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Lee (2222 KP) rated Brightburn (2019) in Movies
Jun 11, 2019
What if Clark Kent grew up to be evil? What if, instead of growing up to be this all powerful protector of Earth and humanity, he decided he wanted to take the world, cruelly toying with and destroying humanity in the process? That's the premise behind Brightburn, a superhero horror movie from producer James Gunn, of Guardians of the Galaxy fame. Comic books are littered with plenty of 'what if' story-lines and alternate takes on popular superheroes, but up until now probably the most famous onscreen version of an evil Superman we've seen was in Superman III. And even then we only really got a drunk, unshaven, but still family friendly Superman, who felt a bit mischievous and blew out the Olympic torch for a bit of a laugh. Brightburn goes a lot darker, leaning heavily into horror with some wonderful, wince-inducing gory moments. If you're looking for Dark Phoenix levels of dark - moody, crying in the corner, that kind of thing - then you're going to be disappointed.
Brightburn begins by mirroring the origin story of Superman very closely - even the soundtrack reminded me of the music from 2013 movie Man of Steel on more than one occasion! Tori (Elizabeth Banks) and Kyle Bryer (David Denman) are a happily married couple, living on a farm and longing for a child of their own. And then one night, a meteor crash lands out in the nearby woods, bringing them a baby boy who they adopt as their own. We see home movies of a normal baby/toddler as he grows up as part of a normal, loving family. And then we move forward 10 years to present day.
As an adolescent, Brandon (Jackson A. Dunn) begins to experience some change in his life. His parents put it down to hormones, and attempt to give him the talk on girls and the facts of life, but it's a lot more than that. The rock shaped vessel which carried Brandon to Earth as a baby has been locked away in the family barn all these years, hidden from Brandon, but has now started glowing red. At the same time, something within Brandon appears to have been activated, and a number of small but disturbing incidents that follow leave his parents worried. They also realise that they've never actually seen their son bleed, or even hurt before. From there, the severity of these incidents increases greatly, and it becomes clear that there is definitely something very, very wrong with Brandon.
What I loved about Brightburn was the confined, low key setting of it all. The action is restricted primarily to the town of Brightburn, never really expanding into the worldwide, CGI heavy destruction of other superhero movies. We have an incredibly relatable mother who is out to love and protect her son until the bitter end, a father who becomes scared and horrified by everything that is unfolding, and then this powerful boy tearing the family apart - unpredictable and showing no sign of remorse or inner turmoil over everything that is happening. Outside of that, the action is confined to a relatively small cast - the local police, extended family and some other kids from school who we all follow throughout the movie - there's a lot of character depth to be found in Brightburn, which greatly adds to its overall enjoyment.
As is the norm these days though, the trailer does give away the majority of Brandon's targets and where he attacks them, meaning you kind of know what to expect for a lot of it. However, what the trailer doesn't give away is the atmosphere and the eeriness that builds to each of those shocking (and gory) moments and there are still plenty of jump scares and shocking scenes to keep you on your toes throughout. It builds to a climax which once again isn't a CGI overload, relying on shock and horror to deliver it's interesting conclusion. And, most importantly, it leaves the door open for what could be a very interesting sequel. I'm all up for that, and the direction that hints at, as I found Brightburn to be a very enjoyable and fresh take on the superhero genre.
Brightburn begins by mirroring the origin story of Superman very closely - even the soundtrack reminded me of the music from 2013 movie Man of Steel on more than one occasion! Tori (Elizabeth Banks) and Kyle Bryer (David Denman) are a happily married couple, living on a farm and longing for a child of their own. And then one night, a meteor crash lands out in the nearby woods, bringing them a baby boy who they adopt as their own. We see home movies of a normal baby/toddler as he grows up as part of a normal, loving family. And then we move forward 10 years to present day.
As an adolescent, Brandon (Jackson A. Dunn) begins to experience some change in his life. His parents put it down to hormones, and attempt to give him the talk on girls and the facts of life, but it's a lot more than that. The rock shaped vessel which carried Brandon to Earth as a baby has been locked away in the family barn all these years, hidden from Brandon, but has now started glowing red. At the same time, something within Brandon appears to have been activated, and a number of small but disturbing incidents that follow leave his parents worried. They also realise that they've never actually seen their son bleed, or even hurt before. From there, the severity of these incidents increases greatly, and it becomes clear that there is definitely something very, very wrong with Brandon.
What I loved about Brightburn was the confined, low key setting of it all. The action is restricted primarily to the town of Brightburn, never really expanding into the worldwide, CGI heavy destruction of other superhero movies. We have an incredibly relatable mother who is out to love and protect her son until the bitter end, a father who becomes scared and horrified by everything that is unfolding, and then this powerful boy tearing the family apart - unpredictable and showing no sign of remorse or inner turmoil over everything that is happening. Outside of that, the action is confined to a relatively small cast - the local police, extended family and some other kids from school who we all follow throughout the movie - there's a lot of character depth to be found in Brightburn, which greatly adds to its overall enjoyment.
As is the norm these days though, the trailer does give away the majority of Brandon's targets and where he attacks them, meaning you kind of know what to expect for a lot of it. However, what the trailer doesn't give away is the atmosphere and the eeriness that builds to each of those shocking (and gory) moments and there are still plenty of jump scares and shocking scenes to keep you on your toes throughout. It builds to a climax which once again isn't a CGI overload, relying on shock and horror to deliver it's interesting conclusion. And, most importantly, it leaves the door open for what could be a very interesting sequel. I'm all up for that, and the direction that hints at, as I found Brightburn to be a very enjoyable and fresh take on the superhero genre.
Sarah (7799 KP) rated WandaVision in TV
Mar 7, 2021
A welcome return to the MCU
WandaVision is the latest Marvel series to hit the small screen, arriving in a flood of hype as the first official series to tie in with the rest of the MCU. Initially I hadn’t been interested in this after struggling to enjoy previous series, however after discovering that everyone I know was watching this, FOMO and the fact that we haven’t had a new MCU release since Phase 3 wrapped up with 2019’s Spider-Man: Far From Home, has prompted me to give this a go. And I’m rather glad I did.
WandaVision is set not long after the events of Endgame, and follows Wanda Maximoff (Elizabeth Olsen) and Vision (Paul Bettany) as they live an idyllic suburban life in the small town of Westview. However all is not as it seems; Wanda and Vision appear to be starring in their own 1950s style sitcom, as a odd couple with superpowers trying to blend in with the neighbours, including nosy Agnes (Kathryn Hahn) and committee leader Dotty (Emma Caulfield). Strange things soon start happening, and as Wanda and Vision become increasingly confused and suspicious about their new life, outside of Westfield agent Jimmy Woo (Randall Park), Dr Darcy Lewis (Kat Dennings) and Captain Monica Rambeau (Teyonah Parris) are also trying to figure out what’s going on.
Setting WandaVision in the style of various popular sitcoms from the 1950s onwards is a genius move. BeWitched, I Love Lucy, Malcolm in the Middle and Modern Family to name but a few of the obvious influences on show here, and this changing sitcom style really works and blends very well with the super powered action we know and love from the MCU. I’ll admit that I’m not a massive fan of sitcoms in general and my knowledge of older ones pre-1990 is limited at best, however even I could appreciate the love and care that has gone in to crafting this. It looks amazing and feels so authentic, from everything to the set design, costumes and change in aspect ratio.
It is of course helped by the stellar performances by Elizabeth Olsen. In the MCU so far Wanda has been rather sidelined and Olsen has been given little chance to shine. However she is undoubtedly the star of WandaVision and has been given ample opportunity to show off her versatility and talents, and she certainly does. We see a side of Wanda we’ve never seen before and Olsen’s ability to transform into each decade’s sitcom character is brilliant to watch. It’s a shame then that Bettany’s Vision doesn’t quite match up. No matter the decade, Vision never really seems to change much and while he is funny on occasion, I’m not entirely convinced that seeing more of Vision is a good thing. He’s always been the aloof synthezoid and this may have made him a little too ‘human’. However that said, it was still nice to see a lot more of Bettany than we have done in a while.
Once you get over the sitcom styling, the first couple of episodes are quite slow and had it continued in this vein I may have struggling to keep interested. However in typical Marvel style, it soon picks up and immerses us into the full MCU experience I was expecting. While I don’t want to say much about the plot, from episode 3 onwards I was hooked and the story never felt drawn out, and this wasn’t just due to the short half hour episodes. Unravelling the world of WandaVision was hugely enjoyable and one particular character reappearance in episode 5 had me almost squealing in geeky happiness. The only thing WandaVision is really lacking is the humour and camaraderie that have made the rest of the MCU films into what we love best. Yes there is humour and fun, but this mostly comes from Woo and Darcy, and I think it’s noticeable that the funnier Avengers are missing.
For me, WandaVision isn’t perfect however it was still hugely enjoyable and has definitely given me a new found appreciation for Wanda as a character. And mor important of all, it’s filled a rather large Marvel shaped hole brought on by coronavirus. Bring on The Falcon and the Winter Soldier.
WandaVision is set not long after the events of Endgame, and follows Wanda Maximoff (Elizabeth Olsen) and Vision (Paul Bettany) as they live an idyllic suburban life in the small town of Westview. However all is not as it seems; Wanda and Vision appear to be starring in their own 1950s style sitcom, as a odd couple with superpowers trying to blend in with the neighbours, including nosy Agnes (Kathryn Hahn) and committee leader Dotty (Emma Caulfield). Strange things soon start happening, and as Wanda and Vision become increasingly confused and suspicious about their new life, outside of Westfield agent Jimmy Woo (Randall Park), Dr Darcy Lewis (Kat Dennings) and Captain Monica Rambeau (Teyonah Parris) are also trying to figure out what’s going on.
Setting WandaVision in the style of various popular sitcoms from the 1950s onwards is a genius move. BeWitched, I Love Lucy, Malcolm in the Middle and Modern Family to name but a few of the obvious influences on show here, and this changing sitcom style really works and blends very well with the super powered action we know and love from the MCU. I’ll admit that I’m not a massive fan of sitcoms in general and my knowledge of older ones pre-1990 is limited at best, however even I could appreciate the love and care that has gone in to crafting this. It looks amazing and feels so authentic, from everything to the set design, costumes and change in aspect ratio.
It is of course helped by the stellar performances by Elizabeth Olsen. In the MCU so far Wanda has been rather sidelined and Olsen has been given little chance to shine. However she is undoubtedly the star of WandaVision and has been given ample opportunity to show off her versatility and talents, and she certainly does. We see a side of Wanda we’ve never seen before and Olsen’s ability to transform into each decade’s sitcom character is brilliant to watch. It’s a shame then that Bettany’s Vision doesn’t quite match up. No matter the decade, Vision never really seems to change much and while he is funny on occasion, I’m not entirely convinced that seeing more of Vision is a good thing. He’s always been the aloof synthezoid and this may have made him a little too ‘human’. However that said, it was still nice to see a lot more of Bettany than we have done in a while.
Once you get over the sitcom styling, the first couple of episodes are quite slow and had it continued in this vein I may have struggling to keep interested. However in typical Marvel style, it soon picks up and immerses us into the full MCU experience I was expecting. While I don’t want to say much about the plot, from episode 3 onwards I was hooked and the story never felt drawn out, and this wasn’t just due to the short half hour episodes. Unravelling the world of WandaVision was hugely enjoyable and one particular character reappearance in episode 5 had me almost squealing in geeky happiness. The only thing WandaVision is really lacking is the humour and camaraderie that have made the rest of the MCU films into what we love best. Yes there is humour and fun, but this mostly comes from Woo and Darcy, and I think it’s noticeable that the funnier Avengers are missing.
For me, WandaVision isn’t perfect however it was still hugely enjoyable and has definitely given me a new found appreciation for Wanda as a character. And mor important of all, it’s filled a rather large Marvel shaped hole brought on by coronavirus. Bring on The Falcon and the Winter Soldier.
Bob Mann (459 KP) rated Hell or High Water (2016) in Movies
Sep 29, 2021
“Sometimes a blind pig finds a truffle”.
One of the joys (and stresses) of the run up to the Oscar weekend is to try to catch all the major award films before the big event. As I bitched about in my BAFTA write-up, UK release dates do NOT make this an easy task, with some films like Paul Verhoeven’s “Elle”, featuring Best Actress nominee Isabelle Huppert, not released until mid March.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
Albino Farm (2009)
Movie
The film opens in the small town of Shiloh, where two boys on bicycles ride through the woods up to...
Whatchareadin (174 KP) rated Young Jane Young in Books
May 10, 2018
3.5 Stars
Aviva Grossman has made a mistake, but so has Aaron Levin. One of them will continue to lead a normal life and one of them will go into hiding and move hundreds of miles away from their home until the secret comes out in the open. Similar to the story between Bill Clinton and Monica Lewinsky, Aviva Grossman has had an affair with a Congressman she was working for in South Florida. When the scandal breaks, Aviva can no longer get a job or leave her house without being recognized. So she changes her name to Jane Young, leaves the state, and cuts ties with her old life. But now she wants to run for Mayor of her small town and her secret will no longer be safe.
I decided to read this book for a couple of reasons. I have seen the book at the library for a while and I wondered about the woman on the cover. A few people I know have read the book and enjoyed it. This book was better than OK, but not great for me. The book is told from four different perspectives, spanning a time from when the affair begins, to 13 years later when Aviva, now Jane runs for Mayor.
1. Rachel Grossman, Aviva's mother, is a good Jewish mother. She tries to do her best for all of those around her, but it doesn't always pay off. (This part of the book was the hardest for me to get through)
2. Jane Young, the event planner in Allison Springs, Maine. She is a single mother whose main focus is raising her young daughter to be nothing like her old self.
3. Ruby Young, Jane's daughter. Ruby tells her part of the story through emails with her pen pal in Indonesia as part of a school assignment. (this was my favorite part of the book)
4. Embeth Levin, the Congressman's wife. Her part of the story was quite interesting. You wonder what goes through the mind of a wife who has been cheated on especially one in such a public light
and finally from the woman herself
5. Aviva Grossman. We find out about the affair and how it all happened and the aftermath of the scandal. Aviva writes in a Choose Your Own Adventure style, but she has already chosen the path the story will take. Aviva ran from her problems to in Florida to become Jane in Maine and make a new life for herself. But once her secrets are revealed, will she be able to maintain her new life?
The reason I gave this book 3.5 stars is because I felt as if there was something missing. I'm not sure exactly what it was. I didn't enjoy the mother's part of the story and I wasn't too keen on the ending. Overall, I would recommend this book to those who enjoy general fiction.
Aviva Grossman has made a mistake, but so has Aaron Levin. One of them will continue to lead a normal life and one of them will go into hiding and move hundreds of miles away from their home until the secret comes out in the open. Similar to the story between Bill Clinton and Monica Lewinsky, Aviva Grossman has had an affair with a Congressman she was working for in South Florida. When the scandal breaks, Aviva can no longer get a job or leave her house without being recognized. So she changes her name to Jane Young, leaves the state, and cuts ties with her old life. But now she wants to run for Mayor of her small town and her secret will no longer be safe.
I decided to read this book for a couple of reasons. I have seen the book at the library for a while and I wondered about the woman on the cover. A few people I know have read the book and enjoyed it. This book was better than OK, but not great for me. The book is told from four different perspectives, spanning a time from when the affair begins, to 13 years later when Aviva, now Jane runs for Mayor.
1. Rachel Grossman, Aviva's mother, is a good Jewish mother. She tries to do her best for all of those around her, but it doesn't always pay off. (This part of the book was the hardest for me to get through)
2. Jane Young, the event planner in Allison Springs, Maine. She is a single mother whose main focus is raising her young daughter to be nothing like her old self.
3. Ruby Young, Jane's daughter. Ruby tells her part of the story through emails with her pen pal in Indonesia as part of a school assignment. (this was my favorite part of the book)
4. Embeth Levin, the Congressman's wife. Her part of the story was quite interesting. You wonder what goes through the mind of a wife who has been cheated on especially one in such a public light
and finally from the woman herself
5. Aviva Grossman. We find out about the affair and how it all happened and the aftermath of the scandal. Aviva writes in a Choose Your Own Adventure style, but she has already chosen the path the story will take. Aviva ran from her problems to in Florida to become Jane in Maine and make a new life for herself. But once her secrets are revealed, will she be able to maintain her new life?
The reason I gave this book 3.5 stars is because I felt as if there was something missing. I'm not sure exactly what it was. I didn't enjoy the mother's part of the story and I wasn't too keen on the ending. Overall, I would recommend this book to those who enjoy general fiction.
Kristy H (1252 KP) rated The Last Summer of the Garrett Girls in Books
Mar 6, 2019
Delightful novel about sisterhood and growing up
The Garrett sisters are pretty used to the routine of their lives in their small town. Des, 19, is caretaker of her sisters and Arden, the bookstore left behind by their late parents. Their seventy-year-old Gram counts on her to take care of things--even more so since her knee surgery. Bea, 18, is smart, ambitious, and heading to Georgetown in the fall, along with her longtime boyfriend, Erik. Kat, 16, is their theatrical diva, whom no one really takes seriously; she recently broke up with her boyfriend, and she'd do just about anything to get him back. At fifteen, Vi is the "baby" of the family. She's quiet, sensitive, and gay. It's all worked pretty well for a while, but little do they all know: things are about to change for the Garrett girls this summer.
Jessica Spotswood said that she pitched this novel as "Little Women meets Gilmore Girls by way of Sarah Dessen," and I couldn't agree more. I didn't read this until her epilogue, and both the Little Women and Gilmore Girls pieces had already crossed my mind. This is such a lovely, charming, and touching book--I thoroughly enjoyed it. The Garrett sisters were so wonderful and engaging that as the book ended, I immediately found myself wishing there was a sequel, because I was completely immersed in their lives.
Spotswood creates some excellent, different, and completely captivating characters in these sisters. Each is unique in their own way--their own person. I loved the wonderful diverse representation in this one: "there aren't many YA books about girls falling in love," Vi says. It's so true, and how nice it is to have a well-written book where that storyline is just one of the many plots. There are some absolutely beautiful exchanges, as Vi has a crush on the girl who works at the restaurant next door, Cece. It was easily my favorite part of the book--I adored sweet Vi. I also loved how books played a such a strong role in the story--between the girls' family owning a bookstore and all of them loving books and stories in some way.
The novel itself is really about the universal themes of growing up, finding your way, and friendship and sisterhood. And love. It's so well-done and really sweet and fun. The girls seem so real, and it was quite easy to get caught up in their lives and problems. I found it quite enjoyable, even if I could guess how most things would resolve themselves.
Overall, this was a delightful novel about sisterhood and growing up. I truly wish I could have spent more time with the Garrett sisters. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Jessica Spotswood said that she pitched this novel as "Little Women meets Gilmore Girls by way of Sarah Dessen," and I couldn't agree more. I didn't read this until her epilogue, and both the Little Women and Gilmore Girls pieces had already crossed my mind. This is such a lovely, charming, and touching book--I thoroughly enjoyed it. The Garrett sisters were so wonderful and engaging that as the book ended, I immediately found myself wishing there was a sequel, because I was completely immersed in their lives.
Spotswood creates some excellent, different, and completely captivating characters in these sisters. Each is unique in their own way--their own person. I loved the wonderful diverse representation in this one: "there aren't many YA books about girls falling in love," Vi says. It's so true, and how nice it is to have a well-written book where that storyline is just one of the many plots. There are some absolutely beautiful exchanges, as Vi has a crush on the girl who works at the restaurant next door, Cece. It was easily my favorite part of the book--I adored sweet Vi. I also loved how books played a such a strong role in the story--between the girls' family owning a bookstore and all of them loving books and stories in some way.
The novel itself is really about the universal themes of growing up, finding your way, and friendship and sisterhood. And love. It's so well-done and really sweet and fun. The girls seem so real, and it was quite easy to get caught up in their lives and problems. I found it quite enjoyable, even if I could guess how most things would resolve themselves.
Overall, this was a delightful novel about sisterhood and growing up. I truly wish I could have spent more time with the Garrett sisters. 4+ stars.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review (thank you!).
Kristy H (1252 KP) rated If I Die Tonight in Books
Mar 5, 2018
Well-drawn characters (1 more)
Powerful look at social media's influence
Suspenseful, character-driven tale
Havenkill is a pretty quiet town--mostly focused on its football team. So when a washed up 80s rockstar named Aimee En stumbles into the police station in the middle of the night, claiming someone carjacked her Jaguar and then ran over a teenage boy who was trying to help, it receives a lot of police and media attention. The young teen's name was Liam--a star on the football team--and he's quickly portrayed as a hero for trying to save Aimee and her vehicle. Suspicion turns fairly soon to another local teen, Wade Reed, a social outcast, who is vilified by his peers and the local media. His younger brother, Connor, struggles as his own friends distance themselves in the wake of Wade's alleged actions. And Pearl Maze, a member of the Havenkill police force, who was there when Aimee arrived, isn't sure how real Aimee's story actually is.
The novel's story is told via short snippets of narrative from a varied cast of characters, including Pearl, Aimee, Connor, and Connor and Wade's mom, Jackie. It's effective--and effectively frustrating, as you find yourself wanting to know more about what happened the night Liam died. The book sucks you in immediately via this format and its excellent, well-drawn characters. These characters are complex, as are the relationships between everyone in the novel. Nothing is as it seems, and everyone is hiding more beneath their surface (and the past). I was shocked at how well-done these interconnected relationships were and how much I wanted to keep reading. I felt such allegiances to particular characters and such distaste for others. Pearl, Jackie, even Wade and Connor--they were magnificently written and the book was just so well-done. I was really impressed by this one.
Pearl, for instance, was such a complicated character, with such a nuanced backstory. She was an excellent cop, and I found myself immediately rooting for her. She was so smart. Gaylin did a wonderful job of portraying how small towns deal with tragedy and how social media can influence opinion--and how it can affect teens. It was really powerful. As the novel wears on, you're not exactly sure who to trust--or exactly what happened the night Liam died--and I couldn't stop myself from obsessively turning the pages, trying to figure out what happened. Even though the novel is very character-focused, it's suspenseful too and focused on the Liam mystery.
Overall, this was great and such a pleasant surprise. I love requesting an ARC of an author I've never read before and discovering such a great story. This was a suspenseful read, with an excellent, well-written cast. I'm looking forward to reading more Gaylin's work. I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review. More at https://justacatandabookatherside.blogspot.com/.
The novel's story is told via short snippets of narrative from a varied cast of characters, including Pearl, Aimee, Connor, and Connor and Wade's mom, Jackie. It's effective--and effectively frustrating, as you find yourself wanting to know more about what happened the night Liam died. The book sucks you in immediately via this format and its excellent, well-drawn characters. These characters are complex, as are the relationships between everyone in the novel. Nothing is as it seems, and everyone is hiding more beneath their surface (and the past). I was shocked at how well-done these interconnected relationships were and how much I wanted to keep reading. I felt such allegiances to particular characters and such distaste for others. Pearl, Jackie, even Wade and Connor--they were magnificently written and the book was just so well-done. I was really impressed by this one.
Pearl, for instance, was such a complicated character, with such a nuanced backstory. She was an excellent cop, and I found myself immediately rooting for her. She was so smart. Gaylin did a wonderful job of portraying how small towns deal with tragedy and how social media can influence opinion--and how it can affect teens. It was really powerful. As the novel wears on, you're not exactly sure who to trust--or exactly what happened the night Liam died--and I couldn't stop myself from obsessively turning the pages, trying to figure out what happened. Even though the novel is very character-focused, it's suspenseful too and focused on the Liam mystery.
Overall, this was great and such a pleasant surprise. I love requesting an ARC of an author I've never read before and discovering such a great story. This was a suspenseful read, with an excellent, well-written cast. I'm looking forward to reading more Gaylin's work. I received a copy of this novel from the publisher and Edelweiss in return for an unbiased review. More at https://justacatandabookatherside.blogspot.com/.
Zuky the BookBum (15 KP) rated Savage Reckoning in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/savage-reckoning-by-c-hoyt-caldwell
AVAILABLE NOW IN THE UK!
Firstly Id like to thank Netgalley and Random House Publishing Group - Alibi for the opportunity to read this in an exchange for an honest review.
<b><i>With a badge pinned to her chest, she didnt give a shit what the town or God thought of her. She was the law.</b></i>
I was not expecting to love this as much as I do! Honestly, I started the first few pages and thought <b>oh God, this is going to be bad,</b> but I persevered because I feel Ive given up on a lot of reads lately and Im so glad I continued with it. As soon as we met Step and Kenny talking about anal sex, I knew I was going to love this novel, <i>(that sounds all kinds of wong).</i>
Step and Kenny are closeout kings in other words theyre hitmen. But theyre not all evil and malicious, they got feelins too, <b><i>"Well, now I'm just all kinds of hurt. Neither girls has plied their horny ways on me."</b></i> No but in all seriousness, theyve got some sort of morals, and these morals are what lead us into the rollercoaster ride of a story this is.
Our MC Dani Savage (ridiculously cheesy cool name) is the only deputy that takes her job seriously around Baptist Flats and so when she hears stories of a bunch of missing girls from in and around her area she cant let it go and has to do something to console the many broken and distraught mothers. A bit of a fuckup closeout jobs leads Dani to Step and Kenny where they enlist each other's help to get to the bottom of the mystery of the missing girls.
This is by no means a sophisticated, thought provoking novel, it's just pure grit, humour with a couple of inciteful anecdotes, <b><i>"Each woman's got a different 'forget-shit' trigger, Kenny. A man's whole goddamn purpose in life is to figure out that trigger and pull it",</b></i> mashed together to make an excellent, fun and exciting read. Each character, no matter how small or large their role in the story, was developed brilliantly and although there were some obvious parts of the plot it didnt even matter because youre having too much fun reading it to care about the fact you can guess what happens next.
Genuinely one of the funniest novels Ive read in such a long time even if it does deal with some pretty gruesome stuff. Anyone bored of meaningful, eye-opening type thrillers? Well pick this one up as your next book to help loosen you up a bit. Im definitely going to be on the lookout for more from Kenny and Step!
AVAILABLE NOW IN THE UK!
Firstly Id like to thank Netgalley and Random House Publishing Group - Alibi for the opportunity to read this in an exchange for an honest review.
<b><i>With a badge pinned to her chest, she didnt give a shit what the town or God thought of her. She was the law.</b></i>
I was not expecting to love this as much as I do! Honestly, I started the first few pages and thought <b>oh God, this is going to be bad,</b> but I persevered because I feel Ive given up on a lot of reads lately and Im so glad I continued with it. As soon as we met Step and Kenny talking about anal sex, I knew I was going to love this novel, <i>(that sounds all kinds of wong).</i>
Step and Kenny are closeout kings in other words theyre hitmen. But theyre not all evil and malicious, they got feelins too, <b><i>"Well, now I'm just all kinds of hurt. Neither girls has plied their horny ways on me."</b></i> No but in all seriousness, theyve got some sort of morals, and these morals are what lead us into the rollercoaster ride of a story this is.
Our MC Dani Savage (ridiculously cheesy cool name) is the only deputy that takes her job seriously around Baptist Flats and so when she hears stories of a bunch of missing girls from in and around her area she cant let it go and has to do something to console the many broken and distraught mothers. A bit of a fuckup closeout jobs leads Dani to Step and Kenny where they enlist each other's help to get to the bottom of the mystery of the missing girls.
This is by no means a sophisticated, thought provoking novel, it's just pure grit, humour with a couple of inciteful anecdotes, <b><i>"Each woman's got a different 'forget-shit' trigger, Kenny. A man's whole goddamn purpose in life is to figure out that trigger and pull it",</b></i> mashed together to make an excellent, fun and exciting read. Each character, no matter how small or large their role in the story, was developed brilliantly and although there were some obvious parts of the plot it didnt even matter because youre having too much fun reading it to care about the fact you can guess what happens next.
Genuinely one of the funniest novels Ive read in such a long time even if it does deal with some pretty gruesome stuff. Anyone bored of meaningful, eye-opening type thrillers? Well pick this one up as your next book to help loosen you up a bit. Im definitely going to be on the lookout for more from Kenny and Step!
Zuky the BookBum (15 KP) rated Mammoth in Books
Mar 15, 2018
Also find my review here: http://bookbum.weebly.com/book-reviews/mammoth-by-douglas-perry
NOW AVAILABLE IN THE UK!
Thank you to Netgalley and Amberjack Publishing for giving me the opportunity to read this in an exchange for a review.
Not quite what I was expecting, which I think is the general feel judging by others reviews. Be warned, this isnt a creepy paranormal, alien type of thing. I dont think thats a spoiler either, I wouldnt want you to pick this up and be greatly disappointed. If you love character focused novels then this will be your kind of book! This gives you some really in depth information about each of the characters, but it can get confusing because there are <i>so</i> many characters! There are <b>eleven</b> main characters, plus more characters that relate to these characters in little sub plots.
<u>Characters: </u>
Tori
Billy & Becky
Jackson & Sam
Hicks & Lloyd
Oscar - King
Melvin & Gordon
Winnie Lloyd
If you find it difficult to keep up with lots of different people in books then this wont be for you. It can get a little confusing at times and I often forgot what was happening to one character by the time we got back to reading about them after having read about 4 characters in between.
I though this novel was superbly written. Possibly one of the best written books Ive read in quite a while! There is some really grotesque imagery in this book, not in a violent way though, so I wouldnt give it any trigger warnings, though rape is implied. My only problem with the writing was that sometimes it was really difficult to understand where the characters were in Mammoth View or Bakersfield or what. That was my one annoyance, I wasnt able to keep a grip on where each character was.
In terms of the plot that there was, which wasnt much, it was an interesting storyline. Lots of things going on a once which could definitely add to the confusion. I feel as though Perry had created seven(ish) separate short stories and then tried to mash them into one which in my opinion worked. I felt let down by the ending in a way but at the same time I thought it was really unique. You do find out why panic ensues in the small town of Mammoth View and I can bet you wont see it coming Though now Ive told you its not paranormal or aliens then maybe you might
If you like to really get to know a character and dont really care about a well developed plot then this book is a definite read for you, but if youre expecting something scary or creepy form this then dont bother as it isnt that kind of thing. I will definitely look out for more of Perrys work!
NOW AVAILABLE IN THE UK!
Thank you to Netgalley and Amberjack Publishing for giving me the opportunity to read this in an exchange for a review.
Not quite what I was expecting, which I think is the general feel judging by others reviews. Be warned, this isnt a creepy paranormal, alien type of thing. I dont think thats a spoiler either, I wouldnt want you to pick this up and be greatly disappointed. If you love character focused novels then this will be your kind of book! This gives you some really in depth information about each of the characters, but it can get confusing because there are <i>so</i> many characters! There are <b>eleven</b> main characters, plus more characters that relate to these characters in little sub plots.
<u>Characters: </u>
Tori
Billy & Becky
Jackson & Sam
Hicks & Lloyd
Oscar - King
Melvin & Gordon
Winnie Lloyd
If you find it difficult to keep up with lots of different people in books then this wont be for you. It can get a little confusing at times and I often forgot what was happening to one character by the time we got back to reading about them after having read about 4 characters in between.
I though this novel was superbly written. Possibly one of the best written books Ive read in quite a while! There is some really grotesque imagery in this book, not in a violent way though, so I wouldnt give it any trigger warnings, though rape is implied. My only problem with the writing was that sometimes it was really difficult to understand where the characters were in Mammoth View or Bakersfield or what. That was my one annoyance, I wasnt able to keep a grip on where each character was.
In terms of the plot that there was, which wasnt much, it was an interesting storyline. Lots of things going on a once which could definitely add to the confusion. I feel as though Perry had created seven(ish) separate short stories and then tried to mash them into one which in my opinion worked. I felt let down by the ending in a way but at the same time I thought it was really unique. You do find out why panic ensues in the small town of Mammoth View and I can bet you wont see it coming Though now Ive told you its not paranormal or aliens then maybe you might
If you like to really get to know a character and dont really care about a well developed plot then this book is a definite read for you, but if youre expecting something scary or creepy form this then dont bother as it isnt that kind of thing. I will definitely look out for more of Perrys work!
Gareth von Kallenbach (980 KP) rated The Astronaut Farmer (2006) in Movies
Aug 14, 2019
Charles Farmer (Billy Bob Thornton) is a man with a dream. Unlike some men, he does not dream of wealth, fame, or material goods, instead he dreams simply of traveling into space. While to most who share Charles’s dream would be resigned to simply leave it at that, Charles is not like most men and is determined to make his dream a reality.
While Charles too many is a simple rancher, his past is anything but simple thanks in part to his past career at N.A.S.A.
While N.A.S.A. has forgotten about Charles, who left to care for his family after the passing of his father, Charles never lost site of his desire to travel into space, and has decided to do something about it.
Towards that end, Charles has decided to use his aerospace training and education to construct his own rocket in his barn.
His family is supportive, especially his loving wife Audrey (Virginia Madsen), who believes that since Jim gave up his dreams for his family when they needed him most, and he should be supported now.
Of course many of the locales in his small Texas town do not share his vision and too many Charles is the locale oddity who is borderline crazy. This fact is also shared by the bank that is close to foreclosing on his ranch.
Despite the skeptics, Charles is close to his dream, but he lacks the needed fuel to power his rocket. While his efforts have largely gone under the radar, the moment Charles attempts to purchase fuel, he lands high on the watch list for the government, who now consider him a threat to national security, as well as N.A.S.A. who are determined to keep him grounded.
In an effort to sound him out, N.A.S.A. sends a Colonel (Bruce Willis), to Charles to inspect his rocket and offer him a chance to ride on a future shuttle mission if he abandons his efforts.
Undaunted, Charles continues to follow his dream and soon finds himself the center of a media circus and under constant surveillance from Government agents.
As the tensions mount so does the pending foreclosure as well as concern in the family that they are possibly going to lose everything they cherish due to Charles determination to see his dream out at all costs.
Billy Bob Thornton and Virginia Madsen are great together and have a real chemistry that not only helps the audience connect to their characters but makes it easy to root for them.
The duo drives this solid and highly entertaining film from the Polish Brothers who are quickly making a name for themselves with their solid body of work. The story could in some hands be dismissed as fluff but under the guidance of the Polish Brothers and the easygoing charm of Thornton and Madsen, the film soars and is a very pleasant and enjoyable surprise.
While Charles too many is a simple rancher, his past is anything but simple thanks in part to his past career at N.A.S.A.
While N.A.S.A. has forgotten about Charles, who left to care for his family after the passing of his father, Charles never lost site of his desire to travel into space, and has decided to do something about it.
Towards that end, Charles has decided to use his aerospace training and education to construct his own rocket in his barn.
His family is supportive, especially his loving wife Audrey (Virginia Madsen), who believes that since Jim gave up his dreams for his family when they needed him most, and he should be supported now.
Of course many of the locales in his small Texas town do not share his vision and too many Charles is the locale oddity who is borderline crazy. This fact is also shared by the bank that is close to foreclosing on his ranch.
Despite the skeptics, Charles is close to his dream, but he lacks the needed fuel to power his rocket. While his efforts have largely gone under the radar, the moment Charles attempts to purchase fuel, he lands high on the watch list for the government, who now consider him a threat to national security, as well as N.A.S.A. who are determined to keep him grounded.
In an effort to sound him out, N.A.S.A. sends a Colonel (Bruce Willis), to Charles to inspect his rocket and offer him a chance to ride on a future shuttle mission if he abandons his efforts.
Undaunted, Charles continues to follow his dream and soon finds himself the center of a media circus and under constant surveillance from Government agents.
As the tensions mount so does the pending foreclosure as well as concern in the family that they are possibly going to lose everything they cherish due to Charles determination to see his dream out at all costs.
Billy Bob Thornton and Virginia Madsen are great together and have a real chemistry that not only helps the audience connect to their characters but makes it easy to root for them.
The duo drives this solid and highly entertaining film from the Polish Brothers who are quickly making a name for themselves with their solid body of work. The story could in some hands be dismissed as fluff but under the guidance of the Polish Brothers and the easygoing charm of Thornton and Madsen, the film soars and is a very pleasant and enjoyable surprise.