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Bong Mines Entertainment (15 KP) rated Live From Studio Hotel Earth by Laura Jean Anderson in Music
Jun 25, 2019
Laura Jean Anderson is an LA-based singer-songwriter from Olympia, Washington. Not too long ago, she released an EP of live in-studio tracks, entitled, “Live From Studio Hotel Earth”.
The 6-track project contains songs from her debut EP, entitled, “Lonesome No More”, alongside a cover of The White Stripes’ “I’m Lonely (But I Ain’t That Lonely Yet)” single.
“I miss my mother, I miss being her one. As crazy as I was, I guess I wasn’t much fun. Sometimes, I miss her so much, want to hop on the next jet. I get lonely, but I ain’t that lonely yet.” – lyrics
‘I’m Lonely (But I Ain’t That Lonely Yet)’ tells a depressing tale of a young woman who is in need of human contact. Apparently, she doesn’t want to bother her loved ones, therefore, she doesn’t tell them that she misses them.
Later, she admits that sometimes she wants to give them a call, but doesn’t want to feel like a pest. Even though she feels regret for being desolate, she keeps on keeping on. What she really wants is to find a friend, someone who she can talk to one on one.
‘I’m Lonely (But I Ain’t That Lonely Yet)’ contains a gloomy storyline, ear-welcoming vocals, and guitar-driven instrumentation flavored with sentimental blues and folk elements.
“Making a record and having the vast possibilities of production and instrumentation is exciting, but there is something special about limitation. This live EP brings the songs back to how they were written. Back to those intimate moments of writing alone late at night with just me and my guitar. These songs are really personal to me. All about very vivid moments and stories of my life so being able to record them stripped-down and intimately was really emotional but beautiful. The day of the recording was really special for me. I’m a huge believer in the power of a community of people. So it was really special having my old friend Theo Karon record this in his new studio.” – Laura Jean Anderson
Laura Jean Anderson had a strict Mormon upbringing. During her teenage years, she used music as an outlet for rebellion and enhanced her vocal skill in church choirs.
After a bronchitis-ridden audition, she gained acceptance to California Institute of the Arts (CalArts), where she studied classical voice.
Since then, she has gained experience as a blue collared musician who built her career working odd jobs which involved painstaking hard labor.
Get acquainted with her music by streaming her “Live From Studio Hotel Earth” EP via Spotify.
Laura Jean Anderson recorded her “Live From Studio Hotel Earth” EP in one-take.
Also, this summer, she will embark on a tour as direct support with L.A. alt-rock outfit Grizfolk.
The 6-track project contains songs from her debut EP, entitled, “Lonesome No More”, alongside a cover of The White Stripes’ “I’m Lonely (But I Ain’t That Lonely Yet)” single.
“I miss my mother, I miss being her one. As crazy as I was, I guess I wasn’t much fun. Sometimes, I miss her so much, want to hop on the next jet. I get lonely, but I ain’t that lonely yet.” – lyrics
‘I’m Lonely (But I Ain’t That Lonely Yet)’ tells a depressing tale of a young woman who is in need of human contact. Apparently, she doesn’t want to bother her loved ones, therefore, she doesn’t tell them that she misses them.
Later, she admits that sometimes she wants to give them a call, but doesn’t want to feel like a pest. Even though she feels regret for being desolate, she keeps on keeping on. What she really wants is to find a friend, someone who she can talk to one on one.
‘I’m Lonely (But I Ain’t That Lonely Yet)’ contains a gloomy storyline, ear-welcoming vocals, and guitar-driven instrumentation flavored with sentimental blues and folk elements.
“Making a record and having the vast possibilities of production and instrumentation is exciting, but there is something special about limitation. This live EP brings the songs back to how they were written. Back to those intimate moments of writing alone late at night with just me and my guitar. These songs are really personal to me. All about very vivid moments and stories of my life so being able to record them stripped-down and intimately was really emotional but beautiful. The day of the recording was really special for me. I’m a huge believer in the power of a community of people. So it was really special having my old friend Theo Karon record this in his new studio.” – Laura Jean Anderson
Laura Jean Anderson had a strict Mormon upbringing. During her teenage years, she used music as an outlet for rebellion and enhanced her vocal skill in church choirs.
After a bronchitis-ridden audition, she gained acceptance to California Institute of the Arts (CalArts), where she studied classical voice.
Since then, she has gained experience as a blue collared musician who built her career working odd jobs which involved painstaking hard labor.
Get acquainted with her music by streaming her “Live From Studio Hotel Earth” EP via Spotify.
Laura Jean Anderson recorded her “Live From Studio Hotel Earth” EP in one-take.
Also, this summer, she will embark on a tour as direct support with L.A. alt-rock outfit Grizfolk.
BankofMarquis (1832 KP) rated Venom: Let There Be Carnage (2021) in Movies
Oct 7, 2021
Suffers from Sequel-itis
If you ever heard of the term “Sequel-itis” and wondered what a good example of film suffering from this malady would be, look no further than VENOM: LET THERE BE CARNAGE.
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
The sequel to the surprisingly well made - and well acted - 2018 VENOM that introduced audiences to the (sometimes) villain, (sometimes) anti-hero, VENOM and the human/symbiot that he has bonded to (it makes sense in the first film) - this sequel looks and feels like a quick “money-grab” that is keeping this character “warm” for bigger things (I hope) down the road.
Directed by famed motion capture expert, Andy Serkis, VENOM: LET THERE BE CARNAGE feels like a movie that was directed by a Special FX veteran for this film is long on special effects and short on what makes a film work - plot and character.
And that’s too bad for the 2018 VENOM film was a surprise in that while it had it’s CGI moments (and plenty of them), it also had interesting plot and characters and took full advantage of two of the better actors working today - Tom Hardy and Michelle Williams.
The sequel looked promising enough as both Hardy and Williams were back and Woody Harrelson was cast as the main villain (with Naomi Harris along as the villain’s sidekick) so some of the ingredients were there for a quality sequel.
Unfortunately, this sequel leaned heavily into the CGI-ness of the first film and made the CGI Alien Venom the focal point of the story, relegating the humans to the back. No actor was pushed further to the back than Williams who was stuck with a weak “damsel in distress” arc while Harrelson and Harris take turns over-acting the other making their pair of villains some of the weakest in recent comic-book movies memory.
And then there is the performance of Hardy as Eddie Brock. He is sleepwalking his way through this film, looking like he has very little interest in what is going on and just wants to grab his paycheck and get home.
Some of these sins could be forgiven if the CGI elements - and the battles between Venom and Carnage - are interesting. Unfortunately, they just are not - they are “fine”, but nothing interesting or original, so this film is destined to get washed off the shore (and memory) as quickly as a sandcastle is washed away on a beach.
If you are going to check out this flick, make sure you stay for the “end credits” scene (which is only, thankfully, about 2 minutes into the credits), it is the best part of this film.
Letter Grade: C+
5 stars (out of 10) and you can take that to the Bank(ofMarquis)
Jennifer Roup (9 KP) rated Little Broken Things in Books
Dec 19, 2017
Very Intriguing Family Drama
There is nothing better than a thriller that really makes you think. You're not just reading it, you feel like you are right there with the characters, trying to figure it along with them.
Nora and Quinn are estranged sisters with secrets that they are both trying everything they can to keep hidden. Across the lake Quinn and her husband are living, their mother is secretly watching them through the telescope of her deceased husband. She's trying to figure out why Quinn is acting so strange, coming and going in the middle of the night
When Nora shows up after a year, asking Quinn to take care of something for her, Quinn is floored when she realized that "Something" is a 6 year old little girl. Without giving any answers, Nora disappears again without any explanation. So not only must Quinn figure out how to take care of this silent, helpless child, she must also come to terms with the fact that she looks unmistakably like her sister or at least someone else in their family. The same eyes... but whose child is she?
This is twisted, with unreliable characters, hidden secrets, shame and still, the undeniable bond that holds families together even when they want nothing but to be apart.
Nora and Quinn are estranged sisters with secrets that they are both trying everything they can to keep hidden. Across the lake Quinn and her husband are living, their mother is secretly watching them through the telescope of her deceased husband. She's trying to figure out why Quinn is acting so strange, coming and going in the middle of the night
When Nora shows up after a year, asking Quinn to take care of something for her, Quinn is floored when she realized that "Something" is a 6 year old little girl. Without giving any answers, Nora disappears again without any explanation. So not only must Quinn figure out how to take care of this silent, helpless child, she must also come to terms with the fact that she looks unmistakably like her sister or at least someone else in their family. The same eyes... but whose child is she?
This is twisted, with unreliable characters, hidden secrets, shame and still, the undeniable bond that holds families together even when they want nothing but to be apart.
Connor Sheffield (293 KP) rated The Crow in Books
May 25, 2017
Emotionally written (2 more)
Poetic
Brilliantly drawn
My All Time Favourite
This graphic novel is my all time favourite. I have read it countless times, sometimes in a row. This is where it all began, and the author's tragic backstory, really helps bring forth the emotion from the pages.
This is a story of love and loss, but mostly of vengeance and a sense of mental torment that no one, dead or alive, should suffer.
There's a belief that when someone dies, their soul is carried to heaven, hell or some form of afterlife, and then there's this graphic novel that suggests that if the soul was wronged in their life, they may return as an avenging angel, to seek vengeance on those who wronged them.
Eric and his Fiancé where murdered for no good reason, and so his soul is brought back from the dead, with some additional abilities, such as a healing factor, meaning that he cannot be killed (again) by mortals.
This book also contains poetry among its pages. Beautiful poems that really add to the emotion of the book and the story. I love comics, graphic novels etc. Anything Marvel or DC, and of course indie comics, but The Crow will forever remain my favourite one among them all, because it is poetic justice written beautifully and emotionally, unlike anything I have ever read before or after it.
This is a story of love and loss, but mostly of vengeance and a sense of mental torment that no one, dead or alive, should suffer.
There's a belief that when someone dies, their soul is carried to heaven, hell or some form of afterlife, and then there's this graphic novel that suggests that if the soul was wronged in their life, they may return as an avenging angel, to seek vengeance on those who wronged them.
Eric and his Fiancé where murdered for no good reason, and so his soul is brought back from the dead, with some additional abilities, such as a healing factor, meaning that he cannot be killed (again) by mortals.
This book also contains poetry among its pages. Beautiful poems that really add to the emotion of the book and the story. I love comics, graphic novels etc. Anything Marvel or DC, and of course indie comics, but The Crow will forever remain my favourite one among them all, because it is poetic justice written beautifully and emotionally, unlike anything I have ever read before or after it.
Acanthea Grimscythe (300 KP) rated Mindhunter: Inside the FBI's Elite Serial Crime Unit in Books
May 16, 2018
If you’re reading this review, chances are you’re either a) a true crime buff or b) curious as to what the source material of Netflix’s latest original series, Mindhunters, is based on. That title, Mindhunter: Inside the FBI’s Elite Serial Crime Unit by John Douglas is actually a fascinating read that details a division of the FBI that, had it not been created, would leave us without shows like Criminal Minds, where the Behavioral Science Unit profiles killers and races the clock to save victims that may still be alive. (Also, we wouldn’t have our Shemar Moore and wouldn’t that be a crying shame? We need our Morgan and Baby Girl.)
Reading more like Douglas is sitting in the room beside you and recounting his past, Mindhunter, as expected, delves into some pretty deep material. For a while, I had to put it down because the ATKID murders dug beneath my skin. Despite the sometimes gory details Douglas provides readers with, I feel this is an important title for any true crime fan. After all, it is Douglas that a certain character from Silence of the Lambs is based on.
<a href="http://theghastlygrimoire.com/2017/11/19/book-review-mindhunter-inside-the-fbis-elite-serial-crime-unit-mindhunter-1-by-john-douglas/"; target="_new">Read more at <i>The Ghastly Grimoire</i>.</a>
Reading more like Douglas is sitting in the room beside you and recounting his past, Mindhunter, as expected, delves into some pretty deep material. For a while, I had to put it down because the ATKID murders dug beneath my skin. Despite the sometimes gory details Douglas provides readers with, I feel this is an important title for any true crime fan. After all, it is Douglas that a certain character from Silence of the Lambs is based on.
<a href="http://theghastlygrimoire.com/2017/11/19/book-review-mindhunter-inside-the-fbis-elite-serial-crime-unit-mindhunter-1-by-john-douglas/"; target="_new">Read more at <i>The Ghastly Grimoire</i>.</a>
ClareR (6238 KP) rated The Colour of Bee Larkham's Murder in Books
Apr 11, 2018
After the first chapter, I didn't think I'd like this AT ALL. It's a grower though! Once you fall in to the rhythm of Jasper's life and the way that he sees the world, it's all rather beautiful. He has synaesthesia - he sees sounds and voices as colours. Numbers and words have colours too. To add to his interesting world, he also has prosopagnosia (face blindness) and autism. He paints pictures of the sounds he experiences, and they sound as though they'll be beautiful.
I really felt for his father: it can't be easy parenting a child with Jaspers complex needs. However, I feel he comes across as being a very capable, loving man. He struggles to understand his son sometimes, but I think he appears to work very hard to help Jasper. And honestly, it must be hard to be Jasper as well.
As someone who works in education, I found it difficult to see how Jasper has slipped through the net of support for his conditions - but it does say in the novel that they have moved around a lot. So this might be the reason (and I'll allow for poetic licence!).
The descriptive language in this novel surrounding Jaspers synaesthesia really is beautiful, and well worth a read purely for that. Then you can stay for the murder mystery event!
I really felt for his father: it can't be easy parenting a child with Jaspers complex needs. However, I feel he comes across as being a very capable, loving man. He struggles to understand his son sometimes, but I think he appears to work very hard to help Jasper. And honestly, it must be hard to be Jasper as well.
As someone who works in education, I found it difficult to see how Jasper has slipped through the net of support for his conditions - but it does say in the novel that they have moved around a lot. So this might be the reason (and I'll allow for poetic licence!).
The descriptive language in this novel surrounding Jaspers synaesthesia really is beautiful, and well worth a read purely for that. Then you can stay for the murder mystery event!
Bookapotamus (289 KP) rated Goodnight Nobody in Books
May 25, 2018
Sometimes flashbacks are useful, helpful even, and contribute to the story. I find myself having a lot of "Ah-ha!" moments when presented with a flashback scenario in a book. Not the case here. They bored me. I came thisclose to skipping ahead to the present-day chapters. But I didn't.
Don't get me wrong, I did enjoy the story, it dragged a bit in those parts, they could have been shorter and more condensed. The story was in most parts about the balance between being a woman and being a mother. Which, maybe since I'm not a mother, I didn't connect as much, and at times felt like screaming "Get it together lady!" Obviously we all know that these "supermoms" are never whom they appear to be on the outside. Everyone has their issues.
There are some good twists and turns of this story of a woman named Kate, former writer/investigator turned stay at home "surburban supermom wannabe" who uses her past to help "find" her future when a mystery presents itself. Who better than Kate to solve the crime?! There is wit and charm in the writing as we all know and love from Jennifer Weiner, and the plot is well-developed, but the story didn't grab me all the way throughout, with an ending that just wasn't very convincing.
Don't get me wrong, I did enjoy the story, it dragged a bit in those parts, they could have been shorter and more condensed. The story was in most parts about the balance between being a woman and being a mother. Which, maybe since I'm not a mother, I didn't connect as much, and at times felt like screaming "Get it together lady!" Obviously we all know that these "supermoms" are never whom they appear to be on the outside. Everyone has their issues.
There are some good twists and turns of this story of a woman named Kate, former writer/investigator turned stay at home "surburban supermom wannabe" who uses her past to help "find" her future when a mystery presents itself. Who better than Kate to solve the crime?! There is wit and charm in the writing as we all know and love from Jennifer Weiner, and the plot is well-developed, but the story didn't grab me all the way throughout, with an ending that just wasn't very convincing.
graveyardgremlin (7194 KP) rated The Book of Fires in Books
Feb 15, 2019
[b:The Book of Fires|6402584|The Book of Fires|Jane Borodale|http://ecx.images-amazon.com/images/I/51hnp5vgo-L._SL75_.jpg|6591386] was not an easy book for me to get through. Not that it's a bad book, far from it, but because of its slow and steady pace I had to stop quite often to get my bearings. This is a very well-written book but it is also a very detailed one as well, sometimes to the detriment of the book; I felt like I was wading through facts and the story fell to a standstill at times. The lectures on fireworks and how they were made in the 18th century could have been fascinating, but they bored me, mainly because they were lectures and didn't fit into the book. Agnes was a confusing narrator, and while I can buy the uneducated yet bright and thoughtful type of character, I never felt for her as a human, she had no identity. The whole book was this way, and to put it bluntly, it felt dead, there was no sense of living in these pages. I think many people will enjoy <b><i>The Book of Fires</i></b>, but it left me cold, and for a book that features fireworks, there isn't much of a spark and bang between its covers.
Provided for review via Amazon Vine.
Provided for review via Amazon Vine.
Molly J (Cover To Cover Cafe) (106 KP) rated Phoebe's Light (Nantucket Legacy #1) in Books
Feb 25, 2019
I believe in giving honest reviews, and this one will be the same as all my other. Honest. My thoughts on this book? Ugh. That's right. Ugh. I was very disappointed in how this book turned out. I am usually a big fan of all of Suzanne Woods Fisher's novels but this one was......well, frankly, bland. Very bland. I could not get into it easily. It took me many tries to actually get to the end of the story and by that point I was so frustrated with the way it was written that it lost all appeal to me.
That said, I personally can not give this book more than 2 stars. However, just because I found the characters lacking and the story line flat, does not mean that you or someone you know may feel the same way, so I do still encourage you to give it a try. It's just not a book for me. Does this mean I have given up on reading Suzanne's books? Absolutly not. Sometimes, an author goes through down times just like every person in life. I will definitely give the next book in this series a try and hope that it's not quite so bland.
*I received a complimentary copy of this book from Revell Books and was under no obligation to post a review, positive or negative.*
That said, I personally can not give this book more than 2 stars. However, just because I found the characters lacking and the story line flat, does not mean that you or someone you know may feel the same way, so I do still encourage you to give it a try. It's just not a book for me. Does this mean I have given up on reading Suzanne's books? Absolutly not. Sometimes, an author goes through down times just like every person in life. I will definitely give the next book in this series a try and hope that it's not quite so bland.
*I received a complimentary copy of this book from Revell Books and was under no obligation to post a review, positive or negative.*
Stephen (210 KP) rated As Above So Below (2014) in Movies
Mar 1, 2019 (Updated Mar 2, 2019)
Worthy Of A Watch
Contains spoilers, click to show
As I watched this tonight, all I could think of was ‘Tomb Raider meets The Descent’ - although much more emphasis is placed on the Tomb Raider element, which, when the film is classed as a horror movie just ends up watering down the horror element. Don’t get me wrong, there are some excellent ‘jump off the sofa’ moments, however a lot of what could have been achieved (e.g. the claustrophobic terror of ‘The Descent’) has been lost and overwhelmed by the Tomb Raider element, and to be honest this lets the film down slightly as some of the storyline is just plain stupid. I mean, OK it’s fine to search for an ancient relic, but finding the Philosopher’s Stone and then using it to heal fellow team members is just a bit too silly in my opinion.
Whilst I felt the film was well crafted, it does suffer from the annoying ‘camera jerking all over the place’ syndrome, meaning it’s sometimes virtually impossible to work out what is going on, and also means that when something scary is happening, it fails as you can’t see what it is you’re supposed to be scared by.
Overall, the film was enjoyable apart from the above mentioned negatives - oh, and the ending just SUCKS - a complete letdown.
Whilst I felt the film was well crafted, it does suffer from the annoying ‘camera jerking all over the place’ syndrome, meaning it’s sometimes virtually impossible to work out what is going on, and also means that when something scary is happening, it fails as you can’t see what it is you’re supposed to be scared by.
Overall, the film was enjoyable apart from the above mentioned negatives - oh, and the ending just SUCKS - a complete letdown.