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LeftSideCut (3778 KP) rated There's Someone Inside Your House (2021) in Movies
Oct 27, 2021
Straight off the bat, I didn't hate There's Someone Inside Your House. As far as 90s inspired teen slashers go, it's relatively entertaining - it's has some solid gore, it's pacing is snappy for the most part, and the opening 15 minutes or so has some genuinely unsettling wide shots of houses with subtly open doors, hinting at someone unwanted being inside. It's a neat trick that's repeated once, but then unfortunately abandoned.
The main issue with TSIYH is how darn predictable it is, down to every set piece and narrative beat. The eventual killer reveal is sadly an obvious one, and there are even moments where the plot threatens to get a little ballsy but chickens out at the last second.
TSIYH had some fun slasher moments for sure, and I did like the multiple mask concept of the killer, but it's over reliance on genre tropes, and tendency to play it safe drag the overall experience down.
The main issue with TSIYH is how darn predictable it is, down to every set piece and narrative beat. The eventual killer reveal is sadly an obvious one, and there are even moments where the plot threatens to get a little ballsy but chickens out at the last second.
TSIYH had some fun slasher moments for sure, and I did like the multiple mask concept of the killer, but it's over reliance on genre tropes, and tendency to play it safe drag the overall experience down.
Dean (6926 KP) rated Texas Chainsaw Massacre (2022) in Movies
Feb 25, 2022 (Updated Feb 25, 2022)
Unlikeable characters (2 more)
Very short
A massacre of ideas
Nothing new
Thought I'd give this a go as it's been a while since the previous versions. Other than setting it in the current time with influencers and current technology, this offers nothing new. Just a bunch of unlikeable characters to the predictable slaughter.
Following on the recent Halloween films trend of making a sequel to the original set decades later. We have a cameo from the original film final girl who has gone Linda Hamilton bad ass up for revenge. With some real T2 elements in some scenes. A very weak plot line as she and leatherface must be in their 70's now as nearly 50 years have passed from the original.
Gore fans will probably like it and fans of TCM films in general, for others there is no real depth to it and full of Slasher film clichés. Shame as it had potential but ends up a bit of a mess.
Following on the recent Halloween films trend of making a sequel to the original set decades later. We have a cameo from the original film final girl who has gone Linda Hamilton bad ass up for revenge. With some real T2 elements in some scenes. A very weak plot line as she and leatherface must be in their 70's now as nearly 50 years have passed from the original.
Gore fans will probably like it and fans of TCM films in general, for others there is no real depth to it and full of Slasher film clichés. Shame as it had potential but ends up a bit of a mess.
Darren (1599 KP) rated A.M.I. (2019) in Movies
Oct 14, 2019
Characters – Cassie is a high school student that has been through a traumatic experience, being involved in a car crash that killed her mother, while others in her life have moved on, she still suffers daily, her boyfriend doesn’t give her time and always makes excuses, while her closest friends are more interested in her lifestyle and boyfriend than her. Cassie turns to an AI system on her phone, that starts guiding her on a killing spree against everyone that has done her wrong. Greg is Cassie’s father that has neglected her after her mother’s death drinking and trying to seduce younger women including one of Cassie’s friends. Liam is the asshole boyfriend that is more interested in a career in American football and sleeping around over being caring towards his own girlfriend, he is one of the most unsupportive people you will ever see in a film. Ruby and Sarah are the best friends that are not supportive in any way more interested in her boyfriend than her friendship.
Performances – Debs Howard in the leading role is very interesting to watch, she has the image of a popular student, only holds the psychotic side back. Sam Robert Muik does give us one of the most unlikable characters of the year. Nobody else really gets any screen time to do much.
Story – The story here follows a teenager girl that is struggling with her mother’s death only to turn to her phone artificial intelligence for a friend, which only turns her into a psychotic killer, taking out revenge on the people that are wronging her in life. This story could easily be one that could have addressed the real life problems Cassie would be experiencing with loss, but instead it just decides to show us that she has no friends or family that want to help her in anyway, despite the fact they should be stood next to her helping her. The speed of which she turns to the phone for friendship is worrying quick and how quickly she starts to kill, though it does have a glancing reference to her head injury, which could have been made more of a point about.
Horror – The horror side of the film does follow Cassie on her slasher style killing spree, it isn’t scary and the kills happen way to quickly to have any tension.
Settings – The film does use the everyday settings which shows how somebody could go lose it and go on a spree.
Special Effects – The effects are used to show injuries, while mostly are off camera too, they don’t need to show us anything if we are honesty.
Scene of the Movie – The slip and slide.
That Moment That Annoyed Me – In one scene Sarah is asked if she wants to call her mother, less than 10 minutes later, she talks about living alone in an apartment.
Final Thoughts – This is an odd little slasher that does everything to make you support the killer over anybody in their life and does almost hit comical with the kills.
Overall: Fun little slasher.
Performances – Debs Howard in the leading role is very interesting to watch, she has the image of a popular student, only holds the psychotic side back. Sam Robert Muik does give us one of the most unlikable characters of the year. Nobody else really gets any screen time to do much.
Story – The story here follows a teenager girl that is struggling with her mother’s death only to turn to her phone artificial intelligence for a friend, which only turns her into a psychotic killer, taking out revenge on the people that are wronging her in life. This story could easily be one that could have addressed the real life problems Cassie would be experiencing with loss, but instead it just decides to show us that she has no friends or family that want to help her in anyway, despite the fact they should be stood next to her helping her. The speed of which she turns to the phone for friendship is worrying quick and how quickly she starts to kill, though it does have a glancing reference to her head injury, which could have been made more of a point about.
Horror – The horror side of the film does follow Cassie on her slasher style killing spree, it isn’t scary and the kills happen way to quickly to have any tension.
Settings – The film does use the everyday settings which shows how somebody could go lose it and go on a spree.
Special Effects – The effects are used to show injuries, while mostly are off camera too, they don’t need to show us anything if we are honesty.
Scene of the Movie – The slip and slide.
That Moment That Annoyed Me – In one scene Sarah is asked if she wants to call her mother, less than 10 minutes later, she talks about living alone in an apartment.
Final Thoughts – This is an odd little slasher that does everything to make you support the killer over anybody in their life and does almost hit comical with the kills.
Overall: Fun little slasher.
LeftSideCut (3778 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Jesters_folly (230 KP) rated A Nightmare on Elm Street (2010) in Movies
Jun 11, 2020
Contains spoilers, click to show
The Teens of Elm Street are dying in their sleep and all the clues are pointing to a past that no one remembers.
This is the remake of the 1984 classic slasher film of the same title and, I have to admit I’ve been putting off watching it for a while and I have to admit I was quite surprised by it.
The story line is mostly the same as the original film, the teens of Elm Street start to have nightmares about a strange, burnt man in a tatty green and red jumper, a brown fedora and glove with knives on the fingers. As their dreams start to get worst the teens begin to die in real life. As they investigate what is happening Nancy, Quentin and Kris come across photos of them all in pre school but none of them remember having met that young.
The 2010 ‘A Nightmare on Elm Street’ is darker than the original and is not a direct remake. It still has a few familiar scenes, including the bath tub scene but the story focuses more on what happened between Freddy and the young children of Elm Street even questioning whether Freddy was innocent. Unlike the original film, Freddy is punishing the children for what they said about him, not their parents for killing him.
If you haven’t seen any of the original films then the remake is a good film and the only complaint I have is that Freddy isn’t Freddy. It seems that the Freddy in this version is meant to be more serious than the one in the original but they still have him crack the odd joke, often one from the original film and it doesn’t quite work, it seems like this Freddy is trying to do an impression of the original one. I’m not too sure if this would affect anyone who hasn’t seen the other films.
A Nightmare on Elm Street (2010) is a good, standard slasher whose story deviates slightly from the original in a way that actually adds to the world it’s set in.
This is the remake of the 1984 classic slasher film of the same title and, I have to admit I’ve been putting off watching it for a while and I have to admit I was quite surprised by it.
The story line is mostly the same as the original film, the teens of Elm Street start to have nightmares about a strange, burnt man in a tatty green and red jumper, a brown fedora and glove with knives on the fingers. As their dreams start to get worst the teens begin to die in real life. As they investigate what is happening Nancy, Quentin and Kris come across photos of them all in pre school but none of them remember having met that young.
The 2010 ‘A Nightmare on Elm Street’ is darker than the original and is not a direct remake. It still has a few familiar scenes, including the bath tub scene but the story focuses more on what happened between Freddy and the young children of Elm Street even questioning whether Freddy was innocent. Unlike the original film, Freddy is punishing the children for what they said about him, not their parents for killing him.
If you haven’t seen any of the original films then the remake is a good film and the only complaint I have is that Freddy isn’t Freddy. It seems that the Freddy in this version is meant to be more serious than the one in the original but they still have him crack the odd joke, often one from the original film and it doesn’t quite work, it seems like this Freddy is trying to do an impression of the original one. I’m not too sure if this would affect anyone who hasn’t seen the other films.
A Nightmare on Elm Street (2010) is a good, standard slasher whose story deviates slightly from the original in a way that actually adds to the world it’s set in.
Madbatdan82 (341 KP) rated Doom Asylum (1987) in Movies
Apr 18, 2019
Watching this may send you mad
This horror spoof tells the story of a couple who get into a car crash. She dies and he is presumed dead and sent to the local asylum (not a hospital for some reason!) for autopsy which he wakes up during and kills the 2 coroners. 10 years later the daughter of the woman who died in the crash and her friends visit the now abandoned asylum to see if the legend about a psychotic killer dressed as a coroner - the man from the crash. Whilst at the asylum they run into a weird all female punk band and they are all picked off one at time by the coroner...the gore is actually really good including a particularly nasty drill to the head and a toe snipping scene. The acting is awful as is the script but it's difficult to tell if that's by design as this is a send up of the slasher genre. Worth a watch for the gore but don't expect too much!!!
Dean (6926 KP) rated Scream - Season 2 in TV
Nov 9, 2019
Bigger, better, badder (1 more)
Halloween special extended episode
Superior sequel series
Finally got round to watching both series at long last. This is set just a few months after the events of the first series. Is there a copycat killer in town, is there an accomplice on the loose or is Brandon James on the prowl?
Much like the sequel discussion in Scream 2 and raised again in the series this is better than series 1 for me. The same cast, now known as the Lakewood 6 are trying to get on with their lives when someone decides to pick up the knife and start a new killing spree. I found the pace a lot better this time round across the series without any slow episodes despite being 3 episodes longer. There are plenty of red herrings again and twists along the way. Finished with an extended Halloween special episode this is a great series for fans of the film and Slasher films in general. Still on Netflix now.
Much like the sequel discussion in Scream 2 and raised again in the series this is better than series 1 for me. The same cast, now known as the Lakewood 6 are trying to get on with their lives when someone decides to pick up the knife and start a new killing spree. I found the pace a lot better this time round across the series without any slow episodes despite being 3 episodes longer. There are plenty of red herrings again and twists along the way. Finished with an extended Halloween special episode this is a great series for fans of the film and Slasher films in general. Still on Netflix now.
KyleQ (267 KP) rated Halloween 4: The Return of Michael Myers (1988) in Movies
Jul 18, 2020
A nice return for Michael.
Jamie Lloyd (Danielle Harris) is having nightmares of Michael Myers coming after her. When he returns to Haddonfield, Jamie and her sister Rachel (Ellie Cornell) must fight for survival. Luckily, Dr. Sam Loomis (Donald Pleasence) also returns to stop Michael.
Halloween 4 is more of a blunt movie then its predecessors. It lacks the inventive camera work of Carpenter, and Michael comes across less sneaky, he's much more aggressive.
Loomis feels a bit unneeded, the mask is weird looking, the score isn't as good.
But there is still plenty of good. Harris's performance is pretty good, especially for child actor standards. Jamie's nightmares are surprisingly fairly creepy. The various death scenes are brutal and unsettling.
Halloween 4: The Return of Michael Myers is a pretty simple slasher. But it put the franchise on a new steady path, and it gave us Danielle Harris which is a plus. It's definitely not a film you'll hate, and if you like the Halloween franchise it's a must watch!
Halloween 4 is more of a blunt movie then its predecessors. It lacks the inventive camera work of Carpenter, and Michael comes across less sneaky, he's much more aggressive.
Loomis feels a bit unneeded, the mask is weird looking, the score isn't as good.
But there is still plenty of good. Harris's performance is pretty good, especially for child actor standards. Jamie's nightmares are surprisingly fairly creepy. The various death scenes are brutal and unsettling.
Halloween 4: The Return of Michael Myers is a pretty simple slasher. But it put the franchise on a new steady path, and it gave us Danielle Harris which is a plus. It's definitely not a film you'll hate, and if you like the Halloween franchise it's a must watch!
LeftSideCut (3778 KP) rated Wrong Turn (2003) in Movies
Mar 4, 2021
Wrong Turn is pretty standard early-2000s cannibal/slasher horror, but manages to be memorable thanks to a decent cast playing tolerable characters.
The cannon fodder teenagers in this are also pretty standard, with the exception of the two leads played by Eliza Dushku and Desmond Harrington. They don't come across as the usual empty headed victims that make stupid decisions, and as a result, it's easy to become invested in their fight for survival.
This first entry in the franchise is a far cry from the more digital looking, torture porn leaning sequels, and boasts some decent practical gore. The designs of the mountain men are suitably unsettling, thanks to Shane Mahan and Stan Winston, and it's easy to see why Thee Finger became something of a horror icon following this film's release.
Wrong Turn won't set your world aflame, but it's a competent and watchable horror that stands well on its own, and is a pretty fun, especially when compared to it's plethora of shitty sequels (the second one isn't too bad to be fair...)
The cannon fodder teenagers in this are also pretty standard, with the exception of the two leads played by Eliza Dushku and Desmond Harrington. They don't come across as the usual empty headed victims that make stupid decisions, and as a result, it's easy to become invested in their fight for survival.
This first entry in the franchise is a far cry from the more digital looking, torture porn leaning sequels, and boasts some decent practical gore. The designs of the mountain men are suitably unsettling, thanks to Shane Mahan and Stan Winston, and it's easy to see why Thee Finger became something of a horror icon following this film's release.
Wrong Turn won't set your world aflame, but it's a competent and watchable horror that stands well on its own, and is a pretty fun, especially when compared to it's plethora of shitty sequels (the second one isn't too bad to be fair...)
