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JT (287 KP) rated Only God Forgives (2013) in Movies
Mar 10, 2020
Now here is a film that completely split critics. It’s not going to be everyone’s cup of tea and it’s clear to see why. Anyone expecting a well constructed follow up to Winding Refn’s hit Drive are going to be sorely disappointed, as Only God Forgives serves up a mix of beautiful neon visuals, character dreamscapes and minimal dialogue.
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Charlie Cobra Reviews (1840 KP) rated Triple Frontier (2019) in Movies
Jul 5, 2020
Choices and Consequences - 7/10
Triple Frontier is a 2019 action/thriller movie directed by J.C. Chandor. The screenplay was written by J.C. Chandor and Mark Boal with story also by Mark Boal. Starring Ben Affleck, Oscar Isaac, Charlie Hunnam, Garrett Hedlund, and Pedro Pascal.
In Columbia fighting drug crime, Santiago "Pope" Garcia (Oscar Isaac), has been working for 3 years. Finally the moment he's been waiting for occurs, when his informant, a woman named Yovanna (Adria Arjona), offers the location of a big time drug lord in exchange for smuggling her brother and her out of the country. She also tells him that the drug lord Lorea keeps all his money with him in his safe house in the jungle. Pope recruits his friends, a group of ex Army Special Forces, for a mission to take out Lorea and seize the money for themselves. But when things go wrong it's one unexpected turn of events after the other, with things spiralling out of control. In an epic battle for survival they are pushed to their breaking point, putting their morals, skills, and loyalties to the test.
This movie was good. Wasn't quite what I expected. As good as it was, I feel like it was missing something. It was a little slow in the beginning, after the first action sequence, and pacing was a bit off. Definitely as advertised in being an action/thriller. If you like action scenes where they shoot-'em-up, this definitely has plenty. I just felt with the pacing that they were far and in between. The acting was very good, the only thing I would say is that the characters didn't have much to keep you connected to them and really care about what happens to them in the long run. It felt like they weren't fully fleshed out and they could have done more to do that better. One thing it did do very well was how it showed the motivations of some of the characters and what led them to the decisions they made. I give this movie a 7/10.
In Columbia fighting drug crime, Santiago "Pope" Garcia (Oscar Isaac), has been working for 3 years. Finally the moment he's been waiting for occurs, when his informant, a woman named Yovanna (Adria Arjona), offers the location of a big time drug lord in exchange for smuggling her brother and her out of the country. She also tells him that the drug lord Lorea keeps all his money with him in his safe house in the jungle. Pope recruits his friends, a group of ex Army Special Forces, for a mission to take out Lorea and seize the money for themselves. But when things go wrong it's one unexpected turn of events after the other, with things spiralling out of control. In an epic battle for survival they are pushed to their breaking point, putting their morals, skills, and loyalties to the test.
This movie was good. Wasn't quite what I expected. As good as it was, I feel like it was missing something. It was a little slow in the beginning, after the first action sequence, and pacing was a bit off. Definitely as advertised in being an action/thriller. If you like action scenes where they shoot-'em-up, this definitely has plenty. I just felt with the pacing that they were far and in between. The acting was very good, the only thing I would say is that the characters didn't have much to keep you connected to them and really care about what happens to them in the long run. It felt like they weren't fully fleshed out and they could have done more to do that better. One thing it did do very well was how it showed the motivations of some of the characters and what led them to the decisions they made. I give this movie a 7/10.
Laura Doe (1350 KP) rated Between The Lines in Books
Jul 28, 2022
I received a free copy of this book via The History Quill Book Club. An interesting book and one that I don’t think I’ve read anything similar to before. The similarities and terminology used was very much book based which was interesting.
We follow Fiona Thorne who is what is known as a Turner (she can move between different worlds, by turning a page in the Book) and an investigator. We start with her tracking a lead for a smuggler who has been smuggling different creatures out of pages and keeping them somewhere. She follows him home, and as she had already tipped of a friend who works for The Guild (Turners who keep things in some kind of order) she makes sure that she is around the action when they arrest the smuggler.
She comes across a fire elemental who she frees from a jar, and after the arrest of the smuggler, she offers to take the fire elemental and the other smuggler fire creatures back to their home page. Once there, the fire elemental asks if it can stay with Fiona and goes home with her. Fiona names it Soots and from there a friendship forms, which unfolds nicely throughout the book. Fiona also makes friends with other creatures that she comes across, and as someone who normally works alone and doesn’t tend to have many friends, this is growth for her and it shows.
I loved reading this book, it was the perfect amount of fantasy mixed with mystery as Fiona tries to solve the case that she has been given. I did have a bit of an inkling about the end, but I did still second guess myself until the very moment that it happened.
The only thing that did baffle me sometimes was a bit of the terminology and trying to remember what was meant by certain terms around how Fiona moved through the pages, maybe some kind of reference would have been useful to have.
Overall, I thoroughly enjoyed this book and have already signed up to the newsletter to gain access to the novella in order to find out what happened to Fiona before this novel started! I hope that there are more books in this series as I would love to find out what the Druid means at the end of the book!
We follow Fiona Thorne who is what is known as a Turner (she can move between different worlds, by turning a page in the Book) and an investigator. We start with her tracking a lead for a smuggler who has been smuggling different creatures out of pages and keeping them somewhere. She follows him home, and as she had already tipped of a friend who works for The Guild (Turners who keep things in some kind of order) she makes sure that she is around the action when they arrest the smuggler.
She comes across a fire elemental who she frees from a jar, and after the arrest of the smuggler, she offers to take the fire elemental and the other smuggler fire creatures back to their home page. Once there, the fire elemental asks if it can stay with Fiona and goes home with her. Fiona names it Soots and from there a friendship forms, which unfolds nicely throughout the book. Fiona also makes friends with other creatures that she comes across, and as someone who normally works alone and doesn’t tend to have many friends, this is growth for her and it shows.
I loved reading this book, it was the perfect amount of fantasy mixed with mystery as Fiona tries to solve the case that she has been given. I did have a bit of an inkling about the end, but I did still second guess myself until the very moment that it happened.
The only thing that did baffle me sometimes was a bit of the terminology and trying to remember what was meant by certain terms around how Fiona moved through the pages, maybe some kind of reference would have been useful to have.
Overall, I thoroughly enjoyed this book and have already signed up to the newsletter to gain access to the novella in order to find out what happened to Fiona before this novel started! I hope that there are more books in this series as I would love to find out what the Druid means at the end of the book!
Darren (1599 KP) rated Diamonds Are Forever (1971) in Movies
Nov 7, 2019
Characters – James Bond gets to finally take care of his arch nemesis Blofeld before going on his latest mission going undercover searching for diamonds, he shows us his usually swagger, getting the women along the way as he looks to solve this latest mystery. Tiffany Case is one of the connections in the chain of the diamond smuggling, the first one James makes contact with, she must learn the help along the way to get out alive. Blofeld is the old enemy that James gets to take care of early on, the man that has held James up from multiply other mission. We do get to meet plenty of people involved in the ring which only make James’s mission more difficult.
Performances – Sean Connery is back and back to his best in this outing as the iconic spy, it is great to have him back even if it is only for one last time. Jill St John is good as the Bond girl for the movie though offers nothing new for the series. Charles Gray keeps the role of Blofeld nicely giving us just what we need from the villain role.
Story – The story here shows James finally getting his hands on Blofeld before needing to head off on a new mission, one that gives him everything he wants, beautiful women, casinos and a villain he wants to stay ahead off. This story plays out just like one of the more famous ones in reverse which becomes very interesting to watch, it has everything you need for the latest adventure for Bond, a villain that is prepared for the intelligence of Bond and the world needing saving once again. This does feel like it has given the life back to the franchise which needed to be bought back from the weaker outings, the story is simple enough and continues to keep us watching along with Bond.
Action/Adventure – The action is good even if the fights are simple enough to show how Bond can beat most in combat. The adventure just takes Bond to new and old locations for his mission.
Settings – From Amsterdam to America, we get a much more knowledge set of locations with the bases being in locations which would make sense for a super villain to be hiding in.
Scene of the Movie – The base attack.
That Moment That Annoyed Me – They seem to be too friendly Bond and Blofeld.
Final Thoughts – For the Bond franchise this is a new feel to them, one that is more interesting and strong then the last few instalments.
Overall: Returning to what we want to see.
Performances – Sean Connery is back and back to his best in this outing as the iconic spy, it is great to have him back even if it is only for one last time. Jill St John is good as the Bond girl for the movie though offers nothing new for the series. Charles Gray keeps the role of Blofeld nicely giving us just what we need from the villain role.
Story – The story here shows James finally getting his hands on Blofeld before needing to head off on a new mission, one that gives him everything he wants, beautiful women, casinos and a villain he wants to stay ahead off. This story plays out just like one of the more famous ones in reverse which becomes very interesting to watch, it has everything you need for the latest adventure for Bond, a villain that is prepared for the intelligence of Bond and the world needing saving once again. This does feel like it has given the life back to the franchise which needed to be bought back from the weaker outings, the story is simple enough and continues to keep us watching along with Bond.
Action/Adventure – The action is good even if the fights are simple enough to show how Bond can beat most in combat. The adventure just takes Bond to new and old locations for his mission.
Settings – From Amsterdam to America, we get a much more knowledge set of locations with the bases being in locations which would make sense for a super villain to be hiding in.
Scene of the Movie – The base attack.
That Moment That Annoyed Me – They seem to be too friendly Bond and Blofeld.
Final Thoughts – For the Bond franchise this is a new feel to them, one that is more interesting and strong then the last few instalments.
Overall: Returning to what we want to see.
Phil Leader (619 KP) rated The Last Dickens in Books
Nov 18, 2019
I will hold my hand up to two things at the start of this review. Firstly I am drawn to fiction based on other fiction, and secondly I'm not a big Dickens fan. For various reasons I just don't find him an interesting read.
However I can't deny his impact as a novelist at a time when reading as a past time was only just reaching the masses. And so this book looked intriguing.
Primarily set immediately after the death of the famous author, having completed exactly half of the installments of his latest book - The Mystery of Edwin Drood - James Osgood, the junior partner in his American publishers is sent to England to try to track down any other parts of the manuscript.
However dark forces are afoot; there are two murders related to the Dickens papers in short order and Osgood is attacked on the ship to England. Clearly someone does not want any more of Drood to be published.
Pearl has taken one of the greatest literary mysteries of all (there really are no clues about how Drood was supposed to conclude) and wrapped it in another fictional conundrum. He has clearly researched all of the details very well and uses real people - including Osgood and Dickens himself- along with fictional characters to tell the story. This gives the plot a certain solidity because so much of it is based in reality, with the fabricated parts showing through the cracks.
The narrative moves between 1870 and Osgood's quest, to India at the same time where Frank Dickens (son of Charles) is investigating drug smuggling and to 1868 when Dickens is performing a reading tour of America.
The plot is more-or-less highly plausible, just some coincidental points that require a little suspension of disbelief. The writing is excellent throughout, highly descriptive and particularly good at capturing the personalities of the characters (as would be expected given how carefully this has been researched). There are several action scenes at the book progresses and these are handled well. The villains are unmasked in classical style, gloating with our heroes apparently doomed only for the tables to be turned.
Honestly I was expecting this to be reasonably interesting, highlighting aspects of Dickens' life and death with a little light murder mystery thrown in. In the end I would call this nothing less than a triumph and will definitely be looking to read more of Pearl's work.
It's still not tempted me to read any Dickens, though...
However I can't deny his impact as a novelist at a time when reading as a past time was only just reaching the masses. And so this book looked intriguing.
Primarily set immediately after the death of the famous author, having completed exactly half of the installments of his latest book - The Mystery of Edwin Drood - James Osgood, the junior partner in his American publishers is sent to England to try to track down any other parts of the manuscript.
However dark forces are afoot; there are two murders related to the Dickens papers in short order and Osgood is attacked on the ship to England. Clearly someone does not want any more of Drood to be published.
Pearl has taken one of the greatest literary mysteries of all (there really are no clues about how Drood was supposed to conclude) and wrapped it in another fictional conundrum. He has clearly researched all of the details very well and uses real people - including Osgood and Dickens himself- along with fictional characters to tell the story. This gives the plot a certain solidity because so much of it is based in reality, with the fabricated parts showing through the cracks.
The narrative moves between 1870 and Osgood's quest, to India at the same time where Frank Dickens (son of Charles) is investigating drug smuggling and to 1868 when Dickens is performing a reading tour of America.
The plot is more-or-less highly plausible, just some coincidental points that require a little suspension of disbelief. The writing is excellent throughout, highly descriptive and particularly good at capturing the personalities of the characters (as would be expected given how carefully this has been researched). There are several action scenes at the book progresses and these are handled well. The villains are unmasked in classical style, gloating with our heroes apparently doomed only for the tables to be turned.
Honestly I was expecting this to be reasonably interesting, highlighting aspects of Dickens' life and death with a little light murder mystery thrown in. In the end I would call this nothing less than a triumph and will definitely be looking to read more of Pearl's work.
It's still not tempted me to read any Dickens, though...
Debbiereadsbook (1110 KP) rated Forged Decisions (Tribal Spirits #2) in Books
Jan 14, 2019
not quite as good as book one
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book two in the Tribal Spirits series, but you don't need to have read book one: Forged Alliances, for this one to make sense. It would HELP, but not totally necessary.
Finn is beta to the Red Rock pack, but is restless since his Alpha, Sierra, mated Dax, Alpha of the Silver Springs pack. The Tribe are in town to bles their union, and Navi takes advantage of Finn's local knowledge to crack a drug smuggling ring. The more they work together, the more the attraction builds, and soon neither can deny it. When Finn's past comes crashing down around him and clashes with Navi's mission, will she let him have the revenge he so desperately needs? Will Finn be able to walk away from Navi, when her mission is done, now she holds his heart??
I LOVED book one, loved it, and looked forward to reading this one. But while still a very VERY good read, it doesn't quite hit *THAT* spot that Forged Alliances does. And *insert wailing* I don't know why! And ya'll know how much the drives me nuts!
Finn and Navi had that one night together, after Dax gets his pack back, and it plays on both their minds. They are both profoundly affected by that night and the passion they shared simmers along for the first half of the book. They fight it, oh BOY do they fight it, but it really is inevitable, working in close quarters, that they will give in. It is just a matter of when.
Finn is dealing with some emotional baggage, after his parents death when he was a child and the restless feeling he has been carrying for the last month. Navi too, but hers is different. Being raised as Tribe from a very young age, she had no childhood, she has no attachments save the other Tribe members. She cannot have a mate, since she has to leave all the time. Yes, she has a powerful panther spirit within her, and she can control water, but once, just once, she wants someone who sees Navi the WOMAN, rather than Navi of The Tribe.
And by god, does Finn SEE Navi the woman!
Loved that, while it broke her to ask the words of Finn, she does.
The next book is laid out very nicely, thank you, and I suspect that might be more of an emotionally difficult read, given what Raven goes through here, and with the hints to her past.
A really good read, just not as good as book one, so...
4 solid stars
**same worded review will appear elsewhere**
This is book two in the Tribal Spirits series, but you don't need to have read book one: Forged Alliances, for this one to make sense. It would HELP, but not totally necessary.
Finn is beta to the Red Rock pack, but is restless since his Alpha, Sierra, mated Dax, Alpha of the Silver Springs pack. The Tribe are in town to bles their union, and Navi takes advantage of Finn's local knowledge to crack a drug smuggling ring. The more they work together, the more the attraction builds, and soon neither can deny it. When Finn's past comes crashing down around him and clashes with Navi's mission, will she let him have the revenge he so desperately needs? Will Finn be able to walk away from Navi, when her mission is done, now she holds his heart??
I LOVED book one, loved it, and looked forward to reading this one. But while still a very VERY good read, it doesn't quite hit *THAT* spot that Forged Alliances does. And *insert wailing* I don't know why! And ya'll know how much the drives me nuts!
Finn and Navi had that one night together, after Dax gets his pack back, and it plays on both their minds. They are both profoundly affected by that night and the passion they shared simmers along for the first half of the book. They fight it, oh BOY do they fight it, but it really is inevitable, working in close quarters, that they will give in. It is just a matter of when.
Finn is dealing with some emotional baggage, after his parents death when he was a child and the restless feeling he has been carrying for the last month. Navi too, but hers is different. Being raised as Tribe from a very young age, she had no childhood, she has no attachments save the other Tribe members. She cannot have a mate, since she has to leave all the time. Yes, she has a powerful panther spirit within her, and she can control water, but once, just once, she wants someone who sees Navi the WOMAN, rather than Navi of The Tribe.
And by god, does Finn SEE Navi the woman!
Loved that, while it broke her to ask the words of Finn, she does.
The next book is laid out very nicely, thank you, and I suspect that might be more of an emotionally difficult read, given what Raven goes through here, and with the hints to her past.
A really good read, just not as good as book one, so...
4 solid stars
**same worded review will appear elsewhere**
JT (287 KP) rated Contraband (2012) in Movies
Mar 10, 2020
This is an action film of epic underrated proportion, director Baltasar Kormákur, who was a producer on the original film Reykjavik-Rotterdam, gives us a good old fashioned heist where you root for the bad guys, or in this case the good guys.
When Chris Faraday (Whalberg) has to help out his brother-in-law Andy, after his attempts at smuggling in drugs for Giovanni Ribisi’s excellent villain go pear shaped, Faraday must go back to his criminal roots in order to save him and his family.
Do you feel lucky?
It certainly isn’t as slick as Ocean’s Eleven but it has a similar impact, in that you are desperate for these guys to succeed and pull off the job, and what a job it is! The heist or smuggle as you want to call it is as elaborate as anything that Danny Ocean himself could have put together, its all just a little rushed and certainly not all that conventional.
Whalberg’s crew, a band of misfits, all work on board a container ship heading to Panama where they will pick up a van and fill it with counterfeit bank notes, a plan which would seem simple enough. They’ve even gone to great lengths to make sure the ship stays in port long enough for them to get the job done.
Of course it doesn’t all go to plan, and in the mean time Briggs (Ribisi) is terrorizing Faraday’s wife Kate (Beckinsale) and his family. Andy still manages to try and pull off (and f*** up) his own job mid way through, and Faraday’s best friend Sebastian (Foster) has a little more about him that meets the eye.
The plot has a distinct Gone in 60 Seconds feel to it, with a relative coming to the aid of another family member which results in them racing against time to pay off the bad guys. The action is OK, an elaborate car chase and shootout is probably the most notable sequence, while the rest of the time we watch and wait as Faraday plans the heist.
I enjoyed this quite a lot, its a format that I find if done right works well which in this case it was. Ribisi was a standout for me, not just in his mannerisms as a psycho drug lord but his voice and look about him made me think he put some real effort into this role. Wahlberg is an action hero at the end of the day and here, he is out doing what he does best, Beckinsale is left out in the cold a bit but as a supporting role she does alright.
When Chris Faraday (Whalberg) has to help out his brother-in-law Andy, after his attempts at smuggling in drugs for Giovanni Ribisi’s excellent villain go pear shaped, Faraday must go back to his criminal roots in order to save him and his family.
Do you feel lucky?
It certainly isn’t as slick as Ocean’s Eleven but it has a similar impact, in that you are desperate for these guys to succeed and pull off the job, and what a job it is! The heist or smuggle as you want to call it is as elaborate as anything that Danny Ocean himself could have put together, its all just a little rushed and certainly not all that conventional.
Whalberg’s crew, a band of misfits, all work on board a container ship heading to Panama where they will pick up a van and fill it with counterfeit bank notes, a plan which would seem simple enough. They’ve even gone to great lengths to make sure the ship stays in port long enough for them to get the job done.
Of course it doesn’t all go to plan, and in the mean time Briggs (Ribisi) is terrorizing Faraday’s wife Kate (Beckinsale) and his family. Andy still manages to try and pull off (and f*** up) his own job mid way through, and Faraday’s best friend Sebastian (Foster) has a little more about him that meets the eye.
The plot has a distinct Gone in 60 Seconds feel to it, with a relative coming to the aid of another family member which results in them racing against time to pay off the bad guys. The action is OK, an elaborate car chase and shootout is probably the most notable sequence, while the rest of the time we watch and wait as Faraday plans the heist.
I enjoyed this quite a lot, its a format that I find if done right works well which in this case it was. Ribisi was a standout for me, not just in his mannerisms as a psycho drug lord but his voice and look about him made me think he put some real effort into this role. Wahlberg is an action hero at the end of the day and here, he is out doing what he does best, Beckinsale is left out in the cold a bit but as a supporting role she does alright.
Acanthea Grimscythe (300 KP) rated Something's Alive on the Titanic in Books
May 16, 2018
Something's Alive on the Titanic has a bit of a split story line, with one part of the book taking place in 1975, and the other part taking place in 1995. Written by the late Robert Serling, who is, in fact, Rod Serling's older brother, Something's Alive on the Titanic plays off of the idea that Dr. Robert Ballard was not the first one to discover the final resting place of the Titanic. Instead, a team led by John Hawke, at the behest of code-breaker Derek Montague, departs on an expedition to retrieve treasure from the Titanic's watery grave after Montague discovers that a shipment from a smuggling ring under the guise of a salvage company by the name of Sovereign Metals.
A true product of its time, and remaining faithful to the time-period in which the story is set, one of the few things of note to make in regards to its characters is the absolute lack of a strong female presence. The two women that are present, especially Chaney in the 1975 portion of the book, are Mary Sue-esque and, without a doubt, sexualized. Another note to be made comes in the form of the male characters: they are portrayed as stereotypical, stubborn men that, despite being superstitious, are also skeptics. This manner of male character is more prominent in the second part of the book than the first.
The plot, on the other hand, was pretty stellar. In 1975, the expedition lacks the proper equipment to dive down into the depths of the Atlantic and explore the ship for extended periods of time. They make the most of what they do have, however. Intent on claiming the lost treasure, most of John Hawke's crew show little regard for the fact that they are desecrating a grave: greed is, after all, the heart of all evil. While the Atlantic Ocean treats the crew well, the Titanic is anything but forgiving: the decrepit ship plays host to more than the relics of the souls that once stood upon its deck. Whatever that thing is, it doesn't play nicely. In 1995, the US Navy gathers a crew to find out what exactly happened in 1975, and to complete the earlier expedition's salvage mission.
Given the presence of a female in a heavily male dominated field, it goes without saying that there's a bit of teasing and a bit of romance. That subplot is fairly minor and serves mostly to remind readers of a certain character's penchant for being a total asshole and little more. There is also sex, briefly, but I'll leave that to someone else.
Serling's knowledge of the Titanic is actually pretty accurate, down to the fact that the fourth funnel on the ship was a fake, there was a shortage of lifeboats, and most of the lifeboats were dropped before they were filled.
It isn't very often that a book really draws me in, but that could be attributed to the fact that I no longer read as I used to. Serling's prose kept me on the edge of my seat and at times, it even raised my heart rate a little. Rather than paint us an entire picture of the supernatural phenomena that takes place, he begins with little bits and pieces, crumbs if you will, until finally, you begin to question the sanity of the characters involved, whilst simultaneously hoping for the best.
A true product of its time, and remaining faithful to the time-period in which the story is set, one of the few things of note to make in regards to its characters is the absolute lack of a strong female presence. The two women that are present, especially Chaney in the 1975 portion of the book, are Mary Sue-esque and, without a doubt, sexualized. Another note to be made comes in the form of the male characters: they are portrayed as stereotypical, stubborn men that, despite being superstitious, are also skeptics. This manner of male character is more prominent in the second part of the book than the first.
The plot, on the other hand, was pretty stellar. In 1975, the expedition lacks the proper equipment to dive down into the depths of the Atlantic and explore the ship for extended periods of time. They make the most of what they do have, however. Intent on claiming the lost treasure, most of John Hawke's crew show little regard for the fact that they are desecrating a grave: greed is, after all, the heart of all evil. While the Atlantic Ocean treats the crew well, the Titanic is anything but forgiving: the decrepit ship plays host to more than the relics of the souls that once stood upon its deck. Whatever that thing is, it doesn't play nicely. In 1995, the US Navy gathers a crew to find out what exactly happened in 1975, and to complete the earlier expedition's salvage mission.
Given the presence of a female in a heavily male dominated field, it goes without saying that there's a bit of teasing and a bit of romance. That subplot is fairly minor and serves mostly to remind readers of a certain character's penchant for being a total asshole and little more. There is also sex, briefly, but I'll leave that to someone else.
Serling's knowledge of the Titanic is actually pretty accurate, down to the fact that the fourth funnel on the ship was a fake, there was a shortage of lifeboats, and most of the lifeboats were dropped before they were filled.
It isn't very often that a book really draws me in, but that could be attributed to the fact that I no longer read as I used to. Serling's prose kept me on the edge of my seat and at times, it even raised my heart rate a little. Rather than paint us an entire picture of the supernatural phenomena that takes place, he begins with little bits and pieces, crumbs if you will, until finally, you begin to question the sanity of the characters involved, whilst simultaneously hoping for the best.
Andy K (10821 KP) rated 3 From Hell (2019) in Movies
Oct 18, 2019 (Updated Oct 18, 2019)
Very disappointing
It seems 3 From Hell was doomed before it began for several reasons.
First, why did Zombie wait so long between sequels? The time between House of 1,000 Corpses and The Devil's Rejects was only 2 years. Zombie was a hot director at the time. Maybe he felt his career as a prominent horror director would continue to blossom after he was handed the reigns of rebooting the Halloween franchise.
Second, talk about painting yourself into a corner thematically having your three main characters go up against a police roadblock at the end of the last film getting sprayed with an onslaught of law enforcement ammunition. These are not immortal characters here, so explaining that circumstance would be difficult one indeed.
Third, and probably most importantly for fans, one of your leads has become deathly ill, lost a lot of weight, and probably cannot handle the strain of a large acting role at this time. Sid Haig dies only a few days after this film's release and his role was reduced to basically a cameo within the first few minutes of the movie disappointing fans of his unique personality as Captain Spaulding to minimal screen time. This eventuality made Rob Zombie have to do extensive rewrites to reinvent his third 3 From Hell baddie, and it was definitely a step down.
Explaining the plot of the film would almost mirror exactly that of the previous film. Somehow, the 3 survive their being riddled with 20 bullets each and get incarcerated for their convictions of the years of murder , torture and other bad deeds they have inflicted on their victims. Otis breaks free and escapes one day on his prison work detail and goes after the family and friends of the warden. A plan is put in place to execute the release of his beautiful, but deadly sister, Baby, by smuggling her out in a prison guard uniform.
After she returns to the warden's home full of kidnap victims (carbon copy of the motel scenes from Rejects) the two baddies along with their badass stepbrother decide to make their way to Mexico to evade capture and indulge in the good life of excess.
After they arrive, they have fun with the locals while secretly are betrayed to a band of south of the border hooligans looking to get revenge themselves on the 3 who had murdered a relative (again the same as the sheriff in Rejects).
I really couldn't believe the plot points being so very similar to Rejects. Zombie clearly ran out of good ideas and felt like the audience would just be happy to see more random bloody violence perpetrated by characters they knew and loved. Not true for me as I became bored quite quickly hoping for something interesting to happen which never really did.
The look of the film was also quite different. It seems Zombie's popularity is not what it once was and his budget this time must have been much smaller. The cinematography was weak and not very creative and the visual effects were just north of Sharknado level I thought with poor quality with the bullet wounds and stabbing injuring looking amateur.
Overall, very disappointed for a long wait with a poor 3rd film payoff. This is one of those times they should've quit with two movies and quit while they were ahead.
First, why did Zombie wait so long between sequels? The time between House of 1,000 Corpses and The Devil's Rejects was only 2 years. Zombie was a hot director at the time. Maybe he felt his career as a prominent horror director would continue to blossom after he was handed the reigns of rebooting the Halloween franchise.
Second, talk about painting yourself into a corner thematically having your three main characters go up against a police roadblock at the end of the last film getting sprayed with an onslaught of law enforcement ammunition. These are not immortal characters here, so explaining that circumstance would be difficult one indeed.
Third, and probably most importantly for fans, one of your leads has become deathly ill, lost a lot of weight, and probably cannot handle the strain of a large acting role at this time. Sid Haig dies only a few days after this film's release and his role was reduced to basically a cameo within the first few minutes of the movie disappointing fans of his unique personality as Captain Spaulding to minimal screen time. This eventuality made Rob Zombie have to do extensive rewrites to reinvent his third 3 From Hell baddie, and it was definitely a step down.
Explaining the plot of the film would almost mirror exactly that of the previous film. Somehow, the 3 survive their being riddled with 20 bullets each and get incarcerated for their convictions of the years of murder , torture and other bad deeds they have inflicted on their victims. Otis breaks free and escapes one day on his prison work detail and goes after the family and friends of the warden. A plan is put in place to execute the release of his beautiful, but deadly sister, Baby, by smuggling her out in a prison guard uniform.
After she returns to the warden's home full of kidnap victims (carbon copy of the motel scenes from Rejects) the two baddies along with their badass stepbrother decide to make their way to Mexico to evade capture and indulge in the good life of excess.
After they arrive, they have fun with the locals while secretly are betrayed to a band of south of the border hooligans looking to get revenge themselves on the 3 who had murdered a relative (again the same as the sheriff in Rejects).
I really couldn't believe the plot points being so very similar to Rejects. Zombie clearly ran out of good ideas and felt like the audience would just be happy to see more random bloody violence perpetrated by characters they knew and loved. Not true for me as I became bored quite quickly hoping for something interesting to happen which never really did.
The look of the film was also quite different. It seems Zombie's popularity is not what it once was and his budget this time must have been much smaller. The cinematography was weak and not very creative and the visual effects were just north of Sharknado level I thought with poor quality with the bullet wounds and stabbing injuring looking amateur.
Overall, very disappointed for a long wait with a poor 3rd film payoff. This is one of those times they should've quit with two movies and quit while they were ahead.
Haley Mathiot (9 KP) rated Uncertain Magic in Books
Apr 27, 2018
Uncertain Magic by Laura Kinsale
Genre: Adult Historical romance
ISBN: 9781402237027
Published: May 4th 2010 by Sourcebooks Casablanca (first published March 2nd 1987)
Rating: 5
Roddy has a "gift"—or as she thinks of it, a curse—that allows her to hear the mind and feel the emotions of every human and animal on earth. Because of this, and her family history, she knows she will never be married, never have her own family… because what man wants every single thought and emotion on display for his wife? Past failed marriages in the family have shown her that her happiness is a hopeless cause… until she meets one man whom she does not have access to his thoughts and feelings. So Roddy takes things into her own hands. She realizes a little too late what kind of man she's gotten interested in her: Lord Iveragh. The Devil Earl of Ireland.
She carries out her plan, however, and he seems to like her enough to marry her. But The Devil Earl is hiding things from her… and possibly himself. Roddy finds that she can help him… but it will require more than she may be willing to give. If she doesn't, though, she will loose him forever… and maybe loose herself, too.
I loved Uncertain Magic. I wasn't sure what to expect when I started reading it. It was certainly a romance, and a very good one at that. But it was so much more than a romance novel: It was a clever blend of romance, adventure, historical events, family secrets, and Gaelic magic. The plot incorporated a rebellion in Ireland, smuggling, murder, and magic. There were horse races, escaping soldiers, and midnight balls with the dead.
The relationship between Roddy and Faelan (Lord Iveragh) started off a little random: a chance meeting, Roddy saving his horse from a heart attack, her pretending to be a stable boy and bragging on his employer (herself, of course) and Faelan seeing through it and embarrassing her. As it continued, I was a little surprised at the speed it progressed: They were married by chapter five. But them being married though the book was such an important aspect, that I understood it later. Of course, no marriage is perfect, and many romances are victims of happyland syndrome, where their relationship is so perfect that it's almost Holy.
Not this one.
There were misunderstandings, tears, heartbreak, scandals, possible affairs, redemption, and healing. And plenty of love-making.
With that said: the characters were great. Roddy was sweet and soft, but she had her spunk and I liked her immediately (especially when she took out a rude stableboy with a single kick). Faelan was, as his nickname describes him, a devil—but he was good that way. He was a little obnoxious, he had his sarcastic moments, and he certainly had his pride. He's the kind of dark secretive hero that everyone looks for… but with a touch of madness—or maybe magic—to make him even more mysterious. I love Roddy, I adore Faelan, and his mother (let's just say she never. shuts. up.) makes me laugh… the characters in this story are gems.
Just as I didn't expect the twisting exciting plot, I didn't expect the writing to be so good. It felt great to read, and the dialogue was easy to speak and felt natural. It flowed well, and was descriptive and lyrical. I liked the way Kinsale described Roddy experiencing everyone else's thoughts and emotions, and I liked the way she didn't over-describe everything—every little facial expression, every little movement—leaving out some for your imagination, but added enough description to allow you to see everything.
There were disappearing faeries and blind men who could see (try figuring that one out!) and missing chunks of time… all tied up beautifully at the end. Although it was, at first, a little confusing to figure out what had just happened on the last few pages, I loved the ending. There wasn't quite enough closure, but it didn't need to be closed: it was more like an opening for their new life together. After reading it, you know what will happen… so it doesn't need to be said.
This is probably one of my favorite books I've read this year, and it demands a re-read in the future.
Content/Recommendation: Some sex, mild language. Ages 18+
Review copyright Haley Mathiot 2010. Review copy supplied by publisher.
Genre: Adult Historical romance
ISBN: 9781402237027
Published: May 4th 2010 by Sourcebooks Casablanca (first published March 2nd 1987)
Rating: 5
Roddy has a "gift"—or as she thinks of it, a curse—that allows her to hear the mind and feel the emotions of every human and animal on earth. Because of this, and her family history, she knows she will never be married, never have her own family… because what man wants every single thought and emotion on display for his wife? Past failed marriages in the family have shown her that her happiness is a hopeless cause… until she meets one man whom she does not have access to his thoughts and feelings. So Roddy takes things into her own hands. She realizes a little too late what kind of man she's gotten interested in her: Lord Iveragh. The Devil Earl of Ireland.
She carries out her plan, however, and he seems to like her enough to marry her. But The Devil Earl is hiding things from her… and possibly himself. Roddy finds that she can help him… but it will require more than she may be willing to give. If she doesn't, though, she will loose him forever… and maybe loose herself, too.
I loved Uncertain Magic. I wasn't sure what to expect when I started reading it. It was certainly a romance, and a very good one at that. But it was so much more than a romance novel: It was a clever blend of romance, adventure, historical events, family secrets, and Gaelic magic. The plot incorporated a rebellion in Ireland, smuggling, murder, and magic. There were horse races, escaping soldiers, and midnight balls with the dead.
The relationship between Roddy and Faelan (Lord Iveragh) started off a little random: a chance meeting, Roddy saving his horse from a heart attack, her pretending to be a stable boy and bragging on his employer (herself, of course) and Faelan seeing through it and embarrassing her. As it continued, I was a little surprised at the speed it progressed: They were married by chapter five. But them being married though the book was such an important aspect, that I understood it later. Of course, no marriage is perfect, and many romances are victims of happyland syndrome, where their relationship is so perfect that it's almost Holy.
Not this one.
There were misunderstandings, tears, heartbreak, scandals, possible affairs, redemption, and healing. And plenty of love-making.
With that said: the characters were great. Roddy was sweet and soft, but she had her spunk and I liked her immediately (especially when she took out a rude stableboy with a single kick). Faelan was, as his nickname describes him, a devil—but he was good that way. He was a little obnoxious, he had his sarcastic moments, and he certainly had his pride. He's the kind of dark secretive hero that everyone looks for… but with a touch of madness—or maybe magic—to make him even more mysterious. I love Roddy, I adore Faelan, and his mother (let's just say she never. shuts. up.) makes me laugh… the characters in this story are gems.
Just as I didn't expect the twisting exciting plot, I didn't expect the writing to be so good. It felt great to read, and the dialogue was easy to speak and felt natural. It flowed well, and was descriptive and lyrical. I liked the way Kinsale described Roddy experiencing everyone else's thoughts and emotions, and I liked the way she didn't over-describe everything—every little facial expression, every little movement—leaving out some for your imagination, but added enough description to allow you to see everything.
There were disappearing faeries and blind men who could see (try figuring that one out!) and missing chunks of time… all tied up beautifully at the end. Although it was, at first, a little confusing to figure out what had just happened on the last few pages, I loved the ending. There wasn't quite enough closure, but it didn't need to be closed: it was more like an opening for their new life together. After reading it, you know what will happen… so it doesn't need to be said.
This is probably one of my favorite books I've read this year, and it demands a re-read in the future.
Content/Recommendation: Some sex, mild language. Ages 18+
Review copyright Haley Mathiot 2010. Review copy supplied by publisher.