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Leanne Crabtree (480 KP) rated Heidi's Guide to Four Letter Words in Books
Jan 12, 2021
This starts with Heidi trying to find a job and her mum and aunt going through a list of schools they think she should work at and Heidi listening miserably, knowing education isn't something she enjoyed. Instead she's applied to be in a receptionist type role at a local small business, not knowing at the time that they record erotic romances in audiobook form. Heidi is equally embarrassed and curious about what goes on at her place of work and with the help of her colleagues begins a podcast where she talks about her hot neighbour who she'd love to date and becoming more confident in saying those tricky four letter words.
I wasn't sure with this to start with. I found Heidi's almost prudishness too much at the start. I can't quite believe that she doesn't even allow herself to think swear words let alone say them. I don't know if it was her religious upbringing or her parents - who I found really annoying at times. It was nice to see her grow more confident in herself with every podcast she broadcasts and book scene she reads.
This one does have some comedy elements in it but, for me, the speech to text thing was hilarious and the funniest part. I couldn't stop laughing for quite a while with that one.
The romance in this didn't seem to take up as much of the book as I'd have liked. I think it got to around the 35% mark before the romance even started to kick in. They had talked briefly and acknowledged each other in the street but it was only after she'd done a few of her podcasts that she even had the guts to approach him for a date and then it was a slow burn into a cute romance. It was a really nice relationship they'd built up and then "the thing" that split them apart for a little while was blown out of proportion - as they do in romance books - before they sorted it out and were cuter than ever.
One thing I didn't understand was the "uff da" thing. I even had to look it up to figure out what that bit was all about. It still seemed a rather odd exclamation to me so I read it as oomph/oof noise.
If you like romantic comedies then you should give this a go.
I wasn't sure with this to start with. I found Heidi's almost prudishness too much at the start. I can't quite believe that she doesn't even allow herself to think swear words let alone say them. I don't know if it was her religious upbringing or her parents - who I found really annoying at times. It was nice to see her grow more confident in herself with every podcast she broadcasts and book scene she reads.
This one does have some comedy elements in it but, for me, the speech to text thing was hilarious and the funniest part. I couldn't stop laughing for quite a while with that one.
The romance in this didn't seem to take up as much of the book as I'd have liked. I think it got to around the 35% mark before the romance even started to kick in. They had talked briefly and acknowledged each other in the street but it was only after she'd done a few of her podcasts that she even had the guts to approach him for a date and then it was a slow burn into a cute romance. It was a really nice relationship they'd built up and then "the thing" that split them apart for a little while was blown out of proportion - as they do in romance books - before they sorted it out and were cuter than ever.
One thing I didn't understand was the "uff da" thing. I even had to look it up to figure out what that bit was all about. It still seemed a rather odd exclamation to me so I read it as oomph/oof noise.
If you like romantic comedies then you should give this a go.
Leanne Crabtree (480 KP) rated Hands Down in Books
Jan 15, 2021
Borrowed this from the Kindle Unlimited Library.
This starts with Bianca at work and taking a call from her cousin who asks her to go and get NFO star and his best friend Zac, since they haven't been able to get hold of him to tell him that his Paw-Paw has been admitted to hospital. It's been about ten years since Bianca last saw Zac, her teenage crush, and is reluctant to see him again but because she loves her cousin like a brother, she agrees to go see Zac and let him know what's happened. Before she realises it, Zac is a major part of her life again and the friendship they used to have has come back into full force. Only those pesky feelings she used to have for him haven't completely disappeared.
Mariana Zapata is the Queen of slow burn romances. You only ever see the woman's POV in her books and have to read the body language of the males to figure out what they're thinking and I think she is brilliant at it. Zac's facial expressions in this gave a lot away about how he was feeling but it still took somewhere around the 90% mark for the words to be spoken - the "I love you"s.
Her books are always long - I've pointed out several times I'm not the biggest fan of long books - but most of the time you don't even realise it because you're so engrossed in the story. The same could be said of this one although I did find Bianca a bit annoying at times with her persistent belief that Zac was only hanging around because he felt guilty for losing touch with her when he made sure she was there for everything and always wanted to hang out with her. I did feel like giving her a slap every now and then because it was pretty obvious he cared about you, you donut!
I also love how she writes the characters from her previous books into her latest. We see several of them in this one including characters from From Lukov with Love and The Wall of Winnipeg and Me and even DeMaio House gym plays a vital part in this book.
P.S. I can't help feeling like we've met Enzo somewhere before...?
This starts with Bianca at work and taking a call from her cousin who asks her to go and get NFO star and his best friend Zac, since they haven't been able to get hold of him to tell him that his Paw-Paw has been admitted to hospital. It's been about ten years since Bianca last saw Zac, her teenage crush, and is reluctant to see him again but because she loves her cousin like a brother, she agrees to go see Zac and let him know what's happened. Before she realises it, Zac is a major part of her life again and the friendship they used to have has come back into full force. Only those pesky feelings she used to have for him haven't completely disappeared.
Mariana Zapata is the Queen of slow burn romances. You only ever see the woman's POV in her books and have to read the body language of the males to figure out what they're thinking and I think she is brilliant at it. Zac's facial expressions in this gave a lot away about how he was feeling but it still took somewhere around the 90% mark for the words to be spoken - the "I love you"s.
Her books are always long - I've pointed out several times I'm not the biggest fan of long books - but most of the time you don't even realise it because you're so engrossed in the story. The same could be said of this one although I did find Bianca a bit annoying at times with her persistent belief that Zac was only hanging around because he felt guilty for losing touch with her when he made sure she was there for everything and always wanted to hang out with her. I did feel like giving her a slap every now and then because it was pretty obvious he cared about you, you donut!
I also love how she writes the characters from her previous books into her latest. We see several of them in this one including characters from From Lukov with Love and The Wall of Winnipeg and Me and even DeMaio House gym plays a vital part in this book.
P.S. I can't help feeling like we've met Enzo somewhere before...?
Not what I expected
I need to start off by saying that I wasnt a fan of Get Out, and I hadn't even see the trailer for Us, so I went into this with low/no expectations, and I was actually pleasantly surprised.
The first half an hour or so is a bit of a slow burn introduction to the family, almost lulling you into a false sense of security before abruptly flipping into full on horror film mode. There are a lot of things I liked about this film; it doesn't rely on obvious jump scares and instead focuses on being massively creepy and almost downright terrifying. I liked the pop culture references like Home Alone, and for me the bits of humour thrown in worked quite well to lighten up an otherwise tense film. And going against the usual horror movie tropes (I.e. victims not being so helpless after all) was refreshing. I also thought this was going to be a bog standard home invasion film, and it really isn't. The wider plot and story going on here is a great idea and the twist at the end too was brilliant, entirely unexpected and I usually pride myself on being able to spot these things coming a mile off.
However there are some things I really didn't like about this film which have led me to mark it down. The cast were great, but I could not stand the voice that Lupita Nyong'o gave Red. For me it wasn't creepy or scary, it was just silly and verging on the hysterically funny. I couldn't take her seriously every time she was speaking on screen. Also, I didn't like some of the more animalistic behaviours and vocalisms they gave the rest of the doppelgangers. It detracted from their overall creepy and terrifying appearance and I think they could have maybe made them a little quieter for a better effect. I hated the soundtrack - it seemed far too dramatic and over the top and not in keeping with the tone of the rest of the film. And I think the dancing scene in the final act, was very stylish but completely unnecessary and I found myself getting very irritated by it as it was just silly and a little confusing.
Overall this film isn't perfect by any means, but it was a lot better than I had ever expected. I feel like going into a film without having seen dozens of trailers etc beforehand actually makes for a far more enjoyable experience.
The first half an hour or so is a bit of a slow burn introduction to the family, almost lulling you into a false sense of security before abruptly flipping into full on horror film mode. There are a lot of things I liked about this film; it doesn't rely on obvious jump scares and instead focuses on being massively creepy and almost downright terrifying. I liked the pop culture references like Home Alone, and for me the bits of humour thrown in worked quite well to lighten up an otherwise tense film. And going against the usual horror movie tropes (I.e. victims not being so helpless after all) was refreshing. I also thought this was going to be a bog standard home invasion film, and it really isn't. The wider plot and story going on here is a great idea and the twist at the end too was brilliant, entirely unexpected and I usually pride myself on being able to spot these things coming a mile off.
However there are some things I really didn't like about this film which have led me to mark it down. The cast were great, but I could not stand the voice that Lupita Nyong'o gave Red. For me it wasn't creepy or scary, it was just silly and verging on the hysterically funny. I couldn't take her seriously every time she was speaking on screen. Also, I didn't like some of the more animalistic behaviours and vocalisms they gave the rest of the doppelgangers. It detracted from their overall creepy and terrifying appearance and I think they could have maybe made them a little quieter for a better effect. I hated the soundtrack - it seemed far too dramatic and over the top and not in keeping with the tone of the rest of the film. And I think the dancing scene in the final act, was very stylish but completely unnecessary and I found myself getting very irritated by it as it was just silly and a little confusing.
Overall this film isn't perfect by any means, but it was a lot better than I had ever expected. I feel like going into a film without having seen dozens of trailers etc beforehand actually makes for a far more enjoyable experience.
Sarah (126 KP) rated The Staircase in TV
Aug 10, 2018
A Compelling Watch
All are punish'd.
The final words of The Staircase, taken from the last scene of Romeo & Juliet, seem particularly fitting for the series.
This series is centred on the untimely death of Kathleen Peterson, wife of author Michael Peterson.
For fans of true crime documentaries such as Making a Murderer, Evil Genius and Wild, Wild Country, this may seem something of a "slow burn"; however, from the initial report of Kathleen apparently tumbling down the stairs, we are quickly taken on a journey which spans several decades, two continents and which reveals lies and betrayal the likes of which seem more fitting of a crime thriller novel than a real life crime drama.
As with pretty much of these true crime series', we are left with a lot of unanswered questions; what makes The Staircase different is that it actually takes from the initial 911 call right up to the closure of the case.
What this start to finish coverage of the matter does give is a stark indication of the sheer length of time (and amount of money) that justice can take - if, indeed, one considers that justice was in fact served in this matter - and the toll that can take.
The level of coverage - of coaching of the witness pre-Trial, interviews with the Judge following the conclusion, and pretty much everything in between - allows us great insight into the US judicial process, as well as a close look at the Defendant himself and his family.
While each and every viewer will undoubtedly form their own opinion as to the guilt or otherwise of Michael Peterson - even though we aren't privy to all of the evidence, investigations, etc of the prosecution team - this series is certainly serves as an insight into the criminal justice process in the United States and how it can affect entire families.
My only criticism would be that the last few episodes seem to have been really dragged out - including lots of long, lingering shots of Michael Peterson, perhaps to reinforce how he had aged and suffered over the course of the series. In my opinion, it really could have been reduced by several episodes which would have actually made the whole thing flow better.
As regards guilt, one line towards the end of the series really stood out to as being the most honest thing said by anyone: "is there ever anyone in this family who isn't performing?"
The final words of The Staircase, taken from the last scene of Romeo & Juliet, seem particularly fitting for the series.
This series is centred on the untimely death of Kathleen Peterson, wife of author Michael Peterson.
For fans of true crime documentaries such as Making a Murderer, Evil Genius and Wild, Wild Country, this may seem something of a "slow burn"; however, from the initial report of Kathleen apparently tumbling down the stairs, we are quickly taken on a journey which spans several decades, two continents and which reveals lies and betrayal the likes of which seem more fitting of a crime thriller novel than a real life crime drama.
As with pretty much of these true crime series', we are left with a lot of unanswered questions; what makes The Staircase different is that it actually takes from the initial 911 call right up to the closure of the case.
What this start to finish coverage of the matter does give is a stark indication of the sheer length of time (and amount of money) that justice can take - if, indeed, one considers that justice was in fact served in this matter - and the toll that can take.
The level of coverage - of coaching of the witness pre-Trial, interviews with the Judge following the conclusion, and pretty much everything in between - allows us great insight into the US judicial process, as well as a close look at the Defendant himself and his family.
While each and every viewer will undoubtedly form their own opinion as to the guilt or otherwise of Michael Peterson - even though we aren't privy to all of the evidence, investigations, etc of the prosecution team - this series is certainly serves as an insight into the criminal justice process in the United States and how it can affect entire families.
My only criticism would be that the last few episodes seem to have been really dragged out - including lots of long, lingering shots of Michael Peterson, perhaps to reinforce how he had aged and suffered over the course of the series. In my opinion, it really could have been reduced by several episodes which would have actually made the whole thing flow better.
As regards guilt, one line towards the end of the series really stood out to as being the most honest thing said by anyone: "is there ever anyone in this family who isn't performing?"
LeftSideCut (3778 KP) rated The Walking Dead - Season 9 in TV
Feb 6, 2020
Clawing its way back
Contains spoilers, click to show
After a hugely underwhelming couple of seasons, it's nice to see TWD back on a stronger path, with a new showrunner, and new time setting (more on that in a minute).
After All Out War came to a climax at the end of season 8, Rick and co. are now looking towards building a new life. Truly bringing the communities together, including those who remain if The Saviours. It's a fair slow burn start, but the tension between the various camps and those still loyal to Negan is enough to keep things interesting enough.
And then of course, along came Rick Grimes' last episode. Andrew Lincoln has been a massive part of TWD from day one, so his departure is a big deal. The episode itself is pretty powerful, sharing some genuinely emotional moments with visions of characters that are long gone - the then recent passing of actor Scott Wilson (Hershel) was particularly moving - and it concluded Ricks involvement with TWD nicely, whilst leaving the doors wide open for the upcoming movies.
By the episodes end, were thrown a time jump of 7 years, and this is where the bulk of the season unfolds.
The time jump feels like a fresh start, were spared the mourning of Rick's apparent death, and we get to see the communities some time down the line. Characters like Michonne, Carol, Judith, Negan - all feel familiar yet so different. It's an interesting oath to take, but one I think benefited the show as a whole.
The mid-season finale is genuinely thrilling, as we're introduced to The Whisperers, the best villains since The Governor.
Their involvement has injected a genuine feeling of horror back into TWD, that has been missing for a few years.
They're lead by the unhinged, and ruthless Alpha (a fantastic Samantha Morton), and just like that, TWD feels tense once again.
A few new characters (Magna etc) are introduced, and I honestly hated all of them at first, but they grew in me by the end. Same goes for Henry and some of the other teenagers - the first generation to have been born and raised during the zombie apocalypse, another interesting direction.
The season ends with an infamous plot beat from the comic series, and I was left excited for the future of TWD for the first time in a while.
With the show coming to an apparent close in the next few years, I'm hoping that this is the start of a strong conclusion. It's certainly a step in the right direction!
After All Out War came to a climax at the end of season 8, Rick and co. are now looking towards building a new life. Truly bringing the communities together, including those who remain if The Saviours. It's a fair slow burn start, but the tension between the various camps and those still loyal to Negan is enough to keep things interesting enough.
And then of course, along came Rick Grimes' last episode. Andrew Lincoln has been a massive part of TWD from day one, so his departure is a big deal. The episode itself is pretty powerful, sharing some genuinely emotional moments with visions of characters that are long gone - the then recent passing of actor Scott Wilson (Hershel) was particularly moving - and it concluded Ricks involvement with TWD nicely, whilst leaving the doors wide open for the upcoming movies.
By the episodes end, were thrown a time jump of 7 years, and this is where the bulk of the season unfolds.
The time jump feels like a fresh start, were spared the mourning of Rick's apparent death, and we get to see the communities some time down the line. Characters like Michonne, Carol, Judith, Negan - all feel familiar yet so different. It's an interesting oath to take, but one I think benefited the show as a whole.
The mid-season finale is genuinely thrilling, as we're introduced to The Whisperers, the best villains since The Governor.
Their involvement has injected a genuine feeling of horror back into TWD, that has been missing for a few years.
They're lead by the unhinged, and ruthless Alpha (a fantastic Samantha Morton), and just like that, TWD feels tense once again.
A few new characters (Magna etc) are introduced, and I honestly hated all of them at first, but they grew in me by the end. Same goes for Henry and some of the other teenagers - the first generation to have been born and raised during the zombie apocalypse, another interesting direction.
The season ends with an infamous plot beat from the comic series, and I was left excited for the future of TWD for the first time in a while.
With the show coming to an apparent close in the next few years, I'm hoping that this is the start of a strong conclusion. It's certainly a step in the right direction!
Merissa (11805 KP) rated Undone (Vino & Veritas #18) in Books
Aug 13, 2021 (Updated Jul 17, 2023)
Have you ever missed out on a whole series, read one story, and then put the whole lot of the others on your TBR list? Because that's what I've done on the back of this one story by Leslie McAdam. UNDONE is book eighteen in the Vino and Veritas series, and I want more.
In this instalment, we meet Jason and Murph. Jason has a friends-with-benefits arrangement going on with Marnie that suits him just fine, and Marnie says she is happy with how it is too. Murph is his new roommate, and what an eye-opener he is! Murph is strong and confident but still has his own worries and concerns. What you get is a HOT slow-burn romance with lots of self-discovery and laughs along the way.
Oh, man. These two! They about killed me, they really did. Both of them are absolutely gorgeous inside and out and have so much to learn about themselves and each other. Watching Jason's jealousy when he had no idea what it was he was feeling was just wonderful. Murph has been seriously hurt before and is understandably wary of Jason when they do get together. Communication and acknowledgement of each other's needs wins the day though, and how fantastic was that?!
After a quick check on Goodreads, it appears this is the first book by this author I have read, but it certainly won't be the last. Leslie McAdam's writing style is warm, well-paced, and character-led. This story blew me away and I loved the bi-realisation aspect of it. I also loved how they got to know each other first. Of course, as far as Jason was concerned, Murph was just a possible friend. Their flirting, innocent as it was (or not in Murph's case!) was heartwarming.
I could go on, but I think I've waffled on enough. I have loved this new-to-me world of Vino and Veritas and will definitely be reading more. As for Leslie McAdam, well, she's definitely one to watch. Now, if you will excuse me, I've got an author's backlist to go through, plus a whole series.
Absolutely and utterly recommended by me!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 13, 2021
In this instalment, we meet Jason and Murph. Jason has a friends-with-benefits arrangement going on with Marnie that suits him just fine, and Marnie says she is happy with how it is too. Murph is his new roommate, and what an eye-opener he is! Murph is strong and confident but still has his own worries and concerns. What you get is a HOT slow-burn romance with lots of self-discovery and laughs along the way.
Oh, man. These two! They about killed me, they really did. Both of them are absolutely gorgeous inside and out and have so much to learn about themselves and each other. Watching Jason's jealousy when he had no idea what it was he was feeling was just wonderful. Murph has been seriously hurt before and is understandably wary of Jason when they do get together. Communication and acknowledgement of each other's needs wins the day though, and how fantastic was that?!
After a quick check on Goodreads, it appears this is the first book by this author I have read, but it certainly won't be the last. Leslie McAdam's writing style is warm, well-paced, and character-led. This story blew me away and I loved the bi-realisation aspect of it. I also loved how they got to know each other first. Of course, as far as Jason was concerned, Murph was just a possible friend. Their flirting, innocent as it was (or not in Murph's case!) was heartwarming.
I could go on, but I think I've waffled on enough. I have loved this new-to-me world of Vino and Veritas and will definitely be reading more. As for Leslie McAdam, well, she's definitely one to watch. Now, if you will excuse me, I've got an author's backlist to go through, plus a whole series.
Absolutely and utterly recommended by me!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Aug 13, 2021
Dragon's Mate Volume Two: Books 4-7
6.0
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Enjoy the Dragon’s Mate series in this convenient bundle. Witch Mate? Anthony is in trouble....
MM Paranormal Romance Shifters Dragons
RəX Regent (349 KP) rated The Wicker Man (1973) in Movies
Feb 18, 2019
Come. It is time to keep your appointment with the Wicker Man.
Though we never even lay eyes on it until the final few moments of the film, the Wicker Man, both as pagan image and classic horror flick, has become an icon of the genre.
But if you are expecting some dimly lit, slow burn slasher movie, then you will be sorely disappointed. The Wicker Man spends most of its runtime, which varies from its various versions, Theatrical, Director’s and Final Cuts, providing us with a pretty decent, if not disturbing insight into paganism.
Or more over, Paganism verses Christianity. Both spiritual, both magical, yet one is fun and the other is boring. The virgin sacrifice by the sexually liberated heathens is played out brilliantly.
The beauty here is that the final twist is so well conceived and executed throughout the entire film that even though most of us know the ending whether we have seen the film or not, it is not spoiled by that foreknowledge.
It is a kin to the previously released Planet Of The Apes (1968) or the much later Sixth Sense (1999). Both spin out complex genre tales which culminate in “that ending”. But in this case, Edward Woodward delivers a chilling performance in the finale, as he is taken to his death, locked inside the burning Wicker Man to be sacrificed in order to restore the poor harvest of the previous year.
“Don’t you see that killing me is not going to bring back your apples?”
But Woodward’s character is a devout Christian and he has only his faith and a dogged view of the world to aide him. Unable to accept the seemingly free spirited community in which his finds himself, one where sex is commonplace as he himself is still a virgin.
On the other hand there is Lord Summerisle, Christopher Lee, who steals the show as per usual as the charismatic leader of the this pagan community and the descendant of a lord who routed Christianity from the Highland Island a century before.
But whilst on the surface it may seem like a rather academic subject, the film is a trippy 1970’s sexploitation movie in many ways. Some of the sex and violence fits in well with plot but other moments, such as the nude dance by Britt Ekland, though actually doubled by Lorraine Peters is a prime example of a needless, if not memorable sequence.
Overall, The Wicker Man is low budget British movie of the 1970’s and one which has endured to earn it’s classic status, by meeting the main criteria of being smart, engaging and visually compelling, along with several standout performances throughout.
But if you are expecting some dimly lit, slow burn slasher movie, then you will be sorely disappointed. The Wicker Man spends most of its runtime, which varies from its various versions, Theatrical, Director’s and Final Cuts, providing us with a pretty decent, if not disturbing insight into paganism.
Or more over, Paganism verses Christianity. Both spiritual, both magical, yet one is fun and the other is boring. The virgin sacrifice by the sexually liberated heathens is played out brilliantly.
The beauty here is that the final twist is so well conceived and executed throughout the entire film that even though most of us know the ending whether we have seen the film or not, it is not spoiled by that foreknowledge.
It is a kin to the previously released Planet Of The Apes (1968) or the much later Sixth Sense (1999). Both spin out complex genre tales which culminate in “that ending”. But in this case, Edward Woodward delivers a chilling performance in the finale, as he is taken to his death, locked inside the burning Wicker Man to be sacrificed in order to restore the poor harvest of the previous year.
“Don’t you see that killing me is not going to bring back your apples?”
But Woodward’s character is a devout Christian and he has only his faith and a dogged view of the world to aide him. Unable to accept the seemingly free spirited community in which his finds himself, one where sex is commonplace as he himself is still a virgin.
On the other hand there is Lord Summerisle, Christopher Lee, who steals the show as per usual as the charismatic leader of the this pagan community and the descendant of a lord who routed Christianity from the Highland Island a century before.
But whilst on the surface it may seem like a rather academic subject, the film is a trippy 1970’s sexploitation movie in many ways. Some of the sex and violence fits in well with plot but other moments, such as the nude dance by Britt Ekland, though actually doubled by Lorraine Peters is a prime example of a needless, if not memorable sequence.
Overall, The Wicker Man is low budget British movie of the 1970’s and one which has endured to earn it’s classic status, by meeting the main criteria of being smart, engaging and visually compelling, along with several standout performances throughout.
Lee (2222 KP) rated Bird Box (2018) in Movies
Dec 26, 2018
It's easy to draw comparisons between Bird Box and one of this years biggest hits, A Quiet Place. As Malorie (Sandra Bullock), guides two young children towards a boat, all three of them blindfolded and terrified of the consequences should they remove them, the similarities with the post apocalyptic themes of A Quiet Place are clear. In that movie, you couldn't make a sound for fear of drawing the attentions of the ominous killers, while in this one you're unable to use your eyes to look at the world around you.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
But Bird Box does what AQP didn't, by going back in time 5 years to see how the apocalypse all came about. A pregnant Malorie is visiting the hospital for a scan, along with sister Jessica (Sarah Paulson), while news reports detail events unfolding throughout the world. Something is causing thousands of people to suddenly commit suicide, and it has found its way to American shores. As Malorie and Jessica leave the hospital, everything around them descends into panic, chaos and destruction. Cars crash, people throw themselves in front of oncoming cars and thousands of others are running to escape from who knows what. As her sister meets an untimely death, the heavily pregnant Malorie is helped into a nearby house where a large number of people have already found refuge.
We manage to catch our breath for a short while, while the survivors piece together what has happened, offering their theories. As one of them explains - "Humanity has been judged and we've been found wanting. They go by different names. You got world religion and mythology that's full of mentions of demons or spirit creatures. People who’ve seen these creatures almost always describe their encounter as with an entity who takes on the form of your worst fears, your deepest sadness or your greatest loss. It’s not bullshit. It’s real talk, it’s facts."
Life continues in the house for a while, with all the windows covered to prevent anyone from seeing something that might lead to their death. There's a tense trip to the supermarket for supplies, driving a car with blacked out windows and only a satnav to guide them, along with various dramas between the group. Every so often, we rejoin the future timeline, as Malorie and the children (referred to only as boy and girl) make their way along the river.
Bird Box is more of a slow burn than A Quiet Place, and we never actually see what is responsible for causing the suicides either, but I still found much to enjoy with it. And as we become fully immersed in the present timeline, following the blindfolded journey, things build to a tense and satisfying climax.
World Cup Table Tennis™ HD
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World Cup Table Tennis HD. A #1 game in 94 countries. And of course, the #1 Table Tennis game on the...