"This is hard, because it could be many things. I mean, it could be Kubrick, it could be Haneke again. Do I need to mix it up a little bit? I feel like I’ve gone very serious. I think it’s either 2001: A Space Odyssey or Funny Games by Michael Haneke. What I like about Funny Games is a moment, actually, where all of it… OK, I think 2001 is a better movie. However, there’s a moment in Funny Games that’s genius, that I love, which is when he turns to the audience, and suddenly turns the whole movie into this kind of study, where we are accountable as an audience. Because we like the violence that’s happening in the movie, and he’s doing it for us, so suddenly we’re culpable. And I think that’s a really cool moment in film that I haven’t really seen other than that. Yeah, I thought that was really clever. Also, I’m talking the American remake, not the original, because he remade it shot-for-shot for the American audience, which is really interesting, because he made it in German and then it only had so much reach, and then was like, “I want to make this for a society where violence maybe is a little more glamorized.” And I’m not just saying that about Americans; I think we’re the same in the UK, where we really like watching that on-screen. It’s just a really interesting study into that, and so, for that reason, I’m going with that. And one time I hosted a screening where all of our friends came down and watched it, and I have never seen a more depressed group of people in my life, and it was a huge mistake. [laughs] Everyone left immediately. No one hung around after."