Search
Search results
Kristy H (1252 KP) rated The Distant Dead in Books
Mar 4, 2021
A dark and well-written tale of sadness and forgiveness
Adam Merkel left his job as a professor in Reno to come to Lovelock, a small town, to teach math at their middle school. He was mostly mocked by his students, except for one, Sal Prentiss. After the death of his mother, Sal lives outside of town with his two uncles. Mostly friendless, he bonds with Mr. Merkel over math, chess, and more. So when Sal finds Mr. Merkel's body on his way to schoool--burned so that it's nearly unrecognizable--it turns his small world upside down. It upsets Nora Wheaton as well. A colleague of Adam's at the school, she thought she recognized a kindred spirit in him. Both seemed trapped in Lovelock: Nora had to return to care for her father. After Adam's death, Nora starts looking into his past to see what led to his horrible undoing. But so much of what she finds keeps leading back to the boy who befriended him--and found his body. As she tries to befriend the wary Sal, it opens up old wounds of her own.
I really loved Heather Young's book The Lost Girls, and The Distant Dead didn't disappoint either. She excels at creating excellent atmospheric novels with well-drawn characters. The Distant Dead perfectly captures small town life: how nearly everyone knows almost everything about everyone, but rarely interferes. How a small town can feel so stifling and claustrophobic. How the secrets and lies pile up until a man finds himself burned to death.
Young also covers the timely topics of drugs and addiction, which run as a thread across the book. Opiates don't seem like a tired trope here, though, but something that is eating up the town and ruining people's lives. It's no secret that I'm a sucker for a book with a good kid character, and I pretty much fell for Sal immediately. He's a great kid: real, vulnerable yet tough, and smart. He was an excellent narrator, with his portions telling what led up to Adam's death and Nora and Jake (a local EMT/firefighter) telling us what happened after. The book is surprisingly tense, with Young's beautifully written words jumping off every page. She's such a lyrical writer, weaving an amazing tale of sadness and redemption.
This isn't a fast read or a page-turning thriller. But it's a well-written book, with characters you won't soon forget. There's a lovely, albeit sad and dark, story here. Definitely worth a read. 4+ stars.
I really loved Heather Young's book The Lost Girls, and The Distant Dead didn't disappoint either. She excels at creating excellent atmospheric novels with well-drawn characters. The Distant Dead perfectly captures small town life: how nearly everyone knows almost everything about everyone, but rarely interferes. How a small town can feel so stifling and claustrophobic. How the secrets and lies pile up until a man finds himself burned to death.
Young also covers the timely topics of drugs and addiction, which run as a thread across the book. Opiates don't seem like a tired trope here, though, but something that is eating up the town and ruining people's lives. It's no secret that I'm a sucker for a book with a good kid character, and I pretty much fell for Sal immediately. He's a great kid: real, vulnerable yet tough, and smart. He was an excellent narrator, with his portions telling what led up to Adam's death and Nora and Jake (a local EMT/firefighter) telling us what happened after. The book is surprisingly tense, with Young's beautifully written words jumping off every page. She's such a lyrical writer, weaving an amazing tale of sadness and redemption.
This isn't a fast read or a page-turning thriller. But it's a well-written book, with characters you won't soon forget. There's a lovely, albeit sad and dark, story here. Definitely worth a read. 4+ stars.
BookInspector (124 KP) rated Queenie Malone's Paradise Hotel in Books
Sep 24, 2020
The protagonist in this book was Tilda/Tilly, and she is sharing her life story. The story keeps switching between present and past, Tilly is sharing her life story from when she was little, and Tilda is sharing the events happening now. I really loved this kind of storytelling, the same person, but perspectives completely different and unique. Tilly is absolutely adorable and very grown up for her age. I loved everything about her, she is a funny, playful, smart and very extraordinary little girl. Tilda, on the other hand, was a very strange persona, who sounds very messed up and weird. My least favourite character would be the mother, I honestly didn’t understand the reasoning for what she was doing, it just didn’t make sense to me.
The narrative is carrying two different stories, but they are very entwined with each other. Tilda’s relationship with her mother is very complex, she can’t understand why her mother done some of the things in the past, so when she finds out, it leaves her gobsmacked. It is a very painful and emotional story to read, it shows how misunderstood people and their actions can affect you for the rest of your life. I really loved this constant suspense, I was dying to find out more about Tilly’s mother, and the author was very creatively teasing me all the time. This novel carries a great variety of characters, who are very intriguing, and Tilly’s gift makes the whole book very mysterious.
The writing style of this novel felt like a hug, it feels very comforting, snugly and absorbing. The language is easy to read, but it got me thinking because some things were a little confusing. The one thing that didn’t really leave me happy was chapter length and paragraph size. I know it is silly, but I normally read on my commute, so I prefer shorter chapters and paragraphs, it is easier to follow later on. The ending was very well thought through and rounded the story well, but I think it was very unfair and cruel.
To conclude, it is a very well written novel, filled with difficult relationships, very unique characters and layered plot. I really enjoyed different storylines as well as unexpected turns and twists. I am definitely in love with Ruth Hogan’s writing, and will definitely be going to read her previous novels. So, please, do give this book a go, and I hope you will enjoy it as much as I did.
The narrative is carrying two different stories, but they are very entwined with each other. Tilda’s relationship with her mother is very complex, she can’t understand why her mother done some of the things in the past, so when she finds out, it leaves her gobsmacked. It is a very painful and emotional story to read, it shows how misunderstood people and their actions can affect you for the rest of your life. I really loved this constant suspense, I was dying to find out more about Tilly’s mother, and the author was very creatively teasing me all the time. This novel carries a great variety of characters, who are very intriguing, and Tilly’s gift makes the whole book very mysterious.
The writing style of this novel felt like a hug, it feels very comforting, snugly and absorbing. The language is easy to read, but it got me thinking because some things were a little confusing. The one thing that didn’t really leave me happy was chapter length and paragraph size. I know it is silly, but I normally read on my commute, so I prefer shorter chapters and paragraphs, it is easier to follow later on. The ending was very well thought through and rounded the story well, but I think it was very unfair and cruel.
To conclude, it is a very well written novel, filled with difficult relationships, very unique characters and layered plot. I really enjoyed different storylines as well as unexpected turns and twists. I am definitely in love with Ruth Hogan’s writing, and will definitely be going to read her previous novels. So, please, do give this book a go, and I hope you will enjoy it as much as I did.
Sarah (7798 KP) rated The Muppets - Season 1 in TV
Oct 9, 2020
Intelligently funny
The Muppets is a 2015 mockumentary style series that aired for only one season, and is currently available on Disney+ . It follows the personal and professional lives of the Muppets behind the scenes of Miss Piggy's late night talk show.
The Muppets are an institution. There won’t be many people that don’t know of the Muppets, and most will have grown up with them in some form whether it be the original tv show, the earlier films or the most recent film reincarnations with Jason Segel. For me, my fondest memories of the Muppets come from the films (The Muppet Christmas Carol is by far the best Christmas film) and from the Muppet Vision 3D show in Disney World, so I had no preconceptions over what this show would be. And it’s an absolute hoot.
This is a wonderfully funny and smart show, and the mockumentary style similar to The Office and Parks and Recereation works very well. It manages to bring clever adult humour without reducing itself to crudeness. It’s whip smart, witty and full of relevant pop culture references that are often laugh out loud funny. There are so many instances in these 16 episodes where I couldn’t stop laughing, although a particularly highlight involved Bobo the bear and The Revenant. And not only is this funny, it’s also full of heart. It features some fairly meaningful and important topics and for the most part it deals with these well with an appropriate amount of humour.
The great thing about this show is that it isn’t just the Kermit and Piggy show. All of the other Muppets are featured in equal measure and for me personally I loved this as some of my favourite moments were with the likes of Rizzo, Pepe and Chip the IT guy. I also now have a new found love for Uncle Deadly, I never realised how brilliant a character he was before! This show also brings in some fantastic guest stars, from the likes of Reese Witherspoon and Joseph Gordon-Levitt to Liam Hemsworth, Ru Paul and Josh Groban, all of whom have no problem in sending themselves up and being the butt of the jokes.
It’s a shame then that this show falters two thirds of the way through due to the storyline and relationship between Kermit and Piggy. I’ve never been a fan of Piggy as I find her very irksome, but she’s bearable in small doses. However the show seems to do a complete u-turn on their storyline midway through and suffers because of it, as it becomes dull and predictable and nothing we haven’t seen before for Kermit and Piggy. The rest of the show and characters are still hilarious, but Kermit and Piggy really bring down the tone.
If you’re an adult and a fan of the Muppets and are looking for some adult, intelligent laugh out loud humour, you can’t really go wrong with this. Just try not to concentrate on the storyline too much.
The Muppets are an institution. There won’t be many people that don’t know of the Muppets, and most will have grown up with them in some form whether it be the original tv show, the earlier films or the most recent film reincarnations with Jason Segel. For me, my fondest memories of the Muppets come from the films (The Muppet Christmas Carol is by far the best Christmas film) and from the Muppet Vision 3D show in Disney World, so I had no preconceptions over what this show would be. And it’s an absolute hoot.
This is a wonderfully funny and smart show, and the mockumentary style similar to The Office and Parks and Recereation works very well. It manages to bring clever adult humour without reducing itself to crudeness. It’s whip smart, witty and full of relevant pop culture references that are often laugh out loud funny. There are so many instances in these 16 episodes where I couldn’t stop laughing, although a particularly highlight involved Bobo the bear and The Revenant. And not only is this funny, it’s also full of heart. It features some fairly meaningful and important topics and for the most part it deals with these well with an appropriate amount of humour.
The great thing about this show is that it isn’t just the Kermit and Piggy show. All of the other Muppets are featured in equal measure and for me personally I loved this as some of my favourite moments were with the likes of Rizzo, Pepe and Chip the IT guy. I also now have a new found love for Uncle Deadly, I never realised how brilliant a character he was before! This show also brings in some fantastic guest stars, from the likes of Reese Witherspoon and Joseph Gordon-Levitt to Liam Hemsworth, Ru Paul and Josh Groban, all of whom have no problem in sending themselves up and being the butt of the jokes.
It’s a shame then that this show falters two thirds of the way through due to the storyline and relationship between Kermit and Piggy. I’ve never been a fan of Piggy as I find her very irksome, but she’s bearable in small doses. However the show seems to do a complete u-turn on their storyline midway through and suffers because of it, as it becomes dull and predictable and nothing we haven’t seen before for Kermit and Piggy. The rest of the show and characters are still hilarious, but Kermit and Piggy really bring down the tone.
If you’re an adult and a fan of the Muppets and are looking for some adult, intelligent laugh out loud humour, you can’t really go wrong with this. Just try not to concentrate on the storyline too much.
Gareth von Kallenbach (977 KP) rated Alita: Battle Angel (2019) in Movies
Jul 2, 2019
Don’t let the “big anime eyes” or unusual title fool you into thinking this will be a lame film. Yes, this movie is based off a manga you’ve probably never heard of. Yes, it is easy to dismiss this film as something that will bomb like last year’s Mortal Engines. But if you place your faith in director Robert Rodriguez and writer/producer James Cameron, you will be treated to a surprisingly solid narrative and fast paced visual spectacle that is worth the price of admission to view in the theater.
The biggest praise I can give to Alita: Battle Angel is that the visually stunning world they create on screen feels “lived in” and real. I found it easy to accept and understand the rules of that world they built and explained throughout film. And while we are not given a full history of their world, we are given enough explanation to understand how or why something existed in their world. This gives us the opportunity to focus on the story of “self-discovery” that Alita ultimately is.
Rosa Salazar motion capture performance of Alita is excellent. Not only in movement but in emotionally delivery. You get the real sense of discovery with this amazing world that Alita is being exposed to. Additionally, as she begins to become more self-aware of who she is, you can understand the emotion and she struggles with love, trust and obligation. Furthermore, from a technical standpoint, by the end of the movie, I was not thinking of Alita being something that is motion captured and instead just accepted her as part of this onscreen world they delivered. This is really something that becomes make or break with this film for some people and it’s easy to dismiss it based on the trailers. However in context of the film, it works and does a good job drawing you in.
In addition to Alita, we are given strong performances from the ensemble cast of characters in the film. Christoph Waltz play’s Alita surrogate father Dr. Dyson Ido, Keean Johnson as the street smart and resourceful Hugo, Mahershala Ali as the gangster type gate keeper Vector, Jennifer Connelly as the morally ambiguous goal focused scientist and Ed Skrein as the cocky bounty hunter. Each of these characters play their roles well and help usher in the different levels of the society they live in. Perhaps the once complaint I have of this film is that the pacing of this film is so fast that we miss an opportunity to obtain a bit more backstory from some of these characters. It is not a big loss, but it makes you wonder if this film would have been better served as a 10 episode Netflix series or something of that nature.
In the end, I found myself enjoying this film more than I expected I would. Is it a perfect film? No. Nor does it invoke emotionally deep existential thought that the manga it is based on provides. But it does tell a sold story of self-discovery in a visually stunning and fully realized world. It is fun, fast paced and something that should be seen in the theaters. And if possible, do yourself a favor and watch it in 3D. This film has some of the best 3D effects since Avatar. The 3D doesn’t feel like an afterthought or gimmicky, but instead works to enhance the on screen world.
The biggest praise I can give to Alita: Battle Angel is that the visually stunning world they create on screen feels “lived in” and real. I found it easy to accept and understand the rules of that world they built and explained throughout film. And while we are not given a full history of their world, we are given enough explanation to understand how or why something existed in their world. This gives us the opportunity to focus on the story of “self-discovery” that Alita ultimately is.
Rosa Salazar motion capture performance of Alita is excellent. Not only in movement but in emotionally delivery. You get the real sense of discovery with this amazing world that Alita is being exposed to. Additionally, as she begins to become more self-aware of who she is, you can understand the emotion and she struggles with love, trust and obligation. Furthermore, from a technical standpoint, by the end of the movie, I was not thinking of Alita being something that is motion captured and instead just accepted her as part of this onscreen world they delivered. This is really something that becomes make or break with this film for some people and it’s easy to dismiss it based on the trailers. However in context of the film, it works and does a good job drawing you in.
In addition to Alita, we are given strong performances from the ensemble cast of characters in the film. Christoph Waltz play’s Alita surrogate father Dr. Dyson Ido, Keean Johnson as the street smart and resourceful Hugo, Mahershala Ali as the gangster type gate keeper Vector, Jennifer Connelly as the morally ambiguous goal focused scientist and Ed Skrein as the cocky bounty hunter. Each of these characters play their roles well and help usher in the different levels of the society they live in. Perhaps the once complaint I have of this film is that the pacing of this film is so fast that we miss an opportunity to obtain a bit more backstory from some of these characters. It is not a big loss, but it makes you wonder if this film would have been better served as a 10 episode Netflix series or something of that nature.
In the end, I found myself enjoying this film more than I expected I would. Is it a perfect film? No. Nor does it invoke emotionally deep existential thought that the manga it is based on provides. But it does tell a sold story of self-discovery in a visually stunning and fully realized world. It is fun, fast paced and something that should be seen in the theaters. And if possible, do yourself a favor and watch it in 3D. This film has some of the best 3D effects since Avatar. The 3D doesn’t feel like an afterthought or gimmicky, but instead works to enhance the on screen world.
Phillip McSween (751 KP) rated Knives Out (2019) in Movies
Mar 6, 2020
Consistent Blast
In the Whodunit drama, detective Benoit Blanc (Daniel Craig) has to uncover who killed famous author Harlan Thrombey (Christopher Plummer).
Acting: 10
I can’t speak enough about the amazing performances that made this movie come alive. I honestly don’t know where to start or who had the best chops because they were all so wonderful. Jamie Lee Curtis has always been one of my favorite actresses and her role didn’t disappoint here. She’s Linda Robinson who serves as somewhat of a matriarch in the family. She delivers her lines with such perfect timing and such fluid grace that it’s hard not to love her character. I also appreciated Jaeden Martell’s role in the movie. I can only imagine how hard it is as the youngest cast member when you have all these heavy-hitting stars beside you, but he definitely held his own by putting on a performance here that was even better than his role in It, in my opinion.
Beginning: 10
You are immediately thrown into this story from jump like you are springboarding into the sky. The intrigue is immediate which gave me an instant feeling that I was going to like this movie. It’s a perfect setup for what is to come.
Characters: 10
Nothing short of spectacular. Again, where do I start? I love that every single one of these characters in the movie have a rich story that’s connected to the deceased. There is also some kind of growth (whether negative or positive) with each character which is hard to juggle when you’re talking about managing runtime as well as screentime. I could pinpoint one specific role, but I loved each and every single one of them. That’s not a very common thing to say.
Cinematography/Visuals: 10
Director Rian Johnson really hits home on the visuals with an interesting blend of vivid colors and bleak imagery. I have a great appreciation with how the movie was ultimately cut. It’s a film that doesn’t rush, but takes its time, really capturing special dramatic moments. It almost feels like a Wes Anderson meets Stephen King type of cinematic adventure.
Conflict: 10
Entertainment Value: 10
From shock value to mystery, Knives Out keeps you on your toes start to finish. It’s funny, it’s smart, and, most importantly, it’s original. This kind of movie has been done dozens of times before and this one is, by far, the most unique of the bunch. It truly is in a class of its own.
Memorability: 10
Pace: 9
With a 130-minute runtime, it’s only natural that there would be a slip-up in pace here and there. Fortunately, the slowdowns are very brief and barely noticeable. I can only think of one or two moments where I thought, “They could’ve cut that.” The momentum is pretty incredible otherwise.
Plot: 10
Resolution: 10
Ends strongly, yet smoothly with a finite resolution. I found it funny that the ending was actually a subtle knife into the hearts of the antagonists. The conclusion is a beautiful whisper.
Overall: 99
Knives Out is hilarious yet touching at the same time. With an original storyline, consistent pace, and brilliant characters the movie succeeds on just about every level. It was both refreshing and unexpected to watch a movie this grand.
Acting: 10
I can’t speak enough about the amazing performances that made this movie come alive. I honestly don’t know where to start or who had the best chops because they were all so wonderful. Jamie Lee Curtis has always been one of my favorite actresses and her role didn’t disappoint here. She’s Linda Robinson who serves as somewhat of a matriarch in the family. She delivers her lines with such perfect timing and such fluid grace that it’s hard not to love her character. I also appreciated Jaeden Martell’s role in the movie. I can only imagine how hard it is as the youngest cast member when you have all these heavy-hitting stars beside you, but he definitely held his own by putting on a performance here that was even better than his role in It, in my opinion.
Beginning: 10
You are immediately thrown into this story from jump like you are springboarding into the sky. The intrigue is immediate which gave me an instant feeling that I was going to like this movie. It’s a perfect setup for what is to come.
Characters: 10
Nothing short of spectacular. Again, where do I start? I love that every single one of these characters in the movie have a rich story that’s connected to the deceased. There is also some kind of growth (whether negative or positive) with each character which is hard to juggle when you’re talking about managing runtime as well as screentime. I could pinpoint one specific role, but I loved each and every single one of them. That’s not a very common thing to say.
Cinematography/Visuals: 10
Director Rian Johnson really hits home on the visuals with an interesting blend of vivid colors and bleak imagery. I have a great appreciation with how the movie was ultimately cut. It’s a film that doesn’t rush, but takes its time, really capturing special dramatic moments. It almost feels like a Wes Anderson meets Stephen King type of cinematic adventure.
Conflict: 10
Entertainment Value: 10
From shock value to mystery, Knives Out keeps you on your toes start to finish. It’s funny, it’s smart, and, most importantly, it’s original. This kind of movie has been done dozens of times before and this one is, by far, the most unique of the bunch. It truly is in a class of its own.
Memorability: 10
Pace: 9
With a 130-minute runtime, it’s only natural that there would be a slip-up in pace here and there. Fortunately, the slowdowns are very brief and barely noticeable. I can only think of one or two moments where I thought, “They could’ve cut that.” The momentum is pretty incredible otherwise.
Plot: 10
Resolution: 10
Ends strongly, yet smoothly with a finite resolution. I found it funny that the ending was actually a subtle knife into the hearts of the antagonists. The conclusion is a beautiful whisper.
Overall: 99
Knives Out is hilarious yet touching at the same time. With an original storyline, consistent pace, and brilliant characters the movie succeeds on just about every level. It was both refreshing and unexpected to watch a movie this grand.
Ivana A. | Diary of Difference (1171 KP) rated Reverie in Books
Oct 5, 2020
I wanted to love Reverie by Ryan La Sala so much!
Reverie has a wonderful cover that draws you in immediately. The plot mentions a boy and a fantasy world that revolves around dreams. Everything I hoped this book would be – it wasn’t.
Kane is a gay teenager who is trying to pick up the pieces of his life back together after an attack leaves him with no memories of the past. He is in the search of who he is and who he was, and he discovers an alternate reality that he was involved in.
Reveries are worlds born from a person’s private fantasies, and once they manifest they can only be unraveled by bringing their conflicts to a resolution. Reveries have rules and plots, magic and monsters – anything you could wish for. And one wrong step can twist the entire thing into a lethal nightmare maze.
Sounds complicated already?
What if I told you that this is only from the blurb and the book doesn’t really explain these things at all?
Kane is an unraveler, together with The Others. Or at least he was, until one of The Others purged Kane of his memories. And here we are now, with Kane trying to solve the mystery and fight against evil.
I jumped into this book very eagerly, and was disappointing immediately, within the first couple of pages. The reveries and their whole concept were quite confusing, to the point of me not knowing whether the characters are now in a reverie, or in their real world.
Reverie had an amazing concept and it could’ve been done way better than this. I am just disappointed. It all seemed a bit messy and felt like it wasn’t thought through…
I didn’t connect with any of the characters, except for Kane, for the below reasons. And that was it… I didn’t care about any of the others, and there were quite a few characters.
One thing that annoyed me about Reverie, was the exaggeration of the #OwnVoices.
I am not against it, on the contrary! I love equality and I love diversity, and I share love everywhere and to everyone, and if you know me in real life, you will know this about me. We are all equal and different at the same time, and that is the unique thing that connects us all.
However, this book keeps mentioning that Kane is gay. And Kane is a lovely character. He is smart and he is brave. His memories were lost and is desperately trying to find out who he is, who he was, who are his true friends, who is good and who is evil. He doesn’t take for granted on what people tell him. He is AMAZING. Kane was so much more than just gay. But the author kept trying so hard to put an #OwnVoices hashtag on this book, that is was quite aggressive and off-putting. I love books that feature #OwnVoices, but Ryan, please – a little bit of modesty would’ve been nice.
I keep feeling this pressure of trying to write a book review that will not offend anyone, and I don’t mean to offend anyone, but I need to say that sometimes, there can be such a thing as “too much OwnVoicing” in a book. And we shouldn’t be afraid to point it out!
I am really sad about this one, guys. Honestly, I expected it to love it so bad, and now I feel down. I wouldn’t recommend it, but if you think you will love it, please pick it up. You are valid!
Reverie has a wonderful cover that draws you in immediately. The plot mentions a boy and a fantasy world that revolves around dreams. Everything I hoped this book would be – it wasn’t.
Kane is a gay teenager who is trying to pick up the pieces of his life back together after an attack leaves him with no memories of the past. He is in the search of who he is and who he was, and he discovers an alternate reality that he was involved in.
Reveries are worlds born from a person’s private fantasies, and once they manifest they can only be unraveled by bringing their conflicts to a resolution. Reveries have rules and plots, magic and monsters – anything you could wish for. And one wrong step can twist the entire thing into a lethal nightmare maze.
Sounds complicated already?
What if I told you that this is only from the blurb and the book doesn’t really explain these things at all?
Kane is an unraveler, together with The Others. Or at least he was, until one of The Others purged Kane of his memories. And here we are now, with Kane trying to solve the mystery and fight against evil.
I jumped into this book very eagerly, and was disappointing immediately, within the first couple of pages. The reveries and their whole concept were quite confusing, to the point of me not knowing whether the characters are now in a reverie, or in their real world.
Reverie had an amazing concept and it could’ve been done way better than this. I am just disappointed. It all seemed a bit messy and felt like it wasn’t thought through…
I didn’t connect with any of the characters, except for Kane, for the below reasons. And that was it… I didn’t care about any of the others, and there were quite a few characters.
One thing that annoyed me about Reverie, was the exaggeration of the #OwnVoices.
I am not against it, on the contrary! I love equality and I love diversity, and I share love everywhere and to everyone, and if you know me in real life, you will know this about me. We are all equal and different at the same time, and that is the unique thing that connects us all.
However, this book keeps mentioning that Kane is gay. And Kane is a lovely character. He is smart and he is brave. His memories were lost and is desperately trying to find out who he is, who he was, who are his true friends, who is good and who is evil. He doesn’t take for granted on what people tell him. He is AMAZING. Kane was so much more than just gay. But the author kept trying so hard to put an #OwnVoices hashtag on this book, that is was quite aggressive and off-putting. I love books that feature #OwnVoices, but Ryan, please – a little bit of modesty would’ve been nice.
I keep feeling this pressure of trying to write a book review that will not offend anyone, and I don’t mean to offend anyone, but I need to say that sometimes, there can be such a thing as “too much OwnVoicing” in a book. And we shouldn’t be afraid to point it out!
I am really sad about this one, guys. Honestly, I expected it to love it so bad, and now I feel down. I wouldn’t recommend it, but if you think you will love it, please pick it up. You are valid!
BankofMarquis (1832 KP) rated Enola Holmes 2 (2022) in Movies
Nov 14, 2022
Pleasant and Entertaining
Back in September 2020 - in the heart of the pandemic shutdown - Netflix released ENOLA HOLMES which was dubbed “the teen version of Guy Ritchie’s Sherlock Holmes” - one can decide for themselves if that is a good or a bad thing. For me, this flick was an agreeable way to spend a few hours and I, for one, was looking forward to further adventures of Enola and her more well-known older brother, Sherlock.
And, in ENOLA HOLMES 2, we get exactly that. A very entertaining way to spend a few hours with characters that continue to be a joy to while away the time - and a mystery - with.
Starring Millie Bobby Brown (11 in STRANGER THINGS), Enola Holmes 2 follows the titular character as she has opened her own, competing, Detective Agency. But, as these sorts of things go, her case ends up intertwining with her famous older sibling’s case, so we really get “Holmes and Holmes”.
And that is just fine with me for Brown and Henry Cavill (who plays Sherlock Holmes and who has previously played the MAN OF STEEL) make a winning pair, working off each other with just the right tone of mystery and fun and they look like they are having a good time figuring out the central mystery of this story.
Credit for this must go to Director Harry Bradbeer (Director of the first ENOLA HOLMES film) who came up with this story based on Nancy Springer’s characters (she wrote the ENOLA HOLMES books) and to which Jack Thorne bases his screenplay on. Bradbeer seems to understand these characters and the tone of this film. He makes just the right balance between mystery and fun - keeping the proceedings moving along at a jaunty pace, so the audience can enjoy the ride, but aren’t too jostled around by it.
Brown and Cavill fit right into this tone as does the always wonderful Helena Bonham Carter (she of many films, let’s go with A ROOM WITH A VIEW) as the mother of both of these two Detectives. The sturdy David Thewlis (Professor Lupine in the HARRY POTTER films) brings along his professionalism, comedic timing and mysteriousness as Police Inspector Grail while Louis Partridge returns as the handsome almost-love interest of Enola, Lord Tewkesbury.
Special notice needs to be made of Costumer Consolata Boyle (THE QUEEN) she populates this film with the prerequisite muted colors of 19th Century London (lots of Grey, Black and Dark Blue) but she manages to give Enola just enough of a flair in her costumes. For example, the blue of her skirt is just brighter enough than those around her to punch her up, but it is not so much brighter that it is obviously making her stick out. It is a smart, subtle touch to a very pleasing film to look at.
And that is, really, the bottom line of this movie. It is a very pleasant movie, with a mystery that is interesting enough to keep a person hooked, but not overly complex or dingy as to turn people off.
A good family film - and that is a compliment - the type of film that can be enjoyed by young and old alike.
Letter Grade: B+
7 1/2 (out of 10) stars
And you can take that to the Bank (ofMarquis)
And, in ENOLA HOLMES 2, we get exactly that. A very entertaining way to spend a few hours with characters that continue to be a joy to while away the time - and a mystery - with.
Starring Millie Bobby Brown (11 in STRANGER THINGS), Enola Holmes 2 follows the titular character as she has opened her own, competing, Detective Agency. But, as these sorts of things go, her case ends up intertwining with her famous older sibling’s case, so we really get “Holmes and Holmes”.
And that is just fine with me for Brown and Henry Cavill (who plays Sherlock Holmes and who has previously played the MAN OF STEEL) make a winning pair, working off each other with just the right tone of mystery and fun and they look like they are having a good time figuring out the central mystery of this story.
Credit for this must go to Director Harry Bradbeer (Director of the first ENOLA HOLMES film) who came up with this story based on Nancy Springer’s characters (she wrote the ENOLA HOLMES books) and to which Jack Thorne bases his screenplay on. Bradbeer seems to understand these characters and the tone of this film. He makes just the right balance between mystery and fun - keeping the proceedings moving along at a jaunty pace, so the audience can enjoy the ride, but aren’t too jostled around by it.
Brown and Cavill fit right into this tone as does the always wonderful Helena Bonham Carter (she of many films, let’s go with A ROOM WITH A VIEW) as the mother of both of these two Detectives. The sturdy David Thewlis (Professor Lupine in the HARRY POTTER films) brings along his professionalism, comedic timing and mysteriousness as Police Inspector Grail while Louis Partridge returns as the handsome almost-love interest of Enola, Lord Tewkesbury.
Special notice needs to be made of Costumer Consolata Boyle (THE QUEEN) she populates this film with the prerequisite muted colors of 19th Century London (lots of Grey, Black and Dark Blue) but she manages to give Enola just enough of a flair in her costumes. For example, the blue of her skirt is just brighter enough than those around her to punch her up, but it is not so much brighter that it is obviously making her stick out. It is a smart, subtle touch to a very pleasing film to look at.
And that is, really, the bottom line of this movie. It is a very pleasant movie, with a mystery that is interesting enough to keep a person hooked, but not overly complex or dingy as to turn people off.
A good family film - and that is a compliment - the type of film that can be enjoyed by young and old alike.
Letter Grade: B+
7 1/2 (out of 10) stars
And you can take that to the Bank (ofMarquis)
Daniel Boyd (1066 KP) rated Wind River (2017) in Movies
Sep 28, 2017
Brilliant performances (1 more)
Very well written and directed
A Satisfying Thriller
Taylor Sheridan has written two of my favourite movies over the last few years, Sicario and Hell or Highwater. This is only Sheridan's second time in the directors chair though and he proves that he is more than capable when put in charge of an entire film's production.
This is a fairly slow burn that focuses mostly on building character arcs and relationships rather than fast paced action. The structure that the movie follows to give the audience context and the backstory of the movie's respective characters though, is extremely effective and well crafted. The movie doesn't treat it's audience like idiots, nor does it act too smart for it's own good.
Renner and Olsen are both fantastic in the two lead roles and are able to make scenes that are purely dialogue focused, engaging and entertaining. I like Jeremy Renner, but when he stars in blockbuster movies like Bourne or Avengers or Mission Impossible, it is easy to forget how good of an actor he really is, in this performance, he does a good job of reminding you of his ability as a performer.
Slight spoilers follow, nothing major, but some might rather not know anything going in, so if that's you stop reading now. Jon Bernthal's cameo towards the end of the movie was such a delight, he is only in the movie for a just shy of ten minutes, but he was fantastic as he always is. That guy is quickly turning into one of my favourite character actors working in Hollywood.
I won't spoil the end of the movie, but I will say that it is extremely satisfying and makes the slow burn leading up to that point totally worth it.
If you are a fan of mystery thrillers and gripping dramatic performances, then go and see this film.
This is a fairly slow burn that focuses mostly on building character arcs and relationships rather than fast paced action. The structure that the movie follows to give the audience context and the backstory of the movie's respective characters though, is extremely effective and well crafted. The movie doesn't treat it's audience like idiots, nor does it act too smart for it's own good.
Renner and Olsen are both fantastic in the two lead roles and are able to make scenes that are purely dialogue focused, engaging and entertaining. I like Jeremy Renner, but when he stars in blockbuster movies like Bourne or Avengers or Mission Impossible, it is easy to forget how good of an actor he really is, in this performance, he does a good job of reminding you of his ability as a performer.
Slight spoilers follow, nothing major, but some might rather not know anything going in, so if that's you stop reading now. Jon Bernthal's cameo towards the end of the movie was such a delight, he is only in the movie for a just shy of ten minutes, but he was fantastic as he always is. That guy is quickly turning into one of my favourite character actors working in Hollywood.
I won't spoil the end of the movie, but I will say that it is extremely satisfying and makes the slow burn leading up to that point totally worth it.
If you are a fan of mystery thrillers and gripping dramatic performances, then go and see this film.
MaryAnn (14 KP) rated Unbound by Grace (Grace #2) in Books
Mar 5, 2019
When the past holds the future captive, there is only ONE chain breaker… Tori Bishop has carved out a safe circle of friends who know nothing of her privileged status. But when she’s roped into attending a glitzy fundraiser, she brings along strong and steadfast Derek for support. As long as her secret stays safe, she never has to question his motives. Derek Miller wants his life to count for something, to make a difference—especially in the life of Tori Bishop, the spunky smart-mouth who loves razzing him. But if his prison record comes to light, she’s sure to take off running. When Tori and Derek get involved in building a local women’s shelter, the extra time together stirs more than an ember of attraction. Haunted by the fear of exposure, each must wrestle with the chains of their pasts to experience freedom, love, and the full depths of God’s grace.
My Thoughts: This is another book I truly enjoyed. The reader can identify with the characters in the book. A wonderful book on breaking down walls, letting go of our fears, taking chances and of course grace.
A Story of two people trying to escape their position in life, one a privileged one and the other a life of poverty.
I love how author Michelle Massaro develops the story-line that shows us no matter what has happened in our lives, our past is our past, God loves us and we can be used by Him.
There is one line in the book that still sits with me " I can see Jesus in his eyes". This is what Tori says about Derek This is what I want people to see in me.
It's also a reminder that once we accept Christ, we all have a new beginning.
This book was a wonderful read, that was hard to put down. I look forward to reading more from Michelle Massaro.
My Thoughts: This is another book I truly enjoyed. The reader can identify with the characters in the book. A wonderful book on breaking down walls, letting go of our fears, taking chances and of course grace.
A Story of two people trying to escape their position in life, one a privileged one and the other a life of poverty.
I love how author Michelle Massaro develops the story-line that shows us no matter what has happened in our lives, our past is our past, God loves us and we can be used by Him.
There is one line in the book that still sits with me " I can see Jesus in his eyes". This is what Tori says about Derek This is what I want people to see in me.
It's also a reminder that once we accept Christ, we all have a new beginning.
This book was a wonderful read, that was hard to put down. I look forward to reading more from Michelle Massaro.
Sarah (7798 KP) rated Pokémon: Detective Pikachu (2019) in Movies
May 21, 2019
Good but could've been so much better
I need to be honest, Pokemon has never been a big thing for me. I've never been able to get into the games and whilst I happily watched the show when it was on, I never went out of my way. I did however take my little brother to watch Pokemon: The Movie when it came out, so I cannot tell you how unbelievably happy I was to see Mew 2 in this.
The idea behind this film is genius. Humans and Pokemon living together in the same world, and not only that but these aren't silly awful looking CGI characters, these are truly impressively done creatures that look so realistic and really fit in with the setting of the film. And you can tell they've gone all out on Pikachu, he looks fantastic and so real and adorably cute. Also Ryan Reynolds voicing Pikachu is another smart move. I can't imagine anyone else being able to pull this off quite like he can. And his pairing with Justice Smith works really well. Those two are what keep this film going. And I can't lie, the scene with the Pokemon theme song had me in hysterics it was that funny.
But despite all this, this film felt like it had squandered some of its potential. I was hoping it'd be like Christopher Robin and full of heartwarming, funny and witty moments, but sadly it fell short in all of these areas. There were some moments of humour and some heartwarming scenes but not enough, and I dont think its helped by a patchy script and a mostly (but not completely) predictable plot.
Don't get me wrong, I did enjoy this film. It's an adorably cute piece of nostalgia with some funny moments, it just didnt have quite the magic I was expecting. It has however made me want a cuddly Pikachu toy...
The idea behind this film is genius. Humans and Pokemon living together in the same world, and not only that but these aren't silly awful looking CGI characters, these are truly impressively done creatures that look so realistic and really fit in with the setting of the film. And you can tell they've gone all out on Pikachu, he looks fantastic and so real and adorably cute. Also Ryan Reynolds voicing Pikachu is another smart move. I can't imagine anyone else being able to pull this off quite like he can. And his pairing with Justice Smith works really well. Those two are what keep this film going. And I can't lie, the scene with the Pokemon theme song had me in hysterics it was that funny.
But despite all this, this film felt like it had squandered some of its potential. I was hoping it'd be like Christopher Robin and full of heartwarming, funny and witty moments, but sadly it fell short in all of these areas. There were some moments of humour and some heartwarming scenes but not enough, and I dont think its helped by a patchy script and a mostly (but not completely) predictable plot.
Don't get me wrong, I did enjoy this film. It's an adorably cute piece of nostalgia with some funny moments, it just didnt have quite the magic I was expecting. It has however made me want a cuddly Pikachu toy...