"I can say that, in thinking about it, I was thinking five favorite-ish movies that seemed to be relatively inspiring to me as a filmmaker or something like that. One is a movie called Bad Taste by Peter Jackson. The reason that movie is one of my favorite films is because… two things. One, I saw it when I was very young because it had a very sort of provocative box cover of an alien giving you the middle finger, in the video store; that was very charming to me. It seemed like something that needed to be rented for a sleep over. It’s one of the grossest movies ever, so it was always the benchmark of, like, “Is there a more disgusting movie than this?” And also not a lot of people had seen it so it was like a badge of honor. But more importantly, when I decided that maybe movies was something I wanted to do, that movie was actually the first movie that I think made me think I could maybe do this. Because it was the first time I’d ever seen a movie where I realized how the movie was made. And I realized, “He’s just putting a camera on the back of the car;” “Oh, that’s just him with his friend doing this;” and, “I can see how he built that effect” or “I can see how he used ketchup for blood” or whatever. It was so rough around the edges, yet still compelling and well-made that it kind of gave me this sort of inspiration and confidence to be like, “All I have to do is go do it, like this guy just went and did it.” So that movie is, like, the number one movie that made me think, “Maybe I can try this.”"

"I think one of the main reasons I picked Abattoir Blues and Lyre Of Orpheus was because, as a double album, you get more bang for your buck. Abattoir Blues has a more gospel feel to it, background vocals and big crescendos. Lyre Of Orpheus was generally a quieter record except for the title track, which is one of my favourites. I love the lyrics to that song. One awesome thing about Nick Cave is the darkness and the humour in his stuff. On Abattoir Blues, I love 'There She Goes, My Beautiful World', 'Hiding All Away' and 'Nature Boy'. Just good tunes man. At this point you can hear the Warren Ellis influence. I've always been a Nick Cave fan, since The Birthday Party. My roommate at the time, Charles Peterson [Sub Pop photographer], had a copy of Prayers On Fire and I've been listening to and following Nick Cave ever since then. First time I got to see him he didn't play Seattle, so me and my friends drove three hours north to Vancouver and that was on the First Born Is Dead tour. My favourite ever Nick Cave lyric was going way back to 'Deep In The Woods' [from Mutiny/The Bad Seed] - where it ends with the line, "Tonight we sleep in separate ditches"; that always cracks me up. 20,000 Days On Earth was the best music documentary I've ever seen. It didn't follow the normal " and then he did this and then he did that" of those Behind The Music narratives, it was a surreal and cool peak in to Cave's world. Something I learned about him that I didn't know already is that he likes to eat pizza in front of the TV!"