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Zuky the BookBum (15 KP) rated NOS4A2 in Books
Mar 15, 2018
<i>I read this novel as my BookBum Club book for January! Check out <a href="https://www.goodreads.com/group/show/297482-the-bookbum-club">The BookBum Club on Goodreads!</a></i>
A darkly disturbing thrill ride of a book! I was expecting it to spook me out a little more than it did, but it was super enjoyable even still.
I’ve never read a Joe Hill book before this one, but now I know I want to read more of his work. I don’t think there’s any denying that his writing style really sucks you into the story and he’s a genius as describing things. How can one man come up with so many different Christmas similes? I also loved how this book was set up, where sometimes the end of sentence in a paragraph wouldn’t end because the title of the next paragraph completed the sentence. I thought this was a really unique aspect of the novel, as well as several illustrations dotted throughout.
One thing I really loved about this novel was the characters. I’ve seen some less that glowing reviews whinging about Vic, and while I can understand some people’s frustration at how frustrating she was, I think the whole point of her character to be frustrating. I personally found her troubled but sweet. Lou was equally sweet, a nice human being through-and-through, but at the end of the day, I don’t think he brought an awful lot to the story.
On the opposite end of the spectrum, of course, was Charlie Manx. What a genuinely terrifying character. I’ve read through several books with horrifying characters (Annie Wilkes springs to mind immediately) and Charlie Manx is definitely up there with the worst of them. What made him so chilling, for me, was how I imagined his voice. Every sentence of his speech was lifted at the end by an exclamation mark! He was always so cheery! Always so sinister! And then, of course, we have Bing Partridge who may just be the most repulsive character I’ve ever read about.
I loved the story of this novel, but I’m not going to explain what happened because this novel needs to be experienced, not told, in order to reach its full potential. My only issue was I though maybe 700 pages was a bit long. Chapter after chapter was a new dip and dive in this roller-coaster of a story, but sometimes it just felt like stalling time.
Another thing that disappointed me about this book, and this is what brought it down to 4 stars, is that I was expecting this to be scarier than it turned out to be. Don’t get me wrong, it’s seriously sinister and has some really creepy moments, but I wanted to get to “I can’t sleep” scared. Though saying that, when I was driving home in the dark one day, an old classic black British car (we have a lot of old car conventions around where I live) pulled up behind me and followed me nearly all the way home and I did get the heebie-geebies (don’t worry, I didn’t break the speed limit though).
Overall, this novel is well worth the read if you’re into dark, sinister novels filled with the really weird and the really wonderful. I’m so happy I’ve finally read this novel and have been opened up to the world of Joe Hill’s writing. I will definitely be reading more of his stuff.
A darkly disturbing thrill ride of a book! I was expecting it to spook me out a little more than it did, but it was super enjoyable even still.
I’ve never read a Joe Hill book before this one, but now I know I want to read more of his work. I don’t think there’s any denying that his writing style really sucks you into the story and he’s a genius as describing things. How can one man come up with so many different Christmas similes? I also loved how this book was set up, where sometimes the end of sentence in a paragraph wouldn’t end because the title of the next paragraph completed the sentence. I thought this was a really unique aspect of the novel, as well as several illustrations dotted throughout.
One thing I really loved about this novel was the characters. I’ve seen some less that glowing reviews whinging about Vic, and while I can understand some people’s frustration at how frustrating she was, I think the whole point of her character to be frustrating. I personally found her troubled but sweet. Lou was equally sweet, a nice human being through-and-through, but at the end of the day, I don’t think he brought an awful lot to the story.
On the opposite end of the spectrum, of course, was Charlie Manx. What a genuinely terrifying character. I’ve read through several books with horrifying characters (Annie Wilkes springs to mind immediately) and Charlie Manx is definitely up there with the worst of them. What made him so chilling, for me, was how I imagined his voice. Every sentence of his speech was lifted at the end by an exclamation mark! He was always so cheery! Always so sinister! And then, of course, we have Bing Partridge who may just be the most repulsive character I’ve ever read about.
I loved the story of this novel, but I’m not going to explain what happened because this novel needs to be experienced, not told, in order to reach its full potential. My only issue was I though maybe 700 pages was a bit long. Chapter after chapter was a new dip and dive in this roller-coaster of a story, but sometimes it just felt like stalling time.
Another thing that disappointed me about this book, and this is what brought it down to 4 stars, is that I was expecting this to be scarier than it turned out to be. Don’t get me wrong, it’s seriously sinister and has some really creepy moments, but I wanted to get to “I can’t sleep” scared. Though saying that, when I was driving home in the dark one day, an old classic black British car (we have a lot of old car conventions around where I live) pulled up behind me and followed me nearly all the way home and I did get the heebie-geebies (don’t worry, I didn’t break the speed limit though).
Overall, this novel is well worth the read if you’re into dark, sinister novels filled with the really weird and the really wonderful. I’m so happy I’ve finally read this novel and have been opened up to the world of Joe Hill’s writing. I will definitely be reading more of his stuff.
Bethany Fletcher (17 KP) rated Beyond a Darkened Shore in Books
Jun 25, 2018
Contains spoilers, click to show
I had serious mixed feelings about this book. It promised Viking’s and magic and adventure and that was all there no doubt but not really well.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
The book opens straight up with a raid. This is great as it shows us Ciara’s abilities and lets us get a feel for the story to come and our characters in general. But then it didn’t live up to this great introduction. There are plenty of action sequences, battles for Dubhlinn, battles with giants, battles with sea serpents, battles with gods, but they were all so short. Seriously almost every battle was over in about three-four pages. It felt like the author had all these great ideas and then didn’t know how to execute them.
The mythology. I was excited for this book as it was a mixture of Celtic and Norse mythology. It definitely had these elements but maybe too much? There were gods and goddesses, fairy tunnels, each-uisch, giants, magic, the wild hunt, sea serpents, Valhalla, these would have all been fine if they had a purpose. Most of these things appear for 5 pages and then are never mentioned again. It read like the author was trying to throw all of the mythology she knew at us and was trying so hard to prove, Look! Magic is real in this world. It wasn’t all necessary.
The characters. I loved Ciara. She stood up for herself, she didn’t care what anyone else thought, she was strong and independent.
Leif. I liked him to start. He was sassy, sarcastic, he stood up for those he thought were getting mistreated. But then, he did some things that made me seriously question his judgement. There is a scene where Ciara cannot sleep so decides to go and find the Viking mage. When she walks into the room full of drunk Viking men on of them attempts to rape her. Leif does help but then blames her for it saying she shouldn’t have put herself in a dangerous situation. Ciara immediately calls him out and says it’s not my fault I almost got raped because I am female. He quickly tries to backtrack but she is having none of it. This made me love Ciara more and start to question Leif.
Another questionable scene is after Ciara finds out something drastic about Leif’s family. She is understandably upset and leaves. Leif proceeds to chase her, threaten to break down her door and then forces himself on her when she opens it. Again Ciara shuts him down asking how her dare kiss her at that moment. He simply wanted her and didn’t want her to be angry. HOW ABOUT DON’T FORCE YOURSLEF ON HER THEN IDIOT?
The ending. The ending felt so rushed. Seriously we fight the giants and goddesses, sail all the way back to Ireland, have another battle and get established back at Ciara’s home all wishing about 50 pages. It was so rushed. Like the writer was nearing a page count and couldn’t go over or something.
Having said all of this I did really enjoy reading the book. It didn’t take very long was a pleasant reading experience. If it sounds like something you would like then go check it out.
LilyLovesIndie (123 KP) rated Eight Days a Week in Books
Nov 5, 2018
A story about a manny who falls in love with his boss, Eight Days A Week captured my attention from the first time I read the summary. Never normally one for romances, I liked the unique spin it promised and tucked in with enthusiasm, hoping it would deliver so much more than your average boy meets girl romance. And boy did it. As you can see from the 5 star rating, I adored this book and have saved it firmly on my 'favourites' list on my kindle because, quite frankly, it was amazing, and here's why....
Firstly, I have to give credit to our author on the brilliance of the characters. Dee is amazing (and Don) and to see the way he grows throughout this book (no jokes about Don here please!) is just fantastic. Character development is always something I look out for in a book, and Johnson has done that splendidly here. It's believable, it's written with great skill and it really pulls you into the character and his story. Honestly, I could expect to bump into Dee on the street somewhere and he could be real, that's just how detailed and precise this book portrayed him to me. As a reader with limited time to give to different characters, it's great to see a character leap out the pages so well, even if it were to bring Don to visit me in my sleep!
I touched on it, but another thing that I adored about this book was the story line. It was different, fresh and told the story from a different perspective to what I usually encounter in this genre. I think this is in part due to how Dee tells the story himself, but it's so engaging I often found myself up late with eyes closing and smacking myself in the face with my kindle as I tried to read just another chapter. The 'Manny Log' was an excellent addition, and these frequently had me rolling with laughter at Dee and Don's commentary on things.
The book is full of these laugh out loud moments, but it's so much more than just comedy, and I think that is something that really made me enjoy this book that little bit more. The range of human emotions Johnson writes about in just one book is huge. But here's the best part, they're written with such excellent compassion, detail and, I'm harking back to it but it's important, believability that it's almost too much for me to describe. Sadness, love, raw need, sex, it's all there and it's all written so well that it draws you right in and you are compelled to keep reading. Without spoiling it, the ending was fantastic and left me teary eyed to the point I had to stop reading, but in such a good way!
Well, I can't recommend this book highly enough. I laughed, I cried, I cringed and I loved it. There's only two things I'd love right now:
1. Another sampling of Amber Johnson's writing
2. This book made into a movie so I can oggle Dee and Don in the flesh.
But don't take my word for it, pick up a copy and read it for yourselves!
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Firstly, I have to give credit to our author on the brilliance of the characters. Dee is amazing (and Don) and to see the way he grows throughout this book (no jokes about Don here please!) is just fantastic. Character development is always something I look out for in a book, and Johnson has done that splendidly here. It's believable, it's written with great skill and it really pulls you into the character and his story. Honestly, I could expect to bump into Dee on the street somewhere and he could be real, that's just how detailed and precise this book portrayed him to me. As a reader with limited time to give to different characters, it's great to see a character leap out the pages so well, even if it were to bring Don to visit me in my sleep!
I touched on it, but another thing that I adored about this book was the story line. It was different, fresh and told the story from a different perspective to what I usually encounter in this genre. I think this is in part due to how Dee tells the story himself, but it's so engaging I often found myself up late with eyes closing and smacking myself in the face with my kindle as I tried to read just another chapter. The 'Manny Log' was an excellent addition, and these frequently had me rolling with laughter at Dee and Don's commentary on things.
The book is full of these laugh out loud moments, but it's so much more than just comedy, and I think that is something that really made me enjoy this book that little bit more. The range of human emotions Johnson writes about in just one book is huge. But here's the best part, they're written with such excellent compassion, detail and, I'm harking back to it but it's important, believability that it's almost too much for me to describe. Sadness, love, raw need, sex, it's all there and it's all written so well that it draws you right in and you are compelled to keep reading. Without spoiling it, the ending was fantastic and left me teary eyed to the point I had to stop reading, but in such a good way!
Well, I can't recommend this book highly enough. I laughed, I cried, I cringed and I loved it. There's only two things I'd love right now:
1. Another sampling of Amber Johnson's writing
2. This book made into a movie so I can oggle Dee and Don in the flesh.
But don't take my word for it, pick up a copy and read it for yourselves!
*This book was first reviewed on Lily Loves Indie as part of a blog tour, for which an ARC was received in return for an honest review*
Cassie Osbourne (6 KP) rated Alice (The Chronicles of Alice #1) in Books
Nov 9, 2018
'Alice' is a dark and twisted reimagining of Lewis Carrol's classic children's story 'Alice in Wonderland' in which Alice (after escaping from the asylum she has been imprisoned in for ten years) has to navigate to Old City with her friend Hatch to slay the Jabberwock. Now, I am a lover of all things dark and creepy in a book, and I have to say that Christina Henry's retelling did not disappoint! The tie-ins and references to the original story were very, very clever and I'm sure that I could have spotted more if I had read or been a fan of the classic.
The main protagonists, Alice and Hatcher, are so well developed (and I'm sure will only get more so in the sequel). Both have compelling backstories and challenges to overcome as the story unfolds and the information is leaked in small, tiny fragments as their memories resurface. I also really enjoyed the comments in italics which were not explicitly attributed to Alice's thoughts as it made her madness (whether real or perceived) to be even more present as part of her character. If you love a good villain as I do then, boy, is this book for you! Sinister antagonists and 'bosses' lurk around every corner to delight and terrify you. I have to say that Cheshire and the Catapiller were my favourite characters - I just loved how smug and manipulative they were. However, I do have to mention that after all the build-up that Henry gives the Walrus and the Rabbit, when we meet them it is, very sadly, a bit of an anti-climax and the Jabberwock (who was supposed to be the Big Bad in the novel), it seemed was defeated too quickly and simplistically. I didn't especially buy it and would have liked a full chapter of it as I thought that the Jabberwock was excellent when we did meet him, so I just wanted a bit more time between him and Alice.
The atmosphere and overall writing-style in the book were both strong. As mentioned previously, everything was dark and strange (and strangeness is something that you would expect in a retelling of 'Alice in Wonderland'). I think the chapters in the Butterfly were well described and felt very real. Those chapters and the chapters in Cheshire's office were my favourites.
Regarding enjoyment and intrigue, there's nothing much to add apart from how much I utterly loved it and was gripped by the adventures. Every single chapter ended with a very Dicken's style cliffhanger, making the book almost impossible to put down and break away from the world that Henry creates. I finished it in pretty much one day, only stopping two chapters before the end because it was 1 am, and I had to be awake for work at 7 am so needed to get some sleep. Every chapter left me with the same thought - "f*** me, this book is good", and that is not a feeling that I've had while reading a book for a very, very long time. For all the lovers of dark tales out there, this is the book for you.
Characters: 8/10
Atmosphere: 9/10
Writing Style: 10/10
Plot: 7/10
Intrigue: 10/10
Logic: 7/10
Enjoyment: 10/10
The main protagonists, Alice and Hatcher, are so well developed (and I'm sure will only get more so in the sequel). Both have compelling backstories and challenges to overcome as the story unfolds and the information is leaked in small, tiny fragments as their memories resurface. I also really enjoyed the comments in italics which were not explicitly attributed to Alice's thoughts as it made her madness (whether real or perceived) to be even more present as part of her character. If you love a good villain as I do then, boy, is this book for you! Sinister antagonists and 'bosses' lurk around every corner to delight and terrify you. I have to say that Cheshire and the Catapiller were my favourite characters - I just loved how smug and manipulative they were. However, I do have to mention that after all the build-up that Henry gives the Walrus and the Rabbit, when we meet them it is, very sadly, a bit of an anti-climax and the Jabberwock (who was supposed to be the Big Bad in the novel), it seemed was defeated too quickly and simplistically. I didn't especially buy it and would have liked a full chapter of it as I thought that the Jabberwock was excellent when we did meet him, so I just wanted a bit more time between him and Alice.
The atmosphere and overall writing-style in the book were both strong. As mentioned previously, everything was dark and strange (and strangeness is something that you would expect in a retelling of 'Alice in Wonderland'). I think the chapters in the Butterfly were well described and felt very real. Those chapters and the chapters in Cheshire's office were my favourites.
Regarding enjoyment and intrigue, there's nothing much to add apart from how much I utterly loved it and was gripped by the adventures. Every single chapter ended with a very Dicken's style cliffhanger, making the book almost impossible to put down and break away from the world that Henry creates. I finished it in pretty much one day, only stopping two chapters before the end because it was 1 am, and I had to be awake for work at 7 am so needed to get some sleep. Every chapter left me with the same thought - "f*** me, this book is good", and that is not a feeling that I've had while reading a book for a very, very long time. For all the lovers of dark tales out there, this is the book for you.
Characters: 8/10
Atmosphere: 9/10
Writing Style: 10/10
Plot: 7/10
Intrigue: 10/10
Logic: 7/10
Enjoyment: 10/10
<i>I received this book for free through Goodreads First Reads.</i>
The highly rated <i>How To Talk</i> books were developed by Adele Faber as a guide for parents who face daily struggles with their children’s behaviour. Now her daughter, Joanna Faber, and childhood friend Julie King, are parenting experts themselves, and have made their own contribution to the series. This latest addition, <i>How To Talk So Little Kids Will Listen</i>, is a survival guide for parents with children between the ages of terrible-twos to the semi-civilised-sevens. Covering topics from food battles to sleep issues, parents are bound to relate to something in this book, and be able to put some of the advice into practice.
The majority of the content encompasses the tried and tested methods that Joanna and Julie encourage parents to consider as part of a parenting workshop. Split into topics, the reader is given a set of tools to work with that may help to turn a difficult situation away from a tantrum and a harassed parent. These tools are demonstrated with real life stories from the Mums and Dads who used them.
As well as the usual behaviour troubles that most children develop, the book also includes ways to cope with children who have sensory issues or find themselves diagnosed with Autism. These youngsters do not process the world in the same way as other people their age, which can be very frustrating for parents. Armed with a new set of tools, adults will be able to support their children as they grow up in a world they do not understand, and make them feel safe and understood.
Illustrated with cartoons, each chapter ends with a short summary of ideas to try in any situation. By providing these recap points, parents can locate a tool or idea in a moment of desperation and put into practice immediately. The layout and clear headings offer an easy way of locating the relevant information, meaning that harried parents do not have to skim paragraphs and pages to find what they are looking for.
By including the real life scenarios, Joanna and Julie highlight that there is no one-size-fits-all when it come to dealing with unruly children. Each child is different and needs to be treated appropriately. However, the experts provide enough information so that when one tool fails, there’s another standing as backup.
After reading <i>How To Talk So Little Kids Will Listen</i>, you will feel empowered to tackle anything your child throws at you. Of course there is no guarantee that you will become a parenting master over night, but you will be more confident about dealing with the little rascals.
<i>How To Talk So Little Kids Will Listen</i> is a book that feels realistic with no psychological jargon to make you feel inadequate. Joanna and Julie are both parents and have had to resort to taking their own advice, and sometimes failing. It is clear the writers are human and not a childless psychologist who believes he knows what he is talking about. So, if you are tearing your hair out and do not know what to do to make your child happy, this <i>How To Talk</i> series is definitely something to check out.
The highly rated <i>How To Talk</i> books were developed by Adele Faber as a guide for parents who face daily struggles with their children’s behaviour. Now her daughter, Joanna Faber, and childhood friend Julie King, are parenting experts themselves, and have made their own contribution to the series. This latest addition, <i>How To Talk So Little Kids Will Listen</i>, is a survival guide for parents with children between the ages of terrible-twos to the semi-civilised-sevens. Covering topics from food battles to sleep issues, parents are bound to relate to something in this book, and be able to put some of the advice into practice.
The majority of the content encompasses the tried and tested methods that Joanna and Julie encourage parents to consider as part of a parenting workshop. Split into topics, the reader is given a set of tools to work with that may help to turn a difficult situation away from a tantrum and a harassed parent. These tools are demonstrated with real life stories from the Mums and Dads who used them.
As well as the usual behaviour troubles that most children develop, the book also includes ways to cope with children who have sensory issues or find themselves diagnosed with Autism. These youngsters do not process the world in the same way as other people their age, which can be very frustrating for parents. Armed with a new set of tools, adults will be able to support their children as they grow up in a world they do not understand, and make them feel safe and understood.
Illustrated with cartoons, each chapter ends with a short summary of ideas to try in any situation. By providing these recap points, parents can locate a tool or idea in a moment of desperation and put into practice immediately. The layout and clear headings offer an easy way of locating the relevant information, meaning that harried parents do not have to skim paragraphs and pages to find what they are looking for.
By including the real life scenarios, Joanna and Julie highlight that there is no one-size-fits-all when it come to dealing with unruly children. Each child is different and needs to be treated appropriately. However, the experts provide enough information so that when one tool fails, there’s another standing as backup.
After reading <i>How To Talk So Little Kids Will Listen</i>, you will feel empowered to tackle anything your child throws at you. Of course there is no guarantee that you will become a parenting master over night, but you will be more confident about dealing with the little rascals.
<i>How To Talk So Little Kids Will Listen</i> is a book that feels realistic with no psychological jargon to make you feel inadequate. Joanna and Julie are both parents and have had to resort to taking their own advice, and sometimes failing. It is clear the writers are human and not a childless psychologist who believes he knows what he is talking about. So, if you are tearing your hair out and do not know what to do to make your child happy, this <i>How To Talk</i> series is definitely something to check out.
Hazel (1853 KP) rated Saint Death in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
What must life be like living in a poor neighbourhood? Every night your sleep is disturbed by gunshots, the people you know slowly disappear each time a gang raids the town, you live in fear for your own life. This is the concept international award-winning author Marcus Sedgwick explores in his latest Young Adult novel. Set in Anapra, one of the poorest communities in Mexico, Sedgwick delivers a story of poverty, gang crime and greed.
A young man – presumably still in his teens – named Arturo is living in a falling down shack, surviving on the small amount he earns at the local garage. Having kept to himself for the past year in order to remain safe, he experiences mixed emotions when his long lost friend turns up on his door stop – if you can call it that – and asks him to win $1000 by gambling at cards to appease a brutal gang leader.
What follows is an intense game against dangerous criminals with only prayers to Santa Muerte – Saint Death – to help Arturo get by. However, in the same way that the gang leaders are obsessed with wealth, Arturo begins to be overcome with greed, putting both himself and his friend in mortal danger.
<i>Saint Death</i> is not a book to be <i>liked</i>, after all, who would be fond of death, pain and violence? Instead it is a story that introduces an alternative culture to the readers – presuming that most will be from the more typical western world. Sedgwick throws us right into the slums of Mexico where religion, superstition, law and safety have an entirely different meaning. We learn that life in these areas is mostly a war between power and poverty, with the wealthy naturally championing over the rest.
Unfortunately <i>Saint Death</i> is a difficult book to read. For a start, it is a little bit boring. Whilst the events may be realistic there is no thrill or enjoyment garnered from reading about them. Understandably, Sedgwick is trying to bring a sense of culture into his work, however there is barely anything that a Young Adult reader can relate to. We are never told Arturo’s age and only assume he his in his teens, however he acts like a much older adult. It is difficult to imagine and comprehend the poverty, gangs and violence when we have not been witness to it ourselves. Whilst attempting to shock, Sedgwick lacks on description making it a challenge to picture the scene in our heads.
Prior to this book, I had only read Sedgwick’s <i>My Sword Hand is Singing</i> (2006), therefore I was unsure what to expect with his latest novel. It was my understanding that he tends to write horror or paranormal novels, whereas <i>Saint Death</i> was a complete change of genre. Of course authors experiment with their writing style all the time; some are successful, others less so. In this instance I personally think Sedgwick fell short of his goal, trying too hard to copy other writers that had influenced him to make this conversion. Whether Sedgwick decides to continue along this theme or revert back to what he has already been successful with remains to be seen, but I am hoping for the latter.
What must life be like living in a poor neighbourhood? Every night your sleep is disturbed by gunshots, the people you know slowly disappear each time a gang raids the town, you live in fear for your own life. This is the concept international award-winning author Marcus Sedgwick explores in his latest Young Adult novel. Set in Anapra, one of the poorest communities in Mexico, Sedgwick delivers a story of poverty, gang crime and greed.
A young man – presumably still in his teens – named Arturo is living in a falling down shack, surviving on the small amount he earns at the local garage. Having kept to himself for the past year in order to remain safe, he experiences mixed emotions when his long lost friend turns up on his door stop – if you can call it that – and asks him to win $1000 by gambling at cards to appease a brutal gang leader.
What follows is an intense game against dangerous criminals with only prayers to Santa Muerte – Saint Death – to help Arturo get by. However, in the same way that the gang leaders are obsessed with wealth, Arturo begins to be overcome with greed, putting both himself and his friend in mortal danger.
<i>Saint Death</i> is not a book to be <i>liked</i>, after all, who would be fond of death, pain and violence? Instead it is a story that introduces an alternative culture to the readers – presuming that most will be from the more typical western world. Sedgwick throws us right into the slums of Mexico where religion, superstition, law and safety have an entirely different meaning. We learn that life in these areas is mostly a war between power and poverty, with the wealthy naturally championing over the rest.
Unfortunately <i>Saint Death</i> is a difficult book to read. For a start, it is a little bit boring. Whilst the events may be realistic there is no thrill or enjoyment garnered from reading about them. Understandably, Sedgwick is trying to bring a sense of culture into his work, however there is barely anything that a Young Adult reader can relate to. We are never told Arturo’s age and only assume he his in his teens, however he acts like a much older adult. It is difficult to imagine and comprehend the poverty, gangs and violence when we have not been witness to it ourselves. Whilst attempting to shock, Sedgwick lacks on description making it a challenge to picture the scene in our heads.
Prior to this book, I had only read Sedgwick’s <i>My Sword Hand is Singing</i> (2006), therefore I was unsure what to expect with his latest novel. It was my understanding that he tends to write horror or paranormal novels, whereas <i>Saint Death</i> was a complete change of genre. Of course authors experiment with their writing style all the time; some are successful, others less so. In this instance I personally think Sedgwick fell short of his goal, trying too hard to copy other writers that had influenced him to make this conversion. Whether Sedgwick decides to continue along this theme or revert back to what he has already been successful with remains to be seen, but I am hoping for the latter.
Debbiereadsbook (1444 KP) rated One Day (Nights, #9) in Books
Jan 14, 2019
a beautiful and fitting end
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the final book, book NINE in the Nights Series, and to get the full enjoyment of this one, you really MUST at least read book one: One Night, and book three: Tokyo Heat. I would STRONGLY recommend you read them all, though! Not least because I said so, but they are rather awesome and I am really sad to see the end of this group of people!
Gabe and Cam are planning their wedding and Ethan is in charge of their joint stag/bachelor party. He pulls that off beautifully! There are a few surprises, a trip across the globe to see family, and so much love, between each couple, not just Gabe and Cam, my sister would say "please pass the bucket" and make retching noises!
Each coupe have a *scene* in this book, but the emphasis is on Gabe and Cam and the run up to the wedding. After Cam ran when Gabe said those three little words, I wasn't sure they would get this far, but as the first couple in this series, it's only right and proper that they be the first to tie the knot.
Each scene is hawt and sexy and well written. Each person in the pairing has a say so we get each and every thought these people have, as they begin the wedding celebrations the week before. Ethan's planning is brilliant and how he manages to keep it a secret from everyone, especially Joe, is beyond me!
I loved what Gabe and Ethan did for Cam and Joe and I hated Gabe's family for what they did to him, but they DO redeem themselves, so were somewhat forgiven, but not totally!
But the bit that got me?? The vows between Gabe and Cam. Bear in mind, I started this book at 215am, cos I couldn't sleep, I did not stop til 430 when I finished. And I bawled my bloody eyes out! So much so, I woke the teenager up in the other room! I mean, the love between these two guys, between EACH couple really, jumps off the page and slaps you about the face so much!
Hence the "warm and fuzzies", AND "too stinking cute", along with the "fan yourself, its a hot one" tag! I don't think I have any other warm and fuzzies on the fan yourself shelf, but then again, Gabe and Cam were the founder members of the fan yourself shelf!
The epilogue is rather awesome, and I pray to every deity and god known to man, and then some, that Ms Salinger will write a followup to this series, and call it One More Day! You'll see what I mean when you read that epilogue!
While it's always sad to see a series end, it's made a little bit less sad when it has such a beautiful and fitting end.
Thank you, Ms Salinger, for introducing me to your people, thank you, indeed, for stepping away from your usual fare and writing about them! I loved them all, but Gabe and Cam will always be my favourites.
5 full and shiny stars
**same worded review will appear elsewhere**
This is the final book, book NINE in the Nights Series, and to get the full enjoyment of this one, you really MUST at least read book one: One Night, and book three: Tokyo Heat. I would STRONGLY recommend you read them all, though! Not least because I said so, but they are rather awesome and I am really sad to see the end of this group of people!
Gabe and Cam are planning their wedding and Ethan is in charge of their joint stag/bachelor party. He pulls that off beautifully! There are a few surprises, a trip across the globe to see family, and so much love, between each couple, not just Gabe and Cam, my sister would say "please pass the bucket" and make retching noises!
Each coupe have a *scene* in this book, but the emphasis is on Gabe and Cam and the run up to the wedding. After Cam ran when Gabe said those three little words, I wasn't sure they would get this far, but as the first couple in this series, it's only right and proper that they be the first to tie the knot.
Each scene is hawt and sexy and well written. Each person in the pairing has a say so we get each and every thought these people have, as they begin the wedding celebrations the week before. Ethan's planning is brilliant and how he manages to keep it a secret from everyone, especially Joe, is beyond me!
I loved what Gabe and Ethan did for Cam and Joe and I hated Gabe's family for what they did to him, but they DO redeem themselves, so were somewhat forgiven, but not totally!
But the bit that got me?? The vows between Gabe and Cam. Bear in mind, I started this book at 215am, cos I couldn't sleep, I did not stop til 430 when I finished. And I bawled my bloody eyes out! So much so, I woke the teenager up in the other room! I mean, the love between these two guys, between EACH couple really, jumps off the page and slaps you about the face so much!
Hence the "warm and fuzzies", AND "too stinking cute", along with the "fan yourself, its a hot one" tag! I don't think I have any other warm and fuzzies on the fan yourself shelf, but then again, Gabe and Cam were the founder members of the fan yourself shelf!
The epilogue is rather awesome, and I pray to every deity and god known to man, and then some, that Ms Salinger will write a followup to this series, and call it One More Day! You'll see what I mean when you read that epilogue!
While it's always sad to see a series end, it's made a little bit less sad when it has such a beautiful and fitting end.
Thank you, Ms Salinger, for introducing me to your people, thank you, indeed, for stepping away from your usual fare and writing about them! I loved them all, but Gabe and Cam will always be my favourites.
5 full and shiny stars
**same worded review will appear elsewhere**
Emma @ The Movies (1786 KP) rated Clemency (2019) in Movies
Nov 7, 2019
Clemency was high up on my list to see during the festival so I was slightly annoyed to not get the opportunity to see it initially... but it was day one and I was feeling bold with enthusiasm and joine the queue for last minute tickets. It's a great system if it isn't raining, and after some loitering, chatting, and spotting Wendell Pierce on his way to the cinema for the screening I managed to get a spare ticket.
Bernadine has spent years of her life dedicated to giving prisoners the chance to better themselves and live up to their potential, with the death row inmates she tries to give them respect and comfort in their last days. After an execution goes wrong the whole team is affected and with another coming closer Bernadine starts to feel the pressure.
Her life is turned upside down as she starts to interact with Anthony Woods, she can't sleep, she can't be a wife, her only real escape is drink and her colleagues. Where will everything lead her?
My main pull to this was Aldis Hodge, while I tried to avoid seeing who was in each film when I read the synopsis it was difficult on occasion and so this one zipped to my top picks list. He will always be Hardison to me but I've enjoyed seeing him in films recently.
Anthony Woods is obviously on a rollercoaster of emotions and Hodge brings out the sense of desperation his character is feeling. The swing from hope and emptiness to elation gave him several opportunities to surprise and shock us. One of those moments particularly drew a reaction from a lot of people around me and I'll touch on that in a moment.
Alfre Woodard as Warden Bernadine Williams was very powerful, subtle with her emotions when needed but as the film concludes we see an incredibly difficult moment of pain. That moment is ugly and honest, it really hits you.
The film leaves you with a few uncertain points, you can work things out from context but it never says it outright. It also allows you to slowly unfold what's going on and what's still to come.
As you know, I watch a lot (excessive amounts some might say) of movies and it's very rare from something to surprise me. A lot of things are easy to see coming, a characters's actions can show you something violent coming. There are two moments in Clemency that had the audience react much stronger that I expected, I was also surprised by the reaction of the other press delegates who I thought might be in a similar place a me. Both scenes involved blood and when everyone gasped I actually looked around and wondered how it had earned that reaction. Perhaps I wasn't as engaged with it as they were but I didn't find those moments to be gratuitous or all that shocking given the context and the nature of the scenes. It was this point that I had to ponder the thought that seeing too many films and TV shows might have a detrimental effect on my reactions to some sorts of films.
Clemency deals with some fairly heavy topics but it handles them well and in a captivating way, I've glad I managed to get to see this.
What you should do
It's a moving film and I would recommend trying to catch it.
Movie thing you wish you could take home
Another film where I probably don't need anything to take home from it.
Bernadine has spent years of her life dedicated to giving prisoners the chance to better themselves and live up to their potential, with the death row inmates she tries to give them respect and comfort in their last days. After an execution goes wrong the whole team is affected and with another coming closer Bernadine starts to feel the pressure.
Her life is turned upside down as she starts to interact with Anthony Woods, she can't sleep, she can't be a wife, her only real escape is drink and her colleagues. Where will everything lead her?
My main pull to this was Aldis Hodge, while I tried to avoid seeing who was in each film when I read the synopsis it was difficult on occasion and so this one zipped to my top picks list. He will always be Hardison to me but I've enjoyed seeing him in films recently.
Anthony Woods is obviously on a rollercoaster of emotions and Hodge brings out the sense of desperation his character is feeling. The swing from hope and emptiness to elation gave him several opportunities to surprise and shock us. One of those moments particularly drew a reaction from a lot of people around me and I'll touch on that in a moment.
Alfre Woodard as Warden Bernadine Williams was very powerful, subtle with her emotions when needed but as the film concludes we see an incredibly difficult moment of pain. That moment is ugly and honest, it really hits you.
The film leaves you with a few uncertain points, you can work things out from context but it never says it outright. It also allows you to slowly unfold what's going on and what's still to come.
As you know, I watch a lot (excessive amounts some might say) of movies and it's very rare from something to surprise me. A lot of things are easy to see coming, a characters's actions can show you something violent coming. There are two moments in Clemency that had the audience react much stronger that I expected, I was also surprised by the reaction of the other press delegates who I thought might be in a similar place a me. Both scenes involved blood and when everyone gasped I actually looked around and wondered how it had earned that reaction. Perhaps I wasn't as engaged with it as they were but I didn't find those moments to be gratuitous or all that shocking given the context and the nature of the scenes. It was this point that I had to ponder the thought that seeing too many films and TV shows might have a detrimental effect on my reactions to some sorts of films.
Clemency deals with some fairly heavy topics but it handles them well and in a captivating way, I've glad I managed to get to see this.
What you should do
It's a moving film and I would recommend trying to catch it.
Movie thing you wish you could take home
Another film where I probably don't need anything to take home from it.
Lee (2222 KP) rated Hell House LLC (2015) in Movies
Jan 20, 2020
I'd heard very little about Hell House LLC before watching it and hadn't even seen the trailer either. But, it had been highly recommended by a few people and had been sitting on my Amazon Prime watch-list for some time anyway, so I decided to give it a shot. It's a found footage horror, which has been done to death now, so it's easy to go into another one feeling cynical and apprehensive. However, there is still the occasional hidden gem out there waiting to be found and, for me, Hell House LLC turned out to be one of them.
The plot surrounds a Halloween house tour in an old abandoned hotel in a small American town. On opening night, as dozens of thrill-seekers descend on the house to enjoy the various mannequins and lighting effects that have been setup to try and scare them, there is an incident down in the basement. Panic ensues as everyone tries to locate the exits and there are a number of mysterious deaths, along with numerous injuries. We see a YouTube video that somebody recorded during their tour, but they didn't quite make it to the basement to capture what went on, so all we see is them making a hasty exit. Five years on and the hotel is now boarded up, while the whole tragedy remains unexplained. Now though, the sole survivor of the crew responsible for putting on the event has approached a documentary crew with a bunch of video tapes that were recorded by the team in the run-up to opening night, so hopefully the truth will finally be revealed.
We begin with the team driving to the hotel for the first time, before going inside to check it all out. They've put on Halloween house tours before, but this one is a bit of a challenge due to the derelict nature of the hotel. First they need to get power to the place, in order to setup safety cameras in every room and corridor, strobe lighting etc. Then they start setting up the various rooms, working out themes and hiring a small group of actors to dress up and scare people during the tour. Early on in the movie, these scenes are interspersed with interviews from reporters, photographers and historians who recount some of the troubled history of the hotel and give us a bit more detail as to what happened during and after the events of the tours opening night.
The crew of five are all staying in the hotel as they work towards the big day, all the while documenting their progress and the various challenges they encounter. The place is seriously creepy anyway and the movie takes it's time in establishing the characters and making sure you're familiar with everything they've installed and the general layout of the hotel before mysterious things start happening, usually at night while everyone is trying to sleep. At first, things are basic enough that it's easy for them to accuse someone of trying to prank the others, but they soon start to increase in intensity and creepiness. Despite all common sense, preparations still continue for the big night which, as we already know, turns out to be a big mistake.
I really liked Hell House LLC. I'm still not actually sure what happened down in the basement, or afterwards for that matter, but the build up to it really did work well for me and there were some very effective and genuinely unsettling moments. And I do love feeling unsettled by a movie!
The plot surrounds a Halloween house tour in an old abandoned hotel in a small American town. On opening night, as dozens of thrill-seekers descend on the house to enjoy the various mannequins and lighting effects that have been setup to try and scare them, there is an incident down in the basement. Panic ensues as everyone tries to locate the exits and there are a number of mysterious deaths, along with numerous injuries. We see a YouTube video that somebody recorded during their tour, but they didn't quite make it to the basement to capture what went on, so all we see is them making a hasty exit. Five years on and the hotel is now boarded up, while the whole tragedy remains unexplained. Now though, the sole survivor of the crew responsible for putting on the event has approached a documentary crew with a bunch of video tapes that were recorded by the team in the run-up to opening night, so hopefully the truth will finally be revealed.
We begin with the team driving to the hotel for the first time, before going inside to check it all out. They've put on Halloween house tours before, but this one is a bit of a challenge due to the derelict nature of the hotel. First they need to get power to the place, in order to setup safety cameras in every room and corridor, strobe lighting etc. Then they start setting up the various rooms, working out themes and hiring a small group of actors to dress up and scare people during the tour. Early on in the movie, these scenes are interspersed with interviews from reporters, photographers and historians who recount some of the troubled history of the hotel and give us a bit more detail as to what happened during and after the events of the tours opening night.
The crew of five are all staying in the hotel as they work towards the big day, all the while documenting their progress and the various challenges they encounter. The place is seriously creepy anyway and the movie takes it's time in establishing the characters and making sure you're familiar with everything they've installed and the general layout of the hotel before mysterious things start happening, usually at night while everyone is trying to sleep. At first, things are basic enough that it's easy for them to accuse someone of trying to prank the others, but they soon start to increase in intensity and creepiness. Despite all common sense, preparations still continue for the big night which, as we already know, turns out to be a big mistake.
I really liked Hell House LLC. I'm still not actually sure what happened down in the basement, or afterwards for that matter, but the build up to it really did work well for me and there were some very effective and genuinely unsettling moments. And I do love feeling unsettled by a movie!
Sophia (Bookwyrming Thoughts) (530 KP) rated MARY: The Summoning (Bloody Mary, #1) in Books
Jan 23, 2020
I don't know the precise reason why I actually requested The Summoning in the first place. I do know that I must have been really intrigued by the idea of a retelling of Bloody Mary and maybe just wanted a break from the influx of YA books that have some type of romance running about. Or, I just wanted to measure Hillary Monahan's debut novel with a scare-a-meter.
The first in the Bloody Mary series follows Shauna O'Brien, who decides to join with her 3 friends, Jess, Anna and Kitty to summon Bloody Mary, a legend that has been around since the 1960s with rumors that the person is someone who died near the end of the Civil War by the name of Mary Worth. As a result of summoning Bloody Mary, the spirit manages to go free from its rightful place within the boundaries of a mirror and begins to haunt the 4 girls, Shauna being her main victim.
Possibly what Mary so scary is the very fact she pops out everywhere almost and locks doors/windows. As the author so puts it in a sentence...
<blockquote>Mary was appearing without a summoning, manipulating objects, haunting glass, and skipping from surface to surface.</blockquote>
I did have a problem with Mary's abilities though. While it certainly puts a wow to the scare factor, Mary seems a little... too powerful. Reflective object manipulation? That's almost everything if you ask me. Computer/Tablet screens, washers/dryers, refrigerators, windows, doorknobs, lambs, flash drives, scissors, transportation, sinks, etc. So not only does the haunted have to live in isolation to protect everyone they love, but s/he have to live smelling like poo and crap for the rest of their lives because they can't take a decent shower?
<img src="http://3.bp.blogspot.com/-nfP1y5PZpOs/U49rNV8em4I/AAAAAAAADZo/XHTD2iwNTxs/s1600/giphy.gif"; border="0">
Somehow, I don't think Mary qualifies as a ghost now. More like a demon in my humble opinion. While that may scare readers at first, eventually some will catch on and Mary won't be as scary.
The Summoning is basically the ultimate friendship test for the main characters – Jess, Anna, Kitty and Shauna have been best friends for quite awhile, so when Shauna begins to see Mary everywhere, they have to try to work together to get rid of the ghost. <spoiler>Apparently this test failed, because Anna gets taken. Once you're gone, you're technically gone. It's not like doing anything would have brought Anna back. Although I did like her, so it was actually sad to see her get taken through the mirror by a ghost.</spoiler>
So the ultimate question from the beginning: how well can Hillary Monahan scare me? Quite well, but I managed to sleep very well. While I'll certainly applaud on what a chilling twist on an urban legend The Summoning was, Mary needs to be toned down a bit to make her more believable.
----------------
Advanced Review copy provided by Disney Hyperion for review
Original Rating: 4.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/arc-review-mary-the-summoning-by-hillary-monahan.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
The first in the Bloody Mary series follows Shauna O'Brien, who decides to join with her 3 friends, Jess, Anna and Kitty to summon Bloody Mary, a legend that has been around since the 1960s with rumors that the person is someone who died near the end of the Civil War by the name of Mary Worth. As a result of summoning Bloody Mary, the spirit manages to go free from its rightful place within the boundaries of a mirror and begins to haunt the 4 girls, Shauna being her main victim.
Possibly what Mary so scary is the very fact she pops out everywhere almost and locks doors/windows. As the author so puts it in a sentence...
<blockquote>Mary was appearing without a summoning, manipulating objects, haunting glass, and skipping from surface to surface.</blockquote>
I did have a problem with Mary's abilities though. While it certainly puts a wow to the scare factor, Mary seems a little... too powerful. Reflective object manipulation? That's almost everything if you ask me. Computer/Tablet screens, washers/dryers, refrigerators, windows, doorknobs, lambs, flash drives, scissors, transportation, sinks, etc. So not only does the haunted have to live in isolation to protect everyone they love, but s/he have to live smelling like poo and crap for the rest of their lives because they can't take a decent shower?
<img src="http://3.bp.blogspot.com/-nfP1y5PZpOs/U49rNV8em4I/AAAAAAAADZo/XHTD2iwNTxs/s1600/giphy.gif"; border="0">
Somehow, I don't think Mary qualifies as a ghost now. More like a demon in my humble opinion. While that may scare readers at first, eventually some will catch on and Mary won't be as scary.
The Summoning is basically the ultimate friendship test for the main characters – Jess, Anna, Kitty and Shauna have been best friends for quite awhile, so when Shauna begins to see Mary everywhere, they have to try to work together to get rid of the ghost. <spoiler>Apparently this test failed, because Anna gets taken. Once you're gone, you're technically gone. It's not like doing anything would have brought Anna back. Although I did like her, so it was actually sad to see her get taken through the mirror by a ghost.</spoiler>
So the ultimate question from the beginning: how well can Hillary Monahan scare me? Quite well, but I managed to sleep very well. While I'll certainly applaud on what a chilling twist on an urban legend The Summoning was, Mary needs to be toned down a bit to make her more believable.
----------------
Advanced Review copy provided by Disney Hyperion for review
Original Rating: 4.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/08/arc-review-mary-the-summoning-by-hillary-monahan.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>