"I heard this on the radio in the States, and I loved the songwriting. He was coming up with something different, it was a soulful folk, so I went and bought the album in LA, I thought “I gotta hear what this guy does” and every bloody track on it is a gem. I’ve always loved the sound of an album, maybe as much as the songs themselves, you know the performance, the sound of it makes a big difference to me. And now you know you can get box sets with alternate takes, and you realise then how long it took them sometimes to get the final take. The first time they did it was good, but then all of a sudden - boom - and there it is. I think there’s a good learning process to listen to the ones they didn’t let go, where the producers said “not yet”, and they persevered until... there it is. When I’ve been in a club sometimes, I’ve gotten up [on stage] and they’ve been like, “Do ‘Delilah’!”, and I’ve said “Let me just do this, which I don’t normally do"". So it is, because when you’ve made big records - great onstage, the way you do your own show - but it’s great to do other stuff when you don’t have to do those things. Not that I don’t like them, you know ‘Delilah’’s a great record, but its nice to do other things. So when you hear someone like Bill Withers doing something like that and being successful, you think, “See, there’s room for that.” There’s room for all different kinds of records. They don’t all have to be the same, or in the same vein, or chasing some things just to get a hit record."

"I was going to go for ‘Call On Me’ from Safe As Milk but it has to be ‘Sure 'Nuff 'n Yes I Do’, which is probably my favourite ever Beefheart song. If I do any DJ’ing or I’m doing a party I open the set with this song. There’s just something about it, the groove on it was something I found really inspiring, again I guess it’s rooted in Rock and Roll, but it’s the way the beat is performed where it really helps the song to motor along. “I first heard this song way back. We used to listen to Frank Zappa a lot and Hot Rats was my favourite record for a while. I know Zappa divides a lot of people, but I think sometimes it’s misunderstood. People see it as this really annoying, muso stuff, which I definitely think it was later on at times, but I’ve always been intrigued by the rawness of early Zappa, how he used Beefheart and how he collaborated with him was always really interesting. I always look at it as really raw, they were all really good at their instruments and really good players but not musos at all. I thought it was raw, exciting and on the edge, but then the late ‘70s came along!” “What I love about Captain Beefheart and this track is the off-kilter rhythms, the instrumentation, the surreal, strange lyrics and the directness of it with its economic structures. This track is insane and sometimes he gets really abstract, which is cool in a different way, it’s kind of like all of it to be honest for different reasons, but ‘Sure 'Nuff 'n Yes I Do’ is like a party track, it’s just dirty and wonderful."