"""2001: A Space Odyssey. What I love about that is, in a similar way to Spinal Tap, it trusts the audience to have the patience that there’s gonna be something fulfilling in there. Not only the visuals. I think if you watch it now, with 21st century eyes, it can seem to some people like a very slow movie, where nothing happens for a long time. Visually it’s very innovative, but we’re so used to 15 cuts a second now that we’re not used to things being played out with that much pace and that much finesse and style and patience. I think, to watch it now, it’s seeing filmmaking with such confidence, the fact that he can hold those shots for as long as he holds them, and he can trust the audience to come along with him on the ride. It can be slow. It’s always visually breathtaking. But I think, to see it now, it looks like filmmaking from such a different time. If it was made now, it would be an assault on the senses. Everything would be very quick, everything would be breathless, everything would be very frantic, but Kubrick was such a confident filmmaker that he was able to play that whole story out with such pace and such style and trust that the audience was smart enough to be dragged along for the ride and stick with it until the end. That’s what I love about it, the pace of it. The respect for the audience’s intelligence. I like to feel part of those clubs and I think 2001 is the ultimate example of that kind of club where, if you understand why this is brilliant, then you’ll do for me. If you understand why this is brilliant, then you’re my kind of guy. And I like being involved in those miniature elite subcultures. 2001 is the perfect example of that."