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LeftSideCut (3776 KP) rated Twin Peaks - Season 1 in TV

Sep 7, 2019 (Updated Sep 7, 2019)  
Twin Peaks  - Season 1
Twin Peaks - Season 1
1990 | Drama, Horror, Mystery
I was only introduced to Twin Peaks a few years back, not long before the much anticipated season 3 was announced.
I wasn't overly excited to watch an early 90s show that on the surface seemed like a run of the mill murder mystery. I had heard to the odd thing or two, about how it was actually quite unsettling etc.

But I wasn't prepared for what I witnessed - a truly great series of television - as mentioned, on the surface, a murder mystery, sometimes verging into lighthearted sitcom territory, bit with some seriously disturbing undertones.

Twin Peaks made my skin crawl on more than one occasion. As I slowly fell in love with the quirky characters, and beautiful American log town setting, I found myself almost constantly on edge. Mainly because of Bob. Goddamn Bob.
The first time Bob graces the screen will stick in my mind for the rest of time.

The unsettling nature of Twin Peaks, woven so lovingly with the less serious moments, and woven again with the just straight up bizarre moments, proves that David Lynch is a master of his craft.
Angelo Badalamenti's musical score elevates the show to even greater heights.

It's hard to truly describe Twin Peaks - but it's something I'm damn glad I was made to watch.
  
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David McK (3801 KP) rated Camelot in Books

Jun 1, 2020  
Camelot
Camelot
Giles Kristian | 2020 | Fiction & Poetry
9
9.0 (1 Ratings)
Book Rating
"Camelot!"
"Camelot!"
"It's only a model"
"Shhh"



"On second thoughts, let's not go there. 'Tis a silly place"

With that out of the way, this is a sequel - or, as the author (Giles Kristian) himself puts it - more of a companion piece to his earlier (and originally conceived as being standalone) novel Lancelot, although I feel that he REALLY should have stuck with his original name for the novel: Galahad.

Calling it Camelot, to me, does the novel a bit of a disservice, with that location not really a key factor in the story. What is, however, is the central character (and first person narrator) of Galahad himself: Lancelot's son, raised by Christian monks following his fathers death in the climax of the previous, who (here) is not as pure and devout and, well, 'holy' as he is otherwise sometimes depicted, and who is still haunted by his legacy.

Various other characters from Arthurian legend themselves make an appearance, most notably (on the character front) Gawain, Merlin and Iselle whilst (on the 'Quest'/story front) we have a reimagining of The Green Knight, and the Search for The Holy Grail.

Like "Lancelot" before it, this is well worth a read.