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Suswatibasu (1701 KP) rated 12 Years a Slave (2013) in Movies
Sep 6, 2017
Cast and acting is spectacular (1 more)
Fantastic direction by Steve McQueen
Harrowing, disturbing beyond belief
It's taken me four years to watch this film out of fear I'd be seriously disturbed by the end of it. And no doubt it is disturbing.
The story of Solomon Northrup entails a free black man in America being kidnapped and then sold into slavery. He is gifted and educated, on top of having led a free life with his wife and children, hence in many ways it can be seen as even more traumatic knowing what is already out there.
What's interesting is the complicity of others involved, including other African Americans who have had to turn the other cheek in order to survive. The white men are despicable in this film, the brutality is truly horrifying.
It goes without saying Chiwetel Ejiofor is fantastic as Solomon, he's understated which makes his acting all the more moving. Michael Fassbender is particularly gratuitous in his role as a slave owner. Lupita Nyong'o is absolutely outstanding, playing a woman brutalized by the master for his own disgusting needs. The women go through a particular hell in this horrid period of history. You'll need a strong countenance to watch this.
The story of Solomon Northrup entails a free black man in America being kidnapped and then sold into slavery. He is gifted and educated, on top of having led a free life with his wife and children, hence in many ways it can be seen as even more traumatic knowing what is already out there.
What's interesting is the complicity of others involved, including other African Americans who have had to turn the other cheek in order to survive. The white men are despicable in this film, the brutality is truly horrifying.
It goes without saying Chiwetel Ejiofor is fantastic as Solomon, he's understated which makes his acting all the more moving. Michael Fassbender is particularly gratuitous in his role as a slave owner. Lupita Nyong'o is absolutely outstanding, playing a woman brutalized by the master for his own disgusting needs. The women go through a particular hell in this horrid period of history. You'll need a strong countenance to watch this.
Ross (3282 KP) rated The Grey Bastards in Books
Jul 12, 2018
Fantastic
* Disclosure - I received a free copy of this book from the publishers and NetGalley in exchange for an honest review*
This grimdark fantasy tale takes place in a world where human-orc halfbreeds (half-orcs) have been freed from slavery and grudgingly given patches of land by the humans in thanks for their help in vanquishing the bloodthirsty orcs. These half-orcs roam the land in biker gangs looking to protect their Lots from orcs and the occasional mindless centaur raid. These hoofs have a fierce brotherhood with strict laws and rules and take no nonsense.
The story follows the Grey Bastards, one such hoof, as they inadvertently anger their human opposites and put their truce at danger. There then follows a twisting, turning adventure revealing more and more of the land's past as Jackal, the main PoV character, looks to strengthen and protect his hoof from internal and external forces.
A fantastically written tale set in an exciting land with a fresh feel to it - some standard fantasy races portrayed differently here, and in a world that feels like the Mexican borderlands.
An utterly gripping story with brilliant narrative and an enjoyable complex plot revealed at perfect pace.
This grimdark fantasy tale takes place in a world where human-orc halfbreeds (half-orcs) have been freed from slavery and grudgingly given patches of land by the humans in thanks for their help in vanquishing the bloodthirsty orcs. These half-orcs roam the land in biker gangs looking to protect their Lots from orcs and the occasional mindless centaur raid. These hoofs have a fierce brotherhood with strict laws and rules and take no nonsense.
The story follows the Grey Bastards, one such hoof, as they inadvertently anger their human opposites and put their truce at danger. There then follows a twisting, turning adventure revealing more and more of the land's past as Jackal, the main PoV character, looks to strengthen and protect his hoof from internal and external forces.
A fantastically written tale set in an exciting land with a fresh feel to it - some standard fantasy races portrayed differently here, and in a world that feels like the Mexican borderlands.
An utterly gripping story with brilliant narrative and an enjoyable complex plot revealed at perfect pace.
Rachel King (13 KP) rated The Claiming of Sleeping Beauty (Sleeping Beauty, #1) in Books
Feb 11, 2019
Anne Rice wrote a trilogy of books under the pen name A. N. Roquelaure, based on the fairy tale Sleeping Beauty. These books were titled The Claiming of Sleeping Beauty, Beauty's Punishment (Sleeping Beauty), and Beauty's Release: The Conclusion of the Classic Erotic Trilogy of Sleeping Beauty. Yep, you read it right - erotica. The set is the only thing I have ever read by Anne Rice, and the only erotica books I have ever read. I have told maybe one or two other people that I have read the series, because it just does not match up with my "good girl" persona, and it resulted in the shocked expression I was expecting. Why would I read such an abomination? One part boredom, one part fairy tale superfan, and three parts secret naughty indulgence/curiousity (one for each book) - I found the books at a slow point while working at a bookstore, and sneakily read them at the customer service desk when I had nothing else to do.
In the first book, Beauty is awakened from her hundred-year sleep with a deflowering by the Prince. He takes her to his kingdom, where she is trained as a sexual slave and plaything, but she fails to be obedient, so is sent to brutal slavery in the neighboring village. In the second book, she is sold at auction and a power struggle ensues as she refuses to be completely broken by her various punishments. Actual plotline wanes in this one until towards the end some of the psychological aspects of sexual slavery are explored before Beauty is kidnapped for a Sultan. In the third book, the various characters all reach closure in varying forms as the sexual aspects of the plot take on a more religious and philosophical tone, as opposed to the crudity of the European castle and village. By the end of the series, it felt more like I was reading a study of a lifestyle for the education and not so much for the indulgence.
The sexual scenes are extremely explicit and graphic with the theme of sado-masochism replete throughout the text, but amazingly, there is still a plotline and decent character development. The first book was my favorite of the three, simply because that is the only book of the three that actually uses the fairy tale in its plotline, and by the third book much of the sex seemed vaguely repetitive and did not affect me as intensely as it did in the beginning. I would even dare to recommend it to those who are of the appropriate age.
I likely have A. N. Roquelaure's influence to thank for my unquestioning devotion to the Kushiel's Legacy series by Jacqueline Carey, now that I think about it...
In the first book, Beauty is awakened from her hundred-year sleep with a deflowering by the Prince. He takes her to his kingdom, where she is trained as a sexual slave and plaything, but she fails to be obedient, so is sent to brutal slavery in the neighboring village. In the second book, she is sold at auction and a power struggle ensues as she refuses to be completely broken by her various punishments. Actual plotline wanes in this one until towards the end some of the psychological aspects of sexual slavery are explored before Beauty is kidnapped for a Sultan. In the third book, the various characters all reach closure in varying forms as the sexual aspects of the plot take on a more religious and philosophical tone, as opposed to the crudity of the European castle and village. By the end of the series, it felt more like I was reading a study of a lifestyle for the education and not so much for the indulgence.
The sexual scenes are extremely explicit and graphic with the theme of sado-masochism replete throughout the text, but amazingly, there is still a plotline and decent character development. The first book was my favorite of the three, simply because that is the only book of the three that actually uses the fairy tale in its plotline, and by the third book much of the sex seemed vaguely repetitive and did not affect me as intensely as it did in the beginning. I would even dare to recommend it to those who are of the appropriate age.
I likely have A. N. Roquelaure's influence to thank for my unquestioning devotion to the Kushiel's Legacy series by Jacqueline Carey, now that I think about it...
Suswatibasu (1701 KP) rated The Ethics of Ambiguity in Books
Aug 30, 2017
Complex themes, slightly obvious
Simone De Beauvoir is one of the foremost feminist philiosophers there are. However, unlike in The Second Sex, The Ethics of Ambiguity explores the nature of freedom and basically deconstructs arguments made by pioneering philosophers Marx and Kant. She poses the question how can humans be both subject and object yet still be free? She says if humans are born free why are they also treated like objects to control? And there lies the ambiguity.
As free, we have the ability to take note of ourselves and choose what to do. As factic, we are constrained by physical limits, social barriers and the expectations and political power of others. She has quite a Hobbesian approach saying human beings are responsible for their own actions and therefore have to work at creating concrete ideals rather than following an abstract notion of freedom.
She also criticises approaches that require grasping for freedom at the expense of others - adding that inadvertently reduces gaining freedom down to another form of slavery ie. Communism, Capitalism and Democracies.
She concludes that the only way you can will yourself free is to will others free in the process.
While the sentiment is there, her writing style was very repetitive in this book, and at times a little tangential. Not her best work, but still very relevant for current times.
As free, we have the ability to take note of ourselves and choose what to do. As factic, we are constrained by physical limits, social barriers and the expectations and political power of others. She has quite a Hobbesian approach saying human beings are responsible for their own actions and therefore have to work at creating concrete ideals rather than following an abstract notion of freedom.
She also criticises approaches that require grasping for freedom at the expense of others - adding that inadvertently reduces gaining freedom down to another form of slavery ie. Communism, Capitalism and Democracies.
She concludes that the only way you can will yourself free is to will others free in the process.
While the sentiment is there, her writing style was very repetitive in this book, and at times a little tangential. Not her best work, but still very relevant for current times.
David McK (3219 KP) rated The Horse and His Boy (Chronicles of Narnia, #5) in Books
Jan 28, 2019
Firstly, is this the third Narnia book, or is it the fifth?
The answer to that is whether you go by chronological setting (in which case it's the third), or by publication date (it's the fifth).
This is also a story that I didn't remember reading as a child; however, when I was recently re-reading it I was finding plot elements to be a little-bit-more-familiar than I was otherwise expecting: perhaps I did, and had just forgotten.
Unlike [b: The Lion, The Witch and The Wardrobe|100915|The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #1)|C.S. Lewis|https://d.gr-assets.com/books/1353029077s/100915.jpg|4790821], this does not follow the Pevensie children, but rather the journey of a young boy named Shasta who discovers he was adopted and is running away to Narnia when his adoptive father is about to sell him into slavery; running away alongside/with the help of the talking horse Bree. Along the way they fall in with a girl named Aravis and her talking horse Hwin, who are also making the same escape.
While I've heard arguments recently that, in this book, CS Lewis is displaying his own racist xenophobia ('fair and white ... accursed but beautiful Barbarians'), personally I think that is reading too much into what is simply intended to be a children's Arabian Nights esque fairytale
The answer to that is whether you go by chronological setting (in which case it's the third), or by publication date (it's the fifth).
This is also a story that I didn't remember reading as a child; however, when I was recently re-reading it I was finding plot elements to be a little-bit-more-familiar than I was otherwise expecting: perhaps I did, and had just forgotten.
Unlike [b: The Lion, The Witch and The Wardrobe|100915|The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #1)|C.S. Lewis|https://d.gr-assets.com/books/1353029077s/100915.jpg|4790821], this does not follow the Pevensie children, but rather the journey of a young boy named Shasta who discovers he was adopted and is running away to Narnia when his adoptive father is about to sell him into slavery; running away alongside/with the help of the talking horse Bree. Along the way they fall in with a girl named Aravis and her talking horse Hwin, who are also making the same escape.
While I've heard arguments recently that, in this book, CS Lewis is displaying his own racist xenophobia ('fair and white ... accursed but beautiful Barbarians'), personally I think that is reading too much into what is simply intended to be a children's Arabian Nights esque fairytale
BankofMarquis (1832 KP) rated Harriet (2019) in Movies
Nov 4, 2019
Collapses under the weight of it's own earnestness
The filmmakers behind the true story of HARRIET, the film based on the remarkable actions of Harriet Tubman (the former slave who helped free others slaves via the Underground Railroad) were surprised to find that there had been no accurate film portrayal of this remarkable woman, so they set out to make one.
And the result, was a film that is very deep in accuracy and very slight everywhere else.
Starring Cynthia Erivo (WIDOWS), HARRIET tells the tale of Harriet Tubman from her time as a slave, through her escape to freedom and her return (many, many times) via the "Underground Railroad" to free many other slaves. Her story is astonishing, filled with heroes, villains, visions, successes and failures and should have lent itself to a film befitting of the great heights this woman achieved.
Unfortunately, Writer Director Kasi Lemmons (EVE'S BAYOU) spends a great deal of the film showing the actual, accurate events of Tubman's tale, so much so that it suffers one of the most deadly of sins in filmdom - it drags into boredom under the weight of it's own earnestness. Lemmons, obviously, has great respect for Tubman and shows her in a reverential light throughout this film, showing few (if any) warts and giving us a one-note character that is laser-focused on her purpose, and not much else. While this might have been true-to-life, it does not lend itself to an interesting film.
The same goes for the lead performance from Erivo. I have liked her previous work in films like WIDOWS and BAD TIMES AT THE EL ROYALE, so was excited to see her take the lead in an important film like this. But...her portrayal is one-note and slight and does not plumb the depths of a character that I am sure has many, many more layers than is portrayed on this screen.
The supporting cast (including Leslie Odom, Jr, Vondie Curtis-Hall and Clarke Peters) are also earnest and slight and don't really add anything to the proceedings. Only Janelle Monae, as a fictional free black woman who becomes a mentor of sorts to Tubman, seems to rise above this weak script.
Usually, in films about slavery, the evil (or conflicted) slave owners have a tendency to shine out because of their wickedness (or their confliction) - but in this film, and with this script, Joe Alwyn as Gideon Brodess (the fictional owner of Tubman who is obsessed with bringing her back to slavery) and Jennifer Nettles (as his mother) are...you guessed it...slight and underwritten and don't really bring anything to the proceedings.
What this film did do - and did do well - was make me want to find out more about this hero...and that is a good thing. So, if that is all this film does, then I applaud the attempt, I just wished it would have landed as a film in a much stronger way.
Letter Grade B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
And the result, was a film that is very deep in accuracy and very slight everywhere else.
Starring Cynthia Erivo (WIDOWS), HARRIET tells the tale of Harriet Tubman from her time as a slave, through her escape to freedom and her return (many, many times) via the "Underground Railroad" to free many other slaves. Her story is astonishing, filled with heroes, villains, visions, successes and failures and should have lent itself to a film befitting of the great heights this woman achieved.
Unfortunately, Writer Director Kasi Lemmons (EVE'S BAYOU) spends a great deal of the film showing the actual, accurate events of Tubman's tale, so much so that it suffers one of the most deadly of sins in filmdom - it drags into boredom under the weight of it's own earnestness. Lemmons, obviously, has great respect for Tubman and shows her in a reverential light throughout this film, showing few (if any) warts and giving us a one-note character that is laser-focused on her purpose, and not much else. While this might have been true-to-life, it does not lend itself to an interesting film.
The same goes for the lead performance from Erivo. I have liked her previous work in films like WIDOWS and BAD TIMES AT THE EL ROYALE, so was excited to see her take the lead in an important film like this. But...her portrayal is one-note and slight and does not plumb the depths of a character that I am sure has many, many more layers than is portrayed on this screen.
The supporting cast (including Leslie Odom, Jr, Vondie Curtis-Hall and Clarke Peters) are also earnest and slight and don't really add anything to the proceedings. Only Janelle Monae, as a fictional free black woman who becomes a mentor of sorts to Tubman, seems to rise above this weak script.
Usually, in films about slavery, the evil (or conflicted) slave owners have a tendency to shine out because of their wickedness (or their confliction) - but in this film, and with this script, Joe Alwyn as Gideon Brodess (the fictional owner of Tubman who is obsessed with bringing her back to slavery) and Jennifer Nettles (as his mother) are...you guessed it...slight and underwritten and don't really bring anything to the proceedings.
What this film did do - and did do well - was make me want to find out more about this hero...and that is a good thing. So, if that is all this film does, then I applaud the attempt, I just wished it would have landed as a film in a much stronger way.
Letter Grade B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
I had to read this book for my craft of fiction class. This was my first time reading it, but we were able to look at it as more than just plot, and more about how it was written and why it was written that way.
There are spoilers, so read at your own risk.
I very much enjoyed this book. I loved this view into a post slavery world filled of women who have to deal with the grief that has followed them throughout their lives. Sethe, though she has made her mistakes in her life, is still a sympathetic character who relies on her grief to survive through what she has done. Her daughters are strong women in their own rights. Beloved, being childlike and taking out her rage of her death on her mother and her family through stealing the attention and food for herself. She isolates, makes it so the others feel death hanging over themselves to understand her pain.
The format, being more stream of consciousness and not a cohesive, linear narrative, lends itself well to the magical realism of this book. This is nothing like a Harry Potter type of magical realism though. This is steeped in the tradition of former slaves, magical in their beliefs of the world and the afterlife. Not the people being able to control magic, but allowing it to be a real thing in their lives either way.
I really liked this book. If you want to understand why, check it out for yourself.
There are spoilers, so read at your own risk.
I very much enjoyed this book. I loved this view into a post slavery world filled of women who have to deal with the grief that has followed them throughout their lives. Sethe, though she has made her mistakes in her life, is still a sympathetic character who relies on her grief to survive through what she has done. Her daughters are strong women in their own rights. Beloved, being childlike and taking out her rage of her death on her mother and her family through stealing the attention and food for herself. She isolates, makes it so the others feel death hanging over themselves to understand her pain.
The format, being more stream of consciousness and not a cohesive, linear narrative, lends itself well to the magical realism of this book. This is nothing like a Harry Potter type of magical realism though. This is steeped in the tradition of former slaves, magical in their beliefs of the world and the afterlife. Not the people being able to control magic, but allowing it to be a real thing in their lives either way.
I really liked this book. If you want to understand why, check it out for yourself.
Lindsay (1693 KP) rated Beholden (The Fairest Maiden #1) in Books
Sep 22, 2020
Are you looking for a good clean romance for your teens or young adults? Well, Beholden is good for them. It deals with princes and knights. It also has a sweet story about beauty. What a way to have action and adventures. The heroes have to work together.
I enjoyed learning about the gem mines and the slaves. We get a bit of an evil queen and slavery. It seems it is a modern-day fairy tale of Cinderella. Jody does well with the plot and storyline. What a way to pull into the story. It keeps you wanting to turn the pages once the action starts to pick up.
The adventures begin to heighten up once Gabriella is released from the mines. Who will win? The princes are to do testing to see if they are worth the kingship. The princes are given a phrase that is different for each prince.
I wonder what each means and for that prince. Slave for all what can that mean. You will be trying to figure it out along with Vilmar. What is Gabriella's plan? Can Vilmar find the true meaning to Slave to all and find help from the slaves and Gabriella?
My rating for this book is 4.5 stars (Moons) on my rating system. Which make my rating system will have it marked 4 stars (Moons). This book good for teens and young adults. It got romance and fantasy. If your teen or young adult enjoy fairy tales, this book has it and more.
I enjoyed learning about the gem mines and the slaves. We get a bit of an evil queen and slavery. It seems it is a modern-day fairy tale of Cinderella. Jody does well with the plot and storyline. What a way to pull into the story. It keeps you wanting to turn the pages once the action starts to pick up.
The adventures begin to heighten up once Gabriella is released from the mines. Who will win? The princes are to do testing to see if they are worth the kingship. The princes are given a phrase that is different for each prince.
I wonder what each means and for that prince. Slave for all what can that mean. You will be trying to figure it out along with Vilmar. What is Gabriella's plan? Can Vilmar find the true meaning to Slave to all and find help from the slaves and Gabriella?
My rating for this book is 4.5 stars (Moons) on my rating system. Which make my rating system will have it marked 4 stars (Moons). This book good for teens and young adults. It got romance and fantasy. If your teen or young adult enjoy fairy tales, this book has it and more.
Hazel (2934 KP) rated Cold As The Grave in Books
Sep 1, 2019
A treat for crime fiction lovers
This is a treat for crime fiction lovers with a bit of the supernatural thrown in for good measure. Mr Oswald knows how to write a great story and he has done it once again with "Cold as the Grave".
DCI Tony McLean finds himself, quite unexpectedly, in the midst of a strange and disturbing investigation following his discovery of the mummified remains of a young girl. Being a DCI, Tony is not supposed to get into the day to day investigation of crime however, Tony being Tony just can't help himself and he quickly becomes in the thick of it.
This is a dark and sinister case to investigate and includes themes on refugees, asylum seekers, illegal immigrants, trafficking, modern slavery, the murder of children and violence towards women as well as introducing a less than "normal" slant on the perpetrator of the crime and the method used for committing murder.
With fantastic characters throughout and written in a sympathetic rather than sensationalist way with the back drop of a winter in Edinburgh, this is a great read.
I admit to not having read all the previous books in this series and although I have probably missed out massively on back story, character development, etc., it did not detract from my enjoyment of this book.
On to the next .... when it comes out!
My thanks must go to the Publisher and NetGalley for my copy in return for an unbiased review.
DCI Tony McLean finds himself, quite unexpectedly, in the midst of a strange and disturbing investigation following his discovery of the mummified remains of a young girl. Being a DCI, Tony is not supposed to get into the day to day investigation of crime however, Tony being Tony just can't help himself and he quickly becomes in the thick of it.
This is a dark and sinister case to investigate and includes themes on refugees, asylum seekers, illegal immigrants, trafficking, modern slavery, the murder of children and violence towards women as well as introducing a less than "normal" slant on the perpetrator of the crime and the method used for committing murder.
With fantastic characters throughout and written in a sympathetic rather than sensationalist way with the back drop of a winter in Edinburgh, this is a great read.
I admit to not having read all the previous books in this series and although I have probably missed out massively on back story, character development, etc., it did not detract from my enjoyment of this book.
On to the next .... when it comes out!
My thanks must go to the Publisher and NetGalley for my copy in return for an unbiased review.
Merissa (11731 KP) rated Sloth (Seven Princes of Sin #3) in Books
May 31, 2023
SLOTH is the third book in the Seven Princes of Sin series. It's Linneas' turn and, oh boy, does he have a story to tell. He first senses his mate, Sylvia, as she is being transported to her new quarters to await her new master. He follows, on foot, not knowing what he's going into but knowing his mate is there. Gabriel also follows because Sylvia is his charge. Once these three get together, the story explodes with nuances and emotions, plus a whole load of hotness.
Now, before you do into it thinking it's all hearts and roses, it's not. Most definitely not. This is dark in a lot of places, so if things like abuse, non-consent, underage, slavery, and violence affect you, then this is definitely not the book for you.
This IS the third book and, as such, you really should read it as a series. You will learn things in this book that have relevance to what has gone on before.
I love that the storyline continues to hold my interest, that some of the angels are now questioning, and that as soon as I finish one book, I immediately want the next.
This is a fantastic series, and SLOTH is a brilliant addition to it. Highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 10, 2022
Now, before you do into it thinking it's all hearts and roses, it's not. Most definitely not. This is dark in a lot of places, so if things like abuse, non-consent, underage, slavery, and violence affect you, then this is definitely not the book for you.
This IS the third book and, as such, you really should read it as a series. You will learn things in this book that have relevance to what has gone on before.
I love that the storyline continues to hold my interest, that some of the angels are now questioning, and that as soon as I finish one book, I immediately want the next.
This is a fantastic series, and SLOTH is a brilliant addition to it. Highly recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 10, 2022
Suswatibasu (1701 KP) Sep 7, 2017
Lindsay (1693 KP) Sep 7, 2017