Trace of Fever (Men Who Walk the Edge of Honor, #2)
Book
Foster delivers the second novel in her edgy back-to-back trilogy--a smoldering tale featuring men...
The Black Rocks of Morwenstow
Book
1842. Twenty-five-year-old Joshua Weyland is languishing in Key West, USA, desperate to return to...
Bryant & May - London's Glory: (Short Stories)
Book
In every detective's life there are cases that can't be discussed, and throughout the Bryant & May...
A Certain Threat (Merriman Chronicles #1)
Book
With French Revolutionary agents travelling freely but secretly between Ireland and England and war...
Historical Fiction Naval Warfare Smuggling Royal Navy
Betrayal (The 1000 Revolution, #1)
Book
"My name is #1001, and I am not ready to die." I’d only just begun to live. When Captain Caleb...
sci fi sci-fi fantasy romance
VH1's My True Crime Story
TV Show
Narrated by Remy Ma, MY TRUE CRIME STORY is a one-hour true-crime docuseries that features...
Zall's Captain (Planetary Submissives #3)
Book
When ex-slave Zall is asked to be Captain Teslan's cabin boy, he learns sometimes you have to bend...
BDSM Erotica MM Science Fiction Romance Novella
Sarah (7798 KP) rated Crisis (2021) in Movies
Feb 19, 2021
The main purpose of Crisis appears to be highlighting two entirely juxtaposed real life issues with opioids - the illegal smuggling and import of street drugs and the completely legal yet questionable drugs introduced by drug companies with full support of the government. For most, neither of these stories should be particularly surprising as they're fairly common knowledge and have been featured in countless films and documentaries over the years, although I think this may be the first time the two stories have been shown together in a film. And for Crisis this really works - showing the two contrasting issues makes for a more interesting and unique story rather than concentrating solely on one that we've seen many times before, especially as its split into three separate narratives.
However, the problem with Crisis is that not all of the narratives are as engaging as intended. Evangeline Lilly puts in a wonderful and emotional performance as architect and mother Claire, but her narrative becomes a little unrealistic as she becomes bent on revenge at those responsible for involving her son in the drugs underworld. And unfortunately Armie Hammer's narrative as undercover federal agent Jake is nothing original, with a smuggling operation and drugs bust that we've seen in many other films, some of which I'm afraid have done it a lot better. The most interesting narrative though is that of Gary Oldman as Dr Tyrone Brower, whose struggle over whether to tell the truth about a new dangerous drug or take the money from his drug company employers is a surprisingly thrilling morality tale. It's helped by a superb turn from Oldman himself and a wonderful supporting role from Greg Kinnear (who I've adored since 1997's As Good As It Gets), and the verbal sparring scenes between Brower and Kinnear's university Dean are probably the best in the film. It's a shame however that Luke Evans isn't given as much to do with his part in this narrative, even with his questionable American accent.
The biggest problem I had with all of the narratives is that unlike similar films that intertwine related narratives that eventually intersect dramatically (think 2006's Best Picture Oscar winner Crash), the narratives here don't all come together in the way I was expecting, which was rather disappointing.
Cinematography-wise, director and writer Jarecki does a good job as the film looks and feels good, and really highlights the US and Canadian settings. The soundtrack only adds to the overall tense and suspenseful feel of the film, although it does feature the typical pulsing, drum beat style that seems to be standard for a modern thriller. And the script, while possibly a little clichéd especially around the drugs bust and smuggling, is good and with his supporting acting role as Jake's fellow DEA agent Stan, Nicholas Jarecki could be one to watch in future.
Overall, Crisis is a good thriller that tells the story of well-known drug issues in a different way and does well in highlighting real life concerns. For the most part it succeeds in bringing an interesting set of narratives together for a fairly gripping albeit slightly long film, and despite my preconceptions about how its intersecting storylines should play out, it is an enjoyable watch, although for the most part thanks to the talents of Gary Oldman.
David McK (3425 KP) rated Rapscallion (Matthew Hawkood, #3) in Books
Jan 30, 2019
Again taking factual history as its starting point (life on the prison Hulks, and the activities of the Free Traders (i.e. Smugglers)), the plot builds up to include those afore-mentioned smuggling rings, and a little bit of sea battle (a first in the series). It's also a first that the majority of this novel takes place away from London!
I do have to say, however, that even more so than the first two books, I found this one to be very remniscient of one of the Sharpe books from the 90s - have a look at <i>Sharpe's Company</i> (in particular) to see what I mean! That's not to say I din't enjoy it - I did - but just that, to me, elements of the plot seemed very familiar
Shopping for Buddhas: An Adventure in Nepal
Book
Jeff Greenwald's classic travelogue follows his quest for the "perfect" Buddha statue. At turns...