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Night Reader Reviews (683 KP) rated A Collection of Short Stories in Books
Nov 9, 2020
Created with the intention of parents or other caregivers reading it to children
A Collection of Short Stories by Maggie Ffrench was created with the intention of parents or other caregivers reading it to children and sharing the experience.
Written my Maggie Ffrench for her grandson “Jamie’s” first birthday (if the story in the book is true) this book contains twelve imaginative stories to read to young children. All the stories focus on a fictional Jamie and his adventures both by himself and with his family.
Some of the stories like “Bubbles” where Jamie climbs into a bubble and flies over the town, or “The Present” where Jamie’s clay creations come alive are firmly in the realm of imagination. On the other hand “The Box” where Jamie plays with a box and “Looking” where Jamie looks out the window are placed in reality. This (almost) even mix offers a good balance for families.
What I liked best was that this book contains twelve short stories, each only a few pages long. Those pages even only have a couple of sentences on most of them at that, making them great for young ear who are easily distracted. Unfortunately there was quite a bit wrong with this book for how short it is. At least one of the stories cuts off without an ending and twice the book itself is referenced in stories. Some of the sentences are missing words completely while others have words like “controversial” which is an awfully big word (and strange one) to have in a children’s book. Then there is the page and a half that looks like it was photocopied.
This book appears to have been designed for parents to read to small children. The introduction even talks about how important the author believes it is for parents and children to read together. I rate this book 1 out of 4 or 2 out of 5. The concept is good but sadly the overall book is not. This book did not appear to have been edited very well and comes off as extremely amateurish. Honestly I really wanted to like this book, but for me it missed the mark big time.
Written my Maggie Ffrench for her grandson “Jamie’s” first birthday (if the story in the book is true) this book contains twelve imaginative stories to read to young children. All the stories focus on a fictional Jamie and his adventures both by himself and with his family.
Some of the stories like “Bubbles” where Jamie climbs into a bubble and flies over the town, or “The Present” where Jamie’s clay creations come alive are firmly in the realm of imagination. On the other hand “The Box” where Jamie plays with a box and “Looking” where Jamie looks out the window are placed in reality. This (almost) even mix offers a good balance for families.
What I liked best was that this book contains twelve short stories, each only a few pages long. Those pages even only have a couple of sentences on most of them at that, making them great for young ear who are easily distracted. Unfortunately there was quite a bit wrong with this book for how short it is. At least one of the stories cuts off without an ending and twice the book itself is referenced in stories. Some of the sentences are missing words completely while others have words like “controversial” which is an awfully big word (and strange one) to have in a children’s book. Then there is the page and a half that looks like it was photocopied.
This book appears to have been designed for parents to read to small children. The introduction even talks about how important the author believes it is for parents and children to read together. I rate this book 1 out of 4 or 2 out of 5. The concept is good but sadly the overall book is not. This book did not appear to have been edited very well and comes off as extremely amateurish. Honestly I really wanted to like this book, but for me it missed the mark big time.
Gareth von Kallenbach (980 KP) rated Luca (2021) in Movies
Jun 16, 2021
The artists at Disney and Pixar have returned with a new animated film “Luca” which will debut on Disney+ on June 18th.
The film introduces audiences to Luca (Jacob Tremblay); a young Sea Monster who lives with his family and fellow fish off the coast of a small town in Italy. Luca is warned not to go on the surface and to avoid humans at all costs by his parents.
When a rebellious Sea Monster named Alberto (Jack Dylan Grazer); happens upon Luca and gets him to the surface; Luca discovers that he and Alberto appear as human boys when their skin is no longer wet.
Fascinated by the rebellious life Alberto leads and amazed by what he sees upon his brief land excursions; Luca looks for new ways to find time on the surface which leads to him being more and more deceptive to his parents.
In time Luca and Alberto head to the village and meet a spunky local girl named Giulia (Emma Berman); who is on a break from school and longs to win a local race in order to get back at the reigning champion and bully.
Luca and Alberto see the race as a chance to win money to buy their own Vespa which they see as the key to exploring the surface world which sets a chain of events into motion as their two worlds are about to collide leading up to the race.
The film is visually appealing, but the story for me dragged and did not have the spark and heart that have made countless PIXAR films enduring classics. While the characters were fine; they did not have the appeal or charisma that I have come to expect with the PIXAR brand.
There have been reports that after “SOUL” was moved from a theatrical release to streaming during the Pandemic that some at PIXAR were upset with the decision to make “Luca” a streaming option. My take is that it was 100% the correct decision as while it is an entertaining film; it is not one that is likely to light up the Box Office and is better suited for a streaming debut.
The biggest issue with “Luca” is that coming from a studio with such a long line of classics; it fails to reach the levels previously set and while entertaining comes up lacking.
3 stars out of 5
The film introduces audiences to Luca (Jacob Tremblay); a young Sea Monster who lives with his family and fellow fish off the coast of a small town in Italy. Luca is warned not to go on the surface and to avoid humans at all costs by his parents.
When a rebellious Sea Monster named Alberto (Jack Dylan Grazer); happens upon Luca and gets him to the surface; Luca discovers that he and Alberto appear as human boys when their skin is no longer wet.
Fascinated by the rebellious life Alberto leads and amazed by what he sees upon his brief land excursions; Luca looks for new ways to find time on the surface which leads to him being more and more deceptive to his parents.
In time Luca and Alberto head to the village and meet a spunky local girl named Giulia (Emma Berman); who is on a break from school and longs to win a local race in order to get back at the reigning champion and bully.
Luca and Alberto see the race as a chance to win money to buy their own Vespa which they see as the key to exploring the surface world which sets a chain of events into motion as their two worlds are about to collide leading up to the race.
The film is visually appealing, but the story for me dragged and did not have the spark and heart that have made countless PIXAR films enduring classics. While the characters were fine; they did not have the appeal or charisma that I have come to expect with the PIXAR brand.
There have been reports that after “SOUL” was moved from a theatrical release to streaming during the Pandemic that some at PIXAR were upset with the decision to make “Luca” a streaming option. My take is that it was 100% the correct decision as while it is an entertaining film; it is not one that is likely to light up the Box Office and is better suited for a streaming debut.
The biggest issue with “Luca” is that coming from a studio with such a long line of classics; it fails to reach the levels previously set and while entertaining comes up lacking.
3 stars out of 5
Erika (17789 KP) rated Kindred (2020) in Movies
Jul 10, 2021
Kindred is a psychological thriller/horror about the reluctantly pregnant Charlotte (Tamara Lawrance) after her boyfriend, Ben (Edward Holcroft), dies in a workplace accident. After this accident, Charlotte is taken in by Ben’s mother (Fiona Shaw), and creepy stepbrother, Thomas (Jack Lowden). They proceed to basically torture her and question her sanity.
Prior to the accident, Charlotte and Ben visit the decrepit family home to announce they’re moving to Australia for a new start. It obviously did not go over well. After this visit, Charlotte finds out she’s pregnant, and that news gets passed around the small town, and that's how Ben finds out. Charlotte expresses that she doesn’t necessarily want the baby, but it was pretty much brushed aside – red flag, RUN GIRL!
This is when the main portion of the film begins, and they take her in under the guise of taking care of her and the baby. It was pretty obvious the only reason they took care of her, because she was the incubator for the grandchild.
This was basically a 21st Century version of Gaslight (1940/1944). The film wasn’t necessarily unique, and the ending was as expected. As always with films now, it’s about the journey, since you already know the end. There was very heavy-handed symbolism with the crow, which for me, began to get a little tedious, but I understood why it was there.
Full disclosure, I only watched the film because Jack Lowden was in it. I figured, if it’s not good, at least there was someone pretty to look at. As I watched this, I asked myself, is Thomas just a really beautiful dummy who constantly announces he’s making lunch? Hmm.
Tamara Lawrance was great in the film, she was compelling, and you did hope that she would be successful in escaping from the creepy family, and wallpaper-peeling house. Also, I liked that she correctly portrayed the serious frustration of expressing concern to doctors and other medical personnel, and not being taken seriously because the issues are related to female reproductive organs.
My curiosity was what made me keep watching, but I wasn’t necessarily completely engaged the entire time. The tension didn’t really stay the entire time. Although I did have the issues with the predictability, I did still surprising like the film. I’m glad I didn’t let it Rest in Peace in my Hulu watchlist graveyard.
Prior to the accident, Charlotte and Ben visit the decrepit family home to announce they’re moving to Australia for a new start. It obviously did not go over well. After this visit, Charlotte finds out she’s pregnant, and that news gets passed around the small town, and that's how Ben finds out. Charlotte expresses that she doesn’t necessarily want the baby, but it was pretty much brushed aside – red flag, RUN GIRL!
This is when the main portion of the film begins, and they take her in under the guise of taking care of her and the baby. It was pretty obvious the only reason they took care of her, because she was the incubator for the grandchild.
This was basically a 21st Century version of Gaslight (1940/1944). The film wasn’t necessarily unique, and the ending was as expected. As always with films now, it’s about the journey, since you already know the end. There was very heavy-handed symbolism with the crow, which for me, began to get a little tedious, but I understood why it was there.
Full disclosure, I only watched the film because Jack Lowden was in it. I figured, if it’s not good, at least there was someone pretty to look at. As I watched this, I asked myself, is Thomas just a really beautiful dummy who constantly announces he’s making lunch? Hmm.
Tamara Lawrance was great in the film, she was compelling, and you did hope that she would be successful in escaping from the creepy family, and wallpaper-peeling house. Also, I liked that she correctly portrayed the serious frustration of expressing concern to doctors and other medical personnel, and not being taken seriously because the issues are related to female reproductive organs.
My curiosity was what made me keep watching, but I wasn’t necessarily completely engaged the entire time. The tension didn’t really stay the entire time. Although I did have the issues with the predictability, I did still surprising like the film. I’m glad I didn’t let it Rest in Peace in my Hulu watchlist graveyard.
Jesters_folly (230 KP) rated Killer Klowns from Outer Space (1988) in Movies
Sep 10, 2019
Contains spoilers, click to show
A shooting star passes over a small American town, when a couple of teens go to investigate they find a big top circus tent that is not from this planet. When the occupants of the tent, a group of extra-terrestrial clowns (or Klowns if you will) start running amok and killing people it’s up to a group of young adults to stop them.
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.
Killer Klowns from Outer Space is a goofy B movie from the late 1980’s that really doesn’t take itself too seriously. The effects are actually quite good for a film with such a low budget (Only $2 million) with the Klown costumes being just creepy enough not to come across as being too ridiculous, which takes some doing being as the Klowns are busy cocooning people in candy floss and shooting them with popcorn.
As with most B movies (and a lot of mainstream movies) the plot is quite simple, the Klowns have landed and are killing people and storing them as food and this goes in the films favour. If the plot was overly complicated, then it would not fit the feel of the effects.
Killer Klowns is one of those cult movies that has a few really good stand out scenes. My personal favourite being the encounter between the midget Klown and the biker gang. It also has memorable villains. Clowns as villains are quite common, but these are Klowns with alien technology and an interesting weakness. As the Klowns are alien they don’t speak English but this doesn’t mean they are mute, in fact they have a very creative way of bridging the language barrier and it is good see that the film doesn’t fall back on the old ‘communicator’ trope. It does fall back on other tropes though, we have the old isolated figure as the first victim, making it hard to prove that anyone has died, we have the young cop who is trying to make his way but coming into conflict with the older cop. The older cop doesn’t like the kids, he thinks they are just out to cause trouble. All this is ok though as it fits the low budget flow of the film and makes Killer Klowns feel as a cross between ‘Invasion of the body snatchers’ and ‘night of the living dead’.
Kristy H (1252 KP) rated The Long Call in Books
Sep 13, 2019
Well, this was an excellent police procedural; one of those mysteries that you get caught up in from the start. I'll be honest that I've never heard of Ann Cleeves or any of her previous series. That's clearly my loss, and I'm definitely interested in her other works now.
I won't go into too many details here and spoil the plot, but I'll say that this is a great read, filled with all the little details and nuances that you get from a strong writer. I was heartened from the beginning to find our protagonist, DI Venn, to be gay. You don't get a lot of that in the mystery world. His sexuality is a part of the book, but not the focus, and it was just really nice to read about a gay detective. Matthew is a fascinating character, who is grappling with facing members of the Barum Brethren, a religious sect that he grew up in, but of whom he is no longer a member. He is also a straight-laced policeman, and a strong leader who can admit his faults. It will be nice to follow him in a new series.
His team is interesting as well--quirky Jen and annoying Ross are the main two--and I hope they come along in the second book. Cleeves is quite adept at creating her characters, and all are easy to imagine. There's a wide cast of characters in this one, and plenty of suspects, but not so many as to get confused or lost. There's a main plotline (murdered man) and a secondary one--that may be related--and both are intriguing and keep you guessing. We learn things along with the team, as they investigate, which is always a favorite of mine. It's a small-town setting, and many folks are complicated, many have secrets, and it's difficult to work out which secret may have led to murder! (Though I'm proud that I had an inkling about some things!)
In the end, this was a really strong mystery. It quietly keeps you guessing and invested in the story. The characters are excellent, and I'm just so heartened to find a gay lead! It's thoughtful and smart, without any gimmicks. Definitely recommend. 4+ stars.
I won't go into too many details here and spoil the plot, but I'll say that this is a great read, filled with all the little details and nuances that you get from a strong writer. I was heartened from the beginning to find our protagonist, DI Venn, to be gay. You don't get a lot of that in the mystery world. His sexuality is a part of the book, but not the focus, and it was just really nice to read about a gay detective. Matthew is a fascinating character, who is grappling with facing members of the Barum Brethren, a religious sect that he grew up in, but of whom he is no longer a member. He is also a straight-laced policeman, and a strong leader who can admit his faults. It will be nice to follow him in a new series.
His team is interesting as well--quirky Jen and annoying Ross are the main two--and I hope they come along in the second book. Cleeves is quite adept at creating her characters, and all are easy to imagine. There's a wide cast of characters in this one, and plenty of suspects, but not so many as to get confused or lost. There's a main plotline (murdered man) and a secondary one--that may be related--and both are intriguing and keep you guessing. We learn things along with the team, as they investigate, which is always a favorite of mine. It's a small-town setting, and many folks are complicated, many have secrets, and it's difficult to work out which secret may have led to murder! (Though I'm proud that I had an inkling about some things!)
In the end, this was a really strong mystery. It quietly keeps you guessing and invested in the story. The characters are excellent, and I'm just so heartened to find a gay lead! It's thoughtful and smart, without any gimmicks. Definitely recommend. 4+ stars.
Becs (244 KP) rated Twilight (Twilight, #1) in Books
Oct 2, 2019
Genre: Young Adult, Romance, Fantasy, Paranormal, Fiction, Supernatural.
Type: Book one (1) of the Twilight Saga
Audience/ Reading Level: 14+
Interests: Vampires, Supernatural, Fantasy, Romance, Action.
Point of View: Third Person
Promise: A love story between a pair of star-crossed lovers whose forbidden relationship ripens against the backdrop of small-town suspicion and a mysterious coven of vampires.
Insights: I did a buddy read for a reread through of Twilight with a good friend of mine and boy, am I glad I reread it! I’ve always loved The Twilight Saga. But rereading it as an adult, really made me appreciate it a bit more. Yes, there were some grammatical errors that took away from the surrounding text and there were some parts that I found a bit of a bore. All in all, I fell in love with the love story between Edward and Bella again and really grew to appreciate the Cullen’s as a family.
I was surprised that I had quite a few different favorite parts that weren’t my favorite parts before. And I’m tremendously surprised that some of the parts that I loved when I first read Twilight, were actually still my favorite parts. It goes to show that a novel can be appreciated many years later, even though your opinions and tastes change.
Favorite Quotes: “I’d never given much thought to how I would die – though I’d had reason enough in the last few months – but even if I had, I would not have imagined it like this.”
“You don’t care if I’m a monster? If I’m not human?”
“About three things I was absolutely positive. First, Edward was a vampire. Second, there was part of him and I didn’t know how potent that part might be – that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.”
“He looks at you like… like you’re something to eat.”
“No coffins, no piled skulls in the corners; I don’t even think we have cobwebs… what a disappointment this must be for you.”
“Could you believe that, despite everything I’ve put you through, I love you, too?”
What will you gain?: A love story with a bite!
Aesthetics: I’ve always loved the simple and minimalistic cover on Twilight. The story was also a very easy read to get into and I enjoyed the love story (and action!) that took place throughout the novel.
“You are only human after all.”
Type: Book one (1) of the Twilight Saga
Audience/ Reading Level: 14+
Interests: Vampires, Supernatural, Fantasy, Romance, Action.
Point of View: Third Person
Promise: A love story between a pair of star-crossed lovers whose forbidden relationship ripens against the backdrop of small-town suspicion and a mysterious coven of vampires.
Insights: I did a buddy read for a reread through of Twilight with a good friend of mine and boy, am I glad I reread it! I’ve always loved The Twilight Saga. But rereading it as an adult, really made me appreciate it a bit more. Yes, there were some grammatical errors that took away from the surrounding text and there were some parts that I found a bit of a bore. All in all, I fell in love with the love story between Edward and Bella again and really grew to appreciate the Cullen’s as a family.
I was surprised that I had quite a few different favorite parts that weren’t my favorite parts before. And I’m tremendously surprised that some of the parts that I loved when I first read Twilight, were actually still my favorite parts. It goes to show that a novel can be appreciated many years later, even though your opinions and tastes change.
Favorite Quotes: “I’d never given much thought to how I would die – though I’d had reason enough in the last few months – but even if I had, I would not have imagined it like this.”
“You don’t care if I’m a monster? If I’m not human?”
“About three things I was absolutely positive. First, Edward was a vampire. Second, there was part of him and I didn’t know how potent that part might be – that thirsted for my blood. And third, I was unconditionally and irrevocably in love with him.”
“He looks at you like… like you’re something to eat.”
“No coffins, no piled skulls in the corners; I don’t even think we have cobwebs… what a disappointment this must be for you.”
“Could you believe that, despite everything I’ve put you through, I love you, too?”
What will you gain?: A love story with a bite!
Aesthetics: I’ve always loved the simple and minimalistic cover on Twilight. The story was also a very easy read to get into and I enjoyed the love story (and action!) that took place throughout the novel.
“You are only human after all.”
Broken Horses
8.0
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The critically acclaimed singer-songwriter, producer, and five-time Grammy winner opens up about a...
Wesley (The Son Series Book 1)
Book
~Wesley~ Yeah, I don’t trust them. Who are they? The family who takes me in after they catch...
romance contemporary African American African-American adult fiction
DaveySmithy (107 KP) rated The Dead Zone (1983) in Movies
Dec 3, 2024
A Chilling and Thoughtful Thriller
David Cronenberg’s The Dead Zone (1983) is a film that quietly lingers with you long after the credits roll. Adapted from Stephen King’s novel, it’s a rare blend of psychological horror, heartfelt drama, and supernatural thriller that doesn’t rely on cheap scares to grip its audience. Instead, it uses its haunting premise, a strong central performance by Christopher Walken, and Cronenberg’s understated direction to craft a deeply unsettling exploration of fate, morality, and the burden of knowing the future.
The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).
Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.
Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.
However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.
Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.
The story follows Johnny Smith (Walken), an ordinary schoolteacher whose life is upended when a car accident leaves him in a coma for five years. When he awakens, he discovers he has gained the ability to see people’s pasts and futures through physical contact—a gift that feels more like a curse. What begins as an attempt to understand and use this newfound power for good spirals into a dark moral dilemma when Johnny foresees a catastrophic future involving a rising politician, Greg Stillson (Martin Sheen).
Christopher Walken is the emotional core of the film, delivering one of his most human and vulnerable performances. He masterfully conveys Johnny’s pain, loneliness, and reluctant heroism, making his character deeply sympathetic. Walken’s portrayal grounds the supernatural elements of the story, ensuring they never feel far-fetched. Martin Sheen is equally compelling as the menacing and unhinged Stillson, a character whose ambition and ruthlessness are frighteningly plausible.
Cronenberg, known for his visceral body horror, takes a restrained approach here, focusing on mood and atmosphere over gore. This subtlety works to the film’s advantage, allowing the tension to simmer until its gripping climax. The muted color palette and moody score by Michael Kamen add to the sense of dread, perfectly capturing the eerie small-town setting.
However, The Dead Zone isn’t without its flaws. The pacing occasionally drags, and some of the supporting characters feel underdeveloped. Additionally, the episodic structure—though true to the novel—can make the narrative feel uneven.
Despite these minor issues, The Dead Zone is an intelligent and emotionally resonant thriller that explores heavy themes with nuance. It may not be as flashy as other Stephen King adaptations, but its quiet power and moral complexity make it a standout. A solid 8/10.
Fallen (Everwood Falls #2)
8.0
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EVERWOOD FALLS… a small supernatural community tucked up in the Colorado Rockies where witches,...
Cozy Mystery Paranormal Romance Series