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Charlie Cobra Reviews (1840 KP) rated Cooties (2015) in Movies

Jul 7, 2020 (Updated Oct 26, 2020)  
Cooties (2015)
Cooties (2015)
2015 | Comedy, Horror
7
6.0 (8 Ratings)
Movie Rating Watch
An Irreverent Off Color Zombie-Comedy
Contains spoilers, click to show
I thought this movie was very underrated by the critic community. I really enjoyed it and felt it had exactly what I look for in a zombie movie. The premise fits well with it's genre because in real life this would be terrible and frightening. Kids being zombies, yikes. But since it's a comedy it was easy for them to set up some pretty funny scenes of them having to fight off kids that are trying to eat them. Critics saying it not being funny enough are hard for me to agree with because it had plenty of laughs for me, although some of them fell flat or were kind of lame. And that it was too ugly and violent for younger viewers, well hello, it's rated R. I do have to say that away from the premise the story or plot wasn't all too creative but it plays out well over the 94 minute film. Some critics also commented about "uninspired plot mechanics" which to me was more about some of it being predictable or cliché with zombie tropes common to the genre but I thought they fit into the plot in a good way that kept the direction of the movie going. One thing that I did agree with was that the ending was disappointing or unsatisfactory but I've learned that in zombie movies that's something you have to expect sometimes. There's not going to always be a happy ending or any kind of ending sometimes but there was a funny after credits scene where the janitor is shown for a couple of seconds. I give this movie a 7/10.


  
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Graham Lewis recommended Talking To A Dead Queen by Leif Elggren in Music (curated)

 
Talking To A Dead Queen by Leif Elggren
Talking To A Dead Queen by Leif Elggren
(0 Ratings)
Album Favorite

"He's a Swedish multi-disciplinary artist. I chose that to represent all of my friends, composers and people that I know who make extraordinary experimental work. On one hand it is a drone, and it's a really fantastic drone. It's a copper pipe on a pillar driven by it's own amplification - it's a fantastic sound. The other part is a reading of an autopsy of a Dutch queen when she dies. It's an old autopsy so it's got this great formality: it talks about the 'colouration' of the skin. The poetry is in the age of the language. It's something that's absolutely fascinating but it also has no relevance, all it is is about it. It's a composition, it's a piece of imagination. One could mention 'The Gift' by The Velvet Underground. I remember the first time hearing that and it was split in stereo and thinking: 'God that's extraordinary'. Why do I not always sing my own lyrics? It seems to fit better to me. It's the proof that sometimes it's a good idea not to think about things too carefully. The way things roll is sometimes good. It's a funny thing to Wire, it's not what we thought about, it was a practical solution to a time when we were in need of writing material. I never learned to play the guitar, and it turned out to be an incredible device, this distancing, which threw it into interesting spaces. It gives it a theatrical quality that's not drama theatrical, but theatrical in the same way as you'd have with someone like Pinter, where you'd have very normal speech but because of the context that you put things into, suddenly you have something that's quite peculiar."

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ClareR (5950 KP) rated Lightseekers in Books

Feb 23, 2021  
Lightseekers
Lightseekers
Femi Kayode | 2021 | Crime, Fiction & Poetry, Mystery, Thriller
8
8.0 (1 Ratings)
Book Rating
Lightseekers is a fantastic thriller set in Nigeria. I love books set in other countries (i.e. set outside the UK), in the hope that I’ll learn something about the people and the culture - and I think that was exactly the case for both me and the main character, Philip Taiwo in this book. He has lived in the US for long enough to forget how things are done in his home country of Nigeria, and for long enough to be considered an outsider. Luckily for Philip, he has a competent helper in Chika - a man employed as his driver who is clearly much more than just that. There’s a lot of mystery surrounding Chika’s capabilities, and he certainly has a way with people that Philip needs to talk to. Sometimes that’s a good thing, sometimes not so much.
This isn’t a straightforward, easy investigation. There’s corruption at every turn, and the mob mentality and fear of being caught on the wrong side of that, radiates off the page. It was pretty difficult at times to work out who was on the side of ‘good’ and who wasn’t - the lines were so blurred. It was pretty obvious that social media in this case contributed negatively to what had happened, and how easily its users were manipulated - I’ve been seeing this a lot in books recently, and as a user of Social Media, I can see where these authors are coming from!
I really enjoyed reading this on The Pigeonhole, and I think Femi Kayode is going to be an author to look out for if this book is anything to go by. Thanks Pigeonhole for serialising this, and Femi for joining in the chat in the margins!
  
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Johnny Marr recommended Stay Awhile/I Only Want To Be With You by Dusty Springfield in Music (curated)

 
Stay Awhile/I Only Want To Be With You by Dusty Springfield
Stay Awhile/I Only Want To Be With You by Dusty Springfield
1964 | Pop
(0 Ratings)
Album Favorite

"""If you want to pick a Dusty Springfield album, it is tricky because you are not going to get the benefit of having some of the singles. The greatest thing about Dusty Springfield was her run of singles, but pure greatest hits albums are easy to wear out and you end up wanting a little bit more. This record does it all for me. It's from that period where she was undeniably the best singer in pop music and that includes singers from the US too. There is a sound to this album that is rough pop and soul without it getting too purist. It was made by someone who was very serious about what she did and had a voice that I don't think has ever been bettered. There is a desperation in the way she sings that made her a fascinating person and a person with some depth. It's a great combination that seems to keep cropping up - where pop music is made by an interesting character. I sometimes get a little tired of forty-somethings cataloguing American music from the 60s. It always get a little predictable and the same names crop up, like Aretha Franklin and Otis Redding. While you aren't ever going to get around that, in this case because it is Dusty Springfield singing those songs, there is an edge to them and something more interesting. I know it is a conceptual idea, but sometimes you want authenticity to be played with a bit. With Dusty being an intriguing, white, part-Irish woman who had completely reinvented herself in the middle of the Tin Pan Alley pop machine, she was able to put a weird slant on her music. She put another angle on songs that were already great and - put it this way - I prefer her versions to the originals."

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