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Merissa (11779 KP) created a post
Feb 12, 2021
Louise (64 KP) rated Flame in the Mist in Books
Jul 2, 2018
*I received a copy of this book from Netgalley and the publisher in exchange for an honest review*
This was my first time reading anything by Renee Ahdieh, as usual I do things back to front. Her Wrath and the Dawn duology has got nothing but praise so when I saw she had another book coming out I jumped at the chance to read it.I was really intrigued as I heard it was a Mulan retelling and plus the cover is absolutely stunning.
Flame in the Mist follows Mariko, she is 17 years old and is destined to marry, she has had a sheltered life and brought up for the sole purpose to marry to support his social standing. She is on her way to marry a prince from another part of Japan when her litter and convoy are attacked by the Black Clan. Mariko manages to make it out alive, instead of returning home to her family she decides to disguise herself as a boy to find out who tried to kill her and why.
I found this story hard to get into at the beginning, I wasn't totally gripped and didn't have the inclination to carry on reading. I didn't know what to expect with Renee Ahdieh's writing style but I was pleasantly surprised and she had this knack for creating an atmosphere and world building. The downfall to this book was that Mariko was a very boring character. We were told how smart she was several times but we wasn't shown. She was headstrong and knew that she was born the wrong gender to be perceived as anything other than marriage material.
I liked the romance and loved the buildup of tension between the love birds even if it did have some problems. I didn't see the twist at the end coming. This is supposed to be a fantasy but there were no fantastical creatures and very little magic involved. The Mulan retelling is 'loosely based'.
I think for me I am going to have reread this book at a later date - it didn't hold my attention enough to take a lot of it in. I still would like to read her Wrath and the Dawn duology.
I rated this 3 out of 5 stars
This was my first time reading anything by Renee Ahdieh, as usual I do things back to front. Her Wrath and the Dawn duology has got nothing but praise so when I saw she had another book coming out I jumped at the chance to read it.I was really intrigued as I heard it was a Mulan retelling and plus the cover is absolutely stunning.
Flame in the Mist follows Mariko, she is 17 years old and is destined to marry, she has had a sheltered life and brought up for the sole purpose to marry to support his social standing. She is on her way to marry a prince from another part of Japan when her litter and convoy are attacked by the Black Clan. Mariko manages to make it out alive, instead of returning home to her family she decides to disguise herself as a boy to find out who tried to kill her and why.
I found this story hard to get into at the beginning, I wasn't totally gripped and didn't have the inclination to carry on reading. I didn't know what to expect with Renee Ahdieh's writing style but I was pleasantly surprised and she had this knack for creating an atmosphere and world building. The downfall to this book was that Mariko was a very boring character. We were told how smart she was several times but we wasn't shown. She was headstrong and knew that she was born the wrong gender to be perceived as anything other than marriage material.
I liked the romance and loved the buildup of tension between the love birds even if it did have some problems. I didn't see the twist at the end coming. This is supposed to be a fantasy but there were no fantastical creatures and very little magic involved. The Mulan retelling is 'loosely based'.
I think for me I am going to have reread this book at a later date - it didn't hold my attention enough to take a lot of it in. I still would like to read her Wrath and the Dawn duology.
I rated this 3 out of 5 stars
Heather Cranmer (2721 KP) rated The Companion in Books
Jan 8, 2021
I've been a fan of Katie Alender's since I first read her book Bad Girls Don't Die. I haven't read a bad book from her yet, and reading Alender's latest book, The Companion, was no different. I enjoyed reading it.
After losing her parents and two younger sisters in a car accident, Margot is sent to the state institution as she has no other family. There, she has vivid nightmares that leave her screaming at night. The other orphans at the institution call her lucky although Margot isn't sure she'd consider herself lucky. When she is chosen by a rich family to come live with them at their large and gorgeous home, Margot's luck may be changing. However, it doesn't seem like it's for the better. Strange things are happening at Margot's new home. Plus, she's meant to play companion for the sick and mute Agatha. On the plus side, her nightmares have seemed to stop but at what price?
The plot of The Companion was a very strong one and had quite the creepy vibe to it which I thoroughly enjoyed. Everything about about the plot was solid and flowed smoothly. The pacing was superb, and I found myself dying to know what would happen next. In fact, I felt like I was actually part of the narrative the whole time. There are a few plot twists although I felt that most were easy to figure out long before they were revealed. While the majority of The Companion was a great read, the last 100 or so pages let this book down. Margot, the protagonist of the story, seems to lose her brain and common sense towards the ending of the novel. She does some really dumb things that put her life in danger. I had a hard time believing that anyone could be that dumb. Other than that, the rest of the story is really great! Loose ends are tied up by the end of the book. However, I would have liked to know how the flowers grew so quickly by a certain grave, but that's probably just a me thing.
All of the characters in The Companion were fleshed out enough to feel realistic. The only exception was Margot towards the end of the book as stated earlier. She started out so strong and smart, it was kind of a shock to see her dumbed down towards the ending. I had really enjoyed her character and her hunger to find out what was really going on when it came to Agatha as well as what happened to Lily. Agatha was definitely my favorite character. I loved how helpful and strong she tried to be despite what was going on with her. I liked Barrett, but I just wish he would have fought a bit harder to try to help Margot instead of just giving in all the time to his mom. Laura was definitely an interesting character for sure. I enjoyed trying to figure out her story alongside Margot. I felt that Laura was the best written character in The Companion.
Trigger warnings for The Companion include minor violence, death, murder, attempted murder, some heavy kissing, drugging, and gaslighting.
Although the last hundred pages do take away from the book a little, The Companion is still a worthwhile read. It does have an interesting plot and characters and will have you hooked from the very first page. I would recommend The Companion by Katie Alender to those aged 13+ who love a suspenseful story.
After losing her parents and two younger sisters in a car accident, Margot is sent to the state institution as she has no other family. There, she has vivid nightmares that leave her screaming at night. The other orphans at the institution call her lucky although Margot isn't sure she'd consider herself lucky. When she is chosen by a rich family to come live with them at their large and gorgeous home, Margot's luck may be changing. However, it doesn't seem like it's for the better. Strange things are happening at Margot's new home. Plus, she's meant to play companion for the sick and mute Agatha. On the plus side, her nightmares have seemed to stop but at what price?
The plot of The Companion was a very strong one and had quite the creepy vibe to it which I thoroughly enjoyed. Everything about about the plot was solid and flowed smoothly. The pacing was superb, and I found myself dying to know what would happen next. In fact, I felt like I was actually part of the narrative the whole time. There are a few plot twists although I felt that most were easy to figure out long before they were revealed. While the majority of The Companion was a great read, the last 100 or so pages let this book down. Margot, the protagonist of the story, seems to lose her brain and common sense towards the ending of the novel. She does some really dumb things that put her life in danger. I had a hard time believing that anyone could be that dumb. Other than that, the rest of the story is really great! Loose ends are tied up by the end of the book. However, I would have liked to know how the flowers grew so quickly by a certain grave, but that's probably just a me thing.
All of the characters in The Companion were fleshed out enough to feel realistic. The only exception was Margot towards the end of the book as stated earlier. She started out so strong and smart, it was kind of a shock to see her dumbed down towards the ending. I had really enjoyed her character and her hunger to find out what was really going on when it came to Agatha as well as what happened to Lily. Agatha was definitely my favorite character. I loved how helpful and strong she tried to be despite what was going on with her. I liked Barrett, but I just wish he would have fought a bit harder to try to help Margot instead of just giving in all the time to his mom. Laura was definitely an interesting character for sure. I enjoyed trying to figure out her story alongside Margot. I felt that Laura was the best written character in The Companion.
Trigger warnings for The Companion include minor violence, death, murder, attempted murder, some heavy kissing, drugging, and gaslighting.
Although the last hundred pages do take away from the book a little, The Companion is still a worthwhile read. It does have an interesting plot and characters and will have you hooked from the very first page. I would recommend The Companion by Katie Alender to those aged 13+ who love a suspenseful story.
Ivana A. | Diary of Difference (1171 KP) rated The Seven Deaths Of Evelyn Hardcastle in Books
Sep 14, 2018
www.diaryofdiffference.com
Mind blowing and unputdownable, this is one of those mystery thrillers that will keep you up at night until you see how it ends!
How do you stop a murder that’s already happened?
The Hardcastle family is hosting a masquerade at their home, and their daughter Evelyn Hardcastle will die. She will die every day until Aiden Bishop is able identify her killer and break the cycle.
But every time the day begins again, Aiden wakes up each day in a different body as one of the guests.
Aiden’s only escape is to solve Evelyn Hardcastle’s murder and conquer the shadows of an enemy he struggles to even comprehend. But nothing and no one are quite what they seem.
Honestly, the first couple of pages, I didn’t know where this book was going and whether I am going to enjoy it at all. But as you go through the chapters and get familiar with the story, you realise how clever this book is, and you enjoy it like you have never enjoyed any other book before.
As a debut novel, Stuart Turton did an incredible job with this book. It starts slowly, and grows into a great story. We follow the main character Aiden through many bodies, day by day. The book is set into one place, one town, one house and its surroundings, and sometimes moves backwards and forwards in time.
If you love mysteries and closed escape room books, you will enjoy this book so much!
I have always admired Aiden. Even though all the bodies he was in tried to make him forget about who he really is, he would always fight so his character can flow on the surface! I loved the sacrifices he makes towards Anna, and their relationship.
The ending, the last 30 pages are so smart, amazing and perfectly wrapped up that I couldn’t believe I never noticed those clues.
I am giving it 4 stars, because, even though I really, really enjoyed it, it was extremely hard for me to follow the times and bodies, and I couldn’t get along with the stories and solve the mystery together with Aiden - I always felt like I was falling behind, that put me under stress.
If you haven’t had the chance to read it yet, please grab a copy as soon as you can. This is the escape room mystery that we have all been waiting for!
I want to thank NetGalley and Sourcebooks Landmark for providing me an advanced reader e-copy of this book, in exchange for my honest review.
Mind blowing and unputdownable, this is one of those mystery thrillers that will keep you up at night until you see how it ends!
How do you stop a murder that’s already happened?
The Hardcastle family is hosting a masquerade at their home, and their daughter Evelyn Hardcastle will die. She will die every day until Aiden Bishop is able identify her killer and break the cycle.
But every time the day begins again, Aiden wakes up each day in a different body as one of the guests.
Aiden’s only escape is to solve Evelyn Hardcastle’s murder and conquer the shadows of an enemy he struggles to even comprehend. But nothing and no one are quite what they seem.
Honestly, the first couple of pages, I didn’t know where this book was going and whether I am going to enjoy it at all. But as you go through the chapters and get familiar with the story, you realise how clever this book is, and you enjoy it like you have never enjoyed any other book before.
As a debut novel, Stuart Turton did an incredible job with this book. It starts slowly, and grows into a great story. We follow the main character Aiden through many bodies, day by day. The book is set into one place, one town, one house and its surroundings, and sometimes moves backwards and forwards in time.
If you love mysteries and closed escape room books, you will enjoy this book so much!
I have always admired Aiden. Even though all the bodies he was in tried to make him forget about who he really is, he would always fight so his character can flow on the surface! I loved the sacrifices he makes towards Anna, and their relationship.
The ending, the last 30 pages are so smart, amazing and perfectly wrapped up that I couldn’t believe I never noticed those clues.
I am giving it 4 stars, because, even though I really, really enjoyed it, it was extremely hard for me to follow the times and bodies, and I couldn’t get along with the stories and solve the mystery together with Aiden - I always felt like I was falling behind, that put me under stress.
If you haven’t had the chance to read it yet, please grab a copy as soon as you can. This is the escape room mystery that we have all been waiting for!
I want to thank NetGalley and Sourcebooks Landmark for providing me an advanced reader e-copy of this book, in exchange for my honest review.
Gareth von Kallenbach (971 KP) rated Bad Moms (2016) in Movies
Aug 6, 2019 (Updated Aug 6, 2019)
When moms get tired of being perfect, not being appreciated and decide to give their spoiled children a lesson and just enjoy every minute of their day instead – that’s when the movie Bad Moms happens.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Amy Mitchell (Mila Kunis) is a 32-year-old modern mom, who has a seemingly perfect life: a great marriage, over-achieving kids, a beautiful home and a career. However, she is over-worked and so exhausted that she’s reached the point where she is about to snap. Her life has been reduced to spending a lot of time driving her kids to their extracurricular activities and trying to be just in time for everything. Her perfect life is just a smoke screen, her husband Mike (David Walton) has been unemployed for a while, doesn’t care about helping with anything house- or kids-related, and enjoys a little bit too much online entertainment. In addition to being spoiled, her daughter Jane (Oona Laurence) has some anxiety issues and her son Dylan (Emjay Anthony) has never done his own homework. To make it even more interesting, Amy has to deal with the judgement of PTA Queen, Bee Gwendolyn, (Christina Applegate) and her minions Stacy (Jada Pinkett Smith) and Vicky (Annie Mumolo).
After one hectic day, all Amy can do is stop at a bar and grab a glass of whiskey. There she meets two other underappreciated moms, Kiki (Kristen Bell) and Carla (Kathryn Hahn). Over drinks they vent and declare that they’re tired of living up to expectations and not being appreciated for all their hard work. So they decide to be bad moms.
I love seeing Christina Applegate as the villain; she is smart, evil and pulls all the strings, driving everyone to the edge but nobody can say anything because they’re terrified of her. But the one that dominates the comedy is Kathryn Hann. You would think you might be tired of seeing her in just about every movie released in the last 10 years, but oh boy is this woman hilarious! She plays the divorced working mother whose every line, good or bad, makes the audience ask again and again “Did she just say that?”
I really enjoyed this movie. It is the perfect summer comedy that all audiences can enjoy, especially moms who can really relate. This is The Hangover for moms. I assure you will laugh nonstop because it has a wild drunk trip to the grocery store, a memorable show-and-tell demonstration and a really funny lecture about unflattering bras. I promise you will leave the theater with a smile.
Andy K (10821 KP) rated Electric Dreams (1984) in Movies
Oct 13, 2019
Let me start off by saying I recently purchased a region free DVD/Blu Ray player for myself when I discovered there were films I have not seen in 20+ years because they have never had a DVD/Blu Ray release in the US, but are actually available overseas! When I discovered this fact, among the first movies I purchased is this 1980s classic which has been mostly forgotten due to its unavailability.
Miles is an unorganized, nerdy architect who is delighted to discover a young, beautiful cellist moving in to the apartment above his sparse decorated pad in San Francisco. At the same time, a work colleague tells Miles he should get himself organized so he doesn't miss meetings spending all his time working on a new earthquake=proof brick, his dream pet project. Miles heads to his local electronic store (80s version) and gets talked into buying one of these "new" personal computers which everyone seems to be getting.
After some initial difficulty during set up, Miles decides to fully jump in to the PC world and not only sets up his new toy, but decides to have it fully integrated into his apartment including running his lights, door locks and appliances. He then thinks it would be a good idea to do a mass download of information for his work servers to beef up his own unit's capacity. He quickly realizes this is an overload to his machine when it starts to buzz and flash. In a panic, he douses the machine with some champagne to cool it off inadvertently giving it the spark of "life".
His new machine works quickly to understand its new world around including listening and harmonizing music with the beautiful neighbor upstairs. This leads to the two town house cohabitants developing a relationship. This does not sit well with the PC eventually as "he" has now also evolved to the point where he wants to understand love. Tensions escalate and there is a confrontation for the ultimate fate of the relationships and who will ultimately get the girl.
Since it had been probably 30 years since I had seen Electric Dreams, one of those guilty pleasures from the 80s, I was extremely anxious to rewatch; however, was also worried a new viewing in my adulthood would ruin the magic I had remembered from my youth. I couldn't have been more wrong.
The first thing I had forgotten was all the humor of the film including those awkward moments when Miles and the computer where getting to know each other and the goofy dialogue. Also, it's funny how I read a lot of the functions the computer performed had to be simulated at the time since home PCs were still pretty new to everyone at that point, but now those functions are fairly commonplace including the aforementioned "Smart Home" features among other things.
Yes fine, there are plenty of 80s staples present almost immediately like music montages, bad hairdos, leg warmers and boom boxes, but that still gives the movie charm. After thinking about it, there were elements from other 80s classics like Weird Science, WarGames, and a lot of Short Circuit where an AI was learning about itself. Who remembers Max Headroom?
The soundtrack for the film is also front and center with much of it playing a key role in the budding relationship between Miles and his musical love interest, but it works well and still holds up.
I also have to mention Virginia Madsen. I looked up she was 23 when she made this film (she looked like she was 18), but still looks as remarkable as she did then (80s crush speaking here).
I'm sure I probably still revere this movie more than the people who actually made it, but I can handle that.
Miles is an unorganized, nerdy architect who is delighted to discover a young, beautiful cellist moving in to the apartment above his sparse decorated pad in San Francisco. At the same time, a work colleague tells Miles he should get himself organized so he doesn't miss meetings spending all his time working on a new earthquake=proof brick, his dream pet project. Miles heads to his local electronic store (80s version) and gets talked into buying one of these "new" personal computers which everyone seems to be getting.
After some initial difficulty during set up, Miles decides to fully jump in to the PC world and not only sets up his new toy, but decides to have it fully integrated into his apartment including running his lights, door locks and appliances. He then thinks it would be a good idea to do a mass download of information for his work servers to beef up his own unit's capacity. He quickly realizes this is an overload to his machine when it starts to buzz and flash. In a panic, he douses the machine with some champagne to cool it off inadvertently giving it the spark of "life".
His new machine works quickly to understand its new world around including listening and harmonizing music with the beautiful neighbor upstairs. This leads to the two town house cohabitants developing a relationship. This does not sit well with the PC eventually as "he" has now also evolved to the point where he wants to understand love. Tensions escalate and there is a confrontation for the ultimate fate of the relationships and who will ultimately get the girl.
Since it had been probably 30 years since I had seen Electric Dreams, one of those guilty pleasures from the 80s, I was extremely anxious to rewatch; however, was also worried a new viewing in my adulthood would ruin the magic I had remembered from my youth. I couldn't have been more wrong.
The first thing I had forgotten was all the humor of the film including those awkward moments when Miles and the computer where getting to know each other and the goofy dialogue. Also, it's funny how I read a lot of the functions the computer performed had to be simulated at the time since home PCs were still pretty new to everyone at that point, but now those functions are fairly commonplace including the aforementioned "Smart Home" features among other things.
Yes fine, there are plenty of 80s staples present almost immediately like music montages, bad hairdos, leg warmers and boom boxes, but that still gives the movie charm. After thinking about it, there were elements from other 80s classics like Weird Science, WarGames, and a lot of Short Circuit where an AI was learning about itself. Who remembers Max Headroom?
The soundtrack for the film is also front and center with much of it playing a key role in the budding relationship between Miles and his musical love interest, but it works well and still holds up.
I also have to mention Virginia Madsen. I looked up she was 23 when she made this film (she looked like she was 18), but still looks as remarkable as she did then (80s crush speaking here).
I'm sure I probably still revere this movie more than the people who actually made it, but I can handle that.
Kristy H (1252 KP) rated The Grave's a Fine and Private Place: A Flavia de Luce Mystery Book 9 in Books
Jan 15, 2018
Flavia! (2 more)
Relationship between Flavia and Dogger
Mystery plot
Another excellent entry in Bradley's Flavia de Luce series
In the ninth (! - how is that possible?) Flavia de Luce mystery, we see Flavia away from her home turf, as she and her sisters have been sent away from Buckshaw on a holiday to try to help them recover from the death of their father. But instead (of course) Flavia discovers a dead body. As the gang is boating, she drags her hand along the water, it snags on something and boom - she catches her fingers on a corpse. Only our Flavia! Of course, Flavia isn't content to leave things to the local Constable. The dead man is named Orlando, and his death leads Flavia into a world of a traveling circus, a famous Canon renowned for poisoning three women, and much more.
I am an unabashed fan of Flavia and this book didn't disappoint. It has all the staples of an excellent Flavia novel-- a strong mystery to unravel and a bunch of clever, witty, and surprisingly uncanny lines from our beloved protagonist. By now, our dear twelve-year-old Flavia has been through a lot. She's more mature, and she's as feisty and clever as ever. I admit that some of the chemistry in these novels goes over my head (I'm not as smart as Flavia, and I'm completely fine admitting that). But I love the mystery plots, and more than that, I love Flavia. I've felt protective of her since the first novel, even though the thought of that would anger her more than anything.
There's a good eclectic cast of supporting characters in this one, including an aged actor, an undertaker's son, and a woman who used to know Dogger. And, of course, we get some appearances from Flavia's ever-suffering sisters, Daffy and Feely. The best part of this novel, however, for me, was the strengthening relationship between Dogger and Flavia. Their bond is one of the highlights of the book. I love those two. By now, Flavia and Dogger feel like friends, or even family. It's a sign of how well Bradley writes and creates these characters that you feel so attached to them.
Suffice to say, I thoroughly enjoyed this one. If you're a fan of Bradley's series, you probably will as well. If you haven't picked up this series, I do suggest starting near the beginning, as you'll form a better bond with the characters. But you will be able to jump in with this book, too, as the mystery stands alone. The ending of this one also leaves me excited and looking forward to what I hope will be book #10.
I was very excited to receive a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
I am an unabashed fan of Flavia and this book didn't disappoint. It has all the staples of an excellent Flavia novel-- a strong mystery to unravel and a bunch of clever, witty, and surprisingly uncanny lines from our beloved protagonist. By now, our dear twelve-year-old Flavia has been through a lot. She's more mature, and she's as feisty and clever as ever. I admit that some of the chemistry in these novels goes over my head (I'm not as smart as Flavia, and I'm completely fine admitting that). But I love the mystery plots, and more than that, I love Flavia. I've felt protective of her since the first novel, even though the thought of that would anger her more than anything.
There's a good eclectic cast of supporting characters in this one, including an aged actor, an undertaker's son, and a woman who used to know Dogger. And, of course, we get some appearances from Flavia's ever-suffering sisters, Daffy and Feely. The best part of this novel, however, for me, was the strengthening relationship between Dogger and Flavia. Their bond is one of the highlights of the book. I love those two. By now, Flavia and Dogger feel like friends, or even family. It's a sign of how well Bradley writes and creates these characters that you feel so attached to them.
Suffice to say, I thoroughly enjoyed this one. If you're a fan of Bradley's series, you probably will as well. If you haven't picked up this series, I do suggest starting near the beginning, as you'll form a better bond with the characters. But you will be able to jump in with this book, too, as the mystery stands alone. The ending of this one also leaves me excited and looking forward to what I hope will be book #10.
I was very excited to receive a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
graveyardgremlin (7194 KP) rated Body Count (Sophie Anderson, #1) in Books
Feb 15, 2019
After a somewhat rough and slow start, give or take the first 150 pages, BODY COUNT picked up steam with the turn of each page. Told in first-person, present tense narrative, the book introduces Australian transplant, Sophie Anderson, who now works as a profiler for the F.B.I. and is intent on catching the D.C. Slasher before he strikes too close to home.
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
Sophie is a sympathetic and smart protagonist, and I liked her even though she felt slightly distant to me; although her distance quite fit with her character. While many books feature headstrong females who idiotically go off half-cocked into precarious situations, I am happy to say Sophie was sensible enough that I don't remember her ever doing anything overtly stupid throughout the duration of the book. At first, I thought too much of the book was given to the romance between Sophie and Josh Marco, a fellow profiler, but luckily that trailed off and it became less of a focus. The psychic angle actually doesn't play as much into this series' first outing as I was led to believe from the synopsis, but it works in the book's favor, as it helps set up the characters and background, especially Sophie's.
Some parts of the book I thought unnecessary but they weren't anything big or too distracting to the plot as a whole. While it is easy to figure out who the serial killer is, if you've read enough mysteries, you're bound to determine who's the one; the fun is in how Sophie and the others get to that point. I did like the main motivation behind the killer and found it fresh and interesting. The passages told from the killer's perspective were especially well-done, very chilling and realistic, and they were at the end of most chapters.
Fast, fun, thrilling and full of twists and turns, BODY COUNT kept me riveted and refused to let me put the book down. Yes, it has some faults but they're minor and this book is a pretty darn good starter to the series.
Sophie Anderson series in order:
[b:Body Count|2440333|Body Count (Sophie Anderson, #1)|P.D. Martin|http://photo.goodreads.com/books/1215115590s/2440333.jpg|2447527]
[b:The Murderers' Club|2354961|The Murderers' Club (Sophie Anderson, #2)|P.D. Martin|http://photo.goodreads.com/books/1215280718s/2354961.jpg|2361686]
[b:Fan Mail|3578656|Fan Mail (Sophie Anderson, #3)|P.D. Martin|http://photo.goodreads.com/books/1230869678s/3578656.jpg|3620904]
[b:The Killing Hands|6980016|The Killing Hands (Sophie Anderson, #4)|P.D. Martin|http://photo.goodreads.com/books/1276308597s/6980016.jpg|6439761]
[b:Kiss of Death|7975977|Kiss of Death (Sophie Anderson, #5)|P.D. Martin|http://photo.goodreads.com/books/1280898964s/7975977.jpg|9636582]
RəX Regent (349 KP) rated The Butterfly Effect (2004) in Movies
Mar 7, 2019
Deeper than it first appears...
Contains spoilers, click to show
Having always being a fan of Time Travel and Science Fiction, I was always keen on seeing this film upon its initial release, seven years ago, now. But for one reason or another, this just didn't happen, leaving me to watch this on TV a couple of years later.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
I was left disappointed. This was mainly because the film was very gritty, at times dower and not what I or many would have expected from a film in this genre. But with repeat viewings and finally watching this version, the Director's Cut, with a more downbeat and tragic conclusion, I realised that I was wrong.
Yes, this film does not tick the correct boxes for a film of this time, but that is because it is not playing it safe. It is doing what any great groundbreaking films should do and that is to find the truth of the story and tell it, show it and help the audience engage and feel it, in an uncompromising way.
*** SPOILERS *** The film deals with troubled childhoods of four kids, two of whom grow up to become Ashton Kutcher and Amy Smart. (Not literally, of course!) Kutcher's lead, has the ability to travel back to his own past for brief moments by reading his childhood journals or in some cases, watching home movies or looking at photos.
His intention upon discovering this gift, is to repair some of the damage that these events have cause to the group, who have sustained several traumas and left them in various states of dis-functionality as adults. But, as the metaphor relating to Chaos Theory states, "Does the flap of a butterfly's wings in Brazil set off a tornado in Texas?" Philip Merilees: We witness several distinct changes in then present as a result of his tampering and this often results in more pain, in one way or another.
This is a gripping film, with a true sense of itself, philosophy and needs of the narrative to justify its own dower conclusions, and ultimately, Kutcher's final decisions.
The sound design, cinematography general direction are outstanding here, with power use of all the key elements to give us a naturalistic feel, not dis-similar from something that Steven Spielberg might produce.
The Theatrical Cut was good, but this version is superior, with a new and more appropriate ending more in keeping the with the general tone of the film, this should be a true Sci-Fi classic, in the same league as the likes of "Planet Of The Apes", "The Day The Earth Caught Fire" and in to a lesser extent, this being a more widely accepted addition, "Donnie Darko".
Highly recommended.
Goddess in the Stacks (553 KP) rated Love, Hate, and Other Filters in Books
Jun 18, 2018
This book made a big splash when it came out in January, and rightly so, as I've finally discovered for myself! Written by an Indian-American, Love, Hate, and Other Filters follows Maya Aziz, a seventeen-year-old born in America to Indian immigrant parents. She's the only Muslim girl at her school, and while she feels like she sticks out, she doesn't feel discriminated against until a terrorist attack happens in her state. She had -just- gotten most of her issues worked out before the attack, but in the aftermath of the attack, and the community's response to it, her parents clamp down on her freedom, and she struggles to get her life back.
I really loved Maya in this book; I can understand her parents' fears, but also her rebellion when they take away the freedom she values. I think my favorite character, though, was the side character Kareem. I kind of hope Ahmed writes another book and tells us his story. He was just so NICE.
I loved the writing and the characters overall, but there were a few sentences that made me pause and repeat them in my head because they were just outstanding.
"The vows are simple, the same kind of pledges I've heard at weddings of every faith. Except at the end, there is no kiss. I close in for the money shot anyway, hoping for a moment of rebellion from Ayesha and Saleem. But no. No public kissing allowed. Full stop. The no kissing is anticlimactic, but some taboos cross oceans, packed tightly into the corners of immigrant baggage, tucked away with packets of masala and memories of home."
And also, about arranged marriages and being a good Indian daughter:
"And the Muslim? The Indian? That girl, she doesn't even get the dream of the football captain. She gets a lifetime of being stopped by the FAA for random bag searches every time she flies. She gets the nice boy, the sensible boy, the one her parents approve of and who she will grow to love over years and children and necessity."
Maya is a whip-smart young girl who wants to be a film maker, and she spends most of her time behind a camera, observing. Her observations are really what make this book shine, and her snark had me laughing throughout the book.
I really loved this book, if you couldn't tell! I love minority-driven YA, and this one reminds me quite a lot of Saints and Misfits. Given how much I loved both of these, I really need to read When Dimple Met Rishi!
You can find all my reviews at http://goddessinthestacks.wordpress.com
I really loved Maya in this book; I can understand her parents' fears, but also her rebellion when they take away the freedom she values. I think my favorite character, though, was the side character Kareem. I kind of hope Ahmed writes another book and tells us his story. He was just so NICE.
I loved the writing and the characters overall, but there were a few sentences that made me pause and repeat them in my head because they were just outstanding.
"The vows are simple, the same kind of pledges I've heard at weddings of every faith. Except at the end, there is no kiss. I close in for the money shot anyway, hoping for a moment of rebellion from Ayesha and Saleem. But no. No public kissing allowed. Full stop. The no kissing is anticlimactic, but some taboos cross oceans, packed tightly into the corners of immigrant baggage, tucked away with packets of masala and memories of home."
And also, about arranged marriages and being a good Indian daughter:
"And the Muslim? The Indian? That girl, she doesn't even get the dream of the football captain. She gets a lifetime of being stopped by the FAA for random bag searches every time she flies. She gets the nice boy, the sensible boy, the one her parents approve of and who she will grow to love over years and children and necessity."
Maya is a whip-smart young girl who wants to be a film maker, and she spends most of her time behind a camera, observing. Her observations are really what make this book shine, and her snark had me laughing throughout the book.
I really loved this book, if you couldn't tell! I love minority-driven YA, and this one reminds me quite a lot of Saints and Misfits. Given how much I loved both of these, I really need to read When Dimple Met Rishi!
You can find all my reviews at http://goddessinthestacks.wordpress.com