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Everyday Is Christmas by Sia
Everyday Is Christmas by Sia
2017 | Pop
So Christmasy (0 more)
Can only listen to it 1 month of the year. (0 more)
Behind the times as usual, I found this over Christmas, and loved it! So catchy and festive, have not enjoyed Christmas songs so much since The Darkness released "Don't let the Bells End". Candy Cane Lane is great, and the music video is fun to watch. Snowman is also fantastic, I was singing them all December long!
  
Live, Local, and Dead
Live, Local, and Dead
Nikki Knight | 2022 | Mystery
1
1.0 (1 Ratings)
Book Rating
Politics Makes for a Bad Cozy Mystery
Jaye Jordan is making a go of it at the local Vermont radio station she has bought. However, some of the changes she has made haven’t been hits with all her neighbors. When she finally has enough with two of them protesting outside her station, she takes their gun and fires it into a snowman. Unfortunately, the snowman was hiding the dead body of Edwin Anger, a conservative talk show host whose syndicated show Jaye had just taken off her station. How did he get there?

A body in a snowman is an intriguing premise, so I went into this book with high hopes. Sadly, it was obvious fairly early on the book wasn’t going to deliver on them. The problem starts with the characters. While Jaye and the rest of the obvious series regulars are fun characters, the cast is filled with conservative stereotypes that are the worst examples of liberal views of conservatives. Meanwhile the main characters said some things that made me roll my eyes. The plot was a series of events with hardly any investigation at all. More specific complaints would get into spoiler territory. There was quite a bit of (mostly mild) foul language as well. While the book does have some genuinely funny moments, they felt at odds with some of the things that were going on in the story. I kept reading, hoping the author had something up her sleeve that would redeem the book, but it never happened. I recommend you avoid this book.
  
When Lee goes to pick up the judge for this year's Winter Festival, she finds him drunk and a real jerk. Dropping him off in a hotel room seems like the best idea, until he is found murdered with Lee as the prime suspect. This is the seventh in the series and will certainly please fans of light cozies.

Read my full review at <a href="http://carstairsconsiders.blogspot.com/2013/04/book-review-chocolate-snowman-murders.html">Carstairs Considers</a>.
  
The Snowman (2017)
The Snowman (2017)
2017 | Crime, Drama, Horror
No, not that one
Nordic noir is big business at the moment, but with the incredible scenery of the locations lending themselves perfectly to film, is there any wonder?

The Girl with the Dragon Tattoo and The Hypnotist are just a couple of movies that have fallen into this massively expanding genre.

Now, Jo Nesbø’s chilling The Snowman novel gets the silver screen treatment in a film of the same name. But can this continue the thrilling trend of whodunit novels being turned into fabulous crime dramas?For Detective Harry Hole (Michael Fassbender), the death of a young woman during the first snow of winter feels like anything but a routine homicide. His investigation leads him to “The Snowman Killer,” an elusive sociopath who continuously taunts Hole with ingeniously crafted cat-and-mouse games. As the brutal deaths show no sign of slowing, Harry teams up with a new recruit (Rebecca Ferguson) to try and lure the madman out of the shadows before it’s too late.

With Michael Fassbender at the helm, director Thomas Alfredson (Tinker Tailor Soldier Spy) manages to blend gorgeous imagery with an intriguing plot and excellent performances in a film that suffers from a couple of issues that stops it from becoming a must-see event.

These R-rated thrillers are ten-a-penny these days with the bar still being set incredibly high by Gone Girl. Last year’s Girl on the Train was a decent stab at dethroning David Fincher’s masterpiece, but it just fell a little short – well the same has happened here.

Michael Fassbender is uniformly excellent as troubled detective, Harry and the actor can do no wrong in his performances, but he’s suffered this year. After Assassin’s Creed failed to ignite the box-office, it looks to be a similar story this time. While The Snowman is technically competent and filmed beautifully, it lacks the sense of originality that breeds success.

It also doesn’t help that he’s surrounded by thinly padded supporting characters like former love interest Rakel (Charlotte Gainsbourg) and new police officer Katrine (Ferguson). Elsewhere, bizarre glorified cameos for Val Kilmer and Toby Jones leave you wondering if these actors expected a little more from their parts.

Perhaps I’m being a little harsh. After all, the cast is one of the film’s strongest suits. Add J.K. Simmons to the aforementioned roster and it really does have one of the best line-ups of the year. It’s just a shame the script doesn’t do more with them.

To look at, The Snowman is absolutely gorgeous. Helped obviously by magnificent Norwegian landscapes, Alfredson shoots using steady cam in scenes reminiscent of Stanley Kubrick’s The Shining, high praise indeed. In a year populated by CGI-heavy blockbusters, this comes as a real breath of fresh air.

Unfortunately, the constant use of flashbacks and a peculiar subplot involving a Winter sporting event ruin the pacing, though at 130 minutes, this isn’t too much of an issue. The ending however, is disappointing and lacks an emotional payoff after the film’s events.

Overall, The Snowman is a gritty adaptation of Jo Nesbø’s successful novel and while some of the plot choices leave a little to be desired, a great anchor performance by Michael Fassbender and stunning cinematography mean it’s definitely worth a watch; just don’t expect too much.

https://moviemetropolis.net/2017/10/14/the-snowman-review/