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Charlie Cobra Reviews (1840 KP) rated See You Yesterday (2019) in Movies
Jul 7, 2020
A Fresh New Take On Classic Time Travel Film
See You Yesterday is a sci-fi movie directed by Stefon Bristol and written by Stefon Bristol and Fredrica Bailey. It was produced by Spike Lee and production company 40 Acres & A Mule Filmworks and distributed by Netflix. The film stars Eden Duncan-Smith, Dante Crichlow, Brian "Stro" Bradley, and Jonathan Nieves.
Two teenage prodigies, C.J. Walker (Eden Duncan-Smith) and her best friend, Sebastian Thomas (Dante Crichlow) spend every spare minute working on their latest homemade invention: backpacks that enable time travel. When one of their older brothers is killed, they put their unfinished project to the test to save him and face the perilous consequences of time travel.
This movie was very emotional. It didn't always make sense but it had a good narrative that sustained the entire film. This movie was equal parts very realistic and fantastically unreal. At its core, it's a story about grief and second chances. Who wouldn't want to go back in time and prevent a tragic event if they could. I mean that's what one of my favorite movies The Time Machine is all about. It also had a lot of social commentary. I believe the writer/director did an awesome job in this their directorial debut. Eden Duncan-Smith's acting was also top notch and really made you feel for her through her struggles and really brought to life a very relatable character. What I didn't like was that as smart as the kids were in the movie, and as good as the time travel logic was in making sense, to me it still wasn't believable that they would have been able to create time travel devices. Also the special effects weren't always the best but seemed to work well. But if you can get past that hiccup it is an emotional roller coaster and a surprising fresh take on a classic sci-fi trope. I give it a 7/10.
Two teenage prodigies, C.J. Walker (Eden Duncan-Smith) and her best friend, Sebastian Thomas (Dante Crichlow) spend every spare minute working on their latest homemade invention: backpacks that enable time travel. When one of their older brothers is killed, they put their unfinished project to the test to save him and face the perilous consequences of time travel.
This movie was very emotional. It didn't always make sense but it had a good narrative that sustained the entire film. This movie was equal parts very realistic and fantastically unreal. At its core, it's a story about grief and second chances. Who wouldn't want to go back in time and prevent a tragic event if they could. I mean that's what one of my favorite movies The Time Machine is all about. It also had a lot of social commentary. I believe the writer/director did an awesome job in this their directorial debut. Eden Duncan-Smith's acting was also top notch and really made you feel for her through her struggles and really brought to life a very relatable character. What I didn't like was that as smart as the kids were in the movie, and as good as the time travel logic was in making sense, to me it still wasn't believable that they would have been able to create time travel devices. Also the special effects weren't always the best but seemed to work well. But if you can get past that hiccup it is an emotional roller coaster and a surprising fresh take on a classic sci-fi trope. I give it a 7/10.
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Phil Leader (619 KP) rated Flatland (Enhanced Illustrated Edition) in Books
Nov 13, 2019
I have wanted to read Flatland since I read the reference to it in Gödel Escher Bach: An Eternal Golden Braid which was a set text at university. As the book is out of copyright it was one of the first that I downloaded to my eReader.
The book (although really a novella rather than a full novel at only 88 pages) works on two levels; firstly the story revolves around A Square, an inhabitant of the two dimensional space that is Flatland. Most of the book describes the rigid social hierarchy of the regular polygons that make up the people - the more sides a person has the higher their social standing. Irregular shapes are despised and usually executed. The second half involves investigation into the nature of dimensions when A Square first of all dreams of a one dimensional land, then is shown three dimensions and zero dimensions by a spherical person from the three dimensional land.
The first half is a satire on the rigid class system of Victorian society - it is particularly disparaging of women, who being lines rather than shapes are very much second class citizens, even having their own doors into and out of houses. This half shows the book's age, it was written in a different time and looking at it from more than 100 years later a lot of the discussion is overlong and unengaging. This part has not aged at all well.
The book only comes into its own when A Square has a dream about a land of one dimension, populated by lines of varying length, the longest line being the King of Lineland. The two dimensional dreamer attempts to persuade the King that is he could step sideways he would be able to see that his land of a single line was limited. Of course the King can conceive of no such direction as 'sideways' and rejects the suggestion as ridiculous.
A sphere from the 3 dimensional land of Space then visits Flatland, appearing as a circle of varying size as he passes through the two dimensional space. He tries to persuade Square that if he could move 'up' or 'down' he would be able to move beyond the rigid plane of his existence. Obviously the square cannot understand a direction which doesn't fall into two dimensions, until the sphere pulls him up and then he can look down to see Flatland spread out below him. He has an epiphany and is determined to spread the word on three dimensional space. The sphere also visits a zero dimensional land. However when the square suggests that if the sphere could somehow move in a new direction he might be able to enter four dimensional space the sphere is very quick to say how ridiculous such a notion is.
In this way the ideas behind dimensions are communicated quite effectively, including being able to deduce the properties of a four dimensional regular shape by extrapolating the properties of lines, squares and cubes. It is then clear how properties of higher dimensions can be calculated without our poor three dimensional minds actually being able to perceive of it.
Flatland is regarded as one of the very first science fiction novels. So is Gulliver's Travels but that has very little science and to my mind is more of a fantasy book. Despite Flatland having very little in the way of story and plot (although there are twists in the story) and the first half isn't really story at all but social commentary, it definitely describes fantastic worlds and imagines what the results would be of living in such places. This seems to me to be the very concept behind science fiction.
In conclusion, I would not recommend this to everyone as I think its appeal is quite limited. But for anyone of a mathematical bent who likes science fiction, it's always good to see where it all started.
The book (although really a novella rather than a full novel at only 88 pages) works on two levels; firstly the story revolves around A Square, an inhabitant of the two dimensional space that is Flatland. Most of the book describes the rigid social hierarchy of the regular polygons that make up the people - the more sides a person has the higher their social standing. Irregular shapes are despised and usually executed. The second half involves investigation into the nature of dimensions when A Square first of all dreams of a one dimensional land, then is shown three dimensions and zero dimensions by a spherical person from the three dimensional land.
The first half is a satire on the rigid class system of Victorian society - it is particularly disparaging of women, who being lines rather than shapes are very much second class citizens, even having their own doors into and out of houses. This half shows the book's age, it was written in a different time and looking at it from more than 100 years later a lot of the discussion is overlong and unengaging. This part has not aged at all well.
The book only comes into its own when A Square has a dream about a land of one dimension, populated by lines of varying length, the longest line being the King of Lineland. The two dimensional dreamer attempts to persuade the King that is he could step sideways he would be able to see that his land of a single line was limited. Of course the King can conceive of no such direction as 'sideways' and rejects the suggestion as ridiculous.
A sphere from the 3 dimensional land of Space then visits Flatland, appearing as a circle of varying size as he passes through the two dimensional space. He tries to persuade Square that if he could move 'up' or 'down' he would be able to move beyond the rigid plane of his existence. Obviously the square cannot understand a direction which doesn't fall into two dimensions, until the sphere pulls him up and then he can look down to see Flatland spread out below him. He has an epiphany and is determined to spread the word on three dimensional space. The sphere also visits a zero dimensional land. However when the square suggests that if the sphere could somehow move in a new direction he might be able to enter four dimensional space the sphere is very quick to say how ridiculous such a notion is.
In this way the ideas behind dimensions are communicated quite effectively, including being able to deduce the properties of a four dimensional regular shape by extrapolating the properties of lines, squares and cubes. It is then clear how properties of higher dimensions can be calculated without our poor three dimensional minds actually being able to perceive of it.
Flatland is regarded as one of the very first science fiction novels. So is Gulliver's Travels but that has very little science and to my mind is more of a fantasy book. Despite Flatland having very little in the way of story and plot (although there are twists in the story) and the first half isn't really story at all but social commentary, it definitely describes fantastic worlds and imagines what the results would be of living in such places. This seems to me to be the very concept behind science fiction.
In conclusion, I would not recommend this to everyone as I think its appeal is quite limited. But for anyone of a mathematical bent who likes science fiction, it's always good to see where it all started.
Gareth von Kallenbach (980 KP) rated The Purge: Anarchy (2014) in Movies
Jun 19, 2019
Last year audiences got a glimpse into a future America where crime, unemployment, and other social factors were at an all-time low. The cost for such radical social transformation was an annual Purge where for 12 hours; all crimes including murder are legal.
The film was made for less than $4 million and went on to become a surprise hit which naturally gave rise to sequel plans.
“The Purge: Anarchy” picks up a year later shortly before the annual Purge commences. The story follows three main groups of people who are preparing for the pending evening in Los Angeles.
Eva, (Carmen Ejogo), is a single mom who works as a waitress when she is not caring for her daughter and father, Shane and Liz a coupling facing a possible separation, ( Zach Gilford, Kiele Sanchez), and a mysterious man known as Sargent (Frank Grillo).
Although strangers at the start of the evening, fate brings them all together on an evening where not everyone can be trusted as people can turn on one another over long standing grudges or simply to ‘free the beast” as they call it citing their right to do so as granted by the new founding fathers.
The streets have become a battlefield as the carnage builds up and people locked in their buildings soon find themselves under attack from black armor clad shock troops supported by chain gun equipped semi-trailers.
The main characters of the film must work with one another to stay alive as Sergeant as desperate need of a car to replace the one he lost saving his companions, but to the others he is a dangerous wildcard that they are not sure can be trusted.
As the group moves through the streets looking for safety, danger is all around them and as they evening progresses they learn more and more about the Purge and who in society benefits the most from this annual event.
With death a constant companion, the group must survive against all odds in a world gone mad for 12 hours and with limited options, they must take on the deadliest threats ever assembled for The Purge.
The film is a rare sequel that is actually better than the original. The increased budget shows as the ability to set the story in a city rather than a single home has allowed a more diverse cast of characters, motivations, and scenarios to be presented.
Aside from the solid mix of action and suspense, I enjoyed the fact that the characters came across as real people rather than stereotypical fodder for films of this type. While there is not tons of depth given to them, we are given enough information to understand their motivations and find a reason to care for them.
The film also takes on some very touchy subjects such as social injustices, the needs of the poor vs the seemingly uncaring attitudes of the wealthy and how laws seem to be made often to appease only the rich and powerful at the expense of everyone else.
Taking on such difficult subject matter without becoming overly preachy was a strong point of the film as it not only entertained but raised some very good questions and social commentary while allowing the audience to make up their own minds.
This reminded me in many ways of the original Star Trek series as they were pioneers in taking on topics that the network censors would not allow by hiding it in the cloak of fantasy. The powers that be had little knowledge of what was being presented but those who did watch the show clearly got the message.
This was evident in the film when the tables turned on a sadistic and elite socialite which resulted in loud cheers and applause from the audience.
There has been talk that the next film in the series may be a prequel and deal with the original Purge and how it came to be. I for one would love to see more as the nature of the premise gives rise to so many stories and scenarios in one night alone, and the fact that the Purge is an annual event, and then perhaps we will see films in this series on a regular basis. If they keep up the quality of this one, then I say bring them on.
http://sknr.net/2014/07/18/the-purge-anarchy/
The film was made for less than $4 million and went on to become a surprise hit which naturally gave rise to sequel plans.
“The Purge: Anarchy” picks up a year later shortly before the annual Purge commences. The story follows three main groups of people who are preparing for the pending evening in Los Angeles.
Eva, (Carmen Ejogo), is a single mom who works as a waitress when she is not caring for her daughter and father, Shane and Liz a coupling facing a possible separation, ( Zach Gilford, Kiele Sanchez), and a mysterious man known as Sargent (Frank Grillo).
Although strangers at the start of the evening, fate brings them all together on an evening where not everyone can be trusted as people can turn on one another over long standing grudges or simply to ‘free the beast” as they call it citing their right to do so as granted by the new founding fathers.
The streets have become a battlefield as the carnage builds up and people locked in their buildings soon find themselves under attack from black armor clad shock troops supported by chain gun equipped semi-trailers.
The main characters of the film must work with one another to stay alive as Sergeant as desperate need of a car to replace the one he lost saving his companions, but to the others he is a dangerous wildcard that they are not sure can be trusted.
As the group moves through the streets looking for safety, danger is all around them and as they evening progresses they learn more and more about the Purge and who in society benefits the most from this annual event.
With death a constant companion, the group must survive against all odds in a world gone mad for 12 hours and with limited options, they must take on the deadliest threats ever assembled for The Purge.
The film is a rare sequel that is actually better than the original. The increased budget shows as the ability to set the story in a city rather than a single home has allowed a more diverse cast of characters, motivations, and scenarios to be presented.
Aside from the solid mix of action and suspense, I enjoyed the fact that the characters came across as real people rather than stereotypical fodder for films of this type. While there is not tons of depth given to them, we are given enough information to understand their motivations and find a reason to care for them.
The film also takes on some very touchy subjects such as social injustices, the needs of the poor vs the seemingly uncaring attitudes of the wealthy and how laws seem to be made often to appease only the rich and powerful at the expense of everyone else.
Taking on such difficult subject matter without becoming overly preachy was a strong point of the film as it not only entertained but raised some very good questions and social commentary while allowing the audience to make up their own minds.
This reminded me in many ways of the original Star Trek series as they were pioneers in taking on topics that the network censors would not allow by hiding it in the cloak of fantasy. The powers that be had little knowledge of what was being presented but those who did watch the show clearly got the message.
This was evident in the film when the tables turned on a sadistic and elite socialite which resulted in loud cheers and applause from the audience.
There has been talk that the next film in the series may be a prequel and deal with the original Purge and how it came to be. I for one would love to see more as the nature of the premise gives rise to so many stories and scenarios in one night alone, and the fact that the Purge is an annual event, and then perhaps we will see films in this series on a regular basis. If they keep up the quality of this one, then I say bring them on.
http://sknr.net/2014/07/18/the-purge-anarchy/
LeftSideCut (3776 KP) rated Detroit: Become Human in Video Games
Jul 30, 2019
Leaves Heavy Rain in the dust
The only other Quantic Dream game I have played is 2010s 'Heavy Rain' - a game that I kind of enjoyed, but to me always felt like it was in the cusp of being so much more.
Detroit: Become Human is that 'so much more'.
Detroit follows the narrative of three playable characters - Kara, Markus, and Connor - all androids living in a not too distant future. Androids exist purely to make life easier for humans. They are treated like slaves in a lot of cases and generally mistreated, causing some models to deviate from their programming, and develop free thinking.
These characters stories follow different parts as an Android revolution for equal rights picks up pace.
With all the issues our real world faces at present, a lot of the storyline seems apt, as a subtle social commentary is weaved throughout, without ever slapping you over the face with it.
The different narratives flow perfectly alongside one another, and it becomes clear very quickly, that even the smallest choice you make can drastically effect the route your story takes. It makes for some thrilling an intense moments, where someone you've grown to care about could be snatched away from you without warning.
The graphics and motion capture are breathtaking. It's a gorgeous looking game that emits pure quality, showing off just how much effort has gone into it.
The gameplay ranges from slower detective work, to furious chases, to combat wrapped in QTE. It stands apart in that respect as the moments where the often dreaded QTE sections are deployed, the situation is usually so tense that it feels more urgent - the stakes are always high, as one slip up could cost you dearly.
(The mission aboard Jericho in the latter stages of the game had me legit stressed!)
And to top it all off, Detroit has a wonderful musical score, that compliments the well written script perfectly.
I can't recommend Detroit enough - I can't fault it in any way. I'm already excited to dive back in to pursue more of the many endings the game has to offer!
Detroit: Become Human is that 'so much more'.
Detroit follows the narrative of three playable characters - Kara, Markus, and Connor - all androids living in a not too distant future. Androids exist purely to make life easier for humans. They are treated like slaves in a lot of cases and generally mistreated, causing some models to deviate from their programming, and develop free thinking.
These characters stories follow different parts as an Android revolution for equal rights picks up pace.
With all the issues our real world faces at present, a lot of the storyline seems apt, as a subtle social commentary is weaved throughout, without ever slapping you over the face with it.
The different narratives flow perfectly alongside one another, and it becomes clear very quickly, that even the smallest choice you make can drastically effect the route your story takes. It makes for some thrilling an intense moments, where someone you've grown to care about could be snatched away from you without warning.
The graphics and motion capture are breathtaking. It's a gorgeous looking game that emits pure quality, showing off just how much effort has gone into it.
The gameplay ranges from slower detective work, to furious chases, to combat wrapped in QTE. It stands apart in that respect as the moments where the often dreaded QTE sections are deployed, the situation is usually so tense that it feels more urgent - the stakes are always high, as one slip up could cost you dearly.
(The mission aboard Jericho in the latter stages of the game had me legit stressed!)
And to top it all off, Detroit has a wonderful musical score, that compliments the well written script perfectly.
I can't recommend Detroit enough - I can't fault it in any way. I'm already excited to dive back in to pursue more of the many endings the game has to offer!
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Shelle Perry (66 KP) rated Abide With Me : A Sister Agatha and Father Selwyn Mystery in Books
Dec 16, 2020
A young journalist is visiting Gwenafwy Abby, presumably writing a story on the new directions the church is taking. When she is found dead, Sister Agatha does not believe the theory of an accidental death. She starts a new notebook and dives into the case chasing down clues. Does the young woman’s death have something to do with scathing articles she has written in the past? Or, could it be an ex-boyfriend who just happens to show up in town, and just who was it seen entering the woman’s cottage after her death?Sister Agatha is a bit of a handful. She doesn’t do anything by half measures. One simply has to adore a nun who writes detective romance stories, has a murder club to help her with amateur sleuthing, and looks to famous literary detectives for advice. What would Miss Marple do??? Agatha’s weakness for cake lends itself to wonderful descriptions of mouthwatering traditional Welsh food. In this story, nearly everyone close to the Abby is a suspect. As much as Agatha and the reader want the killer to be found out and caught, it is likely that it will be heartbreaking for the nuns. Agatha keeps her moxie to the thrilling end of the investigation though.These are characters I would love to sit and visit with. From the put upon police department and store clerks to the individual sisters at the Abby. Maybe spend a few days learning to make cheese, especially since Gouda is my family’s fave.I loved the social commentary on modern technology and how it fits into a cloistered setting. Mostly I just giggled over the names of the shops in town, I won’t spoil them all, but, my favorites are The Fatted Calf farm to table market and Lettuce Eat Vegan.So why should you read this book? Because it is quirky, brilliant, softboiled Cozy at its best. The cast of characters and their personal stories will have you scrambling to read the first two books, or waiting impatiently for the next one.
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