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Awix (3310 KP) rated The Divine Order (2017) in Movies
Mar 10, 2018 (Updated Mar 10, 2018)
It's not that uncommon for a certain kind of feminist film to turn up in art-house cinemas in the UK - these are usually about the struggle for self-determination as experienced by women in traditionalist societies around the world. What is unusual is to see this sort of story taking place in a recognisably modern European setting, as is the case with The Divine Order. The year is 1971, the setting is rural Switzerland, and a vote is looming over whether women should be given the right to vote. Yes, 1971; yes, Switzerland. Young housewife Nora finds herself almost by accident leading the women of her village in a campaign for, if not equality, then at least recognition.
A solidly scripted and involving film; not too heavy or worthy, it finds time for plenty of lighter moments along the way, though the mood is generally as serious as you might expect. Slightly manipulative, but then that's always the case with this type of film - there is a welcome degree of subtlety, compared to some (one of the leading opponents of women's suffrage is female, for instance). Sofia Helin gets a brilliant cameo as a visiting advocate of 'Yoni Power' (google it if you don't know; I'm not going there in a film review). The version we saw was let down by some inept subtitling but this is still an engaging and well-made drama, not just historical agitprop.
A solidly scripted and involving film; not too heavy or worthy, it finds time for plenty of lighter moments along the way, though the mood is generally as serious as you might expect. Slightly manipulative, but then that's always the case with this type of film - there is a welcome degree of subtlety, compared to some (one of the leading opponents of women's suffrage is female, for instance). Sofia Helin gets a brilliant cameo as a visiting advocate of 'Yoni Power' (google it if you don't know; I'm not going there in a film review). The version we saw was let down by some inept subtitling but this is still an engaging and well-made drama, not just historical agitprop.