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graveyardgremlin (7194 KP) rated Body Count (Sophie Anderson, #1) in Books
Feb 15, 2019
After a somewhat rough and slow start, give or take the first 150 pages, BODY COUNT picked up steam with the turn of each page. Told in first-person, present tense narrative, the book introduces Australian transplant, Sophie Anderson, who now works as a profiler for the F.B.I. and is intent on catching the D.C. Slasher before he strikes too close to home.
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
RəX Regent (349 KP) rated The Butterfly Effect (2004) in Movies
Mar 7, 2019
Deeper than it first appears...
Contains spoilers, click to show
Having always being a fan of Time Travel and Science Fiction, I was always keen on seeing this film upon its initial release, seven years ago, now. But for one reason or another, this just didn't happen, leaving me to watch this on TV a couple of years later.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
Goddess in the Stacks (553 KP) rated Love, Hate, and Other Filters in Books
Jun 18, 2018
This book made a big splash when it came out in January, and rightly so, as I've finally discovered for myself! Written by an Indian-American, Love, Hate, and Other Filters follows Maya Aziz, a seventeen-year-old born in America to Indian immigrant parents. She's the only Muslim girl at her school, and while she feels like she sticks out, she doesn't feel discriminated against until a terrorist attack happens in her state. She had -just- gotten most of her issues worked out before the attack, but in the aftermath of the attack, and the community's response to it, her parents clamp down on her freedom, and she struggles to get her life back.
I really loved Maya in this book; I can understand her parents' fears, but also her rebellion when they take away the freedom she values. I think my favorite character, though, was the side character Kareem. I kind of hope Ahmed writes another book and tells us his story. He was just so NICE.
I loved the writing and the characters overall, but there were a few sentences that made me pause and repeat them in my head because they were just outstanding.
"The vows are simple, the same kind of pledges I've heard at weddings of every faith. Except at the end, there is no kiss. I close in for the money shot anyway, hoping for a moment of rebellion from Ayesha and Saleem. But no. No public kissing allowed. Full stop. The no kissing is anticlimactic, but some taboos cross oceans, packed tightly into the corners of immigrant baggage, tucked away with packets of masala and memories of home."
And also, about arranged marriages and being a good Indian daughter:
"And the Muslim? The Indian? That girl, she doesn't even get the dream of the football captain. She gets a lifetime of being stopped by the FAA for random bag searches every time she flies. She gets the nice boy, the sensible boy, the one her parents approve of and who she will grow to love over years and children and necessity."
Maya is a whip-smart young girl who wants to be a film maker, and she spends most of her time behind a camera, observing. Her observations are really what make this book shine, and her snark had me laughing throughout the book.
I really loved this book, if you couldn't tell! I love minority-driven YA, and this one reminds me quite a lot of Saints and Misfits. Given how much I loved both of these, I really need to read When Dimple Met Rishi!
You can find all my reviews at http://goddessinthestacks.wordpress.com
I really loved Maya in this book; I can understand her parents' fears, but also her rebellion when they take away the freedom she values. I think my favorite character, though, was the side character Kareem. I kind of hope Ahmed writes another book and tells us his story. He was just so NICE.
I loved the writing and the characters overall, but there were a few sentences that made me pause and repeat them in my head because they were just outstanding.
"The vows are simple, the same kind of pledges I've heard at weddings of every faith. Except at the end, there is no kiss. I close in for the money shot anyway, hoping for a moment of rebellion from Ayesha and Saleem. But no. No public kissing allowed. Full stop. The no kissing is anticlimactic, but some taboos cross oceans, packed tightly into the corners of immigrant baggage, tucked away with packets of masala and memories of home."
And also, about arranged marriages and being a good Indian daughter:
"And the Muslim? The Indian? That girl, she doesn't even get the dream of the football captain. She gets a lifetime of being stopped by the FAA for random bag searches every time she flies. She gets the nice boy, the sensible boy, the one her parents approve of and who she will grow to love over years and children and necessity."
Maya is a whip-smart young girl who wants to be a film maker, and she spends most of her time behind a camera, observing. Her observations are really what make this book shine, and her snark had me laughing throughout the book.
I really loved this book, if you couldn't tell! I love minority-driven YA, and this one reminds me quite a lot of Saints and Misfits. Given how much I loved both of these, I really need to read When Dimple Met Rishi!
You can find all my reviews at http://goddessinthestacks.wordpress.com
Debbie (52 KP) rated Merci Suarez Changes Gears in Books
Sep 7, 2018
<img src="https://www.netgalley.com/badge/9a41056d7201c045d3f9e5c161f9569494687ae1"; width="80" height="80" alt="Professional Reader" title="Professional Reader"/>
#Merci Suarez #Net Galley Candle Wick Publishing Children's fiction Middle Grade
Release date September 11, 2018 368 pages
I was lucky enough to be selected to read this book before it is released. I enjoyed this book greatly. I gave it 4 stars.
This book is about a Latino family who live in Florida. The family consist of a grandma, grandpa, aunt, twin cousins, mom, dad, older brother and the main character Merci. They really aren't poor but nor are they rich. probably low middle class. Both of the older children go to a private school by way of scholarship. The dad owns his own business as a painter and to pay the children's books during the summer they painted the gym. They wear a uniform to this school. Merci isn't as smart as her older brother who loves science. She has lazy eye and has gone the process of wearing a patch and having surgery. Her eye still has some issues at times. The students are required to do community service at this school. Most students only have to do 40 hours but Merci and her brother have to do 60 hours because of their scholarship. She isn't thrilled about her community service which is being a Sunshine Buddy. She ends up being a buddy to a boy which is unusually for a girl to be buddy with a boy. All the other children tease her when she tries to make contact in school. This new boy Michael Clark is a very cute boy and all the girls talk about him.
This book is about Merci and the things she goes through not only at school but also at home. She hates have to help out with her twin cousins because now she isn't able to go to soccer try outs which she really wants to do because she has to her Grandma watch the twins. Her Grandpa whom she adores is sick and she does find out but is the last to know and gets upset with her family for not telling her sooner. She is scared and mad at the same time.
This is a great book for a middle grader to read because it will explain about the disease her grandpa has in a very understanding way. It will give them understanding on how you can work through some hard times.
It is hard to go into detail because I don't want to give anything away about this story. I read most of it in one setting.
The author did a great job.
#Merci Suarez #Net Galley Candle Wick Publishing Children's fiction Middle Grade
Release date September 11, 2018 368 pages
I was lucky enough to be selected to read this book before it is released. I enjoyed this book greatly. I gave it 4 stars.
This book is about a Latino family who live in Florida. The family consist of a grandma, grandpa, aunt, twin cousins, mom, dad, older brother and the main character Merci. They really aren't poor but nor are they rich. probably low middle class. Both of the older children go to a private school by way of scholarship. The dad owns his own business as a painter and to pay the children's books during the summer they painted the gym. They wear a uniform to this school. Merci isn't as smart as her older brother who loves science. She has lazy eye and has gone the process of wearing a patch and having surgery. Her eye still has some issues at times. The students are required to do community service at this school. Most students only have to do 40 hours but Merci and her brother have to do 60 hours because of their scholarship. She isn't thrilled about her community service which is being a Sunshine Buddy. She ends up being a buddy to a boy which is unusually for a girl to be buddy with a boy. All the other children tease her when she tries to make contact in school. This new boy Michael Clark is a very cute boy and all the girls talk about him.
This book is about Merci and the things she goes through not only at school but also at home. She hates have to help out with her twin cousins because now she isn't able to go to soccer try outs which she really wants to do because she has to her Grandma watch the twins. Her Grandpa whom she adores is sick and she does find out but is the last to know and gets upset with her family for not telling her sooner. She is scared and mad at the same time.
This is a great book for a middle grader to read because it will explain about the disease her grandpa has in a very understanding way. It will give them understanding on how you can work through some hard times.
It is hard to go into detail because I don't want to give anything away about this story. I read most of it in one setting.
The author did a great job.
Gareth von Kallenbach (971 KP) rated Hot Tub Time Machine 2 (2015) in Movies
Jun 19, 2019
When “Hot Tub Time Machine” came out almost five years ago, it took a whacky concept of four friends whisked back in time during a getaway to the 80s giving them a chance to fix aspects of their lives they wished they had done differently.
The outrageous and bawdy humor as well as strong performances from John Cusack and Crispin Glover made the film a cult hit that earned over $64 million worldwide and did well on DVD sales as well.
Naturally a sequel was planned and when I first heard it was looking to be a direct to DVD sequel sans Cusack, I had an idea that the film may be little more than an effort to cash in on the success of the first film without offering much to the continued story of the characters.
I was encouraged by the early trailers for the sequel and as such went into the screener with better expectations than I had originally had when I first heard of the projects.
The film explains that “John Cusack’s character is off on adventure of self-discovery as the friends have all become wealthy and famous after the events of the first film. Lou (Rob Corddry) has milked Motley Crue and his knowledge of pending tech to establish himself as a major player, Nick (Craig Robinson) has cashed in on a recording career by covering famous songs from his day before they were ever released and Jacob (Clark Duke) is stuck playing Butler to his father Lou.
Lou has become an example of an ego run wild and during one of his lavish parties; he is shot and left near death. In a move of desperation, Nick and Jacob whisk Lou into the Hot Tub and attempt to go back in time to stop the shooting.
Things do not go as planned as the trio end up 15 years into the future and must find a way to put things right and get home.
One would think that this premise would be able to produce some funny moments, but sadly the film is painfully slow and plodding and most shocking of all, very, very unfunny. The film tries to get some crude laughs from a gameshow of the future and a homicidal Smart Car but the film just wanders from situation to situation looking for laughs and does not setup or execute them properly.
There is a montage scene at the end of the film which sadly is the best part and shows what could have been a much better sequel with the group going through time taking the place of famous individuals and interacting with them.
As it stands, “Hot Tub Time Machine 2”, is a trip you do not want to make.
http://sknr.net/2015/02/20/hot-tub-time-machine-2/
The outrageous and bawdy humor as well as strong performances from John Cusack and Crispin Glover made the film a cult hit that earned over $64 million worldwide and did well on DVD sales as well.
Naturally a sequel was planned and when I first heard it was looking to be a direct to DVD sequel sans Cusack, I had an idea that the film may be little more than an effort to cash in on the success of the first film without offering much to the continued story of the characters.
I was encouraged by the early trailers for the sequel and as such went into the screener with better expectations than I had originally had when I first heard of the projects.
The film explains that “John Cusack’s character is off on adventure of self-discovery as the friends have all become wealthy and famous after the events of the first film. Lou (Rob Corddry) has milked Motley Crue and his knowledge of pending tech to establish himself as a major player, Nick (Craig Robinson) has cashed in on a recording career by covering famous songs from his day before they were ever released and Jacob (Clark Duke) is stuck playing Butler to his father Lou.
Lou has become an example of an ego run wild and during one of his lavish parties; he is shot and left near death. In a move of desperation, Nick and Jacob whisk Lou into the Hot Tub and attempt to go back in time to stop the shooting.
Things do not go as planned as the trio end up 15 years into the future and must find a way to put things right and get home.
One would think that this premise would be able to produce some funny moments, but sadly the film is painfully slow and plodding and most shocking of all, very, very unfunny. The film tries to get some crude laughs from a gameshow of the future and a homicidal Smart Car but the film just wanders from situation to situation looking for laughs and does not setup or execute them properly.
There is a montage scene at the end of the film which sadly is the best part and shows what could have been a much better sequel with the group going through time taking the place of famous individuals and interacting with them.
As it stands, “Hot Tub Time Machine 2”, is a trip you do not want to make.
http://sknr.net/2015/02/20/hot-tub-time-machine-2/
Andy K (10821 KP) rated Altered States (1980) in Movies
Oct 26, 2019
Dr. Eddie Jessup is conducting some interesting research using a deprivation chamber. His goal is to better understand the human mind and maybe the psychology of schizophrenia or how the deep unconscious works. He meets a smart female mind and the two have a whirlwind romance which distracts from his research a bit.
He does manage to make a trip to Mexico where he hears about a tribe using a hallucinatory drug which causes some of the same effects he experienced while submerged in his isolation tank back home so he decides to try it. He has massive hallucinations, loses control of his actions and even gives in to his more primal instincts and devours a sheep. When he wakes he only remember bits and pieces of his actions, but is convinced this is the correct road for his research.
Back in the US, he decides to combine both elements of his research including use of the drug and the chamber at the same time to see the results. The results of the combination are not only dangerous to Eddie's psyche and soul, but to his physical human body as well. He performs an unsupervised deprivation experience on his own and experiences an evolution regression back to a primitive homo sapien state which is now loose in the basement of his lab and has to be stopped.
Eddie ultimately has to decide if his estranged family or his research is more important to him and if now it is too late to have them both.
Famed, provocative British director Ken Russell takes on the task of bringing this interesting, colorful and wild film to life. He already had a reputation of helming controversial films like The Devils and Tommy, so maybe this film was a step down from those.
The psychedelic hallucination sequences Eddie experiences while on the drug or in the chamber were so unique, shocking and visceral they were intense but hard to look away from. Images were being edited at such a pace your mind races as you watch them. Eddie's personal journey as a doctor and student of the human mind are fascinating to watch as he struggles with his relationship with his wife and kids at the same time. As he continues his research, he wants to understand what is happening to him, but doesn't want to be inhibited but others' desires.
William Hurt and Blair Brown have good chemistry when together onscreen and you feel her concern as she feels she is losing the man she loves to something she doesn't understand. They both field infidelity in their marriage as he tries to fill the empty space of commitment and she tries in vain to replace with others the man she truly loves.
He does manage to make a trip to Mexico where he hears about a tribe using a hallucinatory drug which causes some of the same effects he experienced while submerged in his isolation tank back home so he decides to try it. He has massive hallucinations, loses control of his actions and even gives in to his more primal instincts and devours a sheep. When he wakes he only remember bits and pieces of his actions, but is convinced this is the correct road for his research.
Back in the US, he decides to combine both elements of his research including use of the drug and the chamber at the same time to see the results. The results of the combination are not only dangerous to Eddie's psyche and soul, but to his physical human body as well. He performs an unsupervised deprivation experience on his own and experiences an evolution regression back to a primitive homo sapien state which is now loose in the basement of his lab and has to be stopped.
Eddie ultimately has to decide if his estranged family or his research is more important to him and if now it is too late to have them both.
Famed, provocative British director Ken Russell takes on the task of bringing this interesting, colorful and wild film to life. He already had a reputation of helming controversial films like The Devils and Tommy, so maybe this film was a step down from those.
The psychedelic hallucination sequences Eddie experiences while on the drug or in the chamber were so unique, shocking and visceral they were intense but hard to look away from. Images were being edited at such a pace your mind races as you watch them. Eddie's personal journey as a doctor and student of the human mind are fascinating to watch as he struggles with his relationship with his wife and kids at the same time. As he continues his research, he wants to understand what is happening to him, but doesn't want to be inhibited but others' desires.
William Hurt and Blair Brown have good chemistry when together onscreen and you feel her concern as she feels she is losing the man she loves to something she doesn't understand. They both field infidelity in their marriage as he tries to fill the empty space of commitment and she tries in vain to replace with others the man she truly loves.
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