music. You pity him and you cheer for him at the same time.
Cinematography/Visuals: 9
I am always impressed with period pieces and how they are able to capture regions so well. There is such a great depiction here of the northeast vs. the deep south that transports you easily from one region to the next. One minute you’re on a bustling street in the middle of New York and the next you’re on country road surrounded by trees being taken to a backwoods gas station. Just thinking about it even now made me add another point on. I also loved the stark contrast between the beautiful venues where Shirley would play and the grimy hotels he had to stay in because of the color of his skin. It was a major eye-opener and a punch to the gut when you see it on screen.
Conflict: 10
Genre: 8
Memorability: 10
Great choice on the title as it alone helps the film to stand out. You will understand when you see it, trust me. Overall Green Book is a beautiful tale that ultimately breaks stereotypes and spin things in a different light we don’t quite expect. I loved how there were a number of scenes that were not only funny, but touching at the same time.
Pace: 10
Plot: 10
Resolution: 10
Slightly cheesy, slightly unrealistic. I don’t care. To me, it was a fitting ending to an overall solid story. It’s got my seal of approval.
Overall: 97
I love when unexpected gems hit me in the face like Green Book. Go see this film. You will not be disappointed.
Acting: 10
You can tell someone is killing at their job as an actor in a movie when you don’t even recognize them. Viggo Mortensen is out of this world amazing in his performance as Tony. He’s tough as nails, but you can see his softer side coming forth as the movie progresses. He and Mahershala Ali have a phenomenal chemistry that carries the story and entertains you from start to finish. They make you feel as if they’re actually becoming the best of friends as their worlds collide. I loved the intensity of some of their scenes and how they could turn on a dime and bring you a little laughter. Also, not-so-small shout out to Linda Cardellini who plays Lip’s wife Dolores as her performance was extremely solid as well.
Beginning: 10
Characters: 10
Tony Lip is easily one of my favorite characters in any 2018 movie this year. He is the typical gruff male and the stereotypical American-Italian type, but it’s eye-opening and fun to watch a character like that in a setting that’s not a mafia movie. His progression is what makes him great, or adds to his greatness rather. I couldn’t imagine coming across a guy like Tony Lip and not liking him after five minutes of meeting him.
I don’t want to downplay Don Shirley’s character, although Lip does steal the show. Shirley is one we can learn from, a guy that fights through adversity and is determined to win at all costs. He is a lost soul that drowns himself in the highs and lows of alcohol and music. You pity him and you cheer for him at the same time.
Cinematography/Visuals: 9
I am always impressed with period pieces and how they are able to capture regions so well. There is such a great depiction here of the northeast vs. the deep south that transports you easily from one region to the next. One minute you’re on a bustling street in the middle of New York and the next you’re on country road surrounded by trees being taken to a backwoods gas station. Just thinking about it even now made me add another point on. I also loved the stark contrast between the beautiful venues where Shirley would play and the grimy hotels he had to stay in because of the color of his skin. It was a major eye-opener and a punch to the gut when you see it on screen.
Conflict: 10
Genre: 8
Memorability: 10
Great choice on the title as it alone helps the film to stand out. You will understand when you see it, trust me. Overall Green Book is a beautiful tale that ultimately breaks stereotypes and spin things in a different light we don’t quite expect. I loved how there were a number of scenes that were not only funny, but touching at the same time.
Pace: 10
Plot: 10
Resolution: 10
Slightly cheesy, slightly unrealistic. I don’t care. To me, it was a fitting ending to an overall solid story. It’s got my seal of approval.
Overall: 97
I love when unexpected gems hit me in the face like Green Book. Go see this film. You will not be disappointed.
Emma @ The Movies (1786 KP) rated Escape Room (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
TL;DR - I'm never doing an escape room ever again, and potentially never going anywhere that begins with a mysterious invitation.
The film opens, somewhat strangely, with some of the last scenes of the movie. I'm not sure whether this helped the film along or not. We already knew what to expect before going in so starting with the intrigue of the invitations probably would have worked just as well, it did at least ease you in to what you'd be getting from the rest of the film.
I was a little disappointed that we didn't get an intro to all of the characters. Admittedly six intro pieces would have made the beginning of the story drag but it felt a little odd to have the other three thrown in with no context. On the plus side you are able to infer some things about their back story as we go through the film, but I don't quite see the logic behind who they included and excluded.
Drama, mystery, sci-fi, thriller... that's how IMDb classified Escape Room, and this is why I don't know why we bother pigeon holing films. It's definitely a thriller and can loosely fit into the horror genre (I only say loosely because of it's lack of gore) but to claim any of the others is a stretch.
In what was probably a rather average film I was glad to see some pieces that impressed me. Amanda (Deborah Ann Woll) has a flashback during one of their escapes and the transition was seamless. Woll's performance overall was probably the best, she goes from vulnerable to woman of action and in each scene she creates something that I found incredibly believable.
Tyler Labine is one of my favourite "hidden" gems of the movie world so I was excited to see he was part of this. My excitement was short lived though as his character wasn't given much opportunity to shine as his story is largely overlooked until the very last minute.
One of the issues I have at the cinema is that I suffer from mild motion sickness, generally I'm okay but on occasion the weirdest things can set it off. This film gave me a near heart attack when it entered the pool room, you can see it during the trailer, the room is basically upside down but that combined with the camera shots meant I had to keep looking at my feet for fear of either passing out or throwing up on my fellow cinema goers.
The idea behind the film had a lot of potential and up to a certain point I was enjoying what was happening... but that ending. My brain suddenly stopped and went "huh, Belko Experiment." I'm not generally a watcher of horror type films but from the comments I've seen online Escape Room is similar to a lot of things already out there. What I know is that it's predictable. Probably more so because of the way the film starts, the premise of an escape room, and the trailer. It does have some things up its sleeve though.
For someone who is easily scared out of their skin I didn't have a problem watching this (apart from that pool room scene), a lot of the really jumpy bits I'd already seen before going into the film. Until the memory of this film is washed away by several dozen other films I will not be setting foot in an escape room, and they should probably look at suing the film for lose of revenue.
What you should do
It's an entertaining film and if thrillers/horrors are your sort of thing then you should give it a go.
Movie thing you wish you could take home
Needless to say there is basically nothing I want from this movie apart from the little piece of sanity and rational thinking it stole from me.
The film opens, somewhat strangely, with some of the last scenes of the movie. I'm not sure whether this helped the film along or not. We already knew what to expect before going in so starting with the intrigue of the invitations probably would have worked just as well, it did at least ease you in to what you'd be getting from the rest of the film.
I was a little disappointed that we didn't get an intro to all of the characters. Admittedly six intro pieces would have made the beginning of the story drag but it felt a little odd to have the other three thrown in with no context. On the plus side you are able to infer some things about their back story as we go through the film, but I don't quite see the logic behind who they included and excluded.
Drama, mystery, sci-fi, thriller... that's how IMDb classified Escape Room, and this is why I don't know why we bother pigeon holing films. It's definitely a thriller and can loosely fit into the horror genre (I only say loosely because of it's lack of gore) but to claim any of the others is a stretch.
In what was probably a rather average film I was glad to see some pieces that impressed me. Amanda (Deborah Ann Woll) has a flashback during one of their escapes and the transition was seamless. Woll's performance overall was probably the best, she goes from vulnerable to woman of action and in each scene she creates something that I found incredibly believable.
Tyler Labine is one of my favourite "hidden" gems of the movie world so I was excited to see he was part of this. My excitement was short lived though as his character wasn't given much opportunity to shine as his story is largely overlooked until the very last minute.
One of the issues I have at the cinema is that I suffer from mild motion sickness, generally I'm okay but on occasion the weirdest things can set it off. This film gave me a near heart attack when it entered the pool room, you can see it during the trailer, the room is basically upside down but that combined with the camera shots meant I had to keep looking at my feet for fear of either passing out or throwing up on my fellow cinema goers.
The idea behind the film had a lot of potential and up to a certain point I was enjoying what was happening... but that ending. My brain suddenly stopped and went "huh, Belko Experiment." I'm not generally a watcher of horror type films but from the comments I've seen online Escape Room is similar to a lot of things already out there. What I know is that it's predictable. Probably more so because of the way the film starts, the premise of an escape room, and the trailer. It does have some things up its sleeve though.
For someone who is easily scared out of their skin I didn't have a problem watching this (apart from that pool room scene), a lot of the really jumpy bits I'd already seen before going into the film. Until the memory of this film is washed away by several dozen other films I will not be setting foot in an escape room, and they should probably look at suing the film for lose of revenue.
What you should do
It's an entertaining film and if thrillers/horrors are your sort of thing then you should give it a go.
Movie thing you wish you could take home
Needless to say there is basically nothing I want from this movie apart from the little piece of sanity and rational thinking it stole from me.
Gareth von Kallenbach (971 KP) rated Splice (2010) in Movies
Aug 8, 2019
I consider myself a pretty well educated horror-movie buff. As a child, my brother lovingly showed me movies like Critters” and Ghoulies, along with the Halloween and Friday the 13th series. Freddy Krueger scared me no more than Ronald McDonald did (and no, I don’t have a fear of clowns). I have pretty much grown immune to horror films and their ilk, so it takes a lot to get a rise out of me. Sadly, like many many others, Splice failed miserably in doing so.
Meet Clive (Adrian Brody) and Elsa (Sarah Polley), two very cliché, defiant scientists who lead their industry by creating a prototype of the first ever genetically engineered creature. These two creatures, dubbed “Fred” and “Ginger”, claim a genetic code that they hope to someday use for veterinary and medicinal advances. In light of their success, Elsa conveys her desire to start working with human genes, a desire her supervisors immediately shoot down. Ever rebellious, Elsa and Clive begin splicing human genomes on their own, hoping to create a creature that will be unequaled in its genetic capabilities and advances. Yet their result turns out to be something far more humanoid than previously hoped. Soon they find themselves with a creature, lovingly named “Dren”, that’s startlingly human and yet embodies the abilities of amphibian and bird, a creature that’s capable of employing human emotion and intelligence while reveling in its animalistic tendencies. Even with Elsa's nurturing, their experiment takes a turn for the worse.
At first I had high hopes for this film. It was an independent film that premiered at Sundance (it's also being shown currently at the Seattle Independent Film Festival), had Adrian Brody as its lead, and one of my favorite directors, Guillermo Del Toro as one of its executive producers. All in all, I thought this might prove to be one of those rare horror-movie exceptions. But I was wrong.
Remember that time when you first watched Saw in the movie theater, and how comical that scene was where Cary Elwes' character is sawing off his leg to break free to save his family, only to have the game end less than an hour or so later? It was supposed to be one of those "dramatic" moments but everyone ends up laughing instead. Yeah, that's kind of what happens in Splice. Numerous times throughout the movie, the audience ended up laughing at the more dramatic moments. Sadly, the plot in and of itself was decent.
Perhaps if there had been a bigger budget or if more attention had been paid to the acting and the movie's resolution it might have turned out in much better form. It's my understanding that the original Sundance film had been edited and altered, thus resulting in what we see. Whether this was for better or worse, I've no clue. Given the ridiculous ending and the generic horror-movie allure, it flopped terribly and the ending just seemed thrown together more than anything else. Plus, if the plot didn't get under your skin, Dren's chirps and warbles would.
The opening credits were amazing (I have to give credit where credit is due) and the beginning scenes weren't terribly bad. Overall, the movie is more comical than terrifying and the plot weaker than watered-down instant coffee. There are far too many holes in the storyline and Adrian Brody's character wasn't strong enough to carry a cast as obscure as this. I would wait to see what the DVD would hold for this one. Maybe the extras will help fill in the gaps or the unedited film will present itself in a different light?
Meet Clive (Adrian Brody) and Elsa (Sarah Polley), two very cliché, defiant scientists who lead their industry by creating a prototype of the first ever genetically engineered creature. These two creatures, dubbed “Fred” and “Ginger”, claim a genetic code that they hope to someday use for veterinary and medicinal advances. In light of their success, Elsa conveys her desire to start working with human genes, a desire her supervisors immediately shoot down. Ever rebellious, Elsa and Clive begin splicing human genomes on their own, hoping to create a creature that will be unequaled in its genetic capabilities and advances. Yet their result turns out to be something far more humanoid than previously hoped. Soon they find themselves with a creature, lovingly named “Dren”, that’s startlingly human and yet embodies the abilities of amphibian and bird, a creature that’s capable of employing human emotion and intelligence while reveling in its animalistic tendencies. Even with Elsa's nurturing, their experiment takes a turn for the worse.
At first I had high hopes for this film. It was an independent film that premiered at Sundance (it's also being shown currently at the Seattle Independent Film Festival), had Adrian Brody as its lead, and one of my favorite directors, Guillermo Del Toro as one of its executive producers. All in all, I thought this might prove to be one of those rare horror-movie exceptions. But I was wrong.
Remember that time when you first watched Saw in the movie theater, and how comical that scene was where Cary Elwes' character is sawing off his leg to break free to save his family, only to have the game end less than an hour or so later? It was supposed to be one of those "dramatic" moments but everyone ends up laughing instead. Yeah, that's kind of what happens in Splice. Numerous times throughout the movie, the audience ended up laughing at the more dramatic moments. Sadly, the plot in and of itself was decent.
Perhaps if there had been a bigger budget or if more attention had been paid to the acting and the movie's resolution it might have turned out in much better form. It's my understanding that the original Sundance film had been edited and altered, thus resulting in what we see. Whether this was for better or worse, I've no clue. Given the ridiculous ending and the generic horror-movie allure, it flopped terribly and the ending just seemed thrown together more than anything else. Plus, if the plot didn't get under your skin, Dren's chirps and warbles would.
The opening credits were amazing (I have to give credit where credit is due) and the beginning scenes weren't terribly bad. Overall, the movie is more comical than terrifying and the plot weaker than watered-down instant coffee. There are far too many holes in the storyline and Adrian Brody's character wasn't strong enough to carry a cast as obscure as this. I would wait to see what the DVD would hold for this one. Maybe the extras will help fill in the gaps or the unedited film will present itself in a different light?
LeftSideCut (3778 KP) rated Hellboy (2019) in Movies
Nov 14, 2019
This sort of soft reboot of Hellboy is a truly mixed bag. It's just about watchable, and there are some things I liked, and a whole heap of things I didn't like.
Let's start with the negatives - the absolute biggest problems with Hellboy is the editing and pacing.
The quick cuts and bizzarre transitions that happen often are incredibly jarring, and stops the narrative running smoothly for much of the duration.
It almost feels as if the film has been designed for someone who gets bored easily, and will shoehorn in a new scene before giving you the chance to take in the previous one.
It also plays havoc with a lot of the already mediocre (and sometimes cringe-worthy) script - a good example of this comes right at the beginning, as Hellboy is introduced us, searching for an MIA fellow agent.... Its here that Ian McShane's character explains to Hellboy over the phone, what this agent was doing when he went missing, only for Hellboy to himself repeat it to another character seconds later - it's weird and feels lazy.
Another issue is something I seem to complain about a lot recently - CGI. A lot of the CGI throughout is not great, and it's again, a complete mixed bag. Some of the practical effects look fine. The big demons glimpsed in the trailer look fine. And then everywhere else it just shits the bed, most glaringly when it comes to Ben Daimio, a character from the comics who should be an exciting inclusion, but is dragged down buy just how awful it looks.
Another thing I also disliked was the insistence of having 'cool' rock songs playing every two minutes, especially in fight scenes that would otherwise have been entertaining. At times, it felt like I was watching Suicide Squad all over again, which is never a good thing.
A lot of the acting throughout Hellboy is also stale and unenthused. Milla Jovovich is particularly uninspiring as The Blood Queen (a villain from the comics that never enthralled me in the first place), Daniel Dae Kim (Ben Daimio) and Sasha Lane (Alice Monaghan) just seem embarrassed to be involved at all.
This does bring me on to the things a liked about Hellboy though - David Harbour won me over pretty quickly as the titular half demon, he provides the movies sparse humour, and the make up work is great - he does his absolute best to hold it all together.
Ian McShane is good also, but come on, it's Ian McShane man.
Even if they aren't represented perfectly, I still liked seeing a lot of characters from the comic book, and my love for Lobster Johnson is strong.
The monster designs are pretty great for the most part, Baba Yaga looks skin crawling, and as I said, the big demons seen in the trailers are pretty horrifying.
The violence and gore is unfortunately, mostly CGI, but is pretty effective for the most part, even if it does feel like the movie is sometimes packing in an R rating to disguise the averageness of everything else.
As mentioned above, some of the action pieces are pretty fun, but I must say, the climax of the movie is pretty underwhelming.
I didn't find Hellboy as horrible as some people made it out to be - it's certainly not as good as the original two films (although I find the first one to be quite average as it is!) but it still has some credibility, even if it's a small amount.
Unfortunately, for every step Hellboy takes forward, it's takes two back, resulting in a messy and muddled film that struggles to find an identity, and it's reeks of studio meddling.
Still though, Big Mo Harris shooting an Uzi is always a pleasure 👍
Let's start with the negatives - the absolute biggest problems with Hellboy is the editing and pacing.
The quick cuts and bizzarre transitions that happen often are incredibly jarring, and stops the narrative running smoothly for much of the duration.
It almost feels as if the film has been designed for someone who gets bored easily, and will shoehorn in a new scene before giving you the chance to take in the previous one.
It also plays havoc with a lot of the already mediocre (and sometimes cringe-worthy) script - a good example of this comes right at the beginning, as Hellboy is introduced us, searching for an MIA fellow agent.... Its here that Ian McShane's character explains to Hellboy over the phone, what this agent was doing when he went missing, only for Hellboy to himself repeat it to another character seconds later - it's weird and feels lazy.
Another issue is something I seem to complain about a lot recently - CGI. A lot of the CGI throughout is not great, and it's again, a complete mixed bag. Some of the practical effects look fine. The big demons glimpsed in the trailer look fine. And then everywhere else it just shits the bed, most glaringly when it comes to Ben Daimio, a character from the comics who should be an exciting inclusion, but is dragged down buy just how awful it looks.
Another thing I also disliked was the insistence of having 'cool' rock songs playing every two minutes, especially in fight scenes that would otherwise have been entertaining. At times, it felt like I was watching Suicide Squad all over again, which is never a good thing.
A lot of the acting throughout Hellboy is also stale and unenthused. Milla Jovovich is particularly uninspiring as The Blood Queen (a villain from the comics that never enthralled me in the first place), Daniel Dae Kim (Ben Daimio) and Sasha Lane (Alice Monaghan) just seem embarrassed to be involved at all.
This does bring me on to the things a liked about Hellboy though - David Harbour won me over pretty quickly as the titular half demon, he provides the movies sparse humour, and the make up work is great - he does his absolute best to hold it all together.
Ian McShane is good also, but come on, it's Ian McShane man.
Even if they aren't represented perfectly, I still liked seeing a lot of characters from the comic book, and my love for Lobster Johnson is strong.
The monster designs are pretty great for the most part, Baba Yaga looks skin crawling, and as I said, the big demons seen in the trailers are pretty horrifying.
The violence and gore is unfortunately, mostly CGI, but is pretty effective for the most part, even if it does feel like the movie is sometimes packing in an R rating to disguise the averageness of everything else.
As mentioned above, some of the action pieces are pretty fun, but I must say, the climax of the movie is pretty underwhelming.
I didn't find Hellboy as horrible as some people made it out to be - it's certainly not as good as the original two films (although I find the first one to be quite average as it is!) but it still has some credibility, even if it's a small amount.
Unfortunately, for every step Hellboy takes forward, it's takes two back, resulting in a messy and muddled film that struggles to find an identity, and it's reeks of studio meddling.
Still though, Big Mo Harris shooting an Uzi is always a pleasure 👍