Search
Search results
Invite All Friends to a Page
Social Networking
App
Welcome to the Invite All Friends to a Page App * Now 2 Friends can both share each other's Pages,...
BankofMarquis (1832 KP) rated The Holdovers (2023) in Movies
Dec 31, 2023
Emotional Rich...and Real
The last time Paul Giamatti starred in an Alexander Payne film (2004’s SIDEWAYS), Payne won the Oscar for Best Adapted Screenplay.
Reunited for THE HOLDOVERS, it might be time for Giamatti to win the Oscar.
THE HOLDOVERS tells a well-worn story of a cranky older guy, all-Male Prep School teacher Paul Hunham (Giamatti) who is forced to spend the Christmas holidays sometime in the early 1970’s with arrogant, intelligent, student, Angus Tully (Dominic Sessa). Will they learn to tolerate - and then respect - each other by the time school is back in session? Of course they are.
But it is the journey and not the destination that this film is about - and, boy, what a journey.
Director Payne (working off a screenplay by David Hemingson - WHISKEY CAVALIER) infuses his usual human style into the HOLDOVERS focusing on the characters and driving strong, emotional performances. Sometimes this works (SIDEWAYS, NEBRASKA), sometimes it doesn’t (DOWNSIZING) but in a Payne film it all depends on the strength of the script - and performances - in the film.
Payne was wise to turn over the central character of Paul “Walleye” Hunham to Giamatti who rides the line of curmudgeonly without becoming evil. From the start you can see some sort of humanity under the cranky surface of Paul and when the facade starts to fade away you see a real human being under there. It is, perhaps, the finest performance of Giamatti’s career and expect to see Giamatti’s name called come Oscar Nomination time.
Of course, Giamatti’s performance is only as good as the other actors that he is working against and in newcomer Sessa, Payne has given Giamatti a very good counterpoint indeed - especially since this is Sessa’s Major Motion Picture screen debut. He imbues Tulley with the requisite youthful arrogance but you can sense the vulnerability underneath from a young man who just wants to be accepted - and loved - for who he is.
A joyful surprise of this film is the work of Da’Vine Joy Randolph (ONLY MURDERS IN THE BUILDING) as the cafeteria worker (with a secret tragedy of her own) who volunteers to stay behind to cook for these two. She provides a welcome 3rd leg to this stool and counterbalances both Giamatti’s and Sessa’s performance in a strong - and real - way.
All of this, of course, is due to the fine direction of Payne and the smart, funny and emotionally rich script by Hemingson. They wisely set this piece in the early 1970’s - so there are no cell phones or Internet to draw these people away from each other. They are trapped with one another and must deal with each other in an emotionally satisfying manner.
One of the best films of 2023 (expect to see it in my Top 5 of the year), THE HOLDOVERS is the type of film that the Academy loves - so expect more than 1 Oscar nomination and, just maybe, an Oscar win for Giamatti.
All would be well deserved.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Reunited for THE HOLDOVERS, it might be time for Giamatti to win the Oscar.
THE HOLDOVERS tells a well-worn story of a cranky older guy, all-Male Prep School teacher Paul Hunham (Giamatti) who is forced to spend the Christmas holidays sometime in the early 1970’s with arrogant, intelligent, student, Angus Tully (Dominic Sessa). Will they learn to tolerate - and then respect - each other by the time school is back in session? Of course they are.
But it is the journey and not the destination that this film is about - and, boy, what a journey.
Director Payne (working off a screenplay by David Hemingson - WHISKEY CAVALIER) infuses his usual human style into the HOLDOVERS focusing on the characters and driving strong, emotional performances. Sometimes this works (SIDEWAYS, NEBRASKA), sometimes it doesn’t (DOWNSIZING) but in a Payne film it all depends on the strength of the script - and performances - in the film.
Payne was wise to turn over the central character of Paul “Walleye” Hunham to Giamatti who rides the line of curmudgeonly without becoming evil. From the start you can see some sort of humanity under the cranky surface of Paul and when the facade starts to fade away you see a real human being under there. It is, perhaps, the finest performance of Giamatti’s career and expect to see Giamatti’s name called come Oscar Nomination time.
Of course, Giamatti’s performance is only as good as the other actors that he is working against and in newcomer Sessa, Payne has given Giamatti a very good counterpoint indeed - especially since this is Sessa’s Major Motion Picture screen debut. He imbues Tulley with the requisite youthful arrogance but you can sense the vulnerability underneath from a young man who just wants to be accepted - and loved - for who he is.
A joyful surprise of this film is the work of Da’Vine Joy Randolph (ONLY MURDERS IN THE BUILDING) as the cafeteria worker (with a secret tragedy of her own) who volunteers to stay behind to cook for these two. She provides a welcome 3rd leg to this stool and counterbalances both Giamatti’s and Sessa’s performance in a strong - and real - way.
All of this, of course, is due to the fine direction of Payne and the smart, funny and emotionally rich script by Hemingson. They wisely set this piece in the early 1970’s - so there are no cell phones or Internet to draw these people away from each other. They are trapped with one another and must deal with each other in an emotionally satisfying manner.
One of the best films of 2023 (expect to see it in my Top 5 of the year), THE HOLDOVERS is the type of film that the Academy loves - so expect more than 1 Oscar nomination and, just maybe, an Oscar win for Giamatti.
All would be well deserved.
Letter Grade: A
9 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Hazel (2934 KP) rated Things That Go Bump in the Night: Here There Be Monsters in Books
Jan 12, 2018
I received a copy of this from the author in return for an honest review.
The book centres around 2 people - one a serial killer and the other someone who doesnt know he is - and the authorities trying to catch them one of whom happens to be related to one of the killers. It was an interesting and enjoyable story and although I had guessed who the serial killer was early on, the pace and style of writing kept me interested as I wanted to see if and how the two came together.
The story was well written although the dialogue between characters was difficult to follow at times - it was not always clear who said what in a conversation as there was sometimes no distinction between what was being said by which character - however, this could have been due to how the book formatted on my reading device and it certainly didnt detract too much from the flow of the writing.
The characters were well developed and I enjoyed getting to know them. They were believable and I found myself feeling sorry for the main character, Jalen, and the predicament he was in through no fault of his own.
I would have liked the serial killers character to have been developed a bit more than it was - it felt like he was more of an aside or afterthought to make the story more interesting and different but nevertheless, it was an entertaining read and one that I would recommend.
The book centres around 2 people - one a serial killer and the other someone who doesnt know he is - and the authorities trying to catch them one of whom happens to be related to one of the killers. It was an interesting and enjoyable story and although I had guessed who the serial killer was early on, the pace and style of writing kept me interested as I wanted to see if and how the two came together.
The story was well written although the dialogue between characters was difficult to follow at times - it was not always clear who said what in a conversation as there was sometimes no distinction between what was being said by which character - however, this could have been due to how the book formatted on my reading device and it certainly didnt detract too much from the flow of the writing.
The characters were well developed and I enjoyed getting to know them. They were believable and I found myself feeling sorry for the main character, Jalen, and the predicament he was in through no fault of his own.
I would have liked the serial killers character to have been developed a bit more than it was - it felt like he was more of an aside or afterthought to make the story more interesting and different but nevertheless, it was an entertaining read and one that I would recommend.
Andrea (28 KP) rated Mockingjay in Books
Aug 18, 2017
Takes the first two novels to a new level (1 more)
Interesting take on PTSD and mental illness
Needs more than one reading
This is a story about a traumatized girl suffering from PTSD as much as it is about war. She isn't the only one who suffer that diagnosis though as we see several aspects of the illness in various characters. All of it is handled fairly well and doesn't romanticize the distress.
Perhaps my favorite part of this book (and even through the series) is that we see "villains" who aren't wholly evil and "heros" who make inexcusable choices. Both do so because they feel they are doing the best thing for their cause, even if it ends up with a significant cost.
The ending is something that many hate, and I must admit that I didn't like it the first time either. I didn't feel happy or satisfied. It wasn't until I realized I wasn't SUPPOSED to feel happy and satisfied with the story's ending that I started to understand the depth. This isn't a pretty picture where people live happily ever after. Even when they get some happiness, if they get some happiness, there are scares that don't go away. This is the cost of war and drastic change. Sometimes all we can hope for is the ability to move on and find little joys in what comes next each and every day while we try to distance ourselves from the horrors of our past.
Perhaps my favorite part of this book (and even through the series) is that we see "villains" who aren't wholly evil and "heros" who make inexcusable choices. Both do so because they feel they are doing the best thing for their cause, even if it ends up with a significant cost.
The ending is something that many hate, and I must admit that I didn't like it the first time either. I didn't feel happy or satisfied. It wasn't until I realized I wasn't SUPPOSED to feel happy and satisfied with the story's ending that I started to understand the depth. This isn't a pretty picture where people live happily ever after. Even when they get some happiness, if they get some happiness, there are scares that don't go away. This is the cost of war and drastic change. Sometimes all we can hope for is the ability to move on and find little joys in what comes next each and every day while we try to distance ourselves from the horrors of our past.
tonidavis (353 KP) rated Buffy the Vampire Slayer - Season 2 in TV
Jul 8, 2017
Der Kinder Stood (5 more)
Whistler
Angelus
Lie to Me
SPIKE!!!!!!!!!!!!
The Judge
Ted (2 more)
Innca Mummy Girl
Go Fish
The competely love an episode or hate an episode season
This series has some of my favorite episodes and some of my least.
It also introduced us to Spike so forever grateful to that.
It has my favorite one time character in the Whistler. When Glenn Quinn left i so wanted Whistler to replace Doyle in Angel.
Season 2 has my favorite one of There are some amazing moments in this series and some fantastic quotes.
“Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead.”
"Bottom line is, even if you see them coming, you're not ready for the big moments. No one asks for their life to change, not really. But it does. So, what are we, helpless? Puppets? Nah. The big moments are gonna come, you can't help that. It's what you do afterwards that counts. That's when you find out who you are."
It also introduced us to Spike so forever grateful to that.
It has my favorite one time character in the Whistler. When Glenn Quinn left i so wanted Whistler to replace Doyle in Angel.
Season 2 has my favorite one of There are some amazing moments in this series and some fantastic quotes.
“Passion. It lies in all of us. Sleeping... waiting... and though unwanted, unbidden, it will stir... open its jaws and howl. It speaks to us... guides us. Passion rules us all. And we obey. What other choice do we have? Passion is the source of our finest moments. The joy of love... the clarity of hatred... the ecstasy of grief. It hurts sometimes more than we can bear. If we could live without passion, maybe we'd know some kind of peace. But we would be hollow. Empty rooms, shuttered and dank. Without passion, we'd be truly dead.”
"Bottom line is, even if you see them coming, you're not ready for the big moments. No one asks for their life to change, not really. But it does. So, what are we, helpless? Puppets? Nah. The big moments are gonna come, you can't help that. It's what you do afterwards that counts. That's when you find out who you are."
Haley Mathiot (9 KP) rated Sock Club: Join the Knitting Adventure in Books
Apr 27, 2018
Sock Club was created and inspired by both physical knitting clubs and online knitting clubs. Many of the sock patters were designed by knitters who have had many patterns published, and some are the knitters first published pattern. But all of them share this—they are creative, unique and beautiful.
The special thing about the patterns is this: in the front of the book, Schurch and Parrott give a variety of suggestions and instructions on how to adjust the size of the sock by altering the pattern slightly, or changing the needle size, or the yarn, etc. For each pattern, they give which specific ways work best for resizing for that pattern.
In the back, there are 5 different ways of casting on (sometimes you need a different cast-on for a pattern to make it work), and the instructions and pictures are pretty good. There are other little tips and tricks for technique, like knitting with a circular needles, wrap and turn, suspended bind-off, and finishing techniques. There’s also a sizing chart for men and women, information on yarn types, and a list of sources to find recommended yarn for your new socks.
There are 23 patterns, a million colors you could work with… you realize how many beautiful socks you could make with this book?
Recommendation: This book was designed for the intermediate to experienced knitter. Many of the patters work with lace, cables, bobbles etc. even one with beads, and other more complicated patterning.
Happy Knitting!
~Haleyknitz
The special thing about the patterns is this: in the front of the book, Schurch and Parrott give a variety of suggestions and instructions on how to adjust the size of the sock by altering the pattern slightly, or changing the needle size, or the yarn, etc. For each pattern, they give which specific ways work best for resizing for that pattern.
In the back, there are 5 different ways of casting on (sometimes you need a different cast-on for a pattern to make it work), and the instructions and pictures are pretty good. There are other little tips and tricks for technique, like knitting with a circular needles, wrap and turn, suspended bind-off, and finishing techniques. There’s also a sizing chart for men and women, information on yarn types, and a list of sources to find recommended yarn for your new socks.
There are 23 patterns, a million colors you could work with… you realize how many beautiful socks you could make with this book?
Recommendation: This book was designed for the intermediate to experienced knitter. Many of the patters work with lace, cables, bobbles etc. even one with beads, and other more complicated patterning.
Happy Knitting!
~Haleyknitz
Rachel King (13 KP) rated Extras (Uglies, #4) in Books
Feb 11, 2019
I enjoyed this book as an epilogue to the Ugly Trilogy. It resolved the one aspect that I thought was left hanging in Specials, the fate of the planet Earth itself in regards to how the current human race treated it, as opposed to how the Rusties were notorious for destroying it. I liked that I got to see how Tally and the other Cutters were viewed from an outsider with the viewpoint of Aya Fuse. In addition, the reputation economy that Aya lived in was unnervingly familiar to our own Western society of blogging, social networking, computer and television-centered lifestyles. Of the four books, I found this one the most enlightening and original, in the same genre as other dystopian literature. It seeks to reveal the truth through a piece of fiction, or as one character in the book proclaims, "I guess you sometimes have to lie to find the truth."
I did find the resolution that the Extras came up with regarding the protection of the wild to be a bit far-fetched and lacking detail and explanation - it takes much, much more to train for life in outer space than just floating around on zero-gravity attachments. The lightness with which this topic is approached in the novel does not do it justice by any means, but I had to remind myself that this is still a Young Adult novel. At the same time, this concept opens up a whole new plotline that Westerfeld could pursue in the Ugly series, should he want to, which I do appreciate.
I did find the resolution that the Extras came up with regarding the protection of the wild to be a bit far-fetched and lacking detail and explanation - it takes much, much more to train for life in outer space than just floating around on zero-gravity attachments. The lightness with which this topic is approached in the novel does not do it justice by any means, but I had to remind myself that this is still a Young Adult novel. At the same time, this concept opens up a whole new plotline that Westerfeld could pursue in the Ugly series, should he want to, which I do appreciate.
graveyardgremlin (7194 KP) rated The Vanishing of Katharina Linden in Books
Feb 15, 2019
One word to describe <b><i>The Vanishing of Katharina Linden</i></b>: Engrossing.
My interest in this book was <i>piqued</i> when I saw it described as a "charming horror novel," and while that isn't totally accurate, charming it is, horror it isn't, I very much enjoyed the book. Helen Grant has such an ease about her writing that I find it hard to believe this is her first novel. Her descriptions of Bad Münstereifel and its inhabitants are key to the book and provided most of the atmosphere; I could quite easily visualize everything and everyone in this little town. Pia was a realistic and relatable narrator who kept the story going at a fairly brisk pace. Sometimes she used words that I don't think an eleven-year-old would, but since the book is told by adult Pia reminiscing back, I'm willing to let that pass. The legends of this small town are wonderfully interwoven through the story and add an extra element of childhood innocence to the book. Some may find the mystery obvious or weak, but I don't think the mystery is reason for this book, it's Pia at a major point in her life, with major events happening that affect her and in turn, how she deals with them. Parts of the book are chilling, light, quiet, humorous, thoughtful, predictable, surprising, absorbing, and more, but altogether it is a book that impressed me.
4.5 stars
Received for review through the Amazon Vine program.
http://en.wikipedia.org/wiki/Bad_M%C3%BCnstereifel
My interest in this book was <i>piqued</i> when I saw it described as a "charming horror novel," and while that isn't totally accurate, charming it is, horror it isn't, I very much enjoyed the book. Helen Grant has such an ease about her writing that I find it hard to believe this is her first novel. Her descriptions of Bad Münstereifel and its inhabitants are key to the book and provided most of the atmosphere; I could quite easily visualize everything and everyone in this little town. Pia was a realistic and relatable narrator who kept the story going at a fairly brisk pace. Sometimes she used words that I don't think an eleven-year-old would, but since the book is told by adult Pia reminiscing back, I'm willing to let that pass. The legends of this small town are wonderfully interwoven through the story and add an extra element of childhood innocence to the book. Some may find the mystery obvious or weak, but I don't think the mystery is reason for this book, it's Pia at a major point in her life, with major events happening that affect her and in turn, how she deals with them. Parts of the book are chilling, light, quiet, humorous, thoughtful, predictable, surprising, absorbing, and more, but altogether it is a book that impressed me.
4.5 stars
Received for review through the Amazon Vine program.
http://en.wikipedia.org/wiki/Bad_M%C3%BCnstereifel
graveyardgremlin (7194 KP) rated Harm None (A Rowan Gant Investigation #1) in Books
Feb 15, 2019
Since I don't feel like writing a review, I'll just detail what I liked and disliked about the book.
Liked:
The subject matter - From what I know, I think the author handled Wicca/Witchcraft very well.
How it was written - I'm not the grammar police and don't know everything about it, so it was fine with me. Sometimes I think that the books that have the best grammar are the most unrealistic and holds the reader away from the book and story because of this. I mean Mr. Sellars has a point, how many people really speak or think in proper English?
Most of the book.
Disliked:
The constant use of paleface, squaw, and other white or Native American Indian terms. I get that Rowan and Ben are friends and they use the words as buddies (and the author means well I assume), but I think it's unlikely that anyone would say them so much - it felt forced and unrealistic to me.
Some repetitions of phrases, descriptions, etc. - i.e. Felicity's hair, eyes, temperament, other actions people did, or descriptions of places.
The use of the word query. How many people actually use that word? LoL
The ending was a bit saccharine and not very likely, but I'll let that pass.
Neutral
Some of the descriptions made me a bit queasy but I think it added to the storyline.
Overall, I was very impressed with the story, will read the next and be on the lookout for others in the series.
Liked:
The subject matter - From what I know, I think the author handled Wicca/Witchcraft very well.
How it was written - I'm not the grammar police and don't know everything about it, so it was fine with me. Sometimes I think that the books that have the best grammar are the most unrealistic and holds the reader away from the book and story because of this. I mean Mr. Sellars has a point, how many people really speak or think in proper English?
Most of the book.
Disliked:
The constant use of paleface, squaw, and other white or Native American Indian terms. I get that Rowan and Ben are friends and they use the words as buddies (and the author means well I assume), but I think it's unlikely that anyone would say them so much - it felt forced and unrealistic to me.
Some repetitions of phrases, descriptions, etc. - i.e. Felicity's hair, eyes, temperament, other actions people did, or descriptions of places.
The use of the word query. How many people actually use that word? LoL
The ending was a bit saccharine and not very likely, but I'll let that pass.
Neutral
Some of the descriptions made me a bit queasy but I think it added to the storyline.
Overall, I was very impressed with the story, will read the next and be on the lookout for others in the series.
RəX Regent (349 KP) rated Ali (2001) in Movies
Mar 7, 2019
Needed more...
Contains spoilers, click to show
I used to have this in my collection but passed it on few years ago. It's not a bad film by any means but to put it simply, it is preaching to the converted, the fans of Mohammed Ali, and those who are old enough to remember him at his prime. I am neither.
This was a biopic that simply didn't offer enough information for the indoctrinated to take in, instead focusing, and very well, on the atmosphere and nuance of the day. The key events of his career are played out as the political unrest of the 60′s, and the race movement unfold.
But in the end, this is an actors film, and for that I might call it flawless. Will Smith as the titular Ali, is pitch perfect, as he proves once and for all that his can be a great actor, and the transformation of Jon Voight into Howard Cosell, is suburb. Mann is a top flight director in my book, able to convey nuanced situations and craft his films in a style unto his own, but sometimes, I feel a little short-changed, as I do here.
I wanted to learn about a man and a fighter from an era that I wasn't born into and was only given so much. But on the other hand, for those who were there, who do know him, the response has been very favourable.
A good film for those who know and half a film for those who are not so lucky.
This was a biopic that simply didn't offer enough information for the indoctrinated to take in, instead focusing, and very well, on the atmosphere and nuance of the day. The key events of his career are played out as the political unrest of the 60′s, and the race movement unfold.
But in the end, this is an actors film, and for that I might call it flawless. Will Smith as the titular Ali, is pitch perfect, as he proves once and for all that his can be a great actor, and the transformation of Jon Voight into Howard Cosell, is suburb. Mann is a top flight director in my book, able to convey nuanced situations and craft his films in a style unto his own, but sometimes, I feel a little short-changed, as I do here.
I wanted to learn about a man and a fighter from an era that I wasn't born into and was only given so much. But on the other hand, for those who were there, who do know him, the response has been very favourable.
A good film for those who know and half a film for those who are not so lucky.