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Freaky (2021)
Freaky (2021)
2021 | Comedy, Horror
Freaky is an ode to 80's slashers by way of 'Freaky Friday', hence the title.


Blissfield has an urban ledged, the Blissfield Butcher, who strikes every few years at the school prom. Due to an antient Aztec knife, the Butcher swaps bodies with Millie, a high school girl who only has 24 hours to switch back.

Like I said, Freaky pay homage to the 80's, the obvious is the 'body swap' aspect and the title, both of which are references to 'Freaky Friday'.
The references don't stop there though, the film references most of the popular slashers, mostly through the weapons the killer uses, there's everything from an ice hook to a chain saw, there is even a quick nod to the Cenobites.

The film starts by following a lot of the slasher tropes, a small party and a killer. The film changes pace when Millie and the Butcher swap bodies and, until the end the kill count is relatively low. The slasher references run all through the film in a similar stile to 'Scream' and 'A Cabin in the Wood' even becoming slightly self aware with lines like 'Your Black! I'm Gay! We are so dead'. This doesn't/. take away from the film though.

Like i said, most of the kills are at the start and end of the film with most of the action being Millie trying to avoid being arrested whilst finding a way back to her own body but it is a good film and well worth a watch if you don't need your slashers to serious.
  
The Texas Chain Saw Massacre (1974)
The Texas Chain Saw Massacre (1974)
1974 | Horror

"Many slashers have been made since with diminishing returns, and I think a lot of this film’s power, to me, relies on its honest channeling of the political and cultural violence endemic in the U.S. at the time. On an aesthetic level, the opening credits’ invocations of black-and-red sun flares are such a thrilling cosmic omen for the violence to follow, and the final shots of Leatherface spinning in circles before a setting sun are, to me, sublime."

Source
  
Zombeavers (2015)
Zombeavers (2015)
2015 | Action, Comedy, Horror
6
4.8 (8 Ratings)
Movie Rating
Contains spoilers, click to show
Zombeavers is more an attempted at an 80's slasher film than a Zombie movie, you have your house by the lake, your horny teens and your monsters. The narrative is almost 'by the book' and once you work out what the threat is you could pretty much wright the script yourself. And it doesn't take much to work out the threat, between the title and opening credits you know what's going on before the protagonists do.
The effects are ok, the actual beavers are obviously fake animatronics but this is probably deliberate to help with the cheesy feel of the film, there is blood but not too much guts although there is a scene with a beaver ripped in half which is quite good (I'm not going to mention the scene meant to make any male's eyes water).
As with most 80's slashers there's sex, boobs and pruds. There are a few secondary characters, most of whom have no character and are really only there to flesh out the number victims and, to be honest the main characters don't really have much, well character.
Some of the water scenes seem to be going for a 'Friday the Thirteenth' feel but, where most films would have the characters messing about and joking about the monster and thus adding to their development, Zombeavers just gets down to the action and, as it's run time is is only around 1 hour 17 there is plenty of time for expansion.
If you like slashers then you may like Zombeavers, most of the elements are there but it's predictable, slightly funny and has mostly been done before, just not with Beavers.
  
The Wasp Factory
The Wasp Factory
Iain M. Banks | 2013 | Fiction & Poetry
4
7.4 (8 Ratings)
Book Rating
✭✭ 2 Stars

This was a very difficult book for me to rate so I rated it purely based on 'personal enjoyment'.
Yes the book was dark and clever and so well written but the enjoyment factor just wasn't there for me. Something I can not handle to read about is the abusing, torturing and killing of animals and this book was full of that. I could read an endless amount of books about the killing of people (slashers, thrillers,crime etc.) and not really be phased much but if animals are involved in it then my enjoyment level drops dramatically. I wish I had read other reviews first about this book so then I would of known what this book contains and wouldn't of read it, but I didn't as I worry about stumbling across spoilers.
An excellent look into the minds of the mentally disturbed and a truly crazy ride...it just wasn't for me.
  
The Final Girls (2015)
The Final Girls (2015)
2015 | Comedy, Horror
7
6.9 (14 Ratings)
Movie Rating
There are several reasons why The Final Girls is a goddam delight.
For a start, it's an unabashed love letter to the Friday the 13th series, both playing tribute, and poking fun at its tropes. If you're a fan of summer camp slashers, then you'll find a lot to love. The comedy on display is decent and never feels too try hard, and even manages to lightly berate the horror fan community whilst managing to remain endearing.
Amongst all the silliness however, lurks a touching and often sad story about loss and coming to terms with grief. Fantastic performances from Taissa Farmiga and Malin Akerman compliment these moments, and they land pretty well. The characters are solidly balanced, and result in a movie that knows when to be funny, and when to be serious.

The Final Girls has quickly become a bit of a cult favourite since it's release in 2015, and it's easy to see why. Good stuff!
  
There's Someone Inside Your House (2021)
There's Someone Inside Your House (2021)
2021 | Horror
4
5.6 (5 Ratings)
Movie Rating
Straight off the bat, I didn't hate There's Someone Inside Your House. As far as 90s inspired teen slashers go, it's relatively entertaining - it's has some solid gore, it's pacing is snappy for the most part, and the opening 15 minutes or so has some genuinely unsettling wide shots of houses with subtly open doors, hinting at someone unwanted being inside. It's a neat trick that's repeated once, but then unfortunately abandoned.
The main issue with TSIYH is how darn predictable it is, down to every set piece and narrative beat. The eventual killer reveal is sadly an obvious one, and there are even moments where the plot threatens to get a little ballsy but chickens out at the last second.

TSIYH had some fun slasher moments for sure, and I did like the multiple mask concept of the killer, but it's over reliance on genre tropes, and tendency to play it safe drag the overall experience down.
  
Maniac Cop (1988)
Maniac Cop (1988)
1988 | Action, Horror
Maniac Cop - one of the many 80s slashers that came about after the success of the original Halloween a decade before, and one that is actually pretty solid.

For a start, it has a decent cast including the always reliable Tom Atkins, a post Evil Dead II Bruce Campbell, final girl Laurene Landon, and even a small role for Robert Roundtree of Shaft fame.
It was written by B-movie legend Larry Cohen and directed by genre veteran William Lustig - all in all a pretty strong cast and crew, who all managed to turn this would be low budget trashy horror into a cult classic.

The Maniac Cop himself, played by Robert Z'Dar, cuts an imposing figure. The choice not to show his face for the majority of the run time lends him a creepy edge. He also has an uncomfortably massive chin... Throw in a load of blood flying about the place, some unsettling music score, and a pretty fun car chase near the climax, and it's easy to see why Maniac Cop is pretty beloved by horror fans.

80s horror is just the best.
  
A Nightmare on Elm Street 5: The Dream Child (1989)
A Nightmare on Elm Street 5: The Dream Child (1989)
1989 | Horror
Sweet lord, this was a chore to sit through. The Elm Street series managed to tread a pretty solid path up until this point. Even the iffy fourth entry has some merit, but The Dream Child just gloriously falls apart. For starters, and I really try not to be cynical, but I do like when movies in general follow a set of rules. The main rule for ANOES is simply, don't fall asleep if you want to stay alive. By Part 5, it's really unclear if this still applies, and no one involved is even pretending to be making a coherent film apparently I don't expect Oscar winning screenplays from cheesy slashers, but the dialogue is especially awful. The entire cast sound like they've been given different scripts, the editing is all over the place, even Freddy (who is now in full blown quip mode) is spaffing one-liners that don't make a lick of sense. Then there's the small matter of the narrative falling off the rails in almost every aspect.
The only saving grace is the abundance of practical gore, which is pretty decent for the most part, but otherwise, fuck this entire film man.