Search
My rating: 3.5
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Erin Eveland is known for her short horror stories but she has moved onto writing novels with <i>Darkness</i> being her first of a series. It was not scary in the way that horror books are generally perceived to be but it did contain a good deal of paranormal ideas.
It begins when the main character, Catherine, is six years old and living with her grandmother. She is constantly haunted by an unseen presence, a nameless terror, which worries her grandmother immensely. Very suddenly, Catherine’s grandmother suffers a fatal heart attack and Catherine ends up being removed from her well looked after home to a dirty trailer park to live with her alcoholic mother. The novel then fast-forwards ten years to a time when Catherine is mostly fending for herself and her mother never goes a day sober. The terrors of her childhood have all but been forgotten but Catherine is beginning to remember and have similar experiences all over again. These incidents increase with the mysterious appearance of a man named Jorgen who insists he wants to protect Catherine. Meanwhile, Nathan, a friend of Catherine, comes into contact with an intriguing man in black who begins to teach him about colours and Darkness – something which could have done with a little more detail. Unbeknownst to Nathan, his dealings with this man may result in harming Catherine, especially as the two friends begin to see odd moving shapes – shadow creatures.
For a while there appeared to be a very thin line between heroes and villains as it took some time to work out the intentions of Jorgen and Artros (the man in black). The novel would have benefitted with more description about these characters: who they are or more importantly, what they are, as well as the significance of the shadow creatures.
Although it was good to be introduced to the paranormal aspects right at the start, this resulted in lessening the amount of foreboding and dread throughout the main bulk of the novel. Even though <i>Darkness</i> is the first in a series, it did not feel that it was properly starting until nearer the end. On finishing, the reader still does not know much about the shadow creatures or what the Darkness is. Presumably the sequel will be more enlightening.
<i>Darkness</i> is sub-titled “An Interactive Novel” and includes Quick Response codes at the beginning of each chapter to heighten the reading experience with the interactive addition of art and music. Of course to benefit from this a smart phone is required (I do not have one therefore cannot comment further on this feature).
Overall, <i>Darkness</i> is a well-written book full of originality that has the potential to become an exciting young adult series.
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
Erin Eveland is known for her short horror stories but she has moved onto writing novels with <i>Darkness</i> being her first of a series. It was not scary in the way that horror books are generally perceived to be but it did contain a good deal of paranormal ideas.
It begins when the main character, Catherine, is six years old and living with her grandmother. She is constantly haunted by an unseen presence, a nameless terror, which worries her grandmother immensely. Very suddenly, Catherine’s grandmother suffers a fatal heart attack and Catherine ends up being removed from her well looked after home to a dirty trailer park to live with her alcoholic mother. The novel then fast-forwards ten years to a time when Catherine is mostly fending for herself and her mother never goes a day sober. The terrors of her childhood have all but been forgotten but Catherine is beginning to remember and have similar experiences all over again. These incidents increase with the mysterious appearance of a man named Jorgen who insists he wants to protect Catherine. Meanwhile, Nathan, a friend of Catherine, comes into contact with an intriguing man in black who begins to teach him about colours and Darkness – something which could have done with a little more detail. Unbeknownst to Nathan, his dealings with this man may result in harming Catherine, especially as the two friends begin to see odd moving shapes – shadow creatures.
For a while there appeared to be a very thin line between heroes and villains as it took some time to work out the intentions of Jorgen and Artros (the man in black). The novel would have benefitted with more description about these characters: who they are or more importantly, what they are, as well as the significance of the shadow creatures.
Although it was good to be introduced to the paranormal aspects right at the start, this resulted in lessening the amount of foreboding and dread throughout the main bulk of the novel. Even though <i>Darkness</i> is the first in a series, it did not feel that it was properly starting until nearer the end. On finishing, the reader still does not know much about the shadow creatures or what the Darkness is. Presumably the sequel will be more enlightening.
<i>Darkness</i> is sub-titled “An Interactive Novel” and includes Quick Response codes at the beginning of each chapter to heighten the reading experience with the interactive addition of art and music. Of course to benefit from this a smart phone is required (I do not have one therefore cannot comment further on this feature).
Overall, <i>Darkness</i> is a well-written book full of originality that has the potential to become an exciting young adult series.
Emma @ The Movies (1786 KP) rated The Mule (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Thinking Clint Eastwood is a great actor is sadly not enough to get you through this film.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
We open with what honestly reminded me of something you might have seen in Last Of The Summer Wine but with a tinge of melancholy. Those were actual things I wrote down in the screening, it's not often that I can nail my feelings about things like that the instant I see them.
There's some solid acting from some of the support cast. Ignacio Serricchio (amazing in Bones), Robert LaSardo (pops up in lots of different shows and films I watch), Michael Peña
(aaaaahhhh, why didn't he get more screen time?) and Laurence Fishburne (again, probably didn't get enough screen time) gave their best with the limited moments they had. Bradley Cooper managed to eek out some more lines luckily and I loved the interactions between him and Eastwood.
Eastwood himself played the dawdling old man very well, at this point you have to assume that some of that comes naturally rather than from his acting talent. He managed to get himself a choice role with lots of lovely semi-clad ladies in it that's for sure.
After seeing this I'm wondering if it could have benefited from a shift in focus. The family set up at the beginning was a bit drawn out and could easily have lost a lot of it's run time. Had they moved those minutes over to the police/DEA side and made it more crime than drama I think it might have given it a little injection of pace.
The family angle was the main drag for me, it felt much longer than needed but beyond that the acting was the weakest overall. Coming in right at the bottom was Dianne Wiest. I've been thinking about it trying to work out why I didn't like her part as Mary. Sometimes the characters themselves are unlikeable, sometimes it's a poor script, but I think it was just the way she played it. I can think of a couple of other actresses who in the same part could have struck the right note.
In the end I think there was a lot of potential missed, it felt like it spread itself a little too far into the drama side. Some of the bits are a little crazy but get away with being believable... except when they try to make me believe that an octogenarian can work out how to use a smart phone.
What you should do
I probably would say not to bother, there are a lot of other films out there that have a lot more excitement to them.
Movie thing you wish you could take home
I'd like to leave mt keys in the glove compartment of my car and come back to a stash of cash. Alas I think I'd come back to a missing car.
Gareth von Kallenbach (980 KP) rated Welcome to Marwen (2018) in Movies
Jul 2, 2019
Cap’t Hogie (Steve Carell) is saved from of Nazi’s, after his plane crashed in a swamp in Belgium, by a squad women. They are able to take the beaten and battered Hogie back to their town of Marwen. Or at least that the story Mark Hogancamp (also Steve Carell) has conjured in his art installation outside his trailer home. Mark himself was found by a bartender, Wendy (Stefanie von Pfetten), after he was beaten with an inch of his life by a group of white supremacist. Hogancamp was a successful sketch artist and now can hardly write his own name. He also has little to no memory of the life before the beating. But he is still and artist and now his art lives in the dolls he uses to create a fantasy story that mirrors his real life.
The group of women dolls that seem to always save his Hogie character are all based on the women his life. There is G.I. Julie, aka Julie (Janelle Monae), his rehab partner after his accident and Roberta (Merritt Wever), the friendly neighborhood hobby story clerk. Plus there is Anna (Gwendoline Christie) nurse who brings Hogie his mail and supplies in real life and Carlala (Eiza Gonzalez) his coworker in real life. These make up the majority of his bad ass Nazi killing crew in Marwen. The newest addition is his neighbor Nicole (Leslie Mann) who he think might help him defeat the Nazi’s in Marwen for good and be a special new friend in real life. He will need both his Marwen crew and his real life friends as the sentencing for his real life attackers gets closer and his fragile mental health is pushed to a stressful breaking point.
This unique story is based on the real life of world famous photographic artist Mark Hogancamp. Mark was brutally beaten because he made a smart comment about liking to wear women’s shoes. It’s also a story of overcoming addiction and mental health issues. He turned the disaster into a passion for creating art and using fantasy to cope with tragedy.
This was a really interesting way of telling a one of a kind true story. I thought that director, Robert Zemeckis (Forest Gump, Flight) used both real life and the fantasy world of Marwen to create one story. There were times when the story really didn’t flow great between the two worlds but overall was really original filmmaking. The pace and flow were a little off with the transitions. I thought the animation was exceptionally done. The story also had a bunch of topics it tackled, from mental health and memory loss to addiction but also had a good mix of humor. Carell dual performances were really well done and the supporting cast was also good. Films that are original and try new and interesting things are always worth a view in my opinion. I could see the content not really being for everyone but I thought the overall story left me feeling good.
The group of women dolls that seem to always save his Hogie character are all based on the women his life. There is G.I. Julie, aka Julie (Janelle Monae), his rehab partner after his accident and Roberta (Merritt Wever), the friendly neighborhood hobby story clerk. Plus there is Anna (Gwendoline Christie) nurse who brings Hogie his mail and supplies in real life and Carlala (Eiza Gonzalez) his coworker in real life. These make up the majority of his bad ass Nazi killing crew in Marwen. The newest addition is his neighbor Nicole (Leslie Mann) who he think might help him defeat the Nazi’s in Marwen for good and be a special new friend in real life. He will need both his Marwen crew and his real life friends as the sentencing for his real life attackers gets closer and his fragile mental health is pushed to a stressful breaking point.
This unique story is based on the real life of world famous photographic artist Mark Hogancamp. Mark was brutally beaten because he made a smart comment about liking to wear women’s shoes. It’s also a story of overcoming addiction and mental health issues. He turned the disaster into a passion for creating art and using fantasy to cope with tragedy.
This was a really interesting way of telling a one of a kind true story. I thought that director, Robert Zemeckis (Forest Gump, Flight) used both real life and the fantasy world of Marwen to create one story. There were times when the story really didn’t flow great between the two worlds but overall was really original filmmaking. The pace and flow were a little off with the transitions. I thought the animation was exceptionally done. The story also had a bunch of topics it tackled, from mental health and memory loss to addiction but also had a good mix of humor. Carell dual performances were really well done and the supporting cast was also good. Films that are original and try new and interesting things are always worth a view in my opinion. I could see the content not really being for everyone but I thought the overall story left me feeling good.
DaWanda - Shop Unique Gifts
Shopping and Lifestyle
App
Get inspired and discover unique, handmade products and gifts in our new DaWanda App! DaWanda, the...
Find My Kids:child gps tracker
Education and Lifestyle
App
Find my kids is an app for thoughtful parents. The application will give you an opportunity to see...
Print Agent PRO for iPhone
Business and Productivity
App
* Printing from mobile devices has never been so easy before. * Print Agent PRO is an advanced...
Print Agent PRO for iPad
Business and Utilities
App
~ Printing from mobile devices has never been so easy before. ~ Print Agent PRO is an advanced...
Top Folders Pro - File Manager
Business and Utilities
App
Create high quality PDF scans of any document in seconds! Sign, print & sync to the cloud. With...
All Islamic Audio Stories Muslims Free
Book and Lifestyle
App
Get the largest collection of free All Islamic audio stories Muslims for your phone or tablet. Read...
Erika (17789 KP) rated The Green Knight (2020) in Movies
Aug 2, 2021
Green Knight, based upon the poem, Sir Gawain and the Green Knight, does the poem justice. We join our relatively pure-hearted Sir Gawain (Dev Patel) on Christmas morning, as he wakes up in what appears to be a brothel. He rushes home to his Mother (Sarita Choudhury), to change for the Christmas Day feast with the aged King (Sean Harris). Mother is left behind as Gawain goes to the feast, and conjures the appearance of the Green Knight.
Gawain agrees to the Christmas game proposed by the Green Knight, so he can be knighted himself. The game is the same as the poem, a knight gives a blow to the Green Knight, and a year from that date, the knight will visit the Green Chapel so he can return the favor.
The year passes, and Gawain sets out on his quest. Mother gives him the gift of a green sash, that will protect him as he faces the journey and the Green Knight. He sets off on his trippy journey, encountering a scavenger (Barry Keoghan) along the way and is quickly delayed in his quest and left for dead, losing his green sash. After freeing himself, he sets out on his allegory-filled quest again, encountering St. Winifred (Erin Kellyman), giants, and is led by a fox to a castle near the Green Chapel.
The castle is where the film gets back on track with the poem. The Lord (Joel Egerton) shows kindness and hospitality, while his wife (Alicia Vikander), takes the role as temptress. Alicia Vikander plays both the Lady, and the prostitute that Gawain is in love with back home. It’s understandably confusing for Gawain. The same deal is struck between the Lord and Gawain, while the Lord is away on the hunt, he will give Gawain everything he catches, while Gawain promises to give the Lord anything he receives at the castle. Gawain does not end up keeping the agreement as he’s seduced by the Lady and gets the green sash back. He escapes the castle and goes to the Green Chapel to finish the Christmas game. The end was very interesting, would Gawain choose to be courageous and maintain his honor, accepting death? Or would he be a coward, running away to be knighted, then subsequently become King? The ending was scary good.
My first thought after the film ended was that we finally got a film that did an Arthurian legend justice. I happened to be really into Arthuriana, so this film was such a treat. Though, I am left with some questions. I’m not sure which sister Mother was supposed to be. Was Mother Morgaine or Morgause? I assume it was Morgause, but Mother was a little more witchy, so maybe Morgaine? I also don’t know if in the film, the Green Knight was the Lord. The characters were played by two different actors, but the Lord is definitely supposed to be the Green Knight.
Another thing I did like is that I don’t believe they ever called the King by his name, Arthur. This was a smart move, as the story was centralized on Sir Gawain, and not about Arthur and his Knights of the Round Table.
The one sore thumb for me was Alicia Vikander. Her accent when she was the prostitute, Essel, was horrid. I also think that character wasn’t really needed at all because she was just annoying. The whole brothel situation itself was kind of lame because Gawain was supposed to be pure and innocent. The innocence being lost at the Castle was a major part of the poem.
Dev Patel was excellent as Gawain; I was entranced by him, and he kept my attention the entire film. I know there were grumblings about his casting, but seriously, this is a fantasy story. It also is not impossible for people of a different race to be present all over Europe. There once was this empire called Rome, that encompassed a very large area, and enabled people to travel around and settle in areas.
I had been looking forward to this film since March of 2020, and it completely delivered. I hope we get more films like this, rather than the barrage of big dumb action and comic book films. I can’t wait to go see this film again!
Gawain agrees to the Christmas game proposed by the Green Knight, so he can be knighted himself. The game is the same as the poem, a knight gives a blow to the Green Knight, and a year from that date, the knight will visit the Green Chapel so he can return the favor.
The year passes, and Gawain sets out on his quest. Mother gives him the gift of a green sash, that will protect him as he faces the journey and the Green Knight. He sets off on his trippy journey, encountering a scavenger (Barry Keoghan) along the way and is quickly delayed in his quest and left for dead, losing his green sash. After freeing himself, he sets out on his allegory-filled quest again, encountering St. Winifred (Erin Kellyman), giants, and is led by a fox to a castle near the Green Chapel.
The castle is where the film gets back on track with the poem. The Lord (Joel Egerton) shows kindness and hospitality, while his wife (Alicia Vikander), takes the role as temptress. Alicia Vikander plays both the Lady, and the prostitute that Gawain is in love with back home. It’s understandably confusing for Gawain. The same deal is struck between the Lord and Gawain, while the Lord is away on the hunt, he will give Gawain everything he catches, while Gawain promises to give the Lord anything he receives at the castle. Gawain does not end up keeping the agreement as he’s seduced by the Lady and gets the green sash back. He escapes the castle and goes to the Green Chapel to finish the Christmas game. The end was very interesting, would Gawain choose to be courageous and maintain his honor, accepting death? Or would he be a coward, running away to be knighted, then subsequently become King? The ending was scary good.
My first thought after the film ended was that we finally got a film that did an Arthurian legend justice. I happened to be really into Arthuriana, so this film was such a treat. Though, I am left with some questions. I’m not sure which sister Mother was supposed to be. Was Mother Morgaine or Morgause? I assume it was Morgause, but Mother was a little more witchy, so maybe Morgaine? I also don’t know if in the film, the Green Knight was the Lord. The characters were played by two different actors, but the Lord is definitely supposed to be the Green Knight.
Another thing I did like is that I don’t believe they ever called the King by his name, Arthur. This was a smart move, as the story was centralized on Sir Gawain, and not about Arthur and his Knights of the Round Table.
The one sore thumb for me was Alicia Vikander. Her accent when she was the prostitute, Essel, was horrid. I also think that character wasn’t really needed at all because she was just annoying. The whole brothel situation itself was kind of lame because Gawain was supposed to be pure and innocent. The innocence being lost at the Castle was a major part of the poem.
Dev Patel was excellent as Gawain; I was entranced by him, and he kept my attention the entire film. I know there were grumblings about his casting, but seriously, this is a fantasy story. It also is not impossible for people of a different race to be present all over Europe. There once was this empire called Rome, that encompassed a very large area, and enabled people to travel around and settle in areas.
I had been looking forward to this film since March of 2020, and it completely delivered. I hope we get more films like this, rather than the barrage of big dumb action and comic book films. I can’t wait to go see this film again!
