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Leanne Crabtree (480 KP) rated Talented (Talented Saga, #1) in Books
Sep 5, 2019
3.5 stars.
*I received this copy via Netgalley in exchange for an honest review*
Yet again I was drawn to the cover. Then I checked out the synopsis and I thought, “This should be good!” So I requested to read it and got the go ahead several days ago.
I’ll admit it took me a good 20%-25% to really get into it, mainly because of all the description and back story that was thrown in, but once that was out of the way I got quite into it.
Character wise, I have to admit that for the first 40% or so that Talia annoyed me. She seemed rather whiney and didn’t like it when Donovan or others didn’t go along with what she wanted to happen. At the same time Donovan seemed off, himself, though the reason behind that soon came to light. One person I did like was Erik, one third of Talia’s Hunter team. I liked him from the start but there was one scene; one lovely scene involving him and Talia after a mission that made me almost fall for him. It was so sweet. Then there’s Henri, the last member, and leader of their team. He seemed like a pretty great guy, taking care of them on missions and making sure they were up to scratch with their mental and physical abilities.
The world building was pretty good, with lots of detail to help you picture it in your head.
I was waiting for Natalia’s showdown with Ian Crane for most of the book, since that was what the synopsis mentioned, and it was mentioned in the last 30%, though the mission itself actually started with about 15% of the book to go.
As usual, I choose books for the romance aspect and I wasn’t disappointed. The thing between Talia and Erik was really good when it got going.
Overall, I liked this but the information overload at the beginning and the annoying character traits knocked it down half a star for me. A good first book into the series, though. I’m not in any hurry to continue the series but I may read the second book at some point.
*I received this copy via Netgalley in exchange for an honest review*
Yet again I was drawn to the cover. Then I checked out the synopsis and I thought, “This should be good!” So I requested to read it and got the go ahead several days ago.
I’ll admit it took me a good 20%-25% to really get into it, mainly because of all the description and back story that was thrown in, but once that was out of the way I got quite into it.
Character wise, I have to admit that for the first 40% or so that Talia annoyed me. She seemed rather whiney and didn’t like it when Donovan or others didn’t go along with what she wanted to happen. At the same time Donovan seemed off, himself, though the reason behind that soon came to light. One person I did like was Erik, one third of Talia’s Hunter team. I liked him from the start but there was one scene; one lovely scene involving him and Talia after a mission that made me almost fall for him. It was so sweet. Then there’s Henri, the last member, and leader of their team. He seemed like a pretty great guy, taking care of them on missions and making sure they were up to scratch with their mental and physical abilities.
The world building was pretty good, with lots of detail to help you picture it in your head.
I was waiting for Natalia’s showdown with Ian Crane for most of the book, since that was what the synopsis mentioned, and it was mentioned in the last 30%, though the mission itself actually started with about 15% of the book to go.
As usual, I choose books for the romance aspect and I wasn’t disappointed. The thing between Talia and Erik was really good when it got going.
Overall, I liked this but the information overload at the beginning and the annoying character traits knocked it down half a star for me. A good first book into the series, though. I’m not in any hurry to continue the series but I may read the second book at some point.
Leanne Crabtree (480 KP) rated Stolen Songbird (The Malediction Trilogy, #1) in Books
Sep 6, 2019
*Copy received via Netgalley in exchange for an honest review*
4.5 stars
I love the cover of this; its very eye catching. Ill admit that covers attract me to books and this drew my attention straight away. Then I saw the name and I said to myself, I have to read this. But then theres the fact that Im rather picky with my fantasy books (loving the Throne of Glass series but not liking Daughter of Smoke and Bone). Nevertheless I jumped straight into the book.
This is only my second ever troll book but considering the other was just a short story, I was looking forward to learning more about them. And I wasnt disappointed. They sound equally enchanting and terrifying depending on who you meet. And I like the thought of there being handsome troll princes very much :D
Cécile is quite a tough girl. She doesnt mind giving as good as she gets verbally which I like about her. As for Prince Tristan, I liked his sarcasm at the start, even if it was directed at Cécile. And then I just sort of grew to like him. Some of the secondary characters were just as likeable, such as Marc and the twins.
There was an interesting storyline to this; almost a good versus evil plot but much more complicated. It was all very political and about who should rule Trollus and how. I wish I could go into detail but that would ruin the plot.
Then comes the romance aspect. I loved the progression of Cécile and Tristans relationship. They might not have liked each other in the beginning but as they got to know each other better it was very sweet reading and I was cheering them on from fairly early in the book.
To go back to my pickiness with fantasy. I have to say I loved a lot of what this book had going for it. The lights that are created by magic (especially Céciles own) are genius and the Glass Garden sounded amazing. I bet it looks lovely lit up!
I laughed, I ranted, I cried twice. It was a bit of an emotional rollercoaster for me but I thoroughly enjoyed it and look forward to reading the next book in the trilogy.
4.5 stars
I love the cover of this; its very eye catching. Ill admit that covers attract me to books and this drew my attention straight away. Then I saw the name and I said to myself, I have to read this. But then theres the fact that Im rather picky with my fantasy books (loving the Throne of Glass series but not liking Daughter of Smoke and Bone). Nevertheless I jumped straight into the book.
This is only my second ever troll book but considering the other was just a short story, I was looking forward to learning more about them. And I wasnt disappointed. They sound equally enchanting and terrifying depending on who you meet. And I like the thought of there being handsome troll princes very much :D
Cécile is quite a tough girl. She doesnt mind giving as good as she gets verbally which I like about her. As for Prince Tristan, I liked his sarcasm at the start, even if it was directed at Cécile. And then I just sort of grew to like him. Some of the secondary characters were just as likeable, such as Marc and the twins.
There was an interesting storyline to this; almost a good versus evil plot but much more complicated. It was all very political and about who should rule Trollus and how. I wish I could go into detail but that would ruin the plot.
Then comes the romance aspect. I loved the progression of Cécile and Tristans relationship. They might not have liked each other in the beginning but as they got to know each other better it was very sweet reading and I was cheering them on from fairly early in the book.
To go back to my pickiness with fantasy. I have to say I loved a lot of what this book had going for it. The lights that are created by magic (especially Céciles own) are genius and the Glass Garden sounded amazing. I bet it looks lovely lit up!
I laughed, I ranted, I cried twice. It was a bit of an emotional rollercoaster for me but I thoroughly enjoyed it and look forward to reading the next book in the trilogy.
Leanne Crabtree (480 KP) rated The Revealed in Books
Sep 6, 2019
4.5 stars
I received this ARC via Netgalley in exchange for an honest review.
I just love the cover of this! Dont you agree it just grabs the attention?
Im a big fan of dystopia stories and this sounded different, so I thought, Why not?
The USA has been mostly destroyed with only a few states remaining. Lily is the daughter of a politician running for President, along with another man, Roderick Westerfield, who Lilys family used to be close to. Roderick has a son, Kai, a year older than Lily and someone she used to be close to until the politics got in the way.
Lily has been marked to be taken by the Revealeda group of people with abilitiessince her 18th birthday and like every other 18 year old in the city is being kept at home until they reach their 19th and are safe from being taken. Truly believing theyll come for her despite all the precautions she just wants to live life to the fullest until then.
I really liked the concept. It was dystopia but had a very different take on it, it wasnt all deserted and every man for themselves or strict dictatorship, it was like now, only with billions less people populating the planet and with a need to bring the world back into some semblance of working order.
Now to the characters. Lily is our main character and we see her struggle to do what she wants while being a member of such an influential family and the effect her actions have on them. Then theres Kai. I wasnt sure about him to start with but he grew on me a lot. Then Rory, Lilys best friend, shes pretty awesome.
The story was pretty much continuous action, there was always something happeningwhich stops boredom from creeping inand it kept me reading, and wanting to read it when I was busy. It was politics and supernatural and romance. I cant really say much else without spoiling the plot but it was right up my street and I really enjoyed it!
If youre looking for something dystopian and a little different then you should try this. If youre looking for a new name to read, then this is a good story.
Id definitely recommend this book/series! Its a great start.
I received this ARC via Netgalley in exchange for an honest review.
I just love the cover of this! Dont you agree it just grabs the attention?
Im a big fan of dystopia stories and this sounded different, so I thought, Why not?
The USA has been mostly destroyed with only a few states remaining. Lily is the daughter of a politician running for President, along with another man, Roderick Westerfield, who Lilys family used to be close to. Roderick has a son, Kai, a year older than Lily and someone she used to be close to until the politics got in the way.
Lily has been marked to be taken by the Revealeda group of people with abilitiessince her 18th birthday and like every other 18 year old in the city is being kept at home until they reach their 19th and are safe from being taken. Truly believing theyll come for her despite all the precautions she just wants to live life to the fullest until then.
I really liked the concept. It was dystopia but had a very different take on it, it wasnt all deserted and every man for themselves or strict dictatorship, it was like now, only with billions less people populating the planet and with a need to bring the world back into some semblance of working order.
Now to the characters. Lily is our main character and we see her struggle to do what she wants while being a member of such an influential family and the effect her actions have on them. Then theres Kai. I wasnt sure about him to start with but he grew on me a lot. Then Rory, Lilys best friend, shes pretty awesome.
The story was pretty much continuous action, there was always something happeningwhich stops boredom from creeping inand it kept me reading, and wanting to read it when I was busy. It was politics and supernatural and romance. I cant really say much else without spoiling the plot but it was right up my street and I really enjoyed it!
If youre looking for something dystopian and a little different then you should try this. If youre looking for a new name to read, then this is a good story.
Id definitely recommend this book/series! Its a great start.
Darren (1599 KP) rated Frank & Lola (2016) in Movies
Sep 13, 2019
Characters – Frank is a brilliant chef that has started dating the younger Lola, he gets jealous easily which makes him want to know who every man in Lola’s life is as he starts to look to solve her problems. Lola is a college graduate in fashion that is in Vegas, she is dating Frank and starts working for the charismatic Keith, she knows what will make Frank jealous as she starts to use him to get what she wants. Keith knows people in Vegas, he offers jobs to talent, which will see him follow a strict code of not trying to date them, he will always offer people job if he believes they deserve the change. Patricia is Lola’s mother that hasn’t always been as close with her daughter.
Performances – We have such a great cast here, Michael Shannon gives one of his most average performances of his career, Imogen Poots struggles to make an impact, Justin Long gets his moments, but not enough. Most of this comes from such dull characters they must try to bring to life.
Story – The story is the hardest part to describe because it seems to follow a chef that is trying to do anything to clean up his girlfriends past, only to get caught up in the middle of just what might be true or not. The problem with the story comes from the poor dialogue which makes it hard to connect the story together, it seems to create scenes which put Frank’s mind in one direction only for the next one to change it, this happens too often and becomes annoying because we can’t get invested in his story. we did get some heavy themes which do just get glanced over which only confuses in the end.
Crime/Romance – The crime side of the film comes from what Frank will do for Lola, he is driven by his love for her which shows him where to go with his actions.
Settings – The film has two main settings, Las Vegas and Paris, both are used to show the busy side of the lives of the people we are follow.
Scene of the Movie – Job offer.
That Moment That Annoyed Me – The story is too heavy on changing direction too often.
Final Thoughts – This is a dull romantic thriller that just drags along at a snails pace, never using the talent to its strengths.
Overall: Bitterly disappointing.
Performances – We have such a great cast here, Michael Shannon gives one of his most average performances of his career, Imogen Poots struggles to make an impact, Justin Long gets his moments, but not enough. Most of this comes from such dull characters they must try to bring to life.
Story – The story is the hardest part to describe because it seems to follow a chef that is trying to do anything to clean up his girlfriends past, only to get caught up in the middle of just what might be true or not. The problem with the story comes from the poor dialogue which makes it hard to connect the story together, it seems to create scenes which put Frank’s mind in one direction only for the next one to change it, this happens too often and becomes annoying because we can’t get invested in his story. we did get some heavy themes which do just get glanced over which only confuses in the end.
Crime/Romance – The crime side of the film comes from what Frank will do for Lola, he is driven by his love for her which shows him where to go with his actions.
Settings – The film has two main settings, Las Vegas and Paris, both are used to show the busy side of the lives of the people we are follow.
Scene of the Movie – Job offer.
That Moment That Annoyed Me – The story is too heavy on changing direction too often.
Final Thoughts – This is a dull romantic thriller that just drags along at a snails pace, never using the talent to its strengths.
Overall: Bitterly disappointing.
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Gareth von Kallenbach (974 KP) rated Cloud Atlas (2012) in Movies
Aug 7, 2019
While I am not familiar with the novel, I was not excited to review the film adaptation of David Mitchell’s Cloud Atlas. Though the Screenplay was written and directed by the Wachowskis (The Matrix) and Tom Tykwer (Run Lola Run) I did not know exactly what I was getting into. The trailer shows it as an epic sci-fi film crossing the time and lives of several stories and how everything and everyone is connected. Needless to say my curiosity was piqued. But I was nervous because I knew it would take a grand effort to keep this epic and ambitious project from falling flat. And well, I can honestly say that I am not quite sure if the combined effort succeeded.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher who’s life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family… Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Where’s Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his character’s soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an “everyman” that he has played in recent years.
Halle Berry’s performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James D’Arcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors hold’s their own against their older more notable counterparts. Whishaw’s performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Allow me to explain. About an hour into the film I had a young film reviewer to my left and I noticed he started to nod his head in approval at each new developing story throughout the film. To my right was a friend of mine, I would consider as an average film viewer, who at this same time I could tell was counting the minutes till the lights came up but felt trapped with nowhere to go but forward. And for me, I can see both sides of these reactions.
The plot is comprised of a multi-narrative of six stories, each with a complete beginning, middle and end. These stories are told from different timelines following a group of souls throughout the ages to show how everything is woven together and the connection between them; From the 1849 slave trader, to a young composer in 1936 Britain, to a 1973 journalist attempting to uncover corruption of the big business ruling class, to a 2012 literary publisher who’s life becomes a daring escape from a geriatric home, to a 2144 Neo-Soul synthetic learning to become human, to a post-apocalyptic tribesman trying to save his world and family… Lost yet? Believe me you will want to focus during the first hour of this film as we are introduced to the sudden shift of timelines. All of the main actors appear as varying characters of significance in every narrative, each with different accents and types of language. It is a bit of an unexpected bother to keep everything straight at first, however if you pay attention it is fairly easy to follow. This first hour is where I feel the film becomes a make or break for those actively thinking about what they are watching and the average movie viewer who is just there to be entertained and see the new Tom Hanks (Extremely Loud and Incredibly Close) or Halle Berry (Perfect Stanger) movie. For those who make it through that first hour still engaged, the film moves along at a steady pace and provides everything from romance to action that keeps you guessing and intrigued at what is next to come.
The Wachowskis and Tykwer do an outstanding job of visually fleshing out each timeline in its own visual style, especially the futuristic ones, which subtlety organize each narrative for the viewer. Additionally, there are so many talented actors in this film and it is somewhat fascinating to try and pick them out throughout the film. It is almost like a giant game of Where’s Waldo on screen as the makeup and special effects artists do a fantastic job of making the actors fit each character in every timeline. In fact, during the fourth or fifth timeline a lady in my row asked her partner if the man on screen was Forrest Gump, which was surprising because Hanks was the easiest character to pick out among them all.
Tom Hanks delivers one of his better performances in years. We watch his character’s soul transition from a sinister and vile doctor to a tribesman making the righteous choice while struggling with that inkling of evil that is the devil within us all. It was refreshing to see Hanks play parts that were not just an “everyman” that he has played in recent years.
Halle Berry’s performance is mostly average in her parts with the exception of 1973 journalist role where she is the main protagonist. Hugo Weaving channels a bit of his Agent Smith role from The Matrix as he plays a villain throughout the timelines. Hugh Grant (Love Actually) makes unexpected soild appearances throughout the timelines. With Jim Sturgess (One Day), James D’Arcy (Mansfield Park) and Ben Whishaw (who is the new Q in the upcoming James Bond film Skyfall) rounding out the cast with a young contrast to the already heavy acting handled by the bigger names of this film. Each of these young actors hold’s their own against their older more notable counterparts. Whishaw’s performance as the lead in the 1936 composer role is especially noteworthy.
The other stand out performance in the film comes from Jim Broadbent best known in the states as Professor Slughorn in the Harry Potter Films. His performance in the 1936 composer and 2012 literary publisher are excellent. The Publisher story was my favorite timeline throughout the film. Not only did it deliver some much needed comic relief to an emotionally engaging and heavy film, but it also made me care the most about the elderly characters trying to escape the clutches of the geriatric prison of a nursing home. Unfortunately, other than the aforementioned comic relief this timeline seemed the most unnecessary to the overarching story at hand.
When I left the film and talked it over with my friend I was indifferent to the film. It was not great, it was not bad either. As my friend described it, it was a movie that was trying too hard. We agreed that somewhere in the six storylines there may be a great film, but we were not sure if we watched it.
However as the days have passed I have found myself thinking about the stories constantly. More specifically about how the main protagonist played by a different actor in each narrative has the same birthmark of a shooting star that in some way symbolizes some universal soul encompassing a new shell of a body in each timeline. Like some kind of reincarnation of that soul is fighting the same revolution throughout the ages against the powerful class and illusion of natural order. Additionally how each of the central characters found themselves connected with the main characters in the stories that preceded them through some kind of medium; whether it was by an old journal, or love letters, or a written story, or film, or message of hope. These subtle insights of growth and change for this main soul leaping into a new life in each timeline has caused me to examine our world and how we as people can be truly connected to one another not only today, but throughout the ages. I want to view the film again and am inspired to read the novel in some sort of effort to better understand these concepts.
Nevertheless as a film that is almost three hours long it does its best to be an epic sci-fi film and give something for everyone. And while it succeeds in many aspects of feel, it also falls short in aspects that are probably best accomplished in a literary form. As I said above, somewhere in the six storylines there may be a great film, but I am not sure if I watched it. Or maybe I am not intelligent enough to comprehend it. Because of that I can only give it an average score. Though I believe if you ask me after a second viewing, I may be inclined to raise it.
Haley Mathiot (9 KP) rated It's Not Summer Without You (Summer, #2) in Books
Apr 27, 2018
Everything changed after Susannah died. Her two sons, both of whom Belly loves in different ways, have changed. Jeremiah is older. Conrad is empty. Belly's mother is different. And Belly is different, too. After her painful break-up with Conrad, she isn't expecting to enjoy summer, she just wants to get through it. But when Jeremiah calls her and tells her that Conrad has vanished from summer school, she goes with him to find him… and try to make things write. But Conrad has his own agenda, and his own idea of what is right. Belly has to decide if she's willing to let her heart get torn and healed by Conrad's ever-changing emotions in relation to her—as changing as the sea at her summer house—or if she's ready to let go.
After having just finished It's Not Summer Without You, I'm not sure if I feel like smiling, or if I feel smug, or if I want to kill Conrad—or at least hit him—or maybe I want to kill Jeremiah, or maybe I want to cry. I think I feel like Belly. I feel sorry for her, that's for sure.
It's Not Summer Without You is beautiful in a painful kind of way. I loved the way the story was woven, but I'm not sure I liked the way it turned out. It's the kind of story that starts looking scary, because you know that in the end everyone is going to get hurt, and that someone is going to have to choose between two good things, and you'll never be completely satisfied with the choice. But then, maybe that's the way it is in the real world. That's what makes this story good: it's real.
I read it in one sitting, on the same day I got it, and I couldn't put it down. Just like The Summer I Turned Pretty, the main aspect of the book is the characters. They are what keep you reading, they are what makes you care about the book. I care about Belly, I care about Conrad, I care about Jeremiah. I just don't care about them in the same ways I used to.
The writing felt smooth, poetic, and lyric, but the entire book had a negative energy to it. It felt depressing to read. I don't feel like I just read a summer romance, I feel like I just read a sad book and I need a light summer romance to cheer me up. That's not to say I didn't like it, but it was rather depressing to read.
The whole thing, from start to finish, felt like a lost cause with a possible hopeful end—meaning Belly and Conrad would never be together again, everything is falling apart after Susannah's death, and nothing will ever be good again…unless, unless, unless—and I'm not quite sure if it had that end. It wasn't enough of an ending for me. There wasn't enough closure between the characters, I'm still not exactly sure what happened and where everyone stands, and the epilogue wasn't enough to decode what was being said. Hopefully, more was added to the epilogue in the finished copy of the book. That's the only reason I gave it four stars and not five: I didn't enjoy it enough. It was good, it was just hard to read and hard to enjoy.
All in all, I did like it, I liked most of what happened, and I liked how real it was. It's Not Summer Without You evokes real emotions because it plays out in the real world.
Content: Some language
Recommendation: Ages 16+
After having just finished It's Not Summer Without You, I'm not sure if I feel like smiling, or if I feel smug, or if I want to kill Conrad—or at least hit him—or maybe I want to kill Jeremiah, or maybe I want to cry. I think I feel like Belly. I feel sorry for her, that's for sure.
It's Not Summer Without You is beautiful in a painful kind of way. I loved the way the story was woven, but I'm not sure I liked the way it turned out. It's the kind of story that starts looking scary, because you know that in the end everyone is going to get hurt, and that someone is going to have to choose between two good things, and you'll never be completely satisfied with the choice. But then, maybe that's the way it is in the real world. That's what makes this story good: it's real.
I read it in one sitting, on the same day I got it, and I couldn't put it down. Just like The Summer I Turned Pretty, the main aspect of the book is the characters. They are what keep you reading, they are what makes you care about the book. I care about Belly, I care about Conrad, I care about Jeremiah. I just don't care about them in the same ways I used to.
The writing felt smooth, poetic, and lyric, but the entire book had a negative energy to it. It felt depressing to read. I don't feel like I just read a summer romance, I feel like I just read a sad book and I need a light summer romance to cheer me up. That's not to say I didn't like it, but it was rather depressing to read.
The whole thing, from start to finish, felt like a lost cause with a possible hopeful end—meaning Belly and Conrad would never be together again, everything is falling apart after Susannah's death, and nothing will ever be good again…unless, unless, unless—and I'm not quite sure if it had that end. It wasn't enough of an ending for me. There wasn't enough closure between the characters, I'm still not exactly sure what happened and where everyone stands, and the epilogue wasn't enough to decode what was being said. Hopefully, more was added to the epilogue in the finished copy of the book. That's the only reason I gave it four stars and not five: I didn't enjoy it enough. It was good, it was just hard to read and hard to enjoy.
All in all, I did like it, I liked most of what happened, and I liked how real it was. It's Not Summer Without You evokes real emotions because it plays out in the real world.
Content: Some language
Recommendation: Ages 16+