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Welcome to Sugartown (Sugartown, #1)
Welcome to Sugartown (Sugartown, #1)
8
8.0 (1 Ratings)
Book Rating
I enjoyed this.

It was different; set in Australia and centred around one ex-biker gang guy trying to go it straight in the small town of Sugartown

I liked Elijah. He was hot and so sweet with Ana and Sammy. He tried to resist her for her own good but in the end he couldn't do it and it made me smile because I think they make quite a cute couple.

As for Ana, she was so strong willed and, I was behind her 100% of the book in regards to seducing Elijah, it broke my heart a little with what happened to her, though. Poor thing. Elijah got a bit of justice for her, which sent him even higher up my list of favourite things in this book.

It has a different plotline to most NA, so if you're getting bored of reading the same sort of storylines, you should check this out!
  
Script of the Bridge by The Chameleons UK
Script of the Bridge by The Chameleons UK
1983 | Rock
10.0 (1 Ratings)
Album Favorite

"I had a friend at school that was just as obsessive about music as I was. He was a huge New Order fan. He lent me a really badly taped cassette of Script Of The Bridge. At first I thought it was too dangerously close to prog rock. Around that time, I think I'd just gone to sixth form… What was great about that was meeting people of a like mind. But the place where I came from was a typical Northern small town. I think the idea was probably dawning that there was nothing there and I didn't really belong. I was stuck in my own world with no outlet for it. I spent a lot of time just wandering around and thinking about stuff, and that was the soundtrack to it really. Pissing it down in the North on dark evenings. It sounds like rain in the north-west to me now. I dunno what's good about that."

Source
  
Welcome to Night Vale
Welcome to Night Vale
Comedy
9
8.7 (36 Ratings)
Podcast Rating
Welcome to the bizarre (3 more)
Great backstory to work through (also listed in the bad)
Cecil's incredibly soothing voice
The Weather (are we still waiting for the bus in the rain?)
Long, LONG backstory to slog through (also listed in the good) (1 more)
A bit of a format change, part way through (I preferred the original flavor)
Oh, where to begin? I loved this podcast from the first episode, it's weird in the best ways. Think of an banana split sundae; one scoop of Lovecraft, one scoop of Stephen King, on scoop of various mythologies, a banana of Dadaism, some sprinkles of your local independent music scene, generous dollops of LGBTQ+ acceptance and support, and a single, solitary maraschino cherry of optimism in the face of overwhelming anxiety and depression.

All of this, of course, coming together as the public local news station for a small town, somewhere int he desert.

It's fun. I recommend it. Just make sure the locals don't notice that you're an interloper.
  
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Awix (3310 KP) rated Jaws (1975) in Movies

Aug 26, 2019 (Updated Aug 26, 2019)  
Jaws (1975)
Jaws (1975)
1975 | Thriller
Spielberg's exemplary suspense-fright machine remains the only killer shark movie you will ever need to watch. A two-course fish supper: the first half concerns police chief Roy Scheider's attempts to persuade the self-serving authorities of the danger posed by a marauding shark (post-Watergate subtext is fairly obvious); the second sees Scheider, bright young oceanographer Richard Dreyfuss, and salty sea dog Robert Shaw setting off on a primal quest to slay the monster, in a boat which may well prove to be of inadequate size.

Spielberg does an excellent job of hiding the pulpy horror-story origins of the tale, swathing it in plausible small-town Americana, low-key humour and excellent characterisation; John Williams' score is, needless to say, essential to the enterprise. The battle to the death in the second half is superbly constructed, paced and executed. Superb entertainment; I am happy to report that over forty years on, Jaws remains entirely capable of making cinema audiences squirm and scream.
  
Litte Fires Everywhere
Litte Fires Everywhere
2020 | Drama
The ensemble cast: outstanding (1 more)
An intelligent and often uncomfortable script
Gripping study of racism in small-town america
Flighty artist Mia (Kelly Washington) moves into the picture-perfect community of Shaker Heights Ohio with her daughter Pearl (Lexi Underwood) and is welcomed by busybody mum Elena (Reese Witherspoon). But as racial tensions, teenage passions and secrets from the past emerge, a pressure-cooker of tension builds.

This is an outstanding drama in the mould of Big Little Lies, and equally supported by an outstanding cast. Kerry Washington is Emmy nominated and justly so. But equally impressive is the young cast, particularly Lexi Underwood as Pearl and Megan Stott, who has a magnetic screen presence as Izzy and who I would predict great things for.

It’s a script that buzzes with uncomfortable racial tensions in these days of Black Lives Matters, and is gripping to the end.

I just hope that - unlike Westworld - they call it a day with this one perfect series.

Watch it!!